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Santa Maria del Carmine, Florence

Santa Maria del Carmine is a church of the Carmelite Order, in the Oltrarno district of Florence, in Tuscany, Italy. It is famous as the location of the Brancacci Chapel housing outstanding Renaissance frescoes by Masaccio and Masolino da Panicale, later finished by Filippino Lippi.

The unfinished façade.
The interior.
The Corsini Chapel.
The vault of the nave by Domenico Stagi.

History edit

The church, dedicated to the Beatae Virginis Mariae de monte Carmelo, was founded by a group of Carmelite friars from Pisa. Construction of the church commenced in 1268 as part of the Carmelite convent,[1] which still exists today. Of the original edifice only some Romanesque-Gothic remains can be seen on the sides.

By the 14th century, it was the seat of a number of lay fraternities. The complex was enlarged a first time in 1328 and again in 1464, when the capitular hall and the refectory added, though the church maintained the Latin Cross, one nave plan.

Renovated in the Baroque style in the 16th–17th centuries, it was damaged by a fire in 1771 which destroyed the interior of the church.[1] It was rebuilt internally in the Rococo style in 1782. The façade, like in many Florentine churches, remained unfinished. The fire did not touch the sacristy: therefore have survived the Stories of St. Cecilia attributed to Lippo d'Andrea (c. 1400) and the marble monument of Pier Soderini by Benedetto da Rovezzano (1511–1513). The vault of the nave has a trompe-l'œil, quadratura fresco by Domenico Stagi.

Brancacci Chapel edit

The Brancacci Chapel also survived the fire, and was saved by the subsequent restoration by the intervention of a Florentine noblewoman who was firmly opposed to the covering of the frescoes. The chapel is home to the famous frescoes by Masaccio and Masolino, considered the first masterwork of the Italian Renaissance. Masaccio's master Masolino, commissioned by a wealthy merchant, Felice Brancacci, began work on the chapel in 1425 and was soon joined in the project by his pupil, Masaccio. The scenes by Masolino are St Peter Healing a Lame Man and Raising Tabitha from the Dead, St Peter Preaching, and Adam and Eve. Those by mostly Masaccio are The Tribute Money, St Peter Healing with his Shadow, The Crucifixion of St Peter, The Baptism of the Neophytes, and The Expulsion from Paradise.[2] Their treatment of figures in believable space made the frescoes among the most important to have come out of the Early Renaissance. The cycle was finished by Filippino Lippi.

The elaborated Italian Rococo ceiling is from one of the most important 18th century artists in the city, Giovanni Domenico Ferretti.

Corsini Chapel edit

The Corsini, one of the richest families in Florence during the 17th–18th centuries, had this chapel built in 1675–1683, to hold the remains of an ancestral member of the family, St Andrea Corsini (1301–1374), who became a Carmelite friar and the Bishop of Fiesole, and who was canonized in 1629.

The architect Pier Francesco Silvani choose for it the Baroque style then popular in Rome. The altar has a marble bas-relief depicting the Glory of St Andrea Corsini, sculpted by Foggini, and above a God the Father sculpted by Carlo Marcellini. On the sides of the altar are two more Foggini marble bas-reliefs: one depicts Sant'Andrea descends girded with sword to lead the Florentines to victory during the Battle of Anghiari and the other recalls a Miraculous vision of the Virgin by a young Sant'Andrea (occurring in the church of the Convent delle Selve).

The small dome was frescoed by Giordano in 1682. The frescoes suffered in the great church fire, and were restored by Stefano Fabbrini.[3]

The convent edit

The convent suffered in its history from numerous disasters, from the 1771 fire to the 1966 River Arno flood. Most of the artworks are therefore fragmentary: these include the Bestowal of the Carmelite Rule by Filippo Lippi and the Last Supper by Alessandro Allori, and remains of works from other chapels by Pietro Nelli and Gherardo Starnina.

The second refectory is decorated with the Supper in Simon the Pharisee's house by Giovanni Battista Vanni (c. 1645); it also houses fragments of frescoes by Lippo d'Andrea.

Other burials edit

References edit

  1. ^ a b . Archived from the original on 25 February 2021. Retrieved 20 December 2019.
  2. ^ Paul Joannides (1993) Masaccio and Masolino: A Complete Catalogue. Phaidon: London.
  3. ^ Firenze antica, e moderna illustrate, Volume 8, by V. Follini, M. Rastrelli, (1802), pages 103-105.

