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Sallen–Key topology

The Sallen–Key topology is an electronic filter topology used to implement second-order active filters that is particularly valued for its simplicity.[1] It is a degenerate form of a voltage-controlled voltage-source (VCVS) filter topology. It was introduced by R. P. Sallen and E. L. Key of MIT Lincoln Laboratory in 1955.[2]

Explanation of operation Edit

A VCVS filter uses a voltage amplifier with practically infinite input impedance and zero output impedance to implement a 2-pole low-pass, high-pass, bandpass, bandstop, or allpass response. The VCVS filter allows high Q factor and passband gain without the use of inductors. A VCVS filter also has the advantage of independence: VCVS filters can be cascaded without the stages affecting each others tuning. A Sallen–Key filter is a variation on a VCVS filter that uses a unity-voltage-gain amplifier (i.e., a pure buffer amplifier).

History and implementation Edit

In 1955, Sallen and Key used vacuum tube cathode follower amplifiers; the cathode follower is a reasonable approximation to an amplifier with unity voltage gain. Modern analog filter implementations may use operational amplifiers (also called op amps). Because of its high input impedance and easily selectable gain, an operational amplifier in a conventional non-inverting configuration is often used in VCVS implementations.[citation needed] Implementations of Sallen–Key filters often use an op amp configured as a voltage follower; however, emitter or source followers are other common choices for the buffer amplifier.

Sensitivity to component tolerances Edit

VCVS filters are relatively resilient to component tolerance, but obtaining high Q factor may require extreme component value spread or high amplifier gain.[1] Higher-order filters can be obtained by cascading two or more stages.

Generic Sallen–Key topology Edit

 
Figure 1: The generic Sallen–Key filter topology

The generic unity-gain Sallen–Key filter topology implemented with a unity-gain operational amplifier is shown in Figure 1. The following analysis is based on the assumption that the operational amplifier is ideal.

Because the op amp is in a negative-feedback configuration, its   and   inputs must match (i.e.,  ). However, the inverting input   is connected directly to the output  , and so

 

 

 

 

 

(1)

By Kirchhoff's current law (KCL) applied at the   node,

 

 

 

 

 

(2)

By combining equations (1) and (2),

 

Applying equation (1) and KCL at the op amp's non-inverting input   gives

 

which means that

 

 

 

 

 

(3)

Combining equations (2) and (3) gives

 

 

 

 

 

(4)

Rearranging equation (4) gives the transfer function

 

 

 

 

 

(5)

which typically describes a second-order linear time-invariant (LTI) system.

If the   component were connected to ground instead of to  , the filter would be a voltage divider composed of the   and   components cascaded with another voltage divider composed of the   and   components. The buffer amplifier bootstraps the "bottom" of the   component to the output of the filter, which will improve upon the simple two-divider case. This interpretation is the reason why Sallen–Key filters are often drawn with the op amp's non-inverting input below the inverting input, thus emphasizing the similarity between the output and ground.

Branch impedances Edit

By choosing different passive components (e.g., resistors and capacitors) for  ,  ,  , and  , the filter can be made with low-pass, bandpass, and high-pass characteristics. In the examples below, recall that a resistor with resistance   has impedance   of

 

and a capacitor with capacitance   has impedance   of

 

where   (here   denotes the imaginary unit) is the complex angular frequency, and   is the frequency of a pure sine-wave input. That is, a capacitor's impedance is frequency-dependent and a resistor's impedance is not.

Application: low-pass filter Edit

 
Figure 2: A unity-gain low-pass filter implemented with a Sallen–Key topology

An example of a unity-gain low-pass configuration is shown in Figure 2. An operational amplifier is used as the buffer here, although an emitter follower is also effective. This circuit is equivalent to the generic case above with

 

The transfer function for this second-order unity-gain low-pass filter is

 

where the undamped natural frequency  , attenuation  , Q factor  , and damping ratio  , are given by

 

and

 

So,

 

The   factor determines the height and width of the peak of the frequency response of the filter. As this parameter increases, the filter will tend to "ring" at a single resonant frequency near   (see "LC filter" for a related discussion).

