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St. George's Hall, London

Coordinates: 51°31′4″N 0°8′33″W / 51.51778°N 0.14250°W / 51.51778; -0.14250

St. George's Hall was a theatre located in Langham Place, off Regent Street in the West End of London. It was built in 1867 and closed in 1966. The hall could accommodate between 800 and 900 persons,[1] or up to 1,500 persons including the galleries. The architect was John Taylor of Whitehall.[2]

From Illustrated London News, 29 June 1867

The hall was known for three decades for its presentation of the German Reed Entertainments alongside other musical works and lectures. After 1895, it was used for vaudeville, drama, magic shows, as the headquarters of the London Academy of Music, and even as a skating rink. In 1933, it became a BBC broadcasting studio but was shut down after extensive damage from bombing in March 1943. The theatre was demolished in 1966, and the St Georges Hotel and Henry Wood House now stand on the site.

German Reed Entertainments and lectures

The hall was built as a concert hall for the New Philharmonic Society and opened on 24 April 1867. The Hall could be used as a theatre, however, and the first production at "St. George's Theatre" was A Woman's Whim by Walter Stephens on 3 December 1867.[2]

Soon afterwards, the theatre was leased by Thomas German Reed, who initially produced and conducted The Contrabandista (a comic opera by Arthur Sullivan and F. C. Burnand), The Beggar's Opera and other English operas in small-scale productions. In 1874, Reed's wife, Priscilla German Reed, moved the German Reed Entertainments to St. George's Hall.[3] Like their earlier theatre, the Gallery of Illustration, St. George's had a small stage, and musical works were presented with only piano and harmonium. Thomas retired in 1871, and his son Alfred continued to run the theatre with his mother until her retirement in 1879 and, beginning in 1877, in partnership with Richard Corney Grain, until both their deaths in 1895.

The pieces premiered there included W. S. Gilbert's farce, A Medical Man (1872) and his one-act comic opera, Eyes and No Eyes (1875). John Baldwin Buckstone wrote Married Life, and John Maddison Morton wrote Slasher and Crasher for the hall, both in 1872.[4] In addition to performances, there were regular lectures in the hall, the Chartist Gerald Massey gave a series of lectures in 1872, on Christianity and Spiritualism.[5] The theist Charles Voysey gave regular Sunday sermons from 1875, after his ejection from the established church. H. G. Wells described a visit to one tedious Sunday lecture in Incidental Thoughts on a Bald Head.[6] When they were not presenting a piece at the hall, it was rented it out to amateurs or other entertainments.[2]

 
The court scene from William Poel's production of Hamlet in 1881
 
Richard Corney Grain and Alfred Reed, from the 1896 Entr'acte Annual

At the hall Gilbert Arthur à Beckett presented Two Foster Brothers, composed by Alfred Cellier (1877), and Once in a Century, with music by Vivian Bligh. Henry Pottinger Stephens wrote his first burlesque, Back from India for the hall in 1879, as well as Hobbies in 1885, with William Yardley and music by George Gear. Cherry Tree Farm and All at Sea played in 1881.[2] The same year, William Poel produced his Hamlet. In the early 1880s, Eric Lewis sometimes substituted at the Hall for Corney Grain.[7] Herbert Gardiner wrote A Night in Wales (1885) for the hall with music by Corney Grain. Alfred J. Caldicott wrote a number of pieces for the hall, including A Treasure Trove, A Moss Rose Rent (1883), Old Knockles (1884), In Cupid's Court (1885), The Friar (1886), Tally Ho (1887), Wanted, An Heir and The Boson's Mate (1888), John Smith (1889), The Old Bureau (1891), and An Old Pair (1893).[8]

