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Witch-king of Angmar

The Lord of the Nazgûl, also called the Witch-king of Angmar, the Pale King, and the Black Captain, is a fictional character in J. R. R. Tolkien's fantasy novel The Lord of the Rings. He had once been the King of Angmar in the north of Eriador. He is the bearer of a Ring of Power, one of the nine that the dark lord Sauron gave to Men, who become the Nazgûl or Ringwraiths. This gives him great power, but enslaves him to Sauron and makes him invisible. By the end of the Third Age, his name has been forgotten. He stabs the bearer of the One Ring, the Hobbit Frodo Baggins, with a Morgul-knife which would reduce its victim to a wraith. Much later in the narrative, in his final battle, the Lord of the Nazgûl attacks Éowyn with a mace. The Hobbit Merry Brandybuck stabs him with an ancient enchanted Númenórean blade, allowing Éowyn to kill him with her sword.

In early drafts, Tolkien had called him the "Wizard King", and considered making him either a renegade member of the Istari, or an immortal Maia, before settling on having him as a Man, a mortal, corrupted by a Ring of Power, given to him by Sauron. Commentators have written that the Lord of the Nazgûl functions at the level of myth when he calls himself Death and bursts the gates of Minas Tirith with magical spells. At a theological level, he embodies a vision of evil similar to Karl Barth's description of evil as das Nichtige, an active and powerful force that turns out to be empty. The prophecy that the Lord of the Nazgûl would not die by the hand of Man echoes that made of the title character in William Shakespeare's Macbeth.

Fictional history edit

 The ShireOld ForestBreeRivendellEreborEsgarothMoriaIsengardMirkwoodLothlórienFangornMordorGondorRohanHarad
Image map with clickable links of the north-west of Middle-earth at the end of the Third Age, showing Arnor in the north of Eriador (left), with the Witch-kingdom of Angmar at the northern end of the Misty Mountains (top centre).

The Witch-king first appears in the Second Age of Middle-earth. The Dark Lord Sauron gave Rings of Power to powerful Men, including kings of countries in Middle-earth. These confer magical power, but also enslave their wearers to the owner of the One Ring, Sauron himself.[T 1][T 2]

The Lord of the Nazgûl appears as the Witch-king of Angmar during the Third Age and is instrumental in the destruction of the Northern kingdom of Arnor.[T 3] in his notes for translators, Tolkien suggested that the Witch-king of Angmar, ruler of a Northern kingdom with its capital at Carn Dûm, was of Númenórean origin.[T 4] Nothing is heard of him when Sauron is overthrown by the Last Alliance of Elves and Men late in the Second Age, but his survival is assured by the power of the One Ring.[T 5]

Over a thousand years later in the Third Age, the Lord of the Nazgûl leads Sauron's forces against the successor kingdoms of Arnor: Rhudaur, Cardolan, and Arthedain. He destroys all of these, but is eventually defeated by the Elf-lord Glorfindel, who puts him to flight, and makes the prophecy that "not by the hand of Man will he fall".[T 6] He escapes, and returns to Mordor. There, he gathers the other Nazgûl to prepare for Sauron's return.[T 6][T 7]

Towards the end of the Third Age, Sauron sends the Witch-king, leading the other Nazgûl, to the Shire to find and recover the One Ring. He is cloaked and hooded in black; his face cannot be seen; he rides a black horse.[T 8][T 9][T 10][T 11] At Weathertop, the Witch-king stabs Frodo, the bearer of the One Ring, in the shoulder with the Morgul-knife, breaking off a piece of it in the Hobbit's flesh.[T 12] Frodo is able to see that the Witch-king is taller than the other Nazgûl, with "long and gleaming" hair and a crown on his helmet.[T 12] He is swept away by the waters of the river Bruinen and his horse is drowned. He returns to Mordor.[T 13] He reappears mounted on a hideous flying beast.[T 14][T 15]