Poles and zeros Edit

This transfer function has no (finite) zeros and two poles located in the complex s-plane:

 

There are two zeros at infinity (the transfer function goes to zero for each of the   terms in the denominator).

Design choices Edit

A designer must choose the   and   appropriate for their application. The   value is critical in determining the eventual shape. For example, a second-order Butterworth filter, which has maximally flat passband frequency response, has a   of  . By comparison, a value of   corresponds to the series cascade of two identical simple low-pass filters.

Because there are 2 parameters and 4 unknowns, the design procedure typically fixes the ratio between both resistors as well as that between the capacitors. One possibility is to set the ratio between   and   as   versus   and the ratio between   and   as   versus  . So,

 

As a result, the   and   expressions are reduced to

 

and

 
 
Figure 3: A low-pass filter, which is implemented with a Sallen–Key topology, with f0 = 15.9 kHz and Q = 0.5

Starting with a more or less arbitrary choice for e.g.   and  , the appropriate values for   and   can be calculated in favor of the desired   and  . In practice, certain choices of component values will perform better than others due to the non-idealities of real operational amplifiers.[3] As an example, high resistor values will increase the circuit's noise production, whilst contributing to the DC offset voltage on the output of op amps equipped with bipolar input transistors.

Example Edit

For example, the circuit in Figure 3 has   and  . The transfer function is given by

 

and, after the substitution, this expression is equal to

 

which shows how every   combination comes with some   combination to provide the same   and   for the low-pass filter. A similar design approach is used for the other filters below.

Input impedance Edit

The input impedance of the second-order unity-gain Sallen–Key low-pass filter is also of interest to designers. It is given by Eq. (3) in Cartwright and Kaminsky[4] as

 

where   and  .

Furthermore, for  , there is a minimal value of the magnitude of the impedance, given by Eq. (16) of Cartwright and Kaminsky,[4] which states that

 

Fortunately, this equation is well-approximated by[4]

 

for  . For   values outside of this range, the 0.34 constant has to be modified for minimal error.

Also, the frequency at which the minimal impedance magnitude occurs is given by Eq. (15) of Cartwright and Kaminsky,[4] i.e.,

 

This equation can also be well approximated using Eq. (20) of Cartwright and Kaminsky,[4] which states that

 

Application: high-pass filter Edit

 
Figure 4: A specific Sallen–Key high-pass filter with f0 = 72 Hz and Q = 0.5

A second-order unity-gain high-pass filter with   and   is shown in Figure 4.

A second-order unity-gain high-pass filter has the transfer function

 

where undamped natural frequency   and   factor are discussed above in the low-pass filter discussion. The circuit above implements this transfer function by the equations

 

(as before) and

 

So

 

Follow an approach similar to the one used to design the low-pass filter above.

Application: bandpass filter Edit

 
Figure 5: A bandpass filter realized with a VCVS topology

An example of a non-unity-gain bandpass filter implemented with a VCVS filter is shown in Figure 5. Although it uses a different topology and an operational amplifier configured to provide non-unity-gain, it can be analyzed using similar methods as with the generic Sallen–Key topology. Its transfer function is given by

 

The center frequency   (i.e., the frequency where the magnitude response has its peak) is given by

 

The Q factor   is given by

 

The voltage divider in the negative feedback loop controls the "inner gain"   of the op amp:

 

If the inner gain   is too high, the filter will oscillate.

See also Edit

References Edit

  1. ^ a b "EE315A Course Notes - Chapter 2"-B. Murmann 2010-07-16 at the Wayback Machine
  2. ^ Sallen, R. P.; E. L. Key (March 1955). "A Practical Method of Designing RC Active Filters". IRE Transactions on Circuit Theory. 2 (1): 74–85. doi:10.1109/tct.1955.6500159. S2CID 51640910.
  3. ^ Stop-band limitations of the Sallen–Key low-pass filter.
  4. ^ a b c d e Cartwright, K. V.; E. J. Kaminsky (2013). "Finding the minimum input impedance of a second-order unity-gain Sallen-Key low-pass filter without calculus" (PDF). Lat. Am. J. Phys. Educ. 7 (4): 525–535.

