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The Sky's the Limit (1943 film)

The Sky's The Limit is a 1943 romantic musical comedy film starring Fred Astaire and Joan Leslie, with music by Harold Arlen and lyrics by Johnny Mercer. The film was directed by Edward H. Griffith, and released by RKO Radio Pictures. Astaire plays a Flying Tiger pilot on leave. Robert T. Smith, a real former Flying Tiger pilot on leave before joining the Army Air Forces, was the technical adviser on the film. The comedy is provided by Robert Benchley — his second appearance in an Astaire picture — and Eric Blore, a stalwart from the early Astaire-Rogers pictures.

The Sky's the Limit
Film poster
Directed byEdward H. Griffith
Produced byDavid Hempstead
StarringFred Astaire
Joan Leslie
CinematographyRussell Metty
Edited byRoland Gross
Music byLeigh Harline (uncredited)
Distributed byRKO Radio Pictures
Release date
  • September 2, 1943 (1943-09-02)[1]
Running time
89 minutes
CountryUnited States
LanguageEnglish
Budget$871,000[2]
Box office$2,185,000[2]

The film was an unusual departure for Astaire, one which caused some consternation among film critics and fans at the time,[citation needed] though not enough to prevent the film from doing well. Aside from the dancing – which contains the famous solo performance to the standard "One For My Baby (And One More For The Road)", described by Astaire as "the best song specially written for me" – the script provided him with his first opportunity to act in a serious dramatic role, and one with which his acting abilities, sometimes disparaged, appear to cope.

Arlen and Mercer were nominated for the Oscar for Best Original Song, for "My Shining Hour". Leigh Harline was nominated for the Academy Award for Music (Scoring of a Musical Picture).

Plot Edit

During World War II, Flying Tiger triple ace Lieutenant Fred Atwell and his almost-as-successful comrades, Reginald Fenton and Richard Merlin, are brought back to the United States for a ticker tape parade and a ten-day "leave." The only trouble is, they are expected to spend all their time on a nationwide morale-boosting tour. Fred sneaks off the train at a rural stop to seek some fun.

He eventually ends up in New York City. He spots a beautiful woman, Joan Manion, in a nightclub. Eavesdropping, he learns that she is a newspaper photographer fed up with taking pictures of celebrities. Her pleas for an assignment in a war zone fall on deaf ears. Her boss, newspaper publisher Phil Harriman, likes her just where she is: nearby so he can try to wear her down and persuade her to marry him.

Fred, giving himself the last name "Burton" to hide his identity, romances her himself in an annoyingly persistent way, even renting a room in the building she lives in. Eventually, she starts to like him, despite what she considers to be a lack of ambition on his part; he does not seem to have or want a job.

She lets him take her on a date, though she steers him into a crowded canteen where she does volunteer work entertaining servicemen. When a performer cancels on short notice, Joan is recruited to sing a number. Fred invites himself to sing along and dance with her; in the process, he runs into his fellow pilots. While Richard dances with Joan, Reginald amuses himself by blackmailing Fred into doing a snake dance on the table in exchange for not revealing who he really is.

Joan tries hard to get Fred a job. When she learns that he once worked as a reporter, she arranges an interview with Phil. Fred, with his leave running out, instead spends the time giving Phil pointers on how to win Joan over, even setting up a romantic dinner at Phil's penthouse with the assistance of his butler, Jackson. Phil blunders badly, then reveals to Joan what Fred has been up to. Fred's scheme works, and he ends up dining for the evening with Joan, in Phil's penthouse. Joan pours on the charm and proposes marriage to Fred, leaving him in an uncomfortable position.

Later, Reginald informs Fred that their leave has been cut short; they only have two more days. Since Fred still does not have a job, Joan takes him along to a banquet honoring airplane manufacturer Harvey J. Sloan. She introduces Fred to Mr. Sloan, but instead of making a good impression as he had promised, he criticizes the fighter plane's performance built by Sloan. When Joan finds out, she breaks up with him.

