fbpx
Wikipedia

The Worried Lover

November 11, 2023

The Worried Lover (L'Amante inquiète)[a] is an oil on panel painting in the Musée Condé, Chantilly, by the French Rococo artist Antoine Watteau. Variously dated to c. 1715–1720, the painting was among private collections throughout the 18th and 19th centuries, until it has been acquired by Henri d'Orleans, Duke of Aumale, son of King Louis Philippe I; as part of the Duke of Aumale's collection at the Château de Chantilly, The Worried Lover was bequeathed to the Institut de France in 1884.

The Worried Lover
ArtistAntoine Watteau
Yearc. 1715-1720
CatalogueH 48 (49); G 81; DV 165; R 95; HA 127; EC 211; F B34; RM 225; RT 115
Mediumoil on panel
Dimensions24 cm × 17.5 cm (9.4 in × 6.9 in)
LocationMusée Condé, Chantilly
AccessionPE 372

At 24 by 17.5 cm, the painting is a case of small, single-figure, and full-length composition showing a costumed character, often in Watteau's art;[2] it shows a seated young woman amid a landscape, dressed in pastoral attire, and holding a set of the cut roses, viewed by authors as a symbol of consumed love. With slight differences, the woman's figure has been adapted by Watteau from a double sanguine drawing, in which a study exactly matches the pose of the woman in the painting; Watteau also made an etching showing a woman seated in a very similar pose. In light of its provenance, The Worried Lover was related to two other paintings by Watteau, The Chord and The Dreamer.

Provenance and dating edit

See also: The Chord (painting) § Provenance
 
Watteau, The Dreamer, c. 1712–1717, Art Institute, Chicago

The earliest known owner of The Worried Lover was the Abbé Pierre-Maurice Haranger (ca. 1655–1735), canon of the Saint-Germain-l'Auxerrois who was one of Watteau's closest friends, inheriting a large number of the artist's drawings on his death.[3] In 1729, the painting was published by Edme-François Gersaint as an etching made by Pierre-Alexandre Aveline; Aveline also etched another Watteau painting owned by the Abbé Haranger, The Dreamer.[4] Though the prints don't mention the Abbé's ownership, Pierre-Jean Mariette confirms that in his manuscripts, and so does the fact that as part of the Recueil Jullienne, The Worried Lover and The Dreamer were printed on the same sheet.[5] Given the appearance in the Recueil Jullienne and shared provenance, some authors considered both paintings to be pendants;[6] in contrary to that point, Pierre Rosenberg stated that these were likely brought together in the Abbé's collection.[7] It has also been presumed that The Worried Lover was no. 33 in the Abbé Haranger's inventory published in 1985, though the overall vagueness of the inventory makes that description elusive.[8]

In the 1780s, The Worried Lover resurfaced in the collection of Antoine Claude Chariot (1733-1815), the commissaire-priseur du Châtelet; along with another Watteau painting in the Chariot collection, The Chord, it was lot 44 sold at auction for 221 livres in January 1788 to the painter and art dealer Jean-Baptiste-Pierre Lebrun (1748-1813), the husband of the prominent portrait painter Élisabeth Vigée Le Brun. Lebrun didn't keep the pair for long; he put it on sale in November 1791, only to have them bought back for 132 livres. The pair appeared as lot 25 at a later auction in February 1792, before resurfacing in the mid-19th century as part of the collection of Marquis André Joseph Maison (1798–1869), son of the prominent general and diplomat Nicolas Joseph Maison. Part of that collection, it was then bought in 1868 by Henri d'Orléans, Duke of Aumale, the fifth son of King Louis Philippe I, during his English exile; upon his return to France, the Duke of Aumale hung it in the salle Caroline of his château de Chantilly, where it remains as part of the Musée Condé collection.[9][10][11]

Among Watteau scholars, The Worried Lover is dated from middle to late years of the artist's career.[12] In the late 19th and early 20th centuries, the painting was attributed by the Musée Condé curators to c. 1717–1720.[13] in a 1912 album and catalogue, the German historian Ernst Heinrich Zimmermann [de] placed it to c. 1717, the year Watteau completed the Louvre version of The Embarkation for Cythera.[14] In the 1950 catalogue raisonné, the Louvre staff curator Hélène Adhémar listed the painting as a Spring-Autumn 1716 work;[15] in 1959, the painter and connoisseur Jacques Mathey had proposed a c. 1715 dating.[16] In the 1968 catalogue raisonné, the Italian scholar Ettore Camesasca considered The Worried Lover a later work by Watteau, dating it c. 1720;[17] Camesasca's dating is also used by Federico Zeri.[18] in a later 1980 catalogue raisonné, the French historian Marianne Roland Michel dated the painting c. 1716–1718.[19]