Fanny Holland starred in many of the entertainments, along with Mr. and Mrs. German Reed, their son Alfred, Holland's husband Arthur Law, Corney Grain, Arthur Cecil (all of whom also wrote for the hall) Carlotta Carrington and Leonora Braham, who made her professional stage debut in 1870 at the hall in a revival of Gilbert and Clay's Ages Ago, which was revived again there in 1874.[2] Except for a brief stint at the Criterion Theatre in 1874 and at the Savoy Theatre in 1879-80, Holland starred at St. George's until 1895 in entertainments too numerous to name. Many of the entertainments were written by Law, including A Night Surprise (1877), Nobody's Fault, composed by Hamilton Clarke (1882), and A Happy Bungalow, with music by Charles King Hall. Other pieces from the 1870s starring Holland included Number 204 by F. C. Burnand, with music by Thomas German Reed; and Our New Doll’s House by W. Wye, with music by Cotsford Dick.

Later uses of the hall

After the German Reed Entertainments closed in 1895, the building changed its name to the Matinee Theatre, on 17 April 1897, presenting "high class vaudeville," but it was not very successful. A series of German plays were then produced, but in 1904 the hall closed.

In 1905, magician John Nevil Maskelyne renovated, expanded and reopened the 'St George's Hall, England's New Home of Mystery,' on 24 January 1905 with The Coming Race by David Christie Murray and Maskelyne. Maskelyne's entertainments were called Maskelyne's Theatre of Mystery.[2] The theatre also hosted meetings of The Magic Circle, an association of amateur and professional magicians, and its members David Devant and Maskelyne continued to give magic shows for many years.[9] One was called Maskelyne and Devant's Mysteries, which was presented in August 1910.[2]

The hall was also used as a Bioscope Picture Palace, although with a reduced capacity of 500.[10] The building also was used as the headquarters of the London Academy of Music. The hall was later converted to use as a skating rink.[11]

St. George's was finally acquired by Eric Maschwitz for the BBC in 1933 for broadcasts of vaudeville, comedy and revue shows, and opened as a studio on 25 November 1933. The BBC installed the original BBC Theatre Organ in 1936, a Compton Melotone and Electrostatic Organ, this enabled a wide range of sounds to be produced during performances.[12] Reginald Foort was appointed resident organist. The hall sustained extensive damage from bombing in March 1943, during World War II,[13] and the studios moved to the Aeolian Hall, in New Bond Street.

The building was demolished in 1966, and together with the site of the adjacent Queens Hall – original home of the Henry Wood promenade concerts – the location was used for the construction of the St Georges Hotel and Henry Wood House.

Notes

  1. ^ Dickens, Charles Jr. (1879). "Public Halls, St. George's Hall". Dickens's Dictionary of London. Retrieved 22 August 2007.
  2. ^ a b c d e f g History of the Hall from the Arthur Lloyd website
  3. ^ Lee, Sidney, ed. (1896). "Reed, Thomas German Reed" . Dictionary of National Biography. Vol. 47. London: Smith, Elder & Co. p. 395.
  4. ^ Contemporary playbill (13 May 1872) accessed 16 Apr 2007
  5. ^ The Langham Place lectures 1872 – Gerald Massey accessed 16 Apr 2007
  6. ^ Incidental Thoughts on a Bald Head accessed 16 Apr 2007
  7. ^ "Death Of Mr. Eric Lewis", The Times, 2 April 1935, p. 12
  8. ^ Scowcroft, Phil. A Forty-sixth Garland of British Light Music Composers", MusicWeb-International.com, accessed 7 February 2016
  9. ^ Information about The Magic Circle club's connection to the theatre accessed 14 April 2007
  10. ^ Bioscope Annual Report 1910-11 p.87 accessed 16 April 2007
  11. ^ Notes that the hall was later converted into a skating rink accessed 14 April 2007
  12. ^ BBC Theatre Organ, St George's Hall
  13. ^ Institute of Broadcast Sound accessed 16 April 2007

External links

  • Gänzl, Kurt, The British Musical Theatre, Macmillan, vol.I, London, 1986.
  • Information about concerts given at the hall in 1899
  • History of the Hall With original archive programmes.

