This Whole World
"This Whole World" is a song by American rock band the Beach Boys from their 1970 album Sunflower. Written by Brian Wilson, the song features his brother Carl on lead vocals and is credited as a Beach Boys production. Earlier in the year, it had been included on the Warner Brothers promotional sampler album The Big Ball, and as a single, fronted with "Slip On Through", but did not make the U.S. or UK pop charts.
| "This Whole World" | ||||
|---|---|---|---|---|
| Single by the Beach Boys | ||||
| from the album Sunflower | ||||
| A-side | "Slip On Through" | |||
| Released | June 29, 1970 | |||
| Recorded | November 13, 1969 | |||
| Studio | Beach Boys Studio, Los Angeles | |||
| Genre | ||||
| Length | 2:00 | |||
| Label | Brother/Reprise | |||
| Songwriter(s) | Brian Wilson | |||
| Producer(s) | The Beach Boys | |||
| The Beach Boys singles chronology | ||||
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| Licensed audio | ||||
| "This Whole World" on YouTube | ||||
| Audio sample | ||||
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Background edit
Brian recalled writing "This Whole World" during one night at his Beverly Hills mansion when he was "stoned and confused".[2] He stated that the song was written in approximately 90 minutes at around 2:00 a.m. "I got up and went to my white Baldwin organ and I was playing around and thinking about the love of this whole world and that’s what inspired me to write the song."[3]
He also said of the song: "A very special vocal by Carl, and the lyrics are very spiritual. The melody and chord pattern rambles but it comes back to where it started."[4] Regarding the lyrics, he said, "It’s about love in general. ... That song came from deep down in me, from the feeling I had that the whole world should be about love. When I wrote that song I wanted to capture that idea.'"[5]
Composition edit
Biographer Mark Dillon characterized "This Whole World" as an "old-fashioned" rock song with "doo-wop trimmings" that contains an unorthodox structure and numerous key modulations.[2] Musician Scott McCaughey said that the structure followed an A/B/C/A/B/C pattern, however, "it seems to never repeat itself once. Every section has something new and different going on."[2] Musicologist Philip Lambert offered a summary of the song's exceptional "tonal transience":
First, a C-major phrase ends on IV, which becomes ♭VI in A, and then an A-major phrase ends on iii, which becomes a new i in C♯. This new phrase then moves through a diatonic bass descent from 1̂ to 5̂, eventually arriving at the key of B♭ using the same pivot relationship heard earlier between C and A (IV = ♭VI). Finally, the phrase in B♭ concludes on V, which is reinterpreted as IV to return to C major ...[6]
In 1978, Beach Boys supporting keyboardist Daryl Dragon commented on the song's various key changes: "From a harmony standpoint, I've never heard a song like that since I've been in pop music. I've never heard a song go through that many changes and come back."[7]
Recording edit
The track was recorded in one session on November 13, 1969 at Beach Boys Studio.[8] According to Brian: "I produced that record. I taught Carl the lead and the other guys the background vocal, especially the meditation part at the end: 'Om dot dit it.'"[5] The track originally ran "far longer" but was trimmed down.[9] Brian later commented, "I remember 'This Whole World' took a couple of days to record. It took a lot of hard work to get that one but I’m real happy with it."[10] Another version with an alternate ending was created for an Eastern Airlines commercial that the group briefly appeared in.[11]
Critical reception edit
AllMusic wrote: "Brian reestablished his reputation as one of the most brilliant melody writers and arrangers. With a buoyant melody and an effervescent, classy vocal arrangement, Brian wipes away three years of artistic cobwebs."[12]
Cover versions edit
- A version of this song which incorporated "Star Light, Star Bright" in the bridge was produced by Wilson for the pop duo American Spring in 1971
- Brian Wilson re-recorded the song for his 1995 soundtrack album I Just Wasn't Made for These Times
- Dolour covered this on 2002's Brian tribute compilation, Making God Smile: An Artists' Tribute to the Songs of Beach Boy Brian Wilson
Personnel edit
Sourced from Craig Slowinski.[13]
- The Beach Boys
- Brian Wilson – intro lead vocals, backing vocals, piano, production
- Mike Love – intro lead vocals, backing vocals
- Al Jardine – backing vocals
- Carl Wilson – lead vocals, acoustic guitar, production
- Dennis Wilson – backing vocals
- Bruce Johnston – backing vocals
- Additional musicians and production staff
- Jerry Cole – rhythm/lead guitar
- David Cohen – lead guitar
- Jack Conrad – bass
- Ray Pohlman – six-string bass
- Daryl Dragon – electric harpsichord, chimes, tubular bells
- Dennis Dragon – drums
- Gene Estes – chimes, glockenspiel
- Stephen Desper – engineer
References edit
- ^ a b Segretto, Mike (2022). "1970". 33 1/3 Revolutions Per Minute - A Critical Trip Through the Rock LP Era, 1955–1999. Backbeat. pp. 228–229. ISBN 9781493064601.
- ^ a b c Dillon 2012, p. 183.
- ^ Sharp, Ken (January 2, 2009). "Brian Wilson: God's Messenger". American Songwriter.
- ^ Wilson, Brian (2002). Classics Selected by Brian Wilson (CD Liner). The Beach Boys. Capitol Records.
- ^ a b Wilson, Brian; Greenman, Ben (2016). I Am Brian Wilson: A Memoir. Da Capo Press. ISBN 978-0-306-82307-7.
- ^ Lambert 2016, pp. 87–88.
- ^ Leaf, David (1978). The Beach Boys and the California Myth. New York: Grosset & Dunlap. p. 134. ISBN 978-0-448-14626-3.
- ^ Doe, Andrew Grayham. "1969". Bellagio 10452. Endless Summer Quarterly.
- ^ Dillon 2012, p. 184.
- ^ Sharp, Ken (2 March 2011). "Best Individual Artist: Brian Wilson". Goldmine Magazine: Record Collector & Music Memorabilia. Retrieved 23 July 2022.
- ^ Willman, Chris (August 31, 2021). "Beach Boys' Archivists on the 'Feel Flows' Boxed Set, and How the Group Was Peaking — Again — While the World Wasn't Looking". Variety. Retrieved August 31, 2021.
- ^ Greenwalk, Matthew. "This Whole World". AllMusic. Retrieved January 6, 2015.
- ^ Slowinski, Craig (Summer 2020). Beard, David (ed.). "Sunflower: 50 Year Anniversary Special Edition". Endless Summer Quarterly Magazine. Vol. 33, no. 130. Charlotte, North Carolina.
Sources
- Dillon, Mark (2012). Fifty Sides of the Beach Boys: The Songs That Tell Their Story. ECW Press. ISBN 978-1-77090-198-8.
- Lambert, Philip (2016). "Brian Wilson's Harmonic Language". In Lambert, Philip (ed.). Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective. University of Michigan Press. ISBN 978-0-472-11995-0.