Gallery edit

Related pictures
  •  

    Watteau, Studies of a Seated Woman, c. 1712, sanguine, whereabouts unknown[20]

  •  

    Watteau, Seated Woman, Leaning on a Pedestal, c. 1709–1710, etching, plate from Figures de mode, Art Institute, Chicago

  •  

    Pierre-Alexandre Aveline after Watteau, The Worried Lover, published in 1729, etching and engraving, Louvre, Paris

Notes edit

  1. ^ As common case within Watteau's body of work, the painting has no author title; its traditional French naming is derived from Pierre-Alexandre Aveline's print. In the Duke of Aumale's inventory, the painting was listed as L'Attente.[1] Montagni 1968, p. 122, translated into English as Camesasca 1971, pp. 125–126, cat. no. 211, and Zeri 2000, p. 47, list the painting as Girl with Roses (Ragazza con rose). Grasselli, Rosenberg & Parmantier 1984, pp. 38, 78, 228, 235, 304–306, 365, adapts the original French title into English as The Anxious Lover.

References edit

  1. ^ Garnier-Pelle 1995, p. 156.
  2. ^ Grasselli, Rosenberg & Parmantier 1984, p. 228: "Watteau never forgot these small single figures, rigid yet delicate cousins to his Polish Ladies, Finette, The Indifferent, The Anxious Lover (CR 166, 167; cats. P.58, 59; CR 211)."
  3. ^ Grasselli, Rosenberg & Parmantier 1984, p. 38; Posner 1984, p. 123; Roland Michel 1984, p. 55.
  4. ^ Hédouin 1845, p. 79, cat. no. 48; Hédouin 1856, p. 99, cat. no. 49; Dacier & Vuaflart 1922a, p. 29.
  5. ^ Dacier & Vuaflart 1922b, p. 81; Garnier-Pelle 1995, pp. 155–156; Eidelberg 2014.
  6. ^ Gruyer 1899, p. 349; Dacier & Vuaflart 1922b, p. 81–82.
  7. ^ Grasselli, Rosenberg & Parmantier 1984, p. 304; Garnier-Pelle 1995, p. 156.
  8. ^ Haranger 1985, p. 62; Garnier-Pelle 1995, p. 156; Eidelberg 2014.
  9. ^ Garnier-Pelle 1995, p. 156, cat. no. 113.
  10. ^ Base Joconde: Reference no. 00000076657, French Ministry of Culture. (in French)
  11. ^ "Museum catalogue entry".
  12. ^ Grasselli, Rosenberg & Parmantier 1984, p. 78: "[…] The Anxious Lover (Musée Condé, Chantilly; DV 165, CR 211), which, for lack of other works executed in a similarly airy and sketchy style, is generally dated toward the end of Watteau's career;" Garnier-Pelle 1995, p. 156, cat. no. 113: "La datation est controversée […]"
  13. ^ Gruyer 1898, pp. 271–272: "Watteau a sans doute exécuté cette peinture entre 1717 et 1720, époque à laquelle appartiennent ses œuvres les plus brillantes et les plus spirituelles, lEmbarquement pour l'ile de Cythère au musée du Louvre, qui est de 1717, la Leçon de musique de la collection Wallace, qui est de 1719, etc. Le génie du dix-huitième siècle, en son premier élan d'émancipation pittoresque, est triomphant dans l'Amante inquiète"; Gruyer 1899, p. 349: "L'Amante inquiète qui se trouvait originairement dans le cabinet de l’abbé Haranger, en pendant au Donneur de sérénades a dû être exécuté entre 1717 et 1720, époque à laquelle appartiennent les œuvres les plus brillantes et les plus spirituelles du maître".
  14. ^ Zimmermann 1912, p. 186, cited in Garnier-Pelle 1995, p. 156, cat. no. 113: "P. Aveline sculp. (G. 81). Der Katalog von Chantilly datiert das Bild zu spät: 1717—20. Es gehört in die Zeit vor dem Embarquement."
  15. ^ Adhémar 1950, p. 216, cat. no. 127.
  16. ^ Mathey 1959, p. 68.
  17. ^ Montagni 1968, p. 122, translated into English as Camesasca 1971, pp. 125–126, cat. no. 211.
  18. ^ Zeri 2000, p. 47.
  19. ^ Eidelberg 2014.
  20. ^ Appears as reproduced in Rosenberg & Prat 1996, vol. 1, p. 253, cat. no. 162, and Eidelberg 2014.