During the Battle of the Pelennor Fields, the Witch-king uses magic, including Grond, a battering-ram engraved with evil spells, to break the gates of Minas Tirith. He is faced by a single warrior, Dernhelm, actually a disguised Éowyn, a noblewoman of Rohan; and not far away, Merry, a hobbit of the Fellowship. Éowyn boldly calls the Nazgûl a "dwimmerlaik", telling him to go if he was not deathless.[a] He casts back his hood to reveal a crown, but the head that wears it is invisible. Merry's surreptitious stroke with an enchanted Barrow-blade brings the Nazgûl to his knees, allowing Éowyn, the niece of Théoden, to drive her sword between his crown and mantle.[T 14] Thus the Witch-king is destroyed by a woman and a Hobbit, fulfilling Glorfindel's prophecy.[T 6] Both weapons that pierced him disintegrate, and both assailants are stricken by the Black Breath, which causes a cold paralysis, terror, and often death.[T 14]

Analysis edit

From Wizard to Witch-king edit

 
Scraperboard illustration of the Witch-king by Alexander Korotich, 1981

Megan N. Fontenot, on Tor.com, writes that in early drafts, Tolkien names him "the Wizard King", so powerful in wizardry that his opponent Gandalf is unable to counter him unaided. In early drafts of "The Council of Elrond", Gandalf explains that his enemy was "of old the greatest of all the wizards of Men". In a later draft, Tolkien adds that the Wizard King was also "a great king of old" and the "fell captain of the Nine [Riders]"; Fontenot glosses "fell" as implying "ravenous cruelty" and "ruthless ... savagery".[T 17][2]

Later, in a draft of "The Siege of Gondor", Tolkien makes the Wizard King "a renegade of [Gandalf's] own order" from Númenor.[2] In the manuscript of his notes for translators, Tolkien suggested that the Witch-king of Angmar was most likely of Númenórean origin.[3] Fontenot comments that this could make him both a Maia rather than a Man, and originally one of the Istari, or, as she states, "something decidedly other".[2] But Tolkien then reduces the Wizard King's power, so that Gandalf is able to tell Pippin as they wait for the attack on Gondor that "In him I am not overmatched", and that the Wizard King's main power is to inspire fear at a distance (with the Black Breath).[2] At some stage, too, he renames the enemy the Witch-king; Fontenot suggests this was to distinguish more clearly between him and the Wizards like Gandalf and Saruman. Tolkien had thus explored making him a wizard (Istari or otherwise) or an immortal Maia, before settling on a "a human king whose lust for power got the better of his good judgment."[2] She wonders what he might have been like before he accepted a Ring of Power from Sauron, noting that he was seemingly filled with "possessiveness, greed, lust, and a desire for dominance", all markers of evil in Tolkien's scheme of things.[T 18][2]

Evil, the absence of good edit

In rode the Lord of the Nazgûl. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the Nazgûl, under the archway that no enemy ever yet had passed, and all fled before his face.
      All save one. There waiting, silent, and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath Dínen.
      "You cannot enter here", said Gandalf, and the huge shadow halted. "Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!"
      The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter.
      "Old fool!" he said. "Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!" And with that he lifted high his sword and flames ran down the blade...

"The Siege of Gondor"[T 19]

The Tolkien scholar Tom Shippey writes that the Lord of the Nazgûl hovers close to being an abstraction, "a vast menace of despair ... a huge shadow",[T 19] actually calling himself Death: "Old fool! This is my hour. Do you not know Death when you see it?"[T 19][4] The scene forms, too, a picture of the "unexistence of evil",[4] based on the Boethian philosophy that God is all-powerful, so evil is not the equal and opposite of good, but simply its absence:[5] he forms "a huge shadow".[4]

The theologian George Hunsinger compares Tolkien's depiction of the Witch-king to the theologian Karl Barth's analysis of evil. Barth's conception is embodied in his term das Nichtige, "nothingness", which Hunsinger glosses as "something dynamic and sinister ... an active cosmic power, a power of destruction, a power of chaos, negation, and ruin."[6] The power of das Nichtige is both "outwardly repulsive" and in Barth's words "intrinsically evil"; it can be described but not explained, and is defeated by God; it is wholly evil and serves no good purpose. It is both fearful and empty.[6]

Hunsinger states that Tolkien's account of the Witch-king as he confronts Gandalf at the gate of Minas Tirith "captures something of Barth's notion of das Nichtige."[6] He finds it especially relevant that the Witch-king is "above all ... actual and yet empty at the same time", and comments that Tolkiens "dead but undead Black Rider is as good a symbol as any ... for Barth's impossible possibility."[6]

Similarly, Hunsinger finds Tolkien's description of how Éowyn kills the Witch-king "an image for the paradox of evil as something powerful and yet hollow at the same time." He notes that her sword shatters with her final stroke, but of her defeated foe, "nothing is left" in the empty mantle and hauberk.[6]

