Hans Werner Henze's Symphony No. 1 was premiered in Darmstadt in 1947. The premiere was hit by Henze's accustomed bad luck. The orchestral parts, handwritten by the composer himself, had become illegible during photocopying in Schott’s offices and despite the young composer’s best efforts to ink in the parts throughout the night, only the slow movement was performed. The whole symphony was eventually premiered a year later, although Henze himself conducted the work only after comprehensive revision.
The revision of the First Symphony was part of Henze’s first great purge on his early work during 1963. The revised sheet music contains a number of rhythmic, harmonic and melodiccells from the original version, and the slow movement is largely unaltered. Otherwise everything is, in the composer’s own words, ‘different and better.’ A fourth, theme and variation movement has completely disappeared, and the work was re-scored for chamber orchestra. Further revision followed in 1991.
The first movement is in a contorted sonata form, in which the few melodic and rhythmic cells upon which the work is built gradually swell up to an unnerving climax high in the orchestra’s range, followed by a brief recapitulation. The only music to survive Henze's revision, the second movement reveals the heavy influence of Hindemith on the composer, especially given the lyrical violasolo. The final movement develops the same material, now with an aggressive rhythm, the texture building to a true climax before fading around eerily repeating harpharmonics.
In 2005, a fourth version of the work was prepared, for fifteen players, as Kammerkonzert 05, an eightieth-birthday commission from the Bavarian State Opera. This version had its world premiere at Munich on July 6, 2006, and now has titles for the three movements:
Henze himself recorded the work (in the 1963 revision) for Deutsche Grammophon as part of a survey of his five early symphonies. These were subsequently released on CD along with a later recording of his Sixth Symphony. The revised 1991 version has been recorded by the Berlin Radio Symphony Orchestra under Marek Janowski.[1]
Referencesedit
Hans Werner Henze. (1998). Bohemian Fifths: An Autobiography. London (Faber & Faber).
Driver, Paul (2006-12-17). "If you think that sounds familiar..." The Sunday Times. Retrieved 2007-11-13.
"New Orchestral Works" (PDF). Schott Aktuell the Journal. Mainz: Schott (2): 7. 2007. Retrieved 2007-11-13.
^Schulz, Thomas (2012) Liner notes for Wergo CD WER 67242
November 01, 2023
symphony, henze, hans, werner, henze, symphony, premiered, darmstadt, 1947, premiere, henze, accustomed, luck, orchestral, parts, handwritten, composer, himself, become, illegible, during, photocopying, schott, offices, despite, young, composer, best, efforts,. Hans Werner Henze s Symphony No 1 was premiered in Darmstadt in 1947 The premiere was hit by Henze s accustomed bad luck The orchestral parts handwritten by the composer himself had become illegible during photocopying in Schott s offices and despite the young composer s best efforts to ink in the parts throughout the night only the slow movement was performed The whole symphony was eventually premiered a year later although Henze himself conducted the work only after comprehensive revision The revision of the First Symphony was part of Henze s first great purge on his early work during 1963 The revised sheet music contains a number of rhythmic harmonic and melodic cells from the original version and the slow movement is largely unaltered Otherwise everything is in the composer s own words different and better A fourth theme and variation movement has completely disappeared and the work was re scored for chamber orchestra Further revision followed in 1991 The first movement is in a contorted sonata form in which the few melodic and rhythmic cells upon which the work is built gradually swell up to an unnerving climax high in the orchestra s range followed by a brief recapitulation The only music to survive Henze s revision the second movement reveals the heavy influence of Hindemith on the composer especially given the lyrical viola solo The final movement develops the same material now with an aggressive rhythm the texture building to a true climax before fading around eerily repeating harp harmonics In 2005 a fourth version of the work was prepared for fifteen players as Kammerkonzert 05 an eightieth birthday commission from the Bavarian State Opera This version had its world premiere at Munich on July 6 2006 and now has titles for the three movements Allegretto con grazia Notturno Allegro con motoHenze himself recorded the work in the 1963 revision for Deutsche Grammophon as part of a survey of his five early symphonies These were subsequently released on CD along with a later recording of his Sixth Symphony The revised 1991 version has been recorded by the Berlin Radio Symphony Orchestra under Marek Janowski 1 References editHans Werner Henze 1998 Bohemian Fifths An Autobiography London Faber amp Faber Driver Paul 2006 12 17 If you think that sounds familiar The Sunday Times Retrieved 2007 11 13 New Orchestral Works PDF Schott Aktuell the Journal Mainz Schott 2 7 2007 Retrieved 2007 11 13 Schulz Thomas 2012 Liner notes for Wergo CD WER 67242 Retrieved from https en wikipedia org w index php title Symphony No 1 Henze amp oldid 1156408512, wikipedia, wiki, book, books, library,