Sources edit

  • Adhémar, Hélène (1950). Watteau; sa vie, son oeuvre (in French). Includes "L’univers de Watteau", an introduction by René Huyghe. Paris: P. Tisné. pp. 57, 183, 216; pl. 67; cat. no. 127. OCLC 853537.
  • Camesasca, Ettore [in Portuguese] (1971). The Complete Painting of Watteau. Classics of the World's Great Art. Introduction by John Sutherland. New York: Harry N. Abrams. pp. 125–126, cat. no. 211. ISBN 0-8109-5525-3. LCCN 77-92260. OCLC 143069 – via the Internet Archive.
  • Dacier, Émile [in French]; Vuaflart, Albert (1922a). "Jean de Julienne et les graveurs de Watteau au XVIII-e siècle. II. Historique". Jean de Jullienne et les Graveurs de Watteau Au Xviii. Siècle (in French). Paris: M. Rousseau. pp. 29, 61, 83, 93, 131, 133 n. doi:10.11588/DIGLIT.41976. OCLC 1039156495.
  • Dacier, Émile; Vuaflart, Albert (1922b). "Jean de Julienne et les graveurs de Watteau au XVIII-e siècle. III. Catalogue". Jean de Jullienne et les Graveurs de Watteau Au Xviii. Siècle (in French). Paris: M. Rousseau. pp. 81–82, 100; cat. no. 165. doi:10.11588/DIGLIT.41977. OCLC 1039156495.
  • Eidelberg, Martin (August 2014). "L'Amante inquiète". A Watteau Abecedario. from the original on April 23, 2020. Retrieved October 19, 2020.
  • Garnier-Pelle, Nicole (1995). Chantilly, musée Condé. Peintures du xviiie siècle. Inventaire des collections publiques de France (in French). Vol. 38. Paris: Réunion des musées nationaux. pp. 155–156, cat. no. 113. ISBN 2-7118-3285-6. OCLC 33264438.
  • Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 ; National Gallery of Art, June 17—September 23, 1984; Galeries Nationales du Grand Palais, Paris, October 23, 1984—January 28, 1985; Schloss Charlottenburg, Berlin, February 22—May 26, 1985 (PDF). Washington: National Gallery of Art. ISBN 0-89468-074-9. LCCN 84-4918. OCLC 557740787 – via the National Gallery of Art archive.
  • Gruyer, François-Anatole (1898). La peinture au chateau de Chantilly. Vol. 2: École française (in French). Paris: Plon-Nourrit. pp. 269–272, cat. no. CXVI. OCLC 1048229654 – via the Internet Archive.
  • Gruyer, François-Anatole (1899). Chantilly, Musée Condé. Notice des peintures (in French). Paris: Braun, Clément et cie. pp. 346, 349, cat. no. 372 – via the Internet Archive.
  • Hédouin, Pierre (November 30, 1845). "Watteau: catalogue de son oeuvre". L'Artiste (in French). pp. 78–80 – via Gallica. p. 79, cat. no. 48
  • Hédouin, Pierre (1856). Mosaïque. Peintres, musiciens, littérateurs, artistes dramatiques à partir du 15e siècle jusqu'à nos jours (in French). Paris: Heugel. p. 99, cat. no. 49. OCLC 1157159285 – via the Internet Archive.
  • "Inventaire après décès du chanoine Haranger, 17 mai 1735". Revue de l'Art (in French). 69 (69): 62–68. 1985. doi:10.3406/rvart.1985.347525. ISBN 2-222-96-415-6. ISSN 0035-1326 – via Persee.fr.
  • Mathey, Jacques (1959). Antoine Watteau. Peintures réapparues inconnues ou négligées par les historiens (in French). Paris: F. de Nobele. p. 68. OCLC 954214682.
  • Montagni, E. C. (1968). L'opera completa di Watteau. Classici dell'arte (in Italian). Vol. 21. Introduction by Giovanni Macchia. Milano: Rizzoli. p. 122; cat. no. 211. OCLC 1006284992. For the English edition, see Camesasca 1971
  • Posner, Donald (1984). Antoine Watteau. London: Weidenfeld & Nicolson. p. 123. ISBN 0-8014-1571-3. LCCN 84-164937. OCLC 1147993782 – via the Internet Archive.
  • Roland Michel, Marianne (1984). Watteau: an Artist of the Eighteenth Century. London: Trefoil. pp. 55, 156, 265, 269, 306, pl. 335. ISBN 0-86294-049-4. OCLC 1302554747 – via the Internet Archive.
  • Rosenberg, Pierre; Prat, Louis-Antoine (1996). Antoine Watteau : catalogue raisonné des dessins (in French). Paris: Gallimard-Electa. vol. 1, pp. 252–253, cat. no. 162. ISBN 2-07-015043-7. OCLC 463981169.
  • Zeri, Federico (2000) [first published in Italian in 1998]. Watteau: The Embarkment for Cythera. One Hundred Paintings. Richmond Hill, Ontario: NDE Pub. p. 47. ISBN 1553210182. LCCN 2001339949. OCLC 48003550 – via the Internet Archive.
  • Zimmermann, E. Heinrich [in German] (1912). Watteau: des Meisters Werke in 182 Abbildungen. Klassiker der Kunst (in German). Vol. 21. Stuttgart, Leipzig: Deutsche Verlags-Anstalt. pp. 16, 186. OCLC 561124140.

