Vivencia were an Argentine acoustic rock band,[1][2] formed in Buenos Aires in 1972 during the El Acusticazo era. They consisted of Eduardo Fazio (1943-) and Héctor Ayala (1943-2016), son of the folklore and tango guitarist Héctor Ayala.[3] Their most famous album was Mi Cuarto (1973), in which the synonymous song of the same name is found, and is considered an Argentine national rock classic.
Vivencia
Cover of the album Vivencia (1978): Eduardo Fazio (left) & Héctor Ayala (right).
The acoustic duo was composed of Eduardo Alfredo Fazio and Héctor Luis Ayala, both on guitar and vocals. Ayala had begun to play rock music touched by the images that came from the Woodstock Festival in 1969.[3] They debuted in 1972 with the conceptual work entitled Vida y vida de Sebastián (Life and life of Sebastian),[3] which was written in operatic format and narrated the life of this character from birth. Their second studio album Mi cuarto (My room) which followed in 1973, was the most successful of the duo and has become a classic of the seventies.[citation needed] Among the best known songs from the album are "Los juguetes y los niños" ("Toys and children") and "Mi cuarto" ("My room").[3]
From that unexpected event, the duo gained notoriety at the national level and gave way to other albums, such as Vivencia (1975), which contains the famous song "Pupitre marrón" ("Brown School Desk"), a classic for decades sung tirelessly by groups of secondary school students.[citation needed] That LP also contained the song "Mamá probeta" ("Test tube mom"), a topic that criticised the then incipient trials of in vitro fertilization. Towards the end of the seventies they released Azules de otoño (Autumn blues) on CBS (Sony).
In 1980 they published a new conceptual work involving musicians such as Oscar Cardozo Ocampo, Machi Rufino and Diego Rapoport (Spinetta Jade), among others. On that release Ayala and Fazio included "Curiosa Noche" ("Curious night"), a song that was the musical curtain of the radio program Flecha Juventud (Arrow Youth), presented by Juan Alberto Badía. Then in 1981 they took out a conceptual work of strong spiritual content, which earned them a special mention from the Argentine episcopate - during the Argentine military dictatorship (1976-1983) -: Los siete pecados capitales (The seven deadly sins), where they played numerous session musicians of the National Symphony Orchestra. After that, with the return of democracy, they entered the studios again to make their tenth album Pare y escuche (Stop and listen) (1983).
Two years after the duo disbanded in 1984, Ayala settled in the city of Los Angeles (United States), where he wrote music for the Warner Chappell label.[3] After converting to evangelism and recording Christian music,[3] Ayala returned to Argentina at the beginning of the millennium reuniting with Fazio to make a series of live performances on stages in Greater Buenos Aires.[2] The gigs were recorded for a live album, En vivo, which was released in 2005. That same year Ayala recorded a tango album, in homage to his father's music.[3] Hector Ayala died at age 72 on July 16, 2016, in Buenos Aires, after a long battle with Parkinson's disease.[3]
^"El regreso que faltaba". Clarín. 11 July 2008. Retrieved 24 December 2010.
^ ab"Esta noche se presenta Vivencia" [Presented tonight is Vivencia]. La Nación. June 8, 2001. Retrieved December 24, 2010.
^ abcdefgh"Murió Héctor Ayala, del grupo Vivencia" [Hector Ayala of the band Vivencia has died.]. La Nación. July 18, 2016. Retrieved December 29, 2019.
January 01, 1970
vivencia, band, other, uses, vivencias, vivencia, were, argentine, acoustic, rock, band, formed, buenos, aires, 1972, during, acusticazo, they, consisted, eduardo, fazio, 1943, héctor, ayala, 1943, 2016, folklore, tango, guitarist, héctor, ayala, their, most, . For other uses see Vivencias Vivencia were an Argentine acoustic rock band 1 2 formed in Buenos Aires in 1972 during the El Acusticazo era They consisted of Eduardo Fazio 1943 and Hector Ayala 1943 2016 son of the folklore and tango guitarist Hector Ayala 3 Their most famous album was Mi Cuarto 1973 in which the synonymous song of the same name is found and is considered an Argentine national rock classic VivenciaCover of the album Vivencia 1978 Eduardo Fazio left amp Hector Ayala right Background informationOriginBuenos Aires ArgentinaGenresArgentine rock Acoustic music Protest songsYears active1972 19832000 2005LabelsSony MusicPast membersEduardo Alfredo Fazio 1943 Hector Luis Ayala 1943 2016 Contents 1 History 2 Discography 3 See also 4 ReferencesHistory editThe acoustic duo was composed of Eduardo Alfredo Fazio and Hector Luis Ayala both on guitar and vocals Ayala had begun to play rock music touched by the images that came from the Woodstock Festival in 1969 3 They debuted in 1972 with the conceptual work entitled Vida y vida de Sebastian Life and life of Sebastian 3 which was written in operatic format and narrated the life of this character from birth Their second studio album Mi cuarto My room which followed in 1973 was the most successful of the duo and has become a classic of the seventies citation needed Among the best known songs from the album are Los juguetes y los ninos Toys and children and Mi cuarto My room 3 From that unexpected event the duo gained notoriety at the national level and gave way to other albums such as Vivencia 1975 which contains the famous song Pupitre marron Brown School Desk a classic for decades sung tirelessly by groups of secondary school students citation needed That LP also contained the song Mama probeta Test tube mom a topic that criticised the then incipient trials of in vitro fertilization Towards the end of the seventies they released Azules de otono Autumn blues on CBS Sony In 1980 they published a new conceptual work involving musicians such as Oscar Cardozo Ocampo Machi Rufino and Diego Rapoport Spinetta Jade among others On that release Ayala and Fazio included Curiosa Noche Curious night a song that was the musical curtain of the radio program Flecha Juventud Arrow Youth presented by Juan Alberto Badia Then in 1981 they took out a conceptual work of strong spiritual content which earned them a special mention from the Argentine episcopate during the Argentine military dictatorship 1976 1983 Los siete pecados capitales The seven deadly sins where they played numerous session musicians of the National Symphony Orchestra After that with the return of democracy they entered the studios again to make their tenth album Pare y escuche Stop and listen 1983 Two years after the duo disbanded in 1984 Ayala settled in the city of Los Angeles United States where he wrote music for the Warner Chappell label 3 After converting to evangelism and recording Christian music 3 Ayala returned to Argentina at the beginning of the millennium reuniting with Fazio to make a series of live performances on stages in Greater Buenos Aires 2 The gigs were recorded for a live album En vivo which was released in 2005 That same year Ayala recorded a tango album in homage to his father s music 3 Hector Ayala died at age 72 on July 16 2016 in Buenos Aires after a long battle with Parkinson s disease 3 Discography editVida y vida de Sebastian 1972 Mi cuarto 1973 Vivencia 1975 Sensitivo 1977 Azules de otono 1979 Los siete pecados capitales 1980 El libro de las pequenas historias 1981 Pare y escuche 1983 En vivo 2005 See also editArgentine rockReferences edit El regreso que faltaba Clarin 11 July 2008 Retrieved 24 December 2010 a b Esta noche se presenta Vivencia Presented tonight is Vivencia La Nacion June 8 2001 Retrieved December 24 2010 a b c d e f g h Murio Hector Ayala del grupo Vivencia Hector Ayala of the band Vivencia has died La Nacion July 18 2016 Retrieved December 29 2019 Retrieved from https en wikipedia org w index php title Vivencia band amp oldid 1121597327, wikipedia, wiki, book, books, library,