The Episcopal priest and theologian Fleming Rutledge writes that whereas the "pale king", the invisible Witch-king of Angmar, is striving to kill Frodo, the real king, Aragorn, who has been out of sight, in disguise as a Ranger, is doing all he can to heal him: the two kings are opposites.[7] She writes also that while the enemy visible to Gondor is the Men of Harad and the Easterlings, the real enemy is personified by the Witch-king.[7]

Fleming Rutledge's comparison of the Witch-king and Aragorn[7]
Character Kingship Goal Visibility
Witch-king Was King of Angmar To kill the ring-bearer Frodo Actually invisible
Aragorn Has claim to be King of Gondor To heal Frodo Has been out of sight as a Ranger

Prophecy both true and false edit

 
Tolkien's use of prophecy about the Witch-king's death parallels Shakespeare's, where the witches speak both truth and falsehood about Macbeth's death.[8] Painting by Henry Fuseli

Julaire Andelin, in The J. R. R. Tolkien Encyclopedia, writes that prophecy in Middle-earth depended on characters' understanding of the Music of the Ainur, the divine plan for Arda, and was often ambiguous. Thus, Glorfindel's prophecy "not by the hand of Man will [the Lord of the Nazgûl] fall" did not lead the Lord of the Nazgûl to suppose that he would die at the hands of a woman and a hobbit.[T 6][9]

Shippey states that the prophecy, and the Witch-king's surprise at finding Dernhelm to be a woman, parallel the witches' statement to Macbeth in Shakespeare's play of that name that he may "laugh to scorn / The power of man, for none of woman born / Shall harm Macbeth" (Act 4, scene 1), and Macbeth's shock at learning that Macduff "was from his mother's womb / Untimely ripp'd" (Act 5, scene 8), as Macduff was born by Caesarean section. Thus, Shippey notes, despite Tolkien's stated dislike of Shakespeare's treatment of myth, he read Macbeth closely.[8]

The Tolkien scholar Michael Drout identifies a further parallel with Shakespeare, one of several allusions to King Lear in The Lord of the Rings. The Witch-king says "Come not between the Nazgûl and his prey", as the mad Lear says "Come not between the dragon and his wrath".[10]

Adaptations edit

In Peter Jackson's 2001–2003 The Lord of the Rings film trilogy, during the siege of Minas Tirith, the Witch-king wears a distinctive helmet over his hood resembling a mask and a crown, rather than the crown worn underneath his hood in the book.[11] The Witch-king's mount is largely responsible for the death of Théoden and his horse Snowmane, a departure from the book. As confirmed in the films' audio commentary, the design of the monsters was based largely on illustrations by John Howe.[12][13]

In the first film of Jackson's 2012–2014 The Hobbit film trilogy, the Wizard Radagast briefly encounters the Witch-king while investigating the forest fortress of Dol Guldur.[14]

Péter Kristóf Makai, in A Companion to J. R. R. Tolkien, writes that the 1976 board game Middle Earth provided the Witch-king with a choice of nine spells, against Gandalf's eleven. Some of these were shared, such as the ability to project a defensive lightning-bolt.[15]

Notes edit

  1. ^ "Dwimmerlaik" represents a word in Rohirric, the speech of Rohan, translated into Old English; Tolkien glosses it in the index as a "work of necromancy", a "spectre". It derives from Old English (ge)dwimor, "phantom, illusion" and -leikr, the Old Norse ending corresponding to Anglo-Saxon -lac, meaning "a state or act".[T 16] Tom Shippey writes that Tolkien borrowed the word from a Middle English poem, Layamon's Brut.[1]