Further reading edit

  • Belova, Y. N. (2014). Закат барокко и утро рококо: Жак Калло и Антуан Ватто (in Russian). Saint Petersburg: State University of Industrial Technologies and Design. p. 61. ISBN 978-5-7937-1002-2.
  • DeJean, Joan E. (2007). "Man of Mode: Watteau and the Gendering of Genre Painting in the Eighteenth Century". In Conisbee, Philip (ed.). French Genre Painting in the Eighteenth Century (collected papers). Studies in the History of Art. Vol. 72. Washington, New Haven, London: National Gallery of Art, Yale University Press. pp. 38–47. ISBN 978-0-300-12024-0. JSTOR 42622411. LCCN 2006-27946. OCLC 470768543.
  • Ferré, Jean, ed. (1972). Watteau (in French). Vol. 1. Madrid: Éditions Athena. cat. no. B34. OCLC 906101135.
  • Gillet, Louis (1921). Watteau: un grand maître du XVIIIe siècle. Paris: Plon. p. 93, 124. OCLC 1102350703 – via the Internet Archive.
  • Glorieux, Guillaume (2011). Watteau. Collection Les Phares (in French). Paris: Citadelles & Mazenod. pp. 165, 169. ISBN 978-2-8508-8340-8. OCLC 711039378.
  • Goncourt, Edmond de (1875). Catalogue raisonné de l'oeuvre peint, dessiné et gravé d'Antoine Watteau (in French). Paris: Rapilly. p. 77, cat. no. 81. OCLC 1041772738 – via the Internet Archive.
  • Josz, Virgile (1904). Antoine Watteau (in French). Paris: H. Piazza et cie. pp. 177, 221. OCLC 963518006 – via the Internet Archive.
  • Lemonnier, Henry (February 1925). "Les origines de Musée Condé". Gazette des Beaux-Arts (in French). 5.11 (754): 61–76 – via Gallica.
  • Mirimonde, Albert Pomme de (November 1961). "Les sujets musicaux chez Antoine Watteau". Gazette des Beaux-Arts (in French). 6.58 (1114): 249–288. OCLC 888153049.
  • Pilon, Edmond (1924) [1912]. Watteau et son école (in French). Paris, Bruxelles: Librarie Nationale D'art dt d'histoire, G. Van Oest & cie. pp. 86 n. 1, 118. OCLC 744619923 – via Google Books.
  • Réau, Louis [in French] (1928–1930). "Watteau". In Dimier, Louis (ed.). Les peintres français du XVIII-e siècle: Histoire des vies et catalogue des œuvres (in French). Vol. 1. Paris: G. Van Oest. p. 38, cat. no. 95. OCLC 564527521.
  • Roland Michel, Marianne. Watteau: Tutti I Dipinti. I Maestri (in Italian). Vol. 19. Translated from the French by Marina Anzil Robertini. Milano: Rizzoli. cat. no. 225. OCLC 48636176. OCLC 801077589. Published in French as Tout Watteau. La Peinture. Paris: Flammarion. 1982. ISBN 2-08-012226-6. OCLC 490060827.
  • Rosenberg, Pierre (1985). "Watteau dessinateur". Revue de l'Art (in French). 69 (69): 47–54. doi:10.3406/rvart.1985.347523. ISBN 2-222-96-415-6. ISSN 0035-1326 – via Persse.fr.
  • Séailles, Gabriel (1900). Watteau, biographie critique, illustrée de vingt-quatre reporduction hors texte (in French). Paris: H. Laurens. p. 75. OCLC 697836947 – via the Internet Archive.
  • Temperini, Renaud (2002). Watteau. Maîtres de l'art (in French). Paris: Gallimard. cat. no. 115. ISBN 2-07-011686-7. OCLC 300225840.
  • Wilenski, Reginald Howard (1931). French Painting. Boston: Hale, Cushman & Flint. pp. 107, 114; pl. 45b. LCCN 60-50699. OCLC 1045602541 – via the Internet Archive.

