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The Sorrow and the Pity

December 13, 2023

The Sorrow and the Pity (French: Le Chagrin et la Pitié) is a two-part 1969 documentary film by Marcel Ophuls about the collaboration between the Vichy government and Nazi Germany during World War II. The film uses interviews with a German officer, collaborators, and resistance fighters from Clermont-Ferrand. They comment on the nature of and reasons for collaboration, including antisemitism, Anglophobia, fear of Bolsheviks and Soviet invasion, and the desire for power.

The Sorrow and the Pity
Movie poster
FrenchLe Chagrin et la Pitié
Directed byMarcel Ophuls
Written by
  • Marcel Ophuls
  • André Harris
Produced by
  • Alain de Sedouy
  • André Harris
Cinematography
  • André Gazut
  • Jürgen Thieme
Edited byClaude Vajda
Production
companies
Release date
  • 18 September 1969 (1969-September-18)
Running time
251 minutes
CountriesFrance
West Germany
Switzerland
LanguagesFrench
German
English[1][2]
Box office$13,082[3][4]

The title comes from a comment by interviewee Marcel Verdier, a pharmacist in Montferrat, Isère, who says "the two emotions I experienced the most [during the Nazi occupation] were sorrow and pity".

Synopsis edit

The film examines the responses of the French people to German occupation and their reasons for tending toward resistance or collaboration, focusing on the Auvergne region and the city of Clermont-Ferrand. Events are presented in roughly chronological order, with interviewees appearing throughout both parts of the film. Maurice Chevalier's "Sweepin' the Clouds Away" is used repeatedly during the film. Chevalier was a popular entertainer with the German occupation force and was accused of collaboration even while he claimed to have offered support to the resistance, mirroring the complexities of French reactions to occupation highlighted in the film.

Part 1: "The Collapse" edit

 
Jewish film entrepreneur Bernard Natan on trial in France for fraud c. 1936; screenshot from part 1, The Collapse

Part one of the film focuses on France's defeat by Germany in 1940, the initial support for armistice and the Pétain government, the beginning of German occupation, and the early stirrings of resistance. Various explanations for France's defeat, capitulation, and acceptance of the Vichy government are offered, with differing opinions depending on the political leanings and class status of the interviewees. Particular attention is given to the German and Vichy use of antisemitism, including discussion of the distribution of the German propaganda film Jud Suss in France (scenes of which are shown). Also included is an extended interview with French Jewish politician and officer Pierre Mendès France about his trial and imprisonment by the Vichy government and later escape. Mendès France was arrested on trumped-up charges of desertion after leaving France on the SS Le Masilia, together with Pierre Viénot [fr], Jean Zay, and Alex Wiltzer [fr], as they attempted to rejoin their military unit which had moved to Morocco. He eventually escaped from jail to join Charles de Gaulle's forces operating out of England, and later served as prime minister of France for eight months from 1954 to 1955.

Part 2: "The Choice" edit

Part two focuses on the movement of different factions in France toward more open resistance against or collaboration with the Germans. Partisan actions and underground networks are discussed, as well as increased cooperation with German authorities of the Vichy government under the French prime minister Pierre Laval. Special attention is paid to the de-naturalization and deportation of French Jews under Vichy. This part features a long interview with Christian de la Mazière, a French aristocrat who was one of 7,000 French youth to fight on the Eastern Front wearing German uniforms. As de la Mazière explains how his conservative upbringing and fear of communism led to his embrace of Fascism, Ophuls overlays audio of Hitler speaking. Meanwhile, a guide points out items connected to the French royal family as he leads a tour through de la Mazière's chateau.

The last segment of part two details the liberation of France and the legacy of resistants and collaborators in France. Footage of French women who associated with German soldiers having their heads shaved is shown, and an interviewee describes how she was accused of denouncing resistance members and then tortured by alleged members before standing trial.

