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Two Tone (magazine)

Published between 1954 and 1981 Two Tone was a quarterly of Rhodesian poetry magazine, which signified a radical break with the largely conservative Eurocentric academic traditions which until then had dominated Zimbabwean poetry. Publishing poetry by both black and white writers working, predominantly in English but also in Ndebele and Shona, it challenged divisions and created a new open field for expression in divergent poetic voices and styles.

Two Tone
EditorD. F. Middleton, Julius Chingono, Charles Mungoshi
FrequencyQuarterly
Founded1954
Final issue1981
CountryZimbabwe
LanguageEnglish, Ndebele, Shona
Website[1]

History and profile edit

Two Tone was launched in 1954.[1] The founders were Phillippa Berlyn and Olive Robertson.[1][2] While the magazine was published in association with the National Arts Foundation of Rhodesia[3] and the University of Rhodesia's English Department the selection process was left to the journal's rotating board of editors, whose focus on "good writing," "technical skill," "stylistic innovation" and "authentic expression" provided a foundation for much of the groundbreaking new literature that exploded in Zimbabwe in the 1970.

In 1976 Kizito Zhiradzigo Muchemwa became the editor-in-chief of the magazine, being the first black editor.[4] The magazine folded in 1981.[1]

Content and themes edit

Two Tone prioritised the author of the imagination rather than the revisionist historian or political revolutionary - a position which became increasing tenuous during the oppressive years of the Ian Smith regime. The magazine received scathing criticism from academics, political activist and many black poets who increasingly saw it as a "banal" and "pretentious outlet" for a closed minority of "White literati", whose "patronizing approach" to black writing supported the political status quo. The antagonism was only exacerbated by the publication of defensive editorials which argued that "separatism and elitism" create the assurances of liberty to "foster imaginative literature."

Despite the controversy, the journal's legacy is secured through the writing of seminal contemporary Zimbabwean poets such as D. F. Middleton, Julius Chingono, Charles Mungoshi, Bonus Zimunya, John Eppel, N. H. Brettell and Patricia Schonstein, all of whom began their literary careers on the pages of Two Tone.

References edit

  1. ^ a b c Adrian Roscoe (17 November 2007). The Columbia Guide to Central African Literature in English Since 1945. Columbia University Press. p. 65. ISBN 978-0-231-50379-2. Retrieved 19 February 2017.
  2. ^ "Philippa Berly". Reading Zimbabwe. Retrieved 19 February 2017.
  3. ^ National Arts Council of Zimbabwe website
  4. ^ Eugene Benson; L.W. Conolly (30 November 2004). Encyclopedia of Post-Colonial Literatures in English. Routledge. p. 1048. ISBN 978-1-134-46848-5. Retrieved 19 February 2017.

As of 29 September 2009, this article is derived in whole or in part from Chimurenga Library. The copyright holder has licensed the content in a manner that permits reuse under CC BY-SA 3.0 and GFDL. All relevant terms must be followed. The original text was at "Two Tone"

  • Two Tone XIII March 1977, editorial by Olive Robertson, p2
  • Two Tone XIII, September 1977, editorial by V. Crawford, p1-4
  • R. Graham, "Poetry In Rhodesia," Zambezia: The Journal. of Humanities of the University of Zimbabwe VI ii), 1978, ip208
  • John Reed. ""Emergence of English Writing in Zimbabwe," European-language Writing in Sub-Saharan Africa, John Benjamins Publishing Company, 1986, p251
  • Robert Muponde, Ranka Primorac. Versions of Zimbabwe: New Approaches to Literature and Culture, African Book Collective, 2005

External links edit

  • Zimbabwe — Poetry International Web
  • National Arts Council of Zimbabwe website

tone, magazine, published, between, 1954, 1981, tone, quarterly, rhodesian, poetry, magazine, which, signified, radical, break, with, largely, conservative, eurocentric, academic, traditions, which, until, then, dominated, zimbabwean, poetry, publishing, poetr. Published between 1954 and 1981 Two Tone was a quarterly of Rhodesian poetry magazine which signified a radical break with the largely conservative Eurocentric academic traditions which until then had dominated Zimbabwean poetry Publishing poetry by both black and white writers working predominantly in English but also in Ndebele and Shona it challenged divisions and created a new open field for expression in divergent poetic voices and styles Two ToneEditorD F Middleton Julius Chingono Charles MungoshiFrequencyQuarterlyFounded1954Final issue1981CountryZimbabweLanguageEnglish Ndebele ShonaWebsite 1 Contents 1 History and profile 2 Content and themes 3 References 4 External linksHistory and profile editTwo Tone was launched in 1954 1 The founders were Phillippa Berlyn and Olive Robertson 1 2 While the magazine was published in association with the National Arts Foundation of Rhodesia 3 and the University of Rhodesia s English Department the selection process was left to the journal s rotating board of editors whose focus on good writing technical skill stylistic innovation and authentic expression provided a foundation for much of the groundbreaking new literature that exploded in Zimbabwe in the 1970 In 1976 Kizito Zhiradzigo Muchemwa became the editor in chief of the magazine being the first black editor 4 The magazine folded in 1981 1 Content and themes editTwo Tone prioritised the author of the imagination rather than the revisionist historian or political revolutionary a position which became increasing tenuous during the oppressive years of the Ian Smith regime The magazine received scathing criticism from academics political activist and many black poets who increasingly saw it as a banal and pretentious outlet for a closed minority of White literati whose patronizing approach to black writing supported the political status quo The antagonism was only exacerbated by the publication of defensive editorials which argued that separatism and elitism create the assurances of liberty to foster imaginative literature Despite the controversy the journal s legacy is secured through the writing of seminal contemporary Zimbabwean poets such as D F Middleton Julius Chingono Charles Mungoshi Bonus Zimunya John Eppel N H Brettell and Patricia Schonstein all of whom began their literary careers on the pages of Two Tone References edit a b c Adrian Roscoe 17 November 2007 The Columbia Guide to Central African Literature in English Since 1945 Columbia University Press p 65 ISBN 978 0 231 50379 2 Retrieved 19 February 2017 Philippa Berly Reading Zimbabwe Retrieved 19 February 2017 National Arts Council of Zimbabwe website Eugene Benson L W Conolly 30 November 2004 Encyclopedia of Post Colonial Literatures in English Routledge p 1048 ISBN 978 1 134 46848 5 Retrieved 19 February 2017 As of 29 September 2009 this article is derived in whole or in part fromChimurenga Library The copyright holder has licensed the content in a manner that permits reuse under CC BY SA 3 0 and GFDL All relevant terms must be followed The original text was at Two Tone Two Tone XIII March 1977 editorial by Olive Robertson p2 Two Tone XIII September 1977 editorial by V Crawford p1 4 R Graham Poetry In Rhodesia Zambezia The Journal of Humanities of the University of Zimbabwe VI ii 1978 ip208 John Reed Emergence of English Writing in Zimbabwe European language Writing in Sub Saharan Africa John Benjamins Publishing Company 1986 p251 Robert Muponde Ranka Primorac Versions of Zimbabwe New Approaches to Literature and Culture African Book Collective 2005External links editZimbabwe Poetry International Web National Arts Council of Zimbabwe website Retrieved from https en wikipedia org w index php title Two Tone magazine amp oldid 1177996343, wikipedia, wiki, book, books, library,

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