November 11, 2023
worried, lover, amante, inquiète, panel, painting, musée, condé, chantilly, french, rococo, artist, antoine, watteau, variously, dated, 1715, 1720, painting, among, private, collections, throughout, 18th, 19th, centuries, until, been, acquired, henri, orleans,. The Worried Lover L Amante inquiete a is an oil on panel painting in the Musee Conde Chantilly by the French Rococo artist Antoine Watteau Variously dated to c 1715 1720 the painting was among private collections throughout the 18th and 19th centuries until it has been acquired by Henri d Orleans Duke of Aumale son of King Louis Philippe I as part of the Duke of Aumale s collection at the Chateau de Chantilly The Worried Lover was bequeathed to the Institut de France in 1884 The Worried LoverArtistAntoine WatteauYearc 1715 1720CatalogueH 48 49 G 81 DV 165 R 95 HA 127 EC 211 F B34 RM 225 RT 115Mediumoil on panelDimensions24 cm 17 5 cm 9 4 in 6 9 in LocationMusee Conde ChantillyAccessionPE 372At 24 by 17 5 cm the painting is a case of small single figure and full length composition showing a costumed character often in Watteau s art 2 it shows a seated young woman amid a landscape dressed in pastoral attire and holding a set of the cut roses viewed by authors as a symbol of consumed love With slight differences the woman s figure has been adapted by Watteau from a double sanguine drawing in which a study exactly matches the pose of the woman in the painting Watteau also made an etching showing a woman seated in a very similar pose In light of its provenance The Worried Lover was related to two other paintings by Watteau The Chord and The Dreamer Contents 1 Provenance and dating 2 Gallery 3 Notes 4 References 5 Sources 6 Further readingProvenance and dating editSee also The Chord painting Provenance nbsp Watteau The Dreamer c 1712 1717 Art Institute ChicagoThe earliest known owner of The Worried Lover was the Abbe Pierre Maurice Haranger ca 1655 1735 canon of the Saint Germain l Auxerrois who was one of Watteau s closest friends inheriting a large number of the artist s drawings on his death 3 In 1729 the painting was published by Edme Francois Gersaint as an etching made by Pierre Alexandre Aveline Aveline also etched another Watteau painting owned by the Abbe Haranger The Dreamer 4 Though the prints don t mention the Abbe s ownership Pierre Jean Mariette confirms that in his manuscripts and so does the fact that as part of the Recueil Jullienne The Worried Lover and The Dreamer were printed on the same sheet 5 Given the appearance in the Recueil Jullienne and shared provenance some authors considered both paintings to be pendants 6 in contrary to that point Pierre Rosenberg stated that these were likely brought together in the Abbe s collection 7 It has also been presumed that The Worried Lover was no 33 in the Abbe Haranger s inventory published in 1985 though the overall vagueness of the inventory makes that description elusive 8 In the 1780s The Worried Lover resurfaced in the collection of Antoine Claude Chariot 1733 1815 the commissaire priseur du Chatelet along with another Watteau painting in the Chariot collection The Chord it was lot 44 sold at auction for 221 livres in January 1788 to the painter and art dealer Jean Baptiste Pierre Lebrun 1748 1813 the husband of the prominent portrait painter Elisabeth Vigee Le Brun Lebrun didn t keep the pair for long he put it on sale in November 1791 only to have them bought back for 132 livres The pair appeared as lot 25 at a later auction in February 1792 before resurfacing in the mid 19th century as part of the collection of Marquis Andre Joseph Maison 1798 1869 son of the prominent general and diplomat Nicolas