References edit

Primary edit

  1. ^ Tolkien 1977, "The Akallabêth", p. 267. "Yet Sauron was ever guileful, and it is said that among those whom he ensnared with the Nine Rings three were great lords of Númenórean race."
  2. ^ Tolkien 1980, 4. "The Hunt for the Ring" i. "Of the Journey of the Black Riders"
  3. ^ Tolkien 1955, Appendix A, 1 "The Numenorean Kings"
  4. ^ Tolkien writes: "the name and origin of the Witch-king is not recorded, but he was probably of Númenórean descent." Hammond, Wayne G. & Scull, Christina, The Lord of the Rings: A Reader's Companion, p. 20. Tolkien later removed the passage; it does not appear in the version in Jared Lobdell's A Tolkien Compass.
  5. ^ Tolkien 1955, Appendix B, "The Tale of Years", entries in "The Second Age"
  6. ^ a b c d Tolkien 1955, Appendix A, I, iv "Gondor and the heirs of Anarion"
  7. ^ Tolkien 1955, Appendix B, "The Tale of Years", entries in "The Third Age"
  8. ^ Tolkien 1954a, book 1, ch. 2 "The Shadow of the Past"
  9. ^ Tolkien 1954a, book 2, ch. 2 "The Council of Elrond"
  10. ^ Tolkien 1954a book 1, ch. 3 "Three is Company"
  11. ^ Tolkien 1954a book 1, ch. 4 "A Short Cut to Mushrooms"
  12. ^ a b Tolkien 1954a book 1, ch. 11 "A Knife in the Dark"
  13. ^ Tolkien 1954a book 1, ch. 12 "Flight to the Ford"
  14. ^ a b c Tolkien 1955, book 5, ch. 6, "The Battle of the Pelennor Fields"
  15. ^ Carpenter 2023, #211 to Rhona Beare, 14 October 1958
  16. ^ Tolkien 1990, p. 372
  17. ^ Tolkien 1989, pp. 9, 116, 132, 149
  18. ^ Tolkien 1990, pp. 326, 331
  19. ^ a b c Tolkien 1955, book 5, ch. 4, "The Siege of Gondor"

Secondary edit

  1. ^ Shippey 2005, p. 394
  2. ^ a b c d e f Fontenot, Megan N. (31 October 2019). "Exploring the People of Middle-earth: The Witch-King of Angmar, Lord of the Nazgûl". Tor.com. Retrieved 29 July 2023.
  3. ^ Hammond, Wayne G.; Scull, Christina (2005). The Lord of the Rings: A Reader's Companion. HarperCollins. p. 20. ISBN 978-0-00-720907-1.
  4. ^ a b c Shippey 2005, pp. 242–243
  5. ^ Shippey 2005, pp. 131–133
  6. ^ a b c d e Hunsinger, George (2020). "Barth and Tolkien". Wiley Blackwell Companion to Karl Barth. Wiley-Blackwell. pp. 693–700. ISBN 978-1-119-15656-7.
  7. ^ a b c Rutledge, Fleming (2003). The battle for Middle-Earth: Tolkien's divine design in Lord of the rings. William B. Eerdmans. pp. 85, 96. ISBN 978-0-8028-2497-4. OCLC 52559213.
  8. ^ a b Shippey 2005, pp. 205–206
  9. ^ Andelin, Julaire (2013) [2007]. "Prophecy". In Drout, Michael D. C. (ed.). The J. R. R. Tolkien Encyclopedia. Routledge. pp. 544–545. ISBN 978-0-415-86511-1.
  10. ^ Drout, Michael D. C. (2004). "Tolkien's Prose Style and its Literary and Rhetorical Effects". Tolkien Studies. 1 (1): 137–163. doi:10.1353/tks.2004.0006. S2CID 170271511.
  11. ^ Dembrow, Dylan (4 November 2018). "Lord Of The Rings: 20 Strangest Details About Witch-King's Anatomy". ScreenRant. To better distinguish him from his fellow Nazgul, the Witch-king was given additional armor and a large, pointed helm. In the novels, whenever his hood is thrown back, he is described as wearing a king's crown, which floats atop his invisible head and his burning eyes of fire.
  12. ^ Dellamorte, Andrew (20 June 2011). "The Lord of the Rings: The Motion Picture Trilogy: Extended Edition Blu-ray Review". Collider. Retrieved 11 March 2020.
  13. ^ See also Conlogue, Ray (16 December 2003). "Tolkien's Gentlemanly Art of War". The Globe and Mail.
  14. ^ LaSala, Jeff (14 November 2014). "Extending The Desolation of Smaug: More Is More". Tor.com. Retrieved 21 May 2020.
  15. ^ Makai, Péter Kristóf (2014). "Games and Gaming: Quantasy". A Companion to J. R. R. Tolkien. pp. 530–544. ISBN 978-0-4706-5982-3.