Interviews edit

Interviews were conducted by Ophuls, André Harris or George Bidault, with:[1]

Archival footage edit

Archival footage is interwoven through the film, featuring historical figures including:

Production edit

Initially commissioned by French government-owned television to create a two part made for TV documentary,[5][when?] the film was banned after Ophuls submitted it to the studio that hired him.[6]

Ophuls shot his film over a two-year period, gathering about 50 hours of potentially usable material to edit.[7] The title is drawn from a scene in which a young woman asks her grandfather, a pharmacist, what he felt during the Occupation, and the somber answer is just two stark emotions.[8]

Release edit

The film "had its world premiere in Germany."[5][when?] This film was first shown on French television in 1981[6] after being banned[9] from that medium for years. In 1969, after the director submitted the film to the studio that hired him, the network head "told a government committee that the film 'destroys myths that the people of France still need'".[6] Frederick Busi suggests that this was because of how uncomfortable it is to face the reality of collaborationism. Writing of French conservative establishment groups' reactions to the film, "They, too, preferred that little be said about their role, and in some ways this reluctance is more significant than that of the extremists, since they represent so large a segment of society and mainly dominate contemporary politics."[5] It is frequently assumed that the reason was French reluctance to admit the facts of French history. While this may have been a factor, the principal mover in the decision was Simone Veil, a Jewish inmate of Auschwitz who became a minister and the first president of the European Parliament, on the grounds that the film presented too one-sided a view.[10][clarification needed]

The first DVD release of the film in France came in November 2011.[8] In the UK, home media releases include a 2017 DVD and Blu-Ray from Arrow Academy which, among its extra content, features a lengthy 2004 interview with Ophuls by Ian Christie.[11]

Reception edit

The candid approach of The Sorrow and the Pity shone a spotlight on antisemitism in France and disputed the idealized collective memory of the nation at large.[12][13] In 2001, Richard Trank, a documentarian of the Simon Wiesenthal Center, described it as "a film about morality that explores the role of ordinary people".[9]

In France, after its release, communists, socialists, and "independent groups" treated the film favorably; however, the far right disapproved on account of the director's background.[5] Some French critics denounced the film as unpatriotic.[6] The film has also been criticized for being too selective and that the director was "too close to the events portrayed to provide an objective study of the period."[5][14]

In the United States, Time magazine gave a positive review of the film, and wrote that Marcel Ophuls "tries to puncture the bourgeois myth—or protectively askew memory—that allows France generally to act as if hardly any Frenchmen collaborated with the Germans."[15] Critic Roger Ebert gave the film four stars out of four, and praised the depth and complexity of its human portraiture, which somehow still manages to avoid any abstraction of collaboration.[7]

Retrospectively, critical appraisals have become ever more lavish. Writing in the Los Angeles Times in 2000, US film critic Kenneth Turan called it a "monumental" work, and "one of the most potent documentaries ever made".[16] The Arts Desk (UK) called it simply "the greatest documentary ever made about France during the Second World War".[11]

Accolades edit

In France, the film won the Grand Prize of the Dinard Festival [fr].[5][when?]

In the United States, the film was nominated for an Academy Award in 1971 for Best Documentary Feature.[17][18][19] In the same year, it received a special award by the National Society of Film Critics,[20] "which called it 'a film of extraordinary public interest and distinction'."[9] In 1972, it was named Best Foreign Language Film by the U.S. National Board of Review.[21]

In the UK, it won the 1972 BAFTA award for Best Foreign TV Programme.[22]

In popular culture edit

Woody Allen's film Annie Hall (1977) references The Sorrow and the Pity as a plot device. Film critic Donald Liebenson explains: "In one of the film's signature scenes, Alvy Singer (Allen) suggests he and Annie (Diane Keaton) go see the film. 'I'm not in the mood to see a four-hour documentary on Nazis,' Annie protests. In the film's poignant conclusion, Alvy runs into Annie as she is taking a date to see the film, which Alvy counts as 'a personal triumph'."[9][23]

