An inscription on the painting identifies the subject as the rarely represented scene of the suicide of Saul after his defeat by the Philistines. These events are described in 1 Samuel 31, 1-5:
Now the Philistines fought against Israel; and the men of Israel fled from before the Philistines, and fell slain on Mount Gilboa. Then the Philistines followed hard after Saul and his sons. And the Philistines killed Jonathan, Abinadab, and Malchishua, Saul's sons. The battle became fierce against Saul. The archers hit him, and he was severely wounded by the archers.
Then Saul said to his armorbearer, "Draw your sword, and thrust me through with it, lest these uncircumcised men come and thrust me through and abuse me."
But his armorbearer would not, for he was greatly afraid. Therefore Saul took a sword and fell on it. And when his armorbearer saw that Saul was dead, he also fell on his sword, and died with him.
Bruegel has chosen the highly dramatic moment of the death of the armourbearer, just as the Philistines are approaching. See 1st detail
Saul's death was interpreted as a punishment of pride - it was among the proud that Dante met Saul in the Purgatorio - and this may account for Bruegel's choice of such an unusual subject.[3]
As with most of his subjects taken from the Bible, Bruegel treats Saul's suicide as a contemporary event, showing the armies in 16th century armour. In 1529, the German painter Albrecht Altdorfer had shown the clash of the forces of Alexander the Great and Darius at the Battle of the Issus in this way, and in many other respects, too, Bruegel is in Altdorfer's debt, particularly in the representation of the tiny, massed figures of the soldiers and their forests of lances.[4] Bruegel may also have looked at the battle-scenes of another German painter, Jörg Breu the Younger, and at a now lost battle-scene by the Antwerp landscape painter Joachim Patinir which is mentioned by biographerKarel van Mander.[5]
Detail 2
The Suicide of Saul is an early attempt by Bruegel to reconcile landscape and figure painting. If it is compared with one of his latest works, The Magpie on the Gallows of 1568, its weaknesses are apparent: the foreground and background are not yet reconciled and the jutting outcrop of rock in the centre see 2nd detail is a mannerist device which one may see again in The Procession to Calvary. However, the distant landscape is seen through a shimmering haze, which seems to have the effect of emphasizing the foreground detail, and this does represent a new stage in the evolution of Bruegel's depiction of naturalistic landscape.[6]
^Cf. Dante's Canto XII, vv.40-42: O Saul, transfixed by your own sword, how dead / you seemed to lie on Mount Gilboa's plain, / which since that time has known no rain or dew. (transl. M. Musa, Penguin Books, 1985). Saul was placed in the 2nd Terrace of Purgatory, with King Nimrod, the subject of another Bruegel painting, The Tower of Babel.
^Screech, Matthew (2005). Masters of the ninth art: bandes dessinées and Franco-Belgian identity. Liverpool University Press. p. 85. ISBN9780853239383.
^Cf. Pietro Allegretti, Brueghel, Skira, Milano 2003. ISBN0-00-001088-X(in Italian)
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suicide, saul, panel, flemish, renaissance, artist, pieter, bruegel, elder, painted, 1562, collection, kunsthistorisches, museum, vienna, artistpieter, bruegel, elderyear1562, typeoil, paneldimensions33, locationkunsthistorisches, museum, vienna, contents, des. The Suicide of Saul is an oil on panel by the Flemish Renaissance artist Pieter Bruegel the Elder painted in 1562 It is in the collection of the Kunsthistorisches Museum in Vienna The Suicide of SaulArtistPieter Bruegel the ElderYear1562 1 TypeOil on panelDimensions33 5 cm 55 cm 13 2 in 22 in LocationKunsthistorisches Museum Vienna Contents 1 Description 2 See also 3 References 4 External linksDescription editAn inscription on the painting identifies the subject as the rarely represented scene of the suicide of Saul after his defeat by the Philistines These events are described in 1 Samuel 31 1 5 Now the Philistines fought against Israel and the men of Israel fled from before the Philistines and fell slain on Mount Gilboa Then the Philistines followed hard after Saul and his sons And the Philistines killed Jonathan Abinadab and Malchishua Saul s sons The battle became fierce against Saul The archers hit him and he was severely wounded by the archers Then Saul said to his armorbearer Draw your sword and thrust me through with it lest these uncircumcised men come and thrust me through and abuse me But his armorbearer would not for he was greatly afraid Therefore Saul took a sword and fell on it And when his armorbearer saw that Saul was dead he also fell on his sword and died with him 1 Samuel 31 1 5 NKJV 2 nbsp Detail 1Bruegel has chosen the highly dramatic moment of the death of the armourbearer just as the Philistines are approaching See 1st detailSaul s death was interpreted as a punishment of pride it was among the proud that Dante met Saul in the Purgatorio and this may account for Bruegel s choice of such an unusual subject 3 As with most of his subjects taken from the Bible Bruegel treats Saul s suicide as a contemporary event showing the armies in 16th century armour In 1529 the German painter Albrecht Altdorfer had shown the clash of the forces of Alexander the Great and Darius at the Battle of the Issus in this way and in many other respects too Bruegel is in Altdorfer s debt particularly in the representation of the tiny massed figures of the soldiers and their forests of lances 4 Bruegel may also have looked at the battle scenes of another German painter Jorg Breu the Younger and at a now lost battle scene by the Antwerp landscape painter Joachim Patinir which is mentioned by biographer Karel van Mander 5 nbsp Detail 2The Suicide of Saul is an early attempt by Bruegel to reconcile landscape and figure painting If it is compared with one of his latest works The Magpie on the Gallows of 1568 its weaknesses are apparent the foreground and background are not yet reconciled and the jutting outcrop of rock in the centre see 2nd detail is a mannerist device which one may see again in The Procession to Calvary However the distant landscape is seen through a shimmering haze which seems to have the effect of emphasizing the foreground detail and this does represent a new stage in the evolution of Bruegel s depiction of naturalistic landscape 6 See also editList of paintings by Pieter Bruegel the ElderReferences edit signed at bottom left SAUL XXXI CAPIT BRVEGEL M CCCCC LXII From online NKJV 1 Samuel 31 Cf Dante s Canto XII vv 40 42 O Saul transfixed by your own sword how dead you seemed to lie on Mount Gilboa s plain which since that time has known no rain or dew transl M Musa Penguin Books 1985 Saul was placed in the 2nd Terrace of Purgatory with King Nimrod the subject of another Bruegel painting The Tower of Babel Some of the great battle scenes of The Lord of the Rings film trilogy are strongly reminiscent of this composition s battle deployment Screech Matthew 2005 Masters of the ninth art bandes dessinees and Franco Belgian identity Liverpool University Press p 85 ISBN 9780853239383 Cf Pietro Allegretti Brueghel Skira Milano 2003 ISBN 0 00 001088 X in Italian External links edit nbsp Wikimedia Commons has media related to The Suicide of Saul The Suicide of Saul at the KHM German Kunsthistorisches Museum s Official Website Bosch Bruegel Society 99 works by Pieter Bruegel the Elder Creative Bruegel laid the foundation of the Netherlands School Russian Bruegel Encyclopedia Americana 1920 Retrieved from https en wikipedia org w index php title The Suicide of Saul amp oldid 1194158263, wikipedia, wiki, book, books, library,