Sources edit

witch, king, angmar, pale, king, redirects, here, other, uses, pale, king, disambiguation, 2023, fantasy, novel, martha, wells, witch, king, novel, lord, nazgûl, also, called, pale, king, black, captain, fictional, character, tolkien, fantasy, novel, lord, rin. Pale king redirects here For other uses see Pale King disambiguation For the 2023 fantasy novel by Martha Wells see Witch King novel The Lord of the Nazgul also called the Witch king of Angmar the Pale King and the Black Captain is a fictional character in J R R Tolkien s fantasy novel The Lord of the Rings He had once been the King of Angmar in the north of Eriador He is the bearer of a Ring of Power one of the nine that the dark lord Sauron gave to Men who become the Nazgul or Ringwraiths This gives him great power but enslaves him to Sauron and makes him invisible By the end of the Third Age his name has been forgotten He stabs the bearer of the One Ring the Hobbit Frodo Baggins with a Morgul knife which would reduce its victim to a wraith Much later in the narrative in his final battle the Lord of the Nazgul attacks Eowyn with a mace The Hobbit Merry Brandybuck stabs him with an ancient enchanted Numenorean blade allowing Eowyn to kill him with her sword In early drafts Tolkien had called him the Wizard King and considered making him either a renegade member of the Istari or an immortal Maia before settling on having him as a Man a mortal corrupted by a Ring of Power given to him by Sauron Commentators have written that the Lord of the Nazgul functions at the level of myth when he calls himself Death and bursts the gates of Minas Tirith with magical spells At a theological level he embodies a vision of evil similar to Karl Barth s description of evil as das Nichtige an active and powerful force that turns out to be empty The prophecy that the Lord of the Nazgul would not die by the hand of Man echoes that made of the title character in William Shakespeare s Macbeth Contents 1 Fictional history 2 Analysis 2 1 From Wizard to Witch king 2 2 Evil the absence of good 2 3 Prophecy both true and false 3 Adaptations 4 Notes 5 References 5 1 Primary 5 2 Secondary 5 3 SourcesFictional history edit nbsp Image map with clickable links of the north west of Middle earth at the end of the Third Age showing Arnor in the north of Eriador left with the Witch kingdom of Angmar at the northern end of the Misty Mountains top centre The Witch king first appears in the Second Age of Middle earth The Dark Lord Sauron gave Rings of Power to powerful Men including kings of countries in Middle earth These confer magical power but also enslave their wearers to the owner of the One Ring Sauron himself T 1 T 2 The Lord of the Nazgul appears as the Witch king of Angmar during the Third Age and is instrumental in the destruction of the Northern kingdom of Arnor T 3 in his notes for translators Tolkien suggested that the Witch king of Angmar ruler of a Northern kingdom with its capital at Carn Dum was of Numenorean origin T 4 Nothing is heard of him when Sauron is overthrown by the Last Alliance of Elves and Men late in the Second Age but his survival is assured by the power of the One Ring T 5 Over a thousand years later in the Third Age the Lord of the Nazgul leads Sauron s forces against the successor kingdoms of Arnor Rhudaur Cardolan and Arthedain He destroys all of these but is eventually defeated by the Elf lord Glorfindel who puts him to flight and makes the prophecy that not by the hand of Man will he fall T 6 He escapes and returns to Mordor There he gathers the other Nazgul to prepare for Sauron s return T 6 T 7 Towards the end of the Third Age Sauron sends the Witch king leading the other Nazgul to the Shire to find and recover the One Ring He is cloaked and hooded in black his face cannot be seen he rides a black horse T 8 T 9 T 10 T 11 At Weathertop the Witch king stabs Frodo the bearer of the One Ring in the shoulder with the Morgul knife breaking off a piece of it in the Hobbit s flesh T 12 Frodo is able to see that the Witch king is taller than the other Nazgul with long and gleaming hair and a crown on his helmet T 12 He is swept away by the waters of the river Bruinen and his horse is drowned He returns to Mordor T 13 He reappears mounted on a hideous flying beast T 14 T 15 During the Battle of the Pelennor Fields the Witch king uses magic including Grond a battering ram engraved with evil