Afterward, Phil invites Fred to a nearby bar, where he reveals to Fred that he has found out his true identity. Fred asks him to keep it a secret. Fred proceeds to get drunk, singing to bartenders while bar-hopping, "One for My Baby," even tapdancing on a bar table and breaking dozens of drinking glasses in the process.

The next day, Phil makes one last attempt to get Joan to marry him. When that fails, he sends her to the airfield to take pictures of pilots returning to the fight in the Pacific, knowing Fred would be there. Here she spots Fred in his uniform, where it all becomes clear to her. The two embrace, and Fred professes his love to Joan, just after he boards the plane for takeoff.

Cast Edit

Production Edit

Development Edit

The story line was taken from a Saturday Evening Post story about an attractive young woman from Texas who was an assistant/employee/(lover?) of an older man prominent in New York City literary circles. In the story, the young woman leaves her glamorous job to marry a young man who is going off to World War II. This character is altered a good bit to fit Fred Astaire in the movie.

Music Edit

All dances were choreographed by and credited to Astaire alone, an unusual departure for him, as he generally worked with collaborators. What is not unusual is the selection of dance routines, which is the standard Astaire formula of a comic partnered routine, a romantic partnered routine and a "sock" solo, each of which is integrated into the plot.

  • "My Shining Hour" (song): Arlen and Mercer's simple and hymn-like wartime ballad, the picture's signature song, is mimed by Joan Leslie (dubbed here by Sally Sweetland) against the backdrop of a band whose instruments are framed with illuminated neon outlines. It became a hit, albeit slowly.
  • "A Lot In Common With You": Astaire muscles in on Leslie's (using her own voice this time) on-stage song-and-dance routine, which develops into a mock competitive comic side-by-side tap dance using a range of leg-before-leg hurdling steps, some of which had been developed for "The Shorty George" number in You Were Never Lovelier, but had not been used. The song also makes reference to recent musicals by Leslie and Astaire by name-dropping both James Cagney and Rita Hayworth, respectively Leslie's partner in Yankee Doodle Dandy from the previous year and Astaire's partner in You'll Never Get Rich from 1941 and the aforementioned You Were Never Lovelier in 1942.
  • The tabletop snake dance: Performed by Astaire at the behest of Robert Ryan's character.
  • "My Shining Hour" (dance): This is a partnered ballroom-style romantic dance.
  • One For My Baby (And One More For The Road)": The number took two and a half days to shoot, after seven days of full set rehearsal. After a drunken rendition of the song, he furiously tap dances up and down the bar, pausing only to smash stacked racks of glasses and a mirror. Astaire's first drunk dance was the comic routine "You're Easy To Dance With" in Holiday Inn, but this solo marks his first clear departure from a carefully crafted screen image of urbane charm.

Reception Edit

Box office Edit

According to RKO records, the film earned $1,410,000 in the U.S. and Canada and $775,000 elsewhere, resulting in a profit of $625,000.[2][3]

It was released in France in 1945 and recorded admissions of 671,864.[4]

References Edit

Notes
  1. ^ "The Sky's the Limit: Detail View". American Film Institute. Retrieved April 24, 2014.
  2. ^ a b c RKO Film Grosses, 1929-1951: the C. J. Tevlin ledger
  3. ^ "Top Grossers of the Season", Variety, January 5, 1944, p. 54
  4. ^ Box office information for France in 1945 at Box Office Story
Bibliography
  • Fred Astaire: Steps in Time, 1959, multiple reprints.
  • Joan Leslie in Icons Radio - Interview with John Mulholland, June 10, 2007.
  • John Mueller: Astaire Dancing - The Musical Films of Fred Astaire, Knopf 1985, ISBN 0-394-51654-0