Joseph Maison Part of that collection it was then bought in 1868 by Henri d Orleans Duke of Aumale the fifth son of King Louis Philippe I during his English exile upon his return to France the Duke of Aumale hung it in the salle Caroline of his chateau de Chantilly where it remains as part of the Musee Conde collection 9 10 11 Among Watteau scholars The Worried Lover is dated from middle to late years of the artist s career 12 In the late 19th and early 20th centuries the painting was attributed by the Musee Conde curators to c 1717 1720 13 in a 1912 album and catalogue the German historian Ernst Heinrich Zimmermann de placed it to c 1717 the year Watteau completed the Louvre version of The Embarkation for Cythera 14 In the 1950 catalogue raisonne the Louvre staff curator Helene Adhemar listed the painting as a Spring Autumn 1716 work 15 in 1959 the painter and connoisseur Jacques Mathey had proposed a c 1715 dating 16 In the 1968 catalogue raisonne the Italian scholar Ettore Camesasca considered The Worried Lover a later work by Watteau dating it c 1720 17 Camesasca s dating is also used by Federico Zeri 18 in a later 1980 catalogue raisonne the French historian Marianne Roland Michel dated the painting c 1716 1718 19 Gallery editRelated pictures nbsp Watteau Studies of a Seated Woman c 1712 sanguine whereabouts unknown 20 nbsp Watteau Seated Woman Leaning on a Pedestal c 1709 1710 etching plate from Figures de mode Art Institute Chicago nbsp Pierre Alexandre Aveline after Watteau The Worried Lover published in 1729 etching and engraving Louvre ParisNotes edit As common case within Watteau s body of work the painting has no author title its traditional French naming is derived from Pierre Alexandre Aveline s print In the Duke of Aumale s inventory the painting was listed as L Attente 1 Montagni 1968 p 122 translated into English as Camesasca 1971 pp 125 126 cat no 211 and Zeri 2000 p 47 list the painting as Girl with Roses Ragazza con rose Grasselli Rosenberg amp Parmantier 1984 pp 38 78 228 235 304 306 365 adapts the original French title into English as The Anxious Lover References edit Garnier Pelle 1995 p 156 Grasselli Rosenberg amp Parmantier 1984 p 228 Watteau never forgot these small single figures rigid yet delicate cousins to his Polish Ladies Finette The Indifferent The Anxious Lover CR 166 167 cats P 58 59 CR 211 Grasselli Rosenberg amp Parmantier 1984 p 38 Posner 1984 p 123 Roland Michel 1984 p 55 Hedouin 1845 p 79 cat no 48 Hedouin 1856 p 99 cat no 49 Dacier amp Vuaflart 1922a p 29 Dacier amp Vuaflart 1922b p 81 Garnier Pelle 1995 pp 155 156 Eidelberg 2014 Gruyer 1899 p 349 Dacier amp Vuaflart 1922b p 81 82 Grasselli Rosenberg amp Parmantier 1984 p 304 Garnier Pelle 1995 p 156 Haranger 1985 p 62 Garnier Pelle 1995 p 156 Eidelberg 2014 Garnier Pelle 1995 p 156 cat no 113 Base Joconde Reference no 00000076657 French Ministry of Culture in French Museum catalogue entry Grasselli Rosenberg amp Parmantier 1984 p 78 The Anxious Lover Musee Conde Chantilly DV 165 CR 211 which for lack of other works executed in a similarly airy and sketchy style is generally dated toward the end of Watteau s career Garnier Pelle 1995 p 156 cat no 113 La datation est controversee Gruyer 1898 pp 271 272 Watteau a sans doute execute cette peinture entre 1717 et 1720 epoque a laquelle appartiennent ses œuvres les plus brillantes et les plus spirituelles lEmbarquement pour l ile de Cythere au musee du Louvre qui est de 1717 la Lecon de musique de la collection Wallace qui est de 1719 etc Le genie du dix huitieme siecle en son premier elan d emancipation pittoresque est triomphant dans l Amante inquiete Gruyer 1899 p 349 L Amante inquiete qui se