george, hall, london, coordinates, 51778, 14250, 51778, 14250, george, hall, theatre, located, langham, place, regent, street, west, london, built, 1867, closed, 1966, hall, could, accommodate, between, persons, persons, including, galleries, architect, john, . Coordinates 51 31 4 N 0 8 33 W 51 51778 N 0 14250 W 51 51778 0 14250 St George s Hall was a theatre located in Langham Place off Regent Street in the West End of London It was built in 1867 and closed in 1966 The hall could accommodate between 800 and 900 persons 1 or up to 1 500 persons including the galleries The architect was John Taylor of Whitehall 2 From Illustrated London News 29 June 1867 The hall was known for three decades for its presentation of the German Reed Entertainments alongside other musical works and lectures After 1895 it was used for vaudeville drama magic shows as the headquarters of the London Academy of Music and even as a skating rink In 1933 it became a BBC broadcasting studio but was shut down after extensive damage from bombing in March 1943 The theatre was demolished in 1966 and the St Georges Hotel and Henry Wood House now stand on the site Contents 1 German Reed Entertainments and lectures 2 Later uses of the hall 3 Notes 4 External linksGerman Reed Entertainments and lectures EditThe hall was built as a concert hall for the New Philharmonic Society and opened on 24 April 1867 The Hall could be used as a theatre however and the first production at St George s Theatre was A Woman s Whim by Walter Stephens on 3 December 1867 2 W S Gilbert s last German Reed Entertainment 1875 Soon afterwards the theatre was leased by Thomas German Reed who initially produced and conducted The Contrabandista a comic opera by Arthur Sullivan and F C Burnand The Beggar s Opera and other English operas in small scale productions In 1874 Reed s wife Priscilla German Reed moved the German Reed Entertainments to St George s Hall 3 Like their earlier theatre the Gallery of Illustration St George s had a small stage and musical works were presented with only piano and harmonium Thomas retired in 1871 and his son Alfred continued to run the theatre with his mother until her retirement in 1879 and beginning in 1877 in partnership with Richard Corney Grain until both their deaths in 1895 The pieces premiered there included W S Gilbert s farce A Medical Man 1872 and his one act comic opera Eyes and No Eyes 1875 John Baldwin Buckstone wrote Married Life and John Maddison Morton wrote Slasher and Crasher for the hall both in 1872 4 In addition to performances there were regular lectures in the hall the Chartist Gerald Massey gave a series of lectures in 1872 on Christianity and Spiritualism 5 The theist Charles Voysey gave regular Sunday sermons from 1875 after his ejection from the established church H G Wells described a visit to one tedious Sunday lecture in Incidental Thoughts on a Bald Head 6 When they were not presenting a piece at the hall it was rented it out to amateurs or other entertainments 2 The court scene from William Poel s production of Hamlet in 1881 Richard Corney Grain and Alfred Reed from the 1896 Entr acte Annual At the hall Gilbert Arthur a Beckett presented Two Foster Brothers composed by Alfred Cellier 1877 and Once in a Century with music by Vivian Bligh Henry Pottinger Stephens wrote his first burlesque Back from India for the hall in 1879 as well as Hobbies in 1885 with William Yardley and music by George Gear Cherry Tree Farm and All at Sea played in 1881 2 The same year William Poel produced his Hamlet In the early 1880s Eric Lewis sometimes substituted at the Hall for Corney Grain 7 Herbert Gardiner wrote A Night in Wales 1885 for the hall with music by Corney Grain Alfred J Caldicott wrote a number of pieces for the hall including A Treasure Trove A Moss Rose Rent 1883 Old Knockles 1884 In Cupid s Court 1885 The Friar 1886 Tally Ho 1887 Wanted An Heir and The Boson s Mate 1888 John Smith 1889 The Old Bureau 1891 and An Old Pair 1893 8 Fanny Holland starred in many of the entertainments along with Mr and Mrs German Reed their son Alfred Holland s husband Arthur