Tamar Getter, born in Tel Aviv in 1953, is an Israeli painter.
Getter studied at Hamidrasha Art School with Raffi Lavie in 1971-1972, and soon after began to exhibit her works and gain recognition as a promising young Israeli artist. In the second half of the 1970s Getter created a series of paintings known as the Tel Hai cycle.[2] These works, which are dominated by scales of monochromatic colors and materials not considered "artistic," stood in direct confrontation with the images of the Tel Hai series that signified, in Zionist culture, the myth of Israeli heroism, images of sightedness and blindness, and of corpses and torsos. She worked in mixed media (e.g., photography and drawing) and adopted various perceptions of space in one work. This collaged approach, and the use of different, alien components to deal with "heroic" subjects distinguishes her art.
The conflict between logic and rationalism, and the expressive and grotesque dimension, appears again in many of the works from her late period, from the 1990s on, such as in the painting Double Monster (1996) or the series The Asia Society's Building (2003). In these works Getter reconstructs idealistic structures from Western art that emphasize the insufficiency of the human body, using squeegees of paint and mechanical drawing tools such as plumb lines. Her technique in painting tends to put together materials not usually combined. This collagist approach, which uses different and alien elements in the same work, characterized many of the artists in Getter's circle, Michal Na'aman, Yair Garbuz, and Raffi Lavie, who probably was the artist who inculcated this principle in his colleagues and pupils.
As of this edit, this article uses content from "Artist List, Information Center for Israeli Art", which is licensed in a way that permits reuse under the Creative Commons Attribution-ShareAlike 3.0 Unported License, but not under the GFDL. All relevant terms must be followed.
^ abIgnacio Villarreal (3 May 2010). "Tamar Getter and the Grotesque Circle of Chalk at the Tel Aviv Museum of Art". Artdaily.com. Retrieved 14 September 2011.
^Goldberg, Keren. "Tamar Getter". AWARE Women artists / Femmes artistes. Archives of Women Artists. from the original on 16 June 2022. Retrieved 18 October 2022.
^"Tamar Getter". Tohu. 31 December 2015. from the original on 27 October 2021. Retrieved 18 October 2022.
^"Tamar Getter". Art Map. Retrieved 14 September 2011.
^Kaye, Helen (5 May 2019). "Dizengoff Prize winners 2019". Jerusalem Post. from the original on 12 June 2021. Retrieved 18 October 2022.
External linksedit
Tamar Getter's official web page
Tamar Getter collection at the Israel Museum. Retrieved February 2012.
"Tamar Getter". Information Center for Israeli Art. Israel Museum. Retrieved 7 March 2018.
Art of Tamar Getter at Europeana. Retrieved February 2012
"Tamar Getter". artist's site
April 12, 2024
tamar, getter, hebrew, תמר, גטר, born, aviv, april, 1953, israeli, artist, teacher, photograph, born1953tel, avivnationalityisraeliknown, forpainting, contents, biography, education, teaching, awards, prizes, gallery, references, external, linksbiography, edit. Tamar Getter Hebrew תמר גטר born in Tel Aviv April 1953 is an Israeli artist and teacher 1 Tamar GetterPhotograph of Tamar GetterBorn1953Tel AvivNationalityIsraeliKnown forPainting Contents 1 Biography 2 Education 3 Teaching 4 Awards and prizes 5 Gallery 6 References 7 External linksBiography editTamar Getter born in Tel Aviv in 1953 is an Israeli painter Getter studied at Hamidrasha Art School with Raffi Lavie in 1971 1972 and soon after began to exhibit her works and gain recognition as a promising young Israeli artist In the second half of the 1970s Getter created a series of paintings known as the Tel Hai cycle 2 These works which are dominated by scales of monochromatic colors and materials not considered artistic stood in direct confrontation with the images of the Tel Hai series that signified in Zionist culture the myth of Israeli heroism images of sightedness and blindness and of corpses and torsos She worked in mixed media e g photography and drawing and adopted various perceptions of space in one work This collaged approach and the use of different alien components to deal with heroic subjects distinguishes her art The conflict between logic and rationalism and the expressive and grotesque dimension appears again in many of the works from her late period from the 1990s on such as in the painting Double Monster 1996 or the series The Asia Society s Building 2003 In these works Getter reconstructs idealistic structures from Western art that emphasize the insufficiency of the human body using squeegees of paint and mechanical drawing tools such as plumb lines Her technique in painting tends to put together materials not usually combined This collagist approach which uses different and alien elements in the same work characterized many of the artists in Getter s circle Michal Na aman Yair Garbuz and Raffi Lavie who probably was the artist who inculcated this principle in his colleagues and pupils Getter also studied literature at Tel Aviv University 1 3 Getter lives and works in Tel Aviv Education edit1970 72 Studied painting with Raffi Lavie 1975 1979 Tel Aviv University Poetics and Comparative Literature studies BA 1975 76 Art studies at the State Art Teaching Training College Ramat Hasharon 4 1983 1984 New York 1986 GermanyTeaching editTeaches in Bezlalel Academy of Art and DesignAwards and prizes edit1979 Tel Aviv University Senior Year Scholarship Tel Aviv University 1981 The Jacques O Hana Prize for the Young Israeli Artist Tel Aviv Museum of Art 1989 Jack O Hara Prize for a Young Israeli Artist Tel Aviv Museum of Art 1994 Minister of Science and the Arts Prize 1995 The Sandberg Prize for Israeli Art Israel Museum Jerusalem Israel 1995 Award from the Kunstlerhaus Mousonjturm Guest Studio Frankfurt am Main Germany 2003 Prize for Encouragement of Creative Art Ministry of Culture and Education 2019 Dizengoff prize winner 5 Gallery edit nbsp BLUE SLINGSHOT GIRL vers 1 2003 nbsp BLUE SLINGSHOT GIRL vers 1 2003 nbsp Death and the Maiden 2001 nbsp DOUBLE ENTRANCES 1995 nbsp CENTAUROMACHIA 2018 nbsp GO2 panel 8 2010 nbsp DER BETRACHTER 2002 nbsp THE INNER YARD OF TEL HAI YARD 1978References editAs of this edit this article uses content from Artist List Information Center for Israeli Art which is licensed in a way that permits reuse under the Creative Commons Attribution ShareAlike 3 0 Unported License but not under the GFDL All relevant terms must be followed a b Ignacio Villarreal 3 May 2010 Tamar Getter and the Grotesque Circle of Chalk at the Tel Aviv Museum of Art Artdaily com Retrieved 14 September 2011 Goldberg Keren Tamar Getter AWARE Women artists Femmes artistes Archives of Women Artists Archived from the original on 16 June 2022 Retrieved 18 October 2022 Tamar Getter Tohu 31 December 2015 Archived from the original on 27 October 2021 Retrieved 18 October 2022 Tamar Getter Art Map Retrieved 14 September 2011 Kaye Helen 5 May 2019 Dizengoff Prize winners 2019 Jerusalem Post Archived from the original on 12 June 2021 Retrieved 18 October 2022 External links editTamar Getter s official web page Tamar Getter collection at the Israel Museum Retrieved February 2012 Tamar Getter Information Center for Israeli Art Israel Museum Retrieved 7 March 2018 Art of Tamar Getter at Europeana Retrieved February 2012 Tamar Getter artist s site Retrieved from https en wikipedia org w index php title Tamar Getter amp oldid 1200201012, wikipedia, wiki, book, books, library,