trouvait originairement dans le cabinet de l abbe Haranger en pendant au Donneur de serenades a du etre execute entre 1717 et 1720 epoque a laquelle appartiennent les œuvres les plus brillantes et les plus spirituelles du maitre Zimmermann 1912 p 186 cited in Garnier Pelle 1995 p 156 cat no 113 P Aveline sculp G 81 Der Katalog von Chantilly datiert das Bild zu spat 1717 20 Es gehort in die Zeit vor dem Embarquement Adhemar 1950 p 216 cat no 127 Mathey 1959 p 68 Montagni 1968 p 122 translated into English as Camesasca 1971 pp 125 126 cat no 211 Zeri 2000 p 47 Eidelberg 2014 Appears as reproduced in Rosenberg amp Prat 1996 vol 1 p 253 cat no 162 and Eidelberg 2014 Sources editAdhemar Helene 1950 Watteau sa vie son oeuvre in French Includes L univers de Watteau an introduction by Rene Huyghe Paris P Tisne pp 57 183 216 pl 67 cat no 127 OCLC 853537 Camesasca Ettore in Portuguese 1971 The Complete Painting of Watteau Classics of the World s Great Art Introduction by John Sutherland New York Harry N Abrams pp 125 126 cat no 211 ISBN 0 8109 5525 3 LCCN 77 92260 OCLC 143069 via the Internet Archive Dacier Emile in French Vuaflart Albert 1922a Jean de Julienne et les graveurs de Watteau au XVIII e siecle II Historique Jean de Jullienne et les Graveurs de Watteau Au Xviii Siecle in French Paris M Rousseau pp 29 61 83 93 131 133 n doi 10 11588 DIGLIT 41976 OCLC 1039156495 Dacier Emile Vuaflart Albert 1922b Jean de Julienne et les graveurs de Watteau au XVIII e siecle III Catalogue Jean de Jullienne et les Graveurs de Watteau Au Xviii Siecle in French Paris M Rousseau pp 81 82 100 cat no 165 doi 10 11588 DIGLIT 41977 OCLC 1039156495 Eidelberg Martin August 2014 L Amante inquiete A Watteau Abecedario Archived from the original on April 23 2020 Retrieved October 19 2020 Garnier Pelle Nicole 1995 Chantilly musee Conde Peintures du xviiie siecle Inventaire des collections publiques de France in French Vol 38 Paris Reunion des musees nationaux pp 155 156 cat no 113 ISBN 2 7118 3285 6 OCLC 33264438 Grasselli Margaret Morgan Rosenberg Pierre Parmantier Nicole et al 1984 Watteau 1684 1721 National Gallery of Art June 17 September 23 1984 Galeries Nationales du Grand Palais Paris October 23 1984 January 28 1985 Schloss Charlottenburg Berlin February 22 May 26 1985 PDF Washington National Gallery of Art ISBN 0 89468 074 9 LCCN 84 4918 OCLC 557740787 via the National Gallery of Art archive Gruyer Francois Anatole 1898 La peinture au chateau de Chantilly Vol 2 Ecole francaise in French Paris Plon Nourrit pp 269 272 cat no CXVI OCLC 1048229654 via the Internet Archive Gruyer Francois Anatole 1899 Chantilly Musee Conde Notice des peintures in French Paris Braun Clement et cie pp 346 349 cat no 372 via the Internet Archive Hedouin Pierre November 30 1845 Watteau catalogue de son oeuvre L Artiste in French pp 78 80 via Gallica p 79 cat no 48 Hedouin Pierre 1856 Mosaique Peintres musiciens litterateurs artistes dramatiques a partir du 15e siecle jusqu a nos jours in French Paris Heugel p 99 cat no 49 OCLC 1157159285 via the Internet Archive Inventaire apres deces du chanoine Haranger 17 mai 1735 Revue de l Art in French 69 69 62 68 1985 doi 10 3406 rvart 1985 347525 ISBN 2 222 96 415 6 ISSN 0035 1326 via Persee fr Mathey Jacques 1959 Antoine Watteau Peintures reapparues inconnues ou negligees par les historiens in French Paris F de Nobele p 68 OCLC 954214682 Montagni E C 1968 L opera completa di Watteau Classici dell arte in Italian Vol 21 Introduction by Giovanni Macchia Milano Rizzoli p 122 cat no 211 OCLC 1006284992 For the English edition see Camesasca 1971 Posner Donald 1984 Antoine Watteau London Weidenfeld amp Nicolson p 123 ISBN 0 8014 1571 3 LCCN 84 164937 