See also edit

References edit

  1. ^ a b . Bfi.org.uk. British Film Institute. Archived from the original on March 14, 2016. Retrieved November 3, 2018.
  2. ^ "The Sorrow and the Pity (1971)". All Movie. Retrieved November 3, 2018.
  3. ^ "The Sorrow and the Pity (2022)". Box Office Mojo. Retrieved 28 April 2023.
  4. ^ "The Sorrow and the Pity (2022)". The Numbers. Retrieved 28 April 2023.
  5. ^ a b c d e f Busi, Frederick (Winter 1973). "Marcel Ophuls and the Sorrow and the Pity". The Massachusetts Review. 14 (1): 177–186. JSTOR 25088330.
  6. ^ a b c d Jeffries, Stuart (January 22, 2004). "A nation shamed: Why does France keep making films that glorify the Resistance and gloss over the truth about collaboration?". The Guardian. Retrieved November 4, 2018.
  7. ^ a b Ebert, Roger (19 September 1972). "The Sorrow and the Pity". RogerEbert.com. from the original on 12 March 2017.
  8. ^ a b Neuhoff, Eric (18 November 2011). "Le Chagrin et la pitié, la France des années noires". Le Figaro (in French). Retrieved 8 July 2019.
  9. ^ a b c d Liebenson, Donald (January 19, 2001). "A Look at 'The Sorrow and the Pity' of France in World War II". Los Angeles Times. Retrieved November 3, 2018.
  10. ^ Simone Veil, Mémoires, Paris, 2008
  11. ^ a b Baron, Saskia (27 June 2017). "DVD/Blu-ray: The Sorrow and the Pity". The Arts Desk. Retrieved 9 July 2019.
  12. ^ Weitz, Margaret Collins (1995). Sisters in the Resistance – How Women Fought to Free France 1940–1945. New York: John Wiley & Sons, Inc. p. 13. ISBN 978-0-471-19698-3.
  13. ^ Greene, Naomi (1999). Landscapes of Loss: The National Past in Postwar French Cinema. New Jersey: Princeton University Press. pp. 69–73. ISBN 978-0-691-00475-4.
  14. ^ Hoffman, Stanley (1972). "On 'The Sorrow and the Pity'". Commentary. Retrieved November 3, 2018.
  15. ^ . Time. 1972-03-27. Archived from the original on March 1, 2009. Retrieved 2012-08-27.
  16. ^ Turan, Kenneth (July 7, 2000). "'Sorrow and the Pity' Still Potent, Powerful". Los Angeles Times. Retrieved 9 July 2019.
  17. ^ . Movies & TV Dept. The New York Times. 2009. Archived from the original on May 19, 2009. Retrieved November 12, 2008. Win Special Award - 1972 New York Film Critics Circle Best Foreign Film - 1972 National Board of Review Nomination Best Documentary Feature - 1971 Academy of Motion Picture Arts and Sciences
  18. ^ "The Official Academy Awards Database". Archived from the original on 2013-04-15. Retrieved November 3, 2018.
  19. ^ Petrakis, John (July 14, 2000). "'Sorrow' a Complete Look at how the French Dealt with the Nazis". Chicago Tribune. Retrieved November 3, 2018.
  20. ^ "Past Awards". NationalSocietyOfFilmCritics.com. 2009. Retrieved 6 July 2019.
  21. ^ "1972 Award Winners". National Board of Review of Motion Pictures. 2019. Retrieved 6 July 2019.
  22. ^ "The Sorrow and the Pity". Bafta.org. British Academy of Film and Television Arts. Retrieved 9 July 2019.
  23. ^ "Annie Hall Film Script". DailyScript.com. Retrieved 2015-01-27.

External links edit

 
Wikimedia Commons has media related to French resistance.
 
Wikimedia Commons has media related to Nazi collaborators in France.
 
Wikimedia Commons has media related to German occupation in France.
 
Wikimedia Commons has media related to Vichy government (1940-1944).
 
Wikimedia Commons has media related to The Holocaust.
  • Director Marcel Ophuls in Conversation with Thom Powers, Published on Oct 8, 2015, Retrieved November 3, 2018 – via YouTube.
  • Sorrow and the Pity, Retrieved November 3, 2018 – via UniFrance.
  • Roger and Ebert review, Published on September 19, 1972, Retrieved November 4, 2018.
  • The Sorrow and the Pity at IMDb
  • The Sorrow and the Pity at Rotten Tomatoes
  • (in French and English) Testimony File - History of the resistance of the Strasbourg French University transferred to Clermont-Ferrand