External links Edit

  • Texas Instruments Application Report: Analysis of the Sallen–Key Architecture
  • Analog Devices filter design tool – A simple online tool for designing active filters using voltage-feedback op-amps.
  • TI active filter design source FAQ
  • High frequency modification of Sallen-Key filter - improving the stopband attenuation floor
  • Online Calculation Tool for Sallen–Key Low-pass/High-pass Filters
  • Online Calculation Tool for Filter Design and Analysis
  • ECE 327: Procedures for Output Filtering Lab – Section 3 ("Smoothing Low-Pass Filter") discusses active filtering with Sallen–Key Butterworth low-pass filter.
  • Filtering 101: Multi Pole Filters with Sallen-Key, Matt Duff of Analog Devices explains how Sallen Key circuit works

sallen, topology, electronic, filter, topology, used, implement, second, order, active, filters, that, particularly, valued, simplicity, degenerate, form, voltage, controlled, voltage, source, vcvs, filter, topology, introduced, sallen, lincoln, laboratory, 19. The Sallen Key topology is an electronic filter topology used to implement second order active filters that is particularly valued for its simplicity 1 It is a degenerate form of a voltage controlled voltage source VCVS filter topology It was introduced by R P Sallen and E L Key of MIT Lincoln Laboratory in 1955 2 Contents 1 Explanation of operation 2 History and implementation 3 Sensitivity to component tolerances 4 Generic Sallen Key topology 4 1 Branch impedances 5 Application low pass filter 5 1 Poles and zeros 5 2 Design choices 5 3 Example 5 4 Input impedance 6 Application high pass filter 7 Application bandpass filter 8 See also 9 References 10 External linksExplanation of operation EditA VCVS filter uses a voltage amplifier with practically infinite input impedance and zero output impedance to implement a 2 pole low pass high pass bandpass bandstop or allpass response The VCVS filter allows high Q factor and passband gain without the use of inductors A VCVS filter also has the advantage of independence VCVS filters can be cascaded without the stages affecting each others tuning A Sallen Key filter is a variation on a VCVS filter that uses a unity voltage gain amplifier i e a pure buffer amplifier History and implementation EditIn 1955 Sallen and Key used vacuum tube cathode follower amplifiers the cathode follower is a reasonable approximation to an amplifier with unity voltage gain Modern analog filter implementations may use operational amplifiers also called op amps Because of its high input impedance and easily selectable gain an operational amplifier in a conventional non inverting configuration is often used in VCVS implementations citation needed Implementations of Sallen Key filters often use an op amp configured as a voltage follower however emitter or source followers are other common choices for the buffer amplifier Sensitivity to component tolerances EditVCVS filters are relatively resilient to component tolerance but obtaining high Q factor may require extreme component value spread or high amplifier gain 1 Higher order filters can be obtained by cascading two or more stages Generic Sallen Key topology Edit nbsp Figure 1 The generic Sallen Key filter topologyThe generic unity gain Sallen Key filter topology implemented with a unity gain operational amplifier is shown in Figure 1 The following analysis is based on the assumption that the operational amplifier is ideal Because the op amp is in a negative feedback configuration its v displaystyle v nbsp and v displaystyle v nbsp inputs must match i e v v displaystyle v v nbsp However the inverting input v displaystyle v nbsp is connected directly to the output v out displaystyle v text out