OCLC 1147993782 via the Internet Archive Roland Michel Marianne 1984 Watteau an Artist of the Eighteenth Century London Trefoil pp 55 156 265 269 306 pl 335 ISBN 0 86294 049 4 OCLC 1302554747 via the Internet Archive Rosenberg Pierre Prat Louis Antoine 1996 Antoine Watteau catalogue raisonne des dessins in French Paris Gallimard Electa vol 1 pp 252 253 cat no 162 ISBN 2 07 015043 7 OCLC 463981169 Zeri Federico 2000 first published in Italian in 1998 Watteau The Embarkment for Cythera One Hundred Paintings Richmond Hill Ontario NDE Pub p 47 ISBN 1553210182 LCCN 2001339949 OCLC 48003550 via the Internet Archive Zimmermann E Heinrich in German 1912 Watteau des Meisters Werke in 182 Abbildungen Klassiker der Kunst in German Vol 21 Stuttgart Leipzig Deutsche Verlags Anstalt pp 16 186 OCLC 561124140 Further reading editBelova Y N 2014 Zakat barokko i utro rokoko Zhak Kallo i Antuan Vatto in Russian Saint Petersburg State University of Industrial Technologies and Design p 61 ISBN 978 5 7937 1002 2 DeJean Joan E 2007 Man of Mode Watteau and the Gendering of Genre Painting in the Eighteenth Century In Conisbee Philip ed French Genre Painting in the Eighteenth Century collected papers Studies in the History of Art Vol 72 Washington New Haven London National Gallery of Art Yale University Press pp 38 47 ISBN 978 0 300 12024 0 JSTOR 42622411 LCCN 2006 27946 OCLC 470768543 Ferre Jean ed 1972 Watteau in French Vol 1 Madrid Editions Athena cat no B34 OCLC 906101135 Gillet Louis 1921 Watteau un grand maitre du XVIIIe siecle Paris Plon p 93 124 OCLC 1102350703 via the Internet Archive Glorieux Guillaume 2011 Watteau Collection Les Phares in French Paris Citadelles amp Mazenod pp 165 169 ISBN 978 2 8508 8340 8 OCLC 711039378 Goncourt Edmond de 1875 Catalogue raisonne de l oeuvre peint dessine et grave d Antoine Watteau in French Paris Rapilly p 77 cat no 81 OCLC 1041772738 via the Internet Archive Josz Virgile 1904 Antoine Watteau in French Paris H Piazza et cie pp 177 221 OCLC 963518006 via the Internet Archive Lemonnier Henry February 1925 Les origines de Musee Conde Gazette des Beaux Arts in French 5 11 754 61 76 via Gallica Mirimonde Albert Pomme de November 1961 Les sujets musicaux chez Antoine Watteau Gazette des Beaux Arts in French 6 58 1114 249 288 OCLC 888153049 Pilon Edmond 1924 1912 Watteau et son ecole in French Paris Bruxelles Librarie Nationale D art dt d histoire G Van Oest amp cie pp 86 n 1 118 OCLC 744619923 via Google Books Reau Louis in French 1928 1930 Watteau In Dimier Louis ed Les peintres francais du XVIII e siecle Histoire des vies et catalogue des œuvres in French Vol 1 Paris G Van Oest p 38 cat no 95 OCLC 564527521 Roland Michel Marianne Watteau Tutti I Dipinti I Maestri in Italian Vol 19 Translated from the French by Marina Anzil Robertini Milano Rizzoli cat no 225 OCLC 48636176 OCLC 801077589 Published in French as Tout Watteau La Peinture Paris Flammarion 1982 ISBN 2 08 012226 6 OCLC 490060827 Rosenberg Pierre 1985 Watteau dessinateur Revue de l Art in French 69 69 47 54 doi 10 3406 rvart 1985 347523 ISBN 2 222 96 415 6 ISSN 0035 1326 via Persse fr Seailles Gabriel 1900 Watteau biographie critique illustree de vingt quatre reporduction hors texte in French Paris H Laurens p 75 OCLC 697836947 via the Internet Archive Temperini Renaud 2002 Watteau Maitres de l art in French Paris Gallimard cat no 115 ISBN 2 07 011686 7 OCLC 300225840 Wilenski Reginald Howard 1931 French Painting Boston Hale Cushman amp Flint pp 107 114 pl 45b LCCN 60 50699 OCLC 1045602541 via the Internet Archive Retrieved from https en wikipedia org w index php title The Worried Lover amp oldid 1168558484, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.