The Stationers' Register was a record book maintained by the Stationers' Company of London. This was a trade guild given a royal charter in 1557 to regulate the various professions associated with England's publishing industry, including printers, bookbinders, booksellers, and publishers. The company's charter gave it the right to seize illicit editions of published works and to bar the publication of unlicensed books, and allowed publishers to document their right to produce a particular printed work in the register, which thus constituted an early form of copyright law.
For the study of English literature of the later 16th and the 17th centuries (covering the Elizabethan, Jacobean, and Caroline eras), and especially for English Renaissance theatre, the Stationers' Register is a crucial and essential resource: it provides factual information and hard data that is available nowhere else. Together with the records of the Master of the Revels (which relate to dramatic performance rather than publication), the Stationers' Register supplies many of the certain facts scholars possess on the works of William Shakespeare, Ben Jonson, and all of their immediate predecessors, contemporaries, and successors.[1] It is also an invaluable source of information about ephemeral publications, such as popular broadside ballads, of which no printed copies survive.[2]
By paying a fee of four to six pence, a bookseller could register his right to publish a given work. One example: the Stationers' Register reveals that on 26 November 1607, the stationers John Busby and Nathaniel Butter claimed the right to print "A booke called Master William Shakespeare his historye of Kinge Lear, as yt was played before the Kinges maiestie at Whitehall vppon Sainct Stephens night at Christmas Last, by his maiesties servantes playinge vsually at the Globe on the Banksyde." (They paid sixpence.)[3]
Enforcement of regulations in this historical era was never as thorough as in the modern world; books were sometimes published without registration, and other irregularities also occurred. In some cases, the companies of actors appear to have registered plays through co-operative stationers, with the express purpose of forestalling the publication of a play when publication was not in their interest.[4]
In 1710, the Copyright Act or Statute of Anne entered into force, superseding company provisions pertaining to the Register. The company continued to offer some form of registration of works until February 2000.[citation needed]
Referencesedit
^Chambers, Elizabethan Stage, Vol. 3, pp. 164–177.
^Rollins, An Analytical Index to the Ballad-Entries.
^Halliday, Shakespeare Companion, pp. 265 and 474.
^Much Ado About Nothing,Henry V,As You Like It, and Every Man in His Humour were registered, apparently for such a purpose ("to be stayed"), on 4 August 1600. Yet if this interpretation is correct, the strategy to forestall publication had limited success; the first two plays were published later in 1600, and the last in 1601. Only As You Like It remained out of print at the time. Chambers, Vol. 3, p. 359; Halliday, pp. 216, 326.
Sourcesedit
Arber, Edward, ed. A Transcript of the Registers of the Company of Stationers of London 1554–1640 A.D. 5 Volumes, London, privately printed, 1875–94. Reprinted New York, P. Smith, 1950.[1]
Eyre, G. E. B., and G. R. Rivington, eds. A Transcript of the Registers of the Worshipful Company of Stationers from 1640–1708. 3 Volumes, London, privately printed, 1913–14.
Greg, W. W., and E. Boswell, eds. Records of the Court of the Stationer's Company, 1576 to 1602. London, The Bibliographical Society, 1930.
Halliday, F. E. A Shakespeare Companion 1564–1964. Baltimore, Penguin, 1964.
Jackson, William A., ed. Records of the Court of the Stationers' Company 1602 to 1640. London, The Bibliographical Society, 1957.
Rollins, H. E. An Analytical Index to the Ballad-Entries (1557–1709) in the Registers of the Company of Stationers of London. University of North Carolina Press, 1924.
External linksedit
"The Stationers' Company: History and Heritage" (official site of the Stationers' Company in its current incarnation)
"Stationers' Register Online" (searchable database of entries based on Arber's edition, corrected against the original manuscripts)
December 08, 2023
stationers, register, record, book, maintained, stationers, company, london, this, trade, guild, given, royal, charter, 1557, regulate, various, professions, associated, with, england, publishing, industry, including, printers, bookbinders, booksellers, publis. The Stationers Register was a record book maintained by the Stationers Company of London This was a trade guild given a royal charter in 1557 to regulate the various professions associated with England s publishing industry including printers bookbinders booksellers and publishers The company s charter gave it the right to seize illicit editions of published works and to bar the publication of unlicensed books and allowed publishers to document their right to produce a particular printed work in the register which thus constituted an early form of copyright law Stationers Company RegisterCountryKingdom of EnglandLanguageEnglishGenreRecord bookPublished1556 1924PublisherThe Stationers CompanyFor the study of English literature of the later 16th and the 17th centuries covering the Elizabethan Jacobean and Caroline eras and especially for English Renaissance theatre the Stationers Register is a crucial and essential resource it provides factual information and hard data that is available nowhere else Together with the records of the Master of the Revels which relate to dramatic performance rather than publication the Stationers Register supplies many of the certain facts scholars possess on the works of William Shakespeare Ben Jonson and all of their immediate predecessors contemporaries and successors 1 It is also an invaluable source of information about ephemeral publications such as popular broadside ballads of which no printed copies survive 2 By paying a fee of four to six pence a bookseller could register his right to publish a given work One example the Stationers Register reveals that on 26 November 1607 the stationers John Busby and Nathaniel Butter claimed the right to print A booke called Master William Shakespeare his historye of Kinge Lear as yt was played before the Kinges maiestie at Whitehall vppon Sainct Stephens night at Christmas Last by his maiesties servantes playinge vsually at the Globe on the Banksyde They paid sixpence 3 Enforcement of regulations in this historical era was never as thorough as in the modern world books were sometimes published without registration and other irregularities also occurred In some cases the companies of actors appear to have registered plays through co operative stationers with the express purpose of forestalling the publication of a play when publication was not in their interest 4 In 1710 the Copyright Act or Statute of Anne entered into force superseding company provisions pertaining to the Register The company continued to offer some form of registration of works until February 2000 citation needed References edit Chambers Elizabethan Stage Vol 3 pp 164 177 Rollins An Analytical Index to the Ballad Entries Halliday Shakespeare Companion pp 265 and 474 Much Ado About Nothing Henry V As You Like It and Every Man in His Humour were registered apparently for such a purpose to be stayed on 4 August 1600 Yet if this interpretation is correct the strategy to forestall publication had limited success the first two plays were published later in 1600 and the last in 1601 Only As You Like It remained out of print at the time Chambers Vol 3 p 359 Halliday pp 216 326 Sources editArber Edward ed A Transcript of the Registers of the Company of Stationers of London 1554 1640 A D 5 Volumes London privately printed 1875 94 Reprinted New York P Smith 1950 1 Chambers E K The Elizabethan Stage 4 Volumes Oxford Clarendon Press 1923 Eyre G E B and G R Rivington eds A Transcript of the Registers of the Worshipful Company of Stationers from 1640 1708 3 Volumes London privately printed 1913 14 Greg W W and E Boswell eds Records of the Court of the Stationer s Company 1576 to 1602 London The Bibliographical Society 1930 Halliday F E A Shakespeare Companion 1564 1964 Baltimore Penguin 1964 Jackson William A ed Records of the Court of the Stationers Company 1602 to 1640 London The Bibliographical Society 1957 Rollins H E An Analytical Index to the Ballad Entries 1557 1709 in the Registers of the Company of Stationers of London University of North Carolina Press 1924 External links edit The Stationers Company History and Heritage official site of the Stationers Company in its current incarnation Stationers Register Online searchable database of entries based on Arber s edition corrected against the original manuscripts Retrieved from https en wikipedia org w index php title Stationers 27 Register amp oldid 1166609768, wikipedia, wiki, book, books, library,