Law Corney Grain Arthur Cecil all of whom also wrote for the hall Carlotta Carrington and Leonora Braham who made her professional stage debut in 1870 at the hall in a revival of Gilbert and Clay s Ages Ago which was revived again there in 1874 2 Except for a brief stint at the Criterion Theatre in 1874 and at the Savoy Theatre in 1879 80 Holland starred at St George s until 1895 in entertainments too numerous to name Many of the entertainments were written by Law including A Night Surprise 1877 Nobody s Fault composed by Hamilton Clarke 1882 and A Happy Bungalow with music by Charles King Hall Other pieces from the 1870s starring Holland included Number 204 by F C Burnand with music by Thomas German Reed and Our New Doll s House by W Wye with music by Cotsford Dick Later uses of the hall EditAfter the German Reed Entertainments closed in 1895 the building changed its name to the Matinee Theatre on 17 April 1897 presenting high class vaudeville but it was not very successful A series of German plays were then produced but in 1904 the hall closed In 1905 magician John Nevil Maskelyne renovated expanded and reopened the St George s Hall England s New Home of Mystery on 24 January 1905 with The Coming Race by David Christie Murray and Maskelyne Maskelyne s entertainments were called Maskelyne s Theatre of Mystery 2 The theatre also hosted meetings of The Magic Circle an association of amateur and professional magicians and its members David Devant and Maskelyne continued to give magic shows for many years 9 One was called Maskelyne and Devant s Mysteries which was presented in August 1910 2 The hall was also used as a Bioscope Picture Palace although with a reduced capacity of 500 10 The building also was used as the headquarters of the London Academy of Music The hall was later converted to use as a skating rink 11 St George s was finally acquired by Eric Maschwitz for the BBC in 1933 for broadcasts of vaudeville comedy and revue shows and opened as a studio on 25 November 1933 The BBC installed the original BBC Theatre Organ in 1936 a Compton Melotone and Electrostatic Organ this enabled a wide range of sounds to be produced during performances 12 Reginald Foort was appointed resident organist The hall sustained extensive damage from bombing in March 1943 during World War II 13 and the studios moved to the Aeolian Hall in New Bond Street The building was demolished in 1966 and together with the site of the adjacent Queens Hall original home of the Henry Wood promenade concerts the location was used for the construction of the St Georges Hotel and Henry Wood House Notes Edit Dickens Charles Jr 1879 Public Halls St George s Hall Dickens s Dictionary of London Retrieved 22 August 2007 a b c d e f g History of the Hall from the Arthur Lloyd website Lee Sidney ed 1896 Reed Thomas German Reed Dictionary of National Biography Vol 47 London Smith Elder amp Co p 395 Contemporary playbill 13 May 1872 accessed 16 Apr 2007 The Langham Place lectures 1872 Gerald Massey accessed 16 Apr 2007 Incidental Thoughts on a Bald Head accessed 16 Apr 2007 Death Of Mr Eric Lewis The Times 2 April 1935 p 12 Scowcroft Phil A Forty sixth Garland of British Light Music Composers MusicWeb International com accessed 7 February 2016 Information about The Magic Circle club s connection to the theatre accessed 14 April 2007 Bioscope Annual Report 1910 11 p 87 accessed 16 April 2007 Notes that the hall was later converted into a skating rink accessed 14 April 2007 BBC Theatre Organ St George s Hall Institute of Broadcast Sound accessed 16 April 2007External links EditGanzl Kurt The British Musical Theatre Macmillan vol I London 1986 Information about Nobody s Fault 1882 and other early productions at the theatre and information about Fanny Holland principal actress at the theatre Information about concerts given at the hall in 1899 History of the Hall With original archive programmes Retrieved from https en wikipedia org w index php title St George 27s Hall London amp oldid 1037926764, wikipedia, wiki, book, books, library,

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