December 13, 2023
sorrow, pity, this, article, multiple, issues, please, help, improve, discuss, these, issues, talk, page, learn, when, remove, these, template, messages, help, expand, this, article, with, text, translated, from, corresponding, article, french, november, 2018,. This article has multiple issues Please help improve it or discuss these issues on the talk page Learn how and when to remove these template messages You can help expand this article with text translated from the corresponding article in French November 2018 Click show for important translation instructions View a machine translated version of the French article Machine translation like DeepL or Google Translate is a useful starting point for translations but translators must revise errors as necessary and confirm that the translation is accurate rather than simply copy pasting machine translated text into the English Wikipedia Consider adding a topic to this template there are already 5 894 articles in the main category and specifying topic will aid in categorization Do not translate text that appears unreliable or low quality If possible verify the text with references provided in the foreign language article You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at fr Le Chagrin et la Pitie see its history for attribution You should also add the template Translated fr Le Chagrin et la Pitie to the talk page For more guidance see Wikipedia Translation This article is missing information about scholarly reactions to the documentary Please expand the article to include this information Further details may exist on the talk page November 2018 Learn how and when to remove this template message The Sorrow and the Pity French Le Chagrin et la Pitie is a two part 1969 documentary film by Marcel Ophuls about the collaboration between the Vichy government and Nazi Germany during World War II The film uses interviews with a German officer collaborators and resistance fighters from Clermont Ferrand They comment on the nature of and reasons for collaboration including antisemitism Anglophobia fear of Bolsheviks and Soviet invasion and the desire for power The Sorrow and the PityMovie posterFrenchLe Chagrin et la PitieDirected byMarcel OphulsWritten byMarcel Ophuls Andre HarrisProduced byAlain de Sedouy Andre HarrisCinematographyAndre Gazut Jurgen ThiemeEdited byClaude VajdaProductioncompaniesNorddeutscher Rundfunk Societe suisse de radiodiffusionRelease date18 September 1969 1969 September 18 Running time251 minutesCountriesFranceWest GermanySwitzerlandLanguagesFrenchGermanEnglish 1 2 Box office 13 082 3 4 The title comes from a comment by interviewee Marcel Verdier a pharmacist in Montferrat Isere who says the two emotions I experienced the most during the Nazi occupation were sorrow and pity Contents 1 Synopsis 1 1 Part 1 The Collapse 1 2 Part 2 The Choice 2 Interviews 3 Archival footage 4 Production 5 Release 6 Reception 7 Accolades 8 In popular culture 9 See also 10 References 11 External linksSynopsis editThe film examines the responses of the French people to German occupation and their reasons for tending toward resistance or collaboration focusing on the Auvergne region and the city of Clermont Ferrand Events are presented in roughly chronological order with interviewees appearing throughout both parts of the film Maurice Chevalier s Sweepin the Clouds Away is used repeatedly during the film Chevalier was a popular entertainer with the German occupation force and was accused of collaboration even while he claimed to have offered support to the resistance mirroring the complexities of French reactions to occupation highlighted in the film Part 1 The Collapse edit nbsp Jewish film entrepreneur Bernard Natan on trial in France for fraud c 1936 screenshot from part 1 The CollapsePart one of the film focuses on France s defeat by Germany in 1940 the initial support for armistice and the Petain government the beginning of German occupation and the early stirrings of resistance Various explanations for France s defeat capitulation and acceptance of the Vichy government are offered with differing opinions depending on the political leanings and class status of the interviewees Particular attention is given to the German and Vichy use of antisemitism including discussion of the distribution of the German propaganda film Jud Suss in France scenes of which are shown Also included is an extended interview with French Jewish politician and officer Pierre Mendes France about his trial and imprisonment by the Vichy government and later escape Mendes France was arrested on trumped up charges of desertion after leaving France on the SS Le Masilia together with Pierre Vienot fr Jean Zay and Alex Wiltzer fr as they attempted to rejoin their military unit which had moved to Morocco He eventually escaped from jail to join Charles de Gaulle s forces operating out of England and later served as prime minister of France for eight months from 1954 to 1955 Part 2 The Choice edit Part two focuses on the movement of different factions in France toward more open resistance against or collaboration with the Germans Partisan actions and underground networks are discussed