External links Edit

limit, 1943, film, limit, 1943, romantic, musical, comedy, film, starring, fred, astaire, joan, leslie, with, music, harold, arlen, lyrics, johnny, mercer, film, directed, edward, griffith, released, radio, pictures, astaire, plays, flying, tiger, pilot, leave. The Sky s The Limit is a 1943 romantic musical comedy film starring Fred Astaire and Joan Leslie with music by Harold Arlen and lyrics by Johnny Mercer The film was directed by Edward H Griffith and released by RKO Radio Pictures Astaire plays a Flying Tiger pilot on leave Robert T Smith a real former Flying Tiger pilot on leave before joining the Army Air Forces was the technical adviser on the film The comedy is provided by Robert Benchley his second appearance in an Astaire picture and Eric Blore a stalwart from the early Astaire Rogers pictures The Sky s the LimitFilm posterDirected byEdward H GriffithProduced byDavid HempsteadStarringFred AstaireJoan LeslieCinematographyRussell MettyEdited byRoland GrossMusic byLeigh Harline uncredited Distributed byRKO Radio PicturesRelease dateSeptember 2 1943 1943 09 02 1 Running time89 minutesCountryUnited StatesLanguageEnglishBudget 871 000 2 Box office 2 185 000 2 The film was an unusual departure for Astaire one which caused some consternation among film critics and fans at the time citation needed though not enough to prevent the film from doing well Aside from the dancing which contains the famous solo performance to the standard One For My Baby And One More For The Road described by Astaire as the best song specially written for me the script provided him with his first opportunity to act in a serious dramatic role and one with which his acting abilities sometimes disparaged appear to cope Arlen and Mercer were nominated for the Oscar for Best Original Song for My Shining Hour Leigh Harline was nominated for the Academy Award for Music Scoring of a Musical Picture Contents 1 Plot 2 Cast 3 Production 3 1 Development 3 2 Music 4 Reception 4 1 Box office 5 References 6 External linksPlot EditDuring World War II Flying Tiger triple ace Lieutenant Fred Atwell and his almost as successful comrades Reginald Fenton and Richard Merlin are brought back to the United States for a ticker tape parade and a ten day leave The only trouble is they are expected to spend all their time on a nationwide morale boosting tour Fred sneaks off the train at a rural stop to seek some fun He eventually ends up in New York City He spots a beautiful woman Joan Manion in a nightclub Eavesdropping he learns that she is a newspaper photographer fed up with taking pictures of celebrities Her pleas for an assignment in a war zone fall on deaf ears Her boss newspaper publisher Phil Harriman likes her just where she is nearby so he can try to wear her down and persuade her to marry him Fred giving himself the last name Burton to hide his identity romances her himself in an annoyingly persistent way even renting a room in the building she lives in Eventually she starts to like him despite what she considers to be a lack of ambition on his part he does not seem to have or want a job She lets him take her on a date though she steers him into a crowded canteen where she does volunteer work entertaining servicemen When a performer cancels on short notice Joan is recruited to sing a number Fred invites himself to sing along and dance with her in the process he runs into his fellow pilots While Richard dances with Joan Reginald amuses himself by blackmailing Fred into doing a snake dance on the table in exchange for not revealing who he really is Joan tries hard to get Fred a job When she learns that he once worked as a reporter she arranges an interview with Phil Fred with his leave running out instead spends the time giving Phil pointers on how to win Joan over even setting up a romantic dinner at Phil s penthouse with the assistance of his butler Jackson Phil blunders badly then reveals to Joan what Fred has been up to Fred s scheme works and he ends up dining for the evening with Joan in Phil s penthouse Joan pours on the charm and proposes marriage to Fred leaving him in an uncomfortable position Later Reginald informs Fred that their leave has been cut short they only have two more days Since Fred still does not have a job Joan takes him along to a banquet honoring airplane manufacturer Harvey J Sloan She introduces Fred to Mr Sloan but instead of making a good impression as he had promised he criticizes the fighter plane s performance built by Sloan When Joan finds out she breaks up with him