External links edit

  • Holy Places in Tuscany (Italian and English)

43°46′05″N 11°14′38″E / 43.7680°N 11.2439°E / 43.7680; 11.2439

santa, maria, carmine, florence, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, j. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Santa Maria del Carmine Florence news newspapers books scholar JSTOR December 2019 Learn how and when to remove this template message Santa Maria del Carmine is a church of the Carmelite Order in the Oltrarno district of Florence in Tuscany Italy It is famous as the location of the Brancacci Chapel housing outstanding Renaissance frescoes by Masaccio and Masolino da Panicale later finished by Filippino Lippi The unfinished facade The interior The Corsini Chapel The vault of the nave by Domenico Stagi Contents 1 History 2 Brancacci Chapel 3 Corsini Chapel 4 The convent 5 Other burials 6 References 7 External linksHistory editThe church dedicated to the Beatae Virginis Mariae de monte Carmelo was founded by a group of Carmelite friars from Pisa Construction of the church commenced in 1268 as part of the Carmelite convent 1 which still exists today Of the original edifice only some Romanesque Gothic remains can be seen on the sides By the 14th century it was the seat of a number of lay fraternities The complex was enlarged a first time in 1328 and again in 1464 when the capitular hall and the refectory added though the church maintained the Latin Cross one nave plan Renovated in the Baroque style in the 16th 17th centuries it was damaged by a fire in 1771 which destroyed the interior of the church 1 It was rebuilt internally in the Rococo style in 1782 The facade like in many Florentine churches remained unfinished The fire did not touch the sacristy therefore have survived the Stories of St Cecilia attributed to Lippo d Andrea c 1400 and the marble monument of Pier Soderini by Benedetto da Rovezzano 1511 1513 The vault of the nave has a trompe l œil quadratura fresco by Domenico Stagi Brancacci Chapel editMain article Brancacci Chapel The Brancacci Chapel also survived the fire and was saved by the subsequent restoration by the intervention of a Florentine noblewoman who was firmly opposed to the covering of the frescoes The chapel is home to the famous frescoes by Masaccio and Masolino considered the first masterwork of the Italian Renaissance Masaccio s master Masolino commissioned by a wealthy merchant Felice Brancacci began work on the chapel in 1425 and was soon joined in the project by his pupil Masaccio The scenes by Masolino are St Peter Healing a Lame Man and Raising Tabitha from the Dead St Peter Preaching and Adam and Eve Those by mostly Masaccio are The Tribute Money St Peter Healing with his Shadow The Crucifixion of St Peter The Baptism of the Neophytes and The Expulsion from Paradise 2 Their treatment of figures in believable space made the frescoes among the most important to have come out of the Early Renaissance The cycle was finished by Filippino Lippi The elaborated Italian Rococo ceiling is from one of the most important 18th century artists in the city Giovanni Domenico Ferretti Corsini Chapel editThe Corsini one of the richest families in Florence during the 17th 18th centuries had this chapel built in 1675 1683 to hold the remains of an ancestral member of the family St Andrea Corsini 1301 1374 who became a Carmelite friar and the Bishop of Fiesole and who was canonized in 1629 The architect Pier Francesco Silvani choose for it the Baroque style then popular in Rome The altar has a marble bas relief depicting the Glory of St Andrea Corsini sculpted by Foggini and above a God the Father sculpted by Carlo Marcellini On the sides of the altar are two more Foggini marble bas reliefs one depicts Sant Andrea descends girded with sword to lead the Florentines to victory during the Battle of Anghiari and the other recalls a Miraculous vision of the Virgin by a young Sant Andrea occurring in the church of the Convent delle Selve The small dome was frescoed by Giordano in 1682 The frescoes suffered in the great church fire and were restored by Stefano Fabbrini 3 The convent editThe convent suffered in its history from numerous disasters from the 1771 fire to the 1966 River Arno flood Most of the artworks are therefore fragmentary these include the Bestowal of the Carmelite Rule by Filippo Lippi and the Last Supper by Alessandro Allori and remains of works from other chapels by Pietro Nelli and Gherardo Starnina The second refectory is decorated with the Supper in Simon the Pharisee s house by Giovanni Battista Vanni c 1645 it also houses fragments of frescoes by Lippo d Andrea Other burials editNeri Corsini 1614 1678 Giuliano DamiReferences edit a b Cappella Brancacci Musei Civici Fiorentini Archived from the original on 25 February 2021 Retrieved 20 December 2019 Paul Joannides 1993 Masaccio and Masolino A Complete Catalogue Phaidon London Firenze antica e moderna illustrate Volume 8 by V Follini M Rastrelli 1802 pages 103 105 External links edit nbsp Wikimedia Commons has media related to Santa Maria del Carmine Florence Holy Places in Tuscany Italian and English 43 46 05 N 11 14 38 E 43 7680 N 11 2439 E 43 7680 11 2439 Retrieved from https en wikipedia org w index php title Santa Maria del Carmine Florence amp oldid 1153112707, wikipedia, wiki, book, books, library,

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