spells to break the gates of Minas Tirith He is faced by a single warrior Dernhelm actually a disguised Eowyn a noblewoman of Rohan and not far away Merry a hobbit of the Fellowship Eowyn boldly calls the Nazgul a dwimmerlaik telling him to go if he was not deathless a He casts back his hood to reveal a crown but the head that wears it is invisible Merry s surreptitious stroke with an enchanted Barrow blade brings the Nazgul to his knees allowing Eowyn the niece of Theoden to drive her sword between his crown and mantle T 14 Thus the Witch king is destroyed by a woman and a Hobbit fulfilling Glorfindel s prophecy T 6 Both weapons that pierced him disintegrate and both assailants are stricken by the Black Breath which causes a cold paralysis terror and often death T 14 Analysis editFrom Wizard to Witch king edit nbsp Scraperboard illustration of the Witch king by Alexander Korotich 1981Megan N Fontenot on Tor com writes that in early drafts Tolkien names him the Wizard King so powerful in wizardry that his opponent Gandalf is unable to counter him unaided In early drafts of The Council of Elrond Gandalf explains that his enemy was of old the greatest of all the wizards of Men In a later draft Tolkien adds that the Wizard King was also a great king of old and the fell captain of the Nine Riders Fontenot glosses fell as implying ravenous cruelty and ruthless savagery T 17 2 Later in a draft of The Siege of Gondor Tolkien makes the Wizard King a renegade of Gandalf s own order from Numenor 2 In the manuscript of his notes for translators Tolkien suggested that the Witch king of Angmar was most likely of Numenorean origin 3 Fontenot comments that this could make him both a Maia rather than a Man and originally one of the Istari or as she states something decidedly other 2 But Tolkien then reduces the Wizard King s power so that Gandalf is able to tell Pippin as they wait for the attack on Gondor that In him I am not overmatched and that the Wizard King s main power is to inspire fear at a distance with the Black Breath 2 At some stage too he renames the enemy the Witch king Fontenot suggests this was to distinguish more clearly between him and the Wizards like Gandalf and Saruman Tolkien had thus explored making him a wizard Istari or otherwise or an immortal Maia before settling on a a human king whose lust for power got the better of his good judgment 2 She wonders what he might have been like before he accepted a Ring of Power from Sauron noting that he was seemingly filled with possessiveness greed lust and a desire for dominance all markers of evil in Tolkien s scheme of things T 18 2 Evil the absence of good edit Further information Christianity in Middle earth The nature of evil and Death and immortality in Middle earth In rode the Lord of the Nazgul A great black shape against the fires beyond he loomed up grown to a vast menace of despair In rode the Lord of the Nazgul under the archway that no enemy ever yet had passed and all fled before his face All save one There waiting silent and still in the space before the Gate sat Gandalf upon Shadowfax Shadowfax who alone among the free horses of the earth endured the terror unmoving steadfast as a graven image in Rath Dinen You cannot enter here said Gandalf and the huge shadow halted Go back to the abyss prepared for you Go back Fall into the nothingness that awaits you and your Master Go The Black Rider flung back his hood and behold he had a kingly crown and yet upon no head visible was it set The red fires shone between it and the mantled shoulders vast and dark From a mouth unseen there came a deadly laughter Old fool he said Old fool This is my hour Do you not know Death when you see it Die now and curse in vain And with that he lifted high his sword and flames ran down the blade The Siege of Gondor T 19 The Tolkien scholar Tom Shippey writes that the Lord of the Nazgul hovers close to being an abstraction a vast menace of despair a huge shadow T 19 actually calling himself Death Old fool This is my hour Do you not know Death when you see it T 19 4 The scene forms too a picture of the unexistence of evil 4 based on the Boethian philosophy that God is all powerful so evil is not the equal and opposite of good but simply its absence 5 he forms a huge shadow 4 The theologian George Hunsinger compares Tolkien s depiction of the Witch king to the theologian Karl Barth s analysis of evil Barth s