as well as increased cooperation with German authorities of the Vichy government under the French prime minister Pierre Laval Special attention is paid to the de naturalization and deportation of French Jews under Vichy This part features a long interview with Christian de la Maziere a French aristocrat who was one of 7 000 French youth to fight on the Eastern Front wearing German uniforms As de la Maziere explains how his conservative upbringing and fear of communism led to his embrace of Fascism Ophuls overlays audio of Hitler speaking Meanwhile a guide points out items connected to the French royal family as he leads a tour through de la Maziere s chateau The last segment of part two details the liberation of France and the legacy of resistants and collaborators in France Footage of French women who associated with German soldiers having their heads shaved is shown and an interviewee describes how she was accused of denouncing resistance members and then tortured by alleged members before standing trial Interviews editInterviews were conducted by Ophuls Andre Harris or George Bidault with 1 Georges Bidault Matthaus Bleibinger fr Charles Braun fr Maurice Buckmaster Emile Coulaudon Emmanuel d Astier de la Vigerie Comte Rene de Chambrun Christian de la Maziere Jacques Duclos Colonel Raymond Du Jonchay fr Anthony Eden Marcel Fouche Degliame fr Raphael Geminiani Alexis Grave fr Louis Grave fr Georges Lamirand fr Pierre Le Calvez fr Claude Levy fr Pierre Mendes France Elmar Michel fr Denis Rake fr Henri Rochat fr Paul Schmidt Edward Spears Helmut Tausend fr Roger Tounze fr Marcel Verdier fr Walter WarlimontArchival footage editArchival footage is interwoven through the film featuring historical figures including Emmanuel d Astier de La Vigerie Junie Astor Rene Bousquet Alphonse de Chateaubriant Maurice Chevalier Danielle Darrieux Suzy Delair Jacques Doriot Charles de Gaulle Raymond Guyot Adolf Hitler Reinhard Heydrich Pierre Laval Philippe Petain Albert Prejean Viviane RomanceProduction editThis section needs expansion with I just added this section Many sources already used go into these details Feel free to help me expand it You can help by adding to it November 2018 Initially commissioned by French government owned television to create a two part made for TV documentary 5 when the film was banned after Ophuls submitted it to the studio that hired him 6 Ophuls shot his film over a two year period gathering about 50 hours of potentially usable material to edit 7 The title is drawn from a scene in which a young woman asks her grandfather a pharmacist what he felt during the Occupation and the somber answer is just two stark emotions 8 Release editThe film had its world premiere in Germany 5 when This film was first shown on French television in 1981 6 after being banned 9 from that medium for years In 1969 after the director submitted the film to the studio that hired him the network head told a government committee that the film destroys myths that the people of France still need 6 Frederick Busi suggests that this was because of how uncomfortable it is to face the reality of collaborationism Writing of French conservative establishment groups reactions to the film They too preferred that little be said about their role and in some ways this reluctance is more significant than that of the extremists since they represent so large a segment of society and mainly dominate contemporary politics 5 It is frequently assumed that the reason was French reluctance to admit the facts of French history While this may have been a factor the principal mover in the decision was Simone Veil a Jewish inmate of Auschwitz who became a minister and the first president of the European Parliament on the grounds that the film presented too one sided a view 10 clarification needed The first DVD release of the film in France came in November 2011 8 In the UK home media releases include a 2017 DVD and Blu Ray from Arrow Academy which among its extra content features a lengthy 2004 interview with Ophuls by Ian Christie 11 Reception editThe candid approach of The Sorrow and the Pity shone a spotlight on antisemitism in France and disputed the idealized collective memory of the nation at large 12 13 In 2001 Richard Trank a documentarian of the Simon Wiesenthal Center described it as a film about morality that explores the role of ordinary people 9 In France after its release communists socialists and independent groups treated the film favorably however the far right disapproved on account of the director s background 5 Some French critics denounced the film as unpatriotic 6 The film has also been criticized for being too selective and that the director was too close to the events portrayed to provide an objective study of the period 5 14 In the United States Time magazine gave a positive review of the film and wrote that Marcel Ophuls tries to puncture the bourgeois myth or protectively askew memory that allows France generally to act as if hardly any Frenchmen collaborated with the Germans 15 Critic Roger Ebert gave the film four stars out of four and praised the depth and complexity of its human portraiture which somehow still manages