Afterward Phil invites Fred to a nearby bar where he reveals to Fred that he has found out his true identity Fred asks him to keep it a secret Fred proceeds to get drunk singing to bartenders while bar hopping One for My Baby even tapdancing on a bar table and breaking dozens of drinking glasses in the process The next day Phil makes one last attempt to get Joan to marry him When that fails he sends her to the airfield to take pictures of pilots returning to the fight in the Pacific knowing Fred would be there Here she spots Fred in his uniform where it all becomes clear to her The two embrace and Fred professes his love to Joan just after he boards the plane for takeoff Cast EditFred Astaire as Fred Atwell also known as Fred Burton Joan Leslie as Joan Manion Robert Benchley as Phil Harriman Robert Ryan as Reginald Fenton Elizabeth Patterson as Mrs Fisher Marjorie Gateson as Canteen hostess Eric Blore as Jackson Phil s butler Clarence Kolb as Harvey J Sloan uncredited Richard Davies as Richard Merlin uncredited Peter Lawford as officer uncredited Production EditDevelopment Edit The story line was taken from a Saturday Evening Post story about an attractive young woman from Texas who was an assistant employee lover of an older man prominent in New York City literary circles In the story the young woman leaves her glamorous job to marry a young man who is going off to World War II This character is altered a good bit to fit Fred Astaire in the movie Music Edit All dances were choreographed by and credited to Astaire alone an unusual departure for him as he generally worked with collaborators What is not unusual is the selection of dance routines which is the standard Astaire formula of a comic partnered routine a romantic partnered routine and a sock solo each of which is integrated into the plot My Shining Hour song Arlen and Mercer s simple and hymn like wartime ballad the picture s signature song is mimed by Joan Leslie dubbed here by Sally Sweetland against the backdrop of a band whose instruments are framed with illuminated neon outlines It became a hit albeit slowly A Lot In Common With You Astaire muscles in on Leslie s using her own voice this time on stage song and dance routine which develops into a mock competitive comic side by side tap dance using a range of leg before leg hurdling steps some of which had been developed for The Shorty George number in You Were Never Lovelier but had not been used The song also makes reference to recent musicals by Leslie and Astaire by name dropping both James Cagney and Rita Hayworth respectively Leslie s partner in Yankee Doodle Dandy from the previous year and Astaire s partner in You ll Never Get Rich from 1941 and the aforementioned You Were Never Lovelier in 1942 The tabletop snake dance Performed by Astaire at the behest of Robert Ryan s character My Shining Hour dance This is a partnered ballroom style romantic dance One For My Baby And One More For The Road The number took two and a half days to shoot after seven days of full set rehearsal After a drunken rendition of the song he furiously tap dances up and down the bar pausing only to smash stacked racks of glasses and a mirror Astaire s first drunk dance was the comic routine You re Easy To Dance With in Holiday Inn but this solo marks his first clear departure from a carefully crafted screen image of urbane charm Reception EditBox office Edit According to RKO records the film earned 1 410 000 in the U S and Canada and 775 000 elsewhere resulting in a profit of 625 000 2 3 It was released in France in 1945 and recorded admissions of 671 864 4 References EditNotes The Sky s the Limit Detail View American Film Institute Retrieved April 24 2014 a b c RKO Film Grosses 1929 1951 the C J Tevlin ledger Top Grossers of the Season Variety January 5 1944 p 54 Box office information for France in 1945 at Box Office Story BibliographyFred Astaire Steps in Time 1959 multiple reprints Joan Leslie in Icons Radio Interview with John Mulholland June 10 2007 1 John Mueller Astaire Dancing The Musical Films of Fred Astaire Knopf 1985 ISBN 0 394 51654 0External links EditThe Sky s the Limit at IMDb nbsp The Sky s the Limit at AllMovie nbsp The Sky s the Limit at the TCM Movie Database nbsp The Sky s the Limit at the American Film Institute Catalog nbsp The Sky s the Limit at Box Office Mojo nbsp Retrieved from https en wikipedia org w index php title The Sky 27s the Limit 1943 film amp oldid 1147421460, wikipedia, wiki, book, books, library,

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