conception is embodied in his term das Nichtige nothingness which Hunsinger glosses as something dynamic and sinister an active cosmic power a power of destruction a power of chaos negation and ruin 6 The power of das Nichtige is both outwardly repulsive and in Barth s words intrinsically evil it can be described but not explained and is defeated by God it is wholly evil and serves no good purpose It is both fearful and empty 6 Hunsinger states that Tolkien s account of the Witch king as he confronts Gandalf at the gate of Minas Tirith captures something of Barth s notion of das Nichtige 6 He finds it especially relevant that the Witch king is above all actual and yet empty at the same time and comments that Tolkiens dead but undead Black Rider is as good a symbol as any for Barth s impossible possibility 6 Similarly Hunsinger finds Tolkien s description of how Eowyn kills the Witch king an image for the paradox of evil as something powerful and yet hollow at the same time He notes that her sword shatters with her final stroke but of her defeated foe nothing is left in the empty mantle and hauberk 6 The Episcopal priest and theologian Fleming Rutledge writes that whereas the pale king the invisible Witch king of Angmar is striving to kill Frodo the real king Aragorn who has been out of sight in disguise as a Ranger is doing all he can to heal him the two kings are opposites 7 She writes also that while the enemy visible to Gondor is the Men of Harad and the Easterlings the real enemy is personified by the Witch king 7 Fleming Rutledge s comparison of the Witch king and Aragorn 7 Character Kingship Goal VisibilityWitch king Was King of Angmar To kill the ring bearer Frodo Actually invisibleAragorn Has claim to be King of Gondor To heal Frodo Has been out of sight as a RangerProphecy both true and false edit Further information Shakespeare s influence on Tolkien nbsp Tolkien s use of prophecy about the Witch king s death parallels Shakespeare s where the witches speak both truth and falsehood about Macbeth s death 8 Painting by Henry FuseliJulaire Andelin in The J R R Tolkien Encyclopedia writes that prophecy in Middle earth depended on characters understanding of the Music of the Ainur the divine plan for Arda and was often ambiguous Thus Glorfindel s prophecy not by the hand of Man will the Lord of the Nazgul fall did not lead the Lord of the Nazgul to suppose that he would die at the hands of a woman and a hobbit T 6 9 Shippey states that the prophecy and the Witch king s surprise at finding Dernhelm to be a woman parallel the witches statement to Macbeth in Shakespeare s play of that name that he may laugh to scorn The power of man for none of woman born Shall harm Macbeth Act 4 scene 1 and Macbeth s shock at learning that Macduff was from his mother s womb Untimely ripp d Act 5 scene 8 as Macduff was born by Caesarean section Thus Shippey notes despite Tolkien s stated dislike of Shakespeare s treatment of myth he read Macbeth closely 8 The Tolkien scholar Michael Drout identifies a further parallel with Shakespeare one of several allusions to King Lear in The Lord of the Rings The Witch king says Come not between the Nazgul and his prey as the mad Lear says Come not between the dragon and his wrath 10 Adaptations editIn Peter Jackson s 2001 2003 The Lord of the Rings film trilogy during the siege of Minas Tirith the Witch king wears a distinctive helmet over his hood resembling a mask and a crown rather than the crown worn underneath his hood in the book 11 The Witch king s mount is largely responsible for the death of Theoden and his horse Snowmane a departure from the book As confirmed in the films audio commentary the design of the monsters was based largely on illustrations by John Howe 12 13 In the first film of Jackson s 2012 2014 The Hobbit film trilogy the Wizard Radagast briefly encounters the Witch king while investigating the forest fortress of Dol Guldur 14 Peter Kristof Makai in A Companion to J R R Tolkien writes that the 1976 board game Middle Earth provided the Witch king with a choice of nine spells against Gandalf s eleven Some of these were shared such as the ability to project a defensive lightning bolt 15 Notes edit Dwimmerlaik represents a word in Rohirric the speech of Rohan translated into Old English Tolkien glosses it in the index as a work of necromancy a spectre It derives from Old English ge dwimor phantom illusion and