to avoid any abstraction of collaboration 7 Retrospectively critical appraisals have become ever more lavish Writing in the Los Angeles Times in 2000 US film critic Kenneth Turan called it a monumental work and one of the most potent documentaries ever made 16 The Arts Desk UK called it simply the greatest documentary ever made about France during the Second World War 11 Accolades editIn France the film won the Grand Prize of the Dinard Festival fr 5 when In the United States the film was nominated for an Academy Award in 1971 for Best Documentary Feature 17 18 19 In the same year it received a special award by the National Society of Film Critics 20 which called it a film of extraordinary public interest and distinction 9 In 1972 it was named Best Foreign Language Film by the U S National Board of Review 21 In the UK it won the 1972 BAFTA award for Best Foreign TV Programme 22 In popular culture editWoody Allen s film Annie Hall 1977 references The Sorrow and the Pity as a plot device Film critic Donald Liebenson explains In one of the film s signature scenes Alvy Singer Allen suggests he and Annie Diane Keaton go see the film I m not in the mood to see a four hour documentary on Nazis Annie protests In the film s poignant conclusion Alvy runs into Annie as she is taking a date to see the film which Alvy counts as a personal triumph 9 23 See also editCollaborationism German occupation of France in World War II The Holocaust in FranceReferences edit a b The Sorrow and the Pity 1969 Bfi org uk British Film Institute Archived from the original on March 14 2016 Retrieved November 3 2018 The Sorrow and the Pity 1971 All Movie Retrieved November 3 2018 The Sorrow and the Pity 2022 Box Office Mojo Retrieved 28 April 2023 The Sorrow and the Pity 2022 The Numbers Retrieved 28 April 2023 a b c d e f Busi Frederick Winter 1973 Marcel Ophuls and the Sorrow and the Pity The Massachusetts Review 14 1 177 186 JSTOR 25088330 a b c d Jeffries Stuart January 22 2004 A nation shamed Why does France keep making films that glorify the Resistance and gloss over the truth about collaboration The Guardian Retrieved November 4 2018 a b Ebert Roger 19 September 1972 The Sorrow and the Pity RogerEbert com Archived from the original on 12 March 2017 a b Neuhoff Eric 18 November 2011 Le Chagrin et la pitie la France des annees noires Le Figaro in French Retrieved 8 July 2019 a b c d Liebenson Donald January 19 2001 A Look at The Sorrow and the Pity of France in World War II Los Angeles Times Retrieved November 3 2018 Simone Veil Memoires Paris 2008 a b Baron Saskia 27 June 2017 DVD Blu ray The Sorrow and the Pity The Arts Desk Retrieved 9 July 2019 Weitz Margaret Collins 1995 Sisters in the Resistance How Women Fought to Free France 1940 1945 New York John Wiley amp Sons Inc p 13 ISBN 978 0 471 19698 3 Greene Naomi 1999 Landscapes of Loss The National Past in Postwar French Cinema New Jersey Princeton University Press pp 69 73 ISBN 978 0 691 00475 4 Hoffman Stanley 1972 On The Sorrow and the Pity Commentary Retrieved November 3 2018 TIME magazine Truth and Consequences Time 1972 03 27 Archived from the original on March 1 2009 Retrieved 2012 08 27 Turan Kenneth July 7 2000 Sorrow and the Pity Still Potent Powerful Los Angeles Times Retrieved 9 July 2019 Le Chagrin et la Pitie Cast Crew Director and Awards Movies amp TV Dept The New York Times 2009 Archived from the original on May 19 2009 Retrieved November 12 2008 Win Special Award 1972 New York Film Critics Circle Best Foreign Film 1972 National Board of Review Nomination Best Documentary Feature 1971 Academy of Motion Picture Arts and Sciences The Official Academy Awards Database Archived from the original on 2013 04 15 Retrieved November 3 2018 Petrakis John July 14 2000 Sorrow a Complete Look at how the French Dealt with the Nazis Chicago Tribune Retrieved November 3 2018 Past Awards NationalSocietyOfFilmCritics com 2009 Retrieved 6 July 2019 1972 Award Winners National Board of Review of Motion Pictures 2019 Retrieved 6 July 2019 The Sorrow and the Pity Bafta org British Academy of Film and Television Arts Retrieved 9 July 2019 Annie Hall Film Script DailyScript com Retrieved 2015 01 27 External links edit nbsp Wikimedia Commons has media related to French resistance nbsp Wikimedia Commons has media related to Nazi collaborators in France nbsp Wikimedia Commons has media related to German occupation in France nbsp Wikimedia Commons has media related to Vichy government 1940 1944 nbsp Wikimedia Commons has media related to The Holocaust Director Marcel Ophuls in Conversation with Thom Powers Published on Oct 8 2015 Retrieved November 3 2018 via YouTube Sorrow and the Pity Retrieved November 3 2018 via UniFrance Roger and Ebert review Published on September 19 1972 Retrieved November 4 2018 The Sorrow and the Pity at IMDb The Sorrow and the Pity at Rotten Tomatoes in French and English Testimony File History of the resistance of the Strasbourg French University transferred to Clermont Ferrand Retrieved from https en wikipedia org w index php title The Sorrow and the Pity amp oldid 1180216681, wikipedia, wiki, book, books, library,

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