leikr the Old Norse ending corresponding to Anglo Saxon lac meaning a state or act T 16 Tom Shippey writes that Tolkien borrowed the word from a Middle English poem Layamon s Brut 1 References editPrimary edit Tolkien 1977 The Akallabeth p 267 Yet Sauron was ever guileful and it is said that among those whom he ensnared with the Nine Rings three were great lords of Numenorean race Tolkien 1980 4 The Hunt for the Ring i Of the Journey of the Black Riders Tolkien 1955 Appendix A 1 The Numenorean Kings Tolkien writes the name and origin of the Witch king is not recorded but he was probably of Numenorean descent Hammond Wayne G amp Scull Christina The Lord of the Rings A Reader s Companion p 20 Tolkien later removed the passage it does not appear in the version in Jared Lobdell s A Tolkien Compass Tolkien 1955 Appendix B The Tale of Years entries in The Second Age a b c d Tolkien 1955 Appendix A I iv Gondor and the heirs of Anarion Tolkien 1955 Appendix B The Tale of Years entries in The Third Age Tolkien 1954a book 1 ch 2 The Shadow of the Past Tolkien 1954a book 2 ch 2 The Council of Elrond Tolkien 1954a book 1 ch 3 Three is Company Tolkien 1954a book 1 ch 4 A Short Cut to Mushrooms a b Tolkien 1954a book 1 ch 11 A Knife in the Dark Tolkien 1954a book 1 ch 12 Flight to the Ford a b c Tolkien 1955 book 5 ch 6 The Battle of the Pelennor Fields Carpenter 2023 211 to Rhona Beare 14 October 1958 Tolkien 1990 p 372 Tolkien 1989 pp 9 116 132 149 Tolkien 1990 pp 326 331 a b c Tolkien 1955 book 5 ch 4 The Siege of Gondor Secondary edit Shippey 2005 p 394 a b c d e f Fontenot Megan N 31 October 2019 Exploring the People of Middle earth The Witch King of Angmar Lord of the Nazgul Tor com Retrieved 29 July 2023 Hammond Wayne G Scull Christina 2005 The Lord of the Rings A Reader s Companion HarperCollins p 20 ISBN 978 0 00 720907 1 a b c Shippey 2005 pp 242 243 Shippey 2005 pp 131 133 a b c d e Hunsinger George 2020 Barth and Tolkien Wiley Blackwell Companion to Karl Barth Wiley Blackwell pp 693 700 ISBN 978 1 119 15656 7 a b c Rutledge Fleming 2003 The battle for Middle Earth Tolkien s divine design in Lord of the rings William B Eerdmans pp 85 96 ISBN 978 0 8028 2497 4 OCLC 52559213 a b Shippey 2005 pp 205 206 Andelin Julaire 2013 2007 Prophecy In Drout Michael D C ed The J R R Tolkien Encyclopedia Routledge pp 544 545 ISBN 978 0 415 86511 1 Drout Michael D C 2004 Tolkien s Prose Style and its Literary and Rhetorical Effects Tolkien Studies 1 1 137 163 doi 10 1353 tks 2004 0006 S2CID 170271511 Dembrow Dylan 4 November 2018 Lord Of The Rings 20 Strangest Details About Witch King s Anatomy ScreenRant To better distinguish him from his fellow Nazgul the Witch king was given additional armor and a large pointed helm In the novels whenever his hood is thrown back he is described as wearing a king s crown which floats atop his invisible head and his burning eyes of fire Dellamorte Andrew 20 June 2011 The Lord of the Rings The Motion Picture Trilogy Extended Edition Blu ray Review Collider Retrieved 11 March 2020 See also Conlogue Ray 16 December 2003 Tolkien s Gentlemanly Art of War The Globe and Mail LaSala Jeff 14 November 2014 Extending The Desolation of Smaug More Is More Tor com Retrieved 21 May 2020 Makai Peter Kristof 2014 Games and Gaming Quantasy A Companion to J R R Tolkien pp 530 544 ISBN 978 0 4706 5982 3 Sources edit Carpenter Humphrey ed 2023 1981 The Letters of J R R Tolkien Revised and Expanded Edition New York Harper Collins ISBN 978 0 35 865298 4 Shippey Tom 2005 1982 The Road to Middle Earth Third ed HarperCollins ISBN 978 0261102750 Tolkien J R R 1954a The Fellowship of the Ring The Lord of the Rings Boston Houghton Mifflin OCLC 9552942 Tolkien J R R 1955 The Return of the King The Lord of the Rings Boston Houghton Mifflin OCLC 519647821 Tolkien J R R 1977 Christopher Tolkien ed The Silmarillion Boston Houghton Mifflin ISBN 978 0 395 25730 2 Tolkien J R R 1980 Christopher Tolkien ed Unfinished Tales Boston Houghton Mifflin ISBN 978 0 395 29917 3 Tolkien J R R 1989 Christopher Tolkien ed The Treason of Isengard Boston Houghton Mifflin ISBN 978 0 395 51562 4 Tolkien J R R 1990 Christopher Tolkien ed The War of the Ring Boston Houghton Mifflin ISBN 0 395 56008 X Retrieved from https en wikipedia org w index php title Witch king of Angmar amp oldid 1215829818, wikipedia, wiki, book, books, library,

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