nbsp and so v v v out displaystyle v v v text out nbsp 1 By Kirchhoff s current law KCL applied at the v x displaystyle v x nbsp node v in v x Z 1 v x v out Z 3 v x v Z 2 displaystyle frac v text in v x Z 1 frac v x v text out Z 3 frac v x v Z 2 nbsp 2 By combining equations 1 and 2 v in v x Z 1 v x v out Z 3 v x v out Z 2 displaystyle frac v text in v x Z 1 frac v x v text out Z 3 frac v x v text out Z 2 nbsp Applying equation 1 and KCL at the op amp s non inverting input v displaystyle v nbsp gives v x v out Z 2 v out Z 4 displaystyle frac v x v text out Z 2 frac v text out Z 4 nbsp which means that v x v out Z 2 Z 4 1 displaystyle v x v text out left frac Z 2 Z 4 1 right nbsp 3 Combining equations 2 and 3 gives v in v out Z 2 Z 4 1 Z 1 v out Z 2 Z 4 1 v out Z 3 v out Z 2 Z 4 1 v out Z 2 displaystyle frac v text in v text out left frac Z 2 Z 4 1 right Z 1 frac v text out left frac Z 2 Z 4 1 right v text out Z 3 frac v text out left frac Z 2 Z 4 1 right v text out Z 2 nbsp 4 Rearranging equation 4 gives the transfer function v out v in Z 3 Z 4 Z 1 Z 2 Z 3 Z 1 Z 2 Z 3 Z 4 displaystyle frac v text out v text in frac Z 3 Z 4 Z 1 Z 2 Z 3 Z 1 Z 2 Z 3 Z 4 nbsp 5 which typically describes a second order linear time invariant LTI system If the Z 3 displaystyle Z 3 nbsp component were connected to ground instead of to v out displaystyle v text out nbsp the filter would be a voltage divider composed of the Z 1 displaystyle Z 1 nbsp and Z 3 displaystyle Z 3 nbsp components cascaded with another voltage divider composed of the Z 2 displaystyle Z 2 nbsp and Z 4 displaystyle Z 4 nbsp components The buffer amplifier bootstraps the bottom of the Z 3 displaystyle Z 3 nbsp component to the output of the filter which will improve upon the simple two divider case This interpretation is the reason why Sallen Key filters are often drawn with the op amp s non inverting input below the inverting input thus emphasizing the similarity between the output and ground Branch impedances Edit By choosing different passive components e g resistors and capacitors for Z 1 displaystyle Z 1 nbsp Z 2 displaystyle Z 2 nbsp Z 4 displaystyle Z 4 nbsp and Z 3 displaystyle Z 3 nbsp the filter can be made with low pass bandpass and high pass characteristics In the examples below recall that a resistor with resistance R displaystyle R nbsp has impedance Z R displaystyle Z R nbsp of Z R R displaystyle Z R R nbsp and a capacitor with capacitance C displaystyle C nbsp has impedance Z C displaystyle Z C nbsp of Z C 1 s C displaystyle Z C frac 1 sC nbsp where s j w 2 p j f displaystyle s j omega 2 pi jf nbsp here j displaystyle j nbsp denotes the imaginary unit is the complex angular frequency and f displaystyle f nbsp is the frequency of a pure sine wave input That is a capacitor s impedance is frequency dependent and a resistor s impedance is not Application low pass filter Edit nbsp Figure 2 A unity gain low pass filter implemented with a Sallen Key topologyAn example of a unity gain low pass configuration is shown in Figure 2 An operational amplifier is used as the buffer here although an emitter follower is also effective This circuit is equivalent to the generic case above with Z 1 R 1 Z 2 R 2 Z 3 1 s C 1 Z 4 1 s C 2 displaystyle Z 1 R 1 quad Z 2 R 2 quad Z 3 frac 1 sC 1 quad Z 4 frac 1 sC 2 nbsp The transfer function for this second order unity gain low pass filter is H s w 0 2 s 2 2 a s w 0 2 displaystyle H s frac omega 0 2 s 2 2 alpha s omega 0 2 nbsp where the undamped natural frequency f 0 displaystyle f 0 nbsp attenuation a displaystyle alpha nbsp Q factor Q displaystyle Q nbsp and damping ratio z displaystyle zeta nbsp are given by w 0 2 p f 0 1 R 1 R 2 C 1 C 2 displaystyle omega 0 2 pi f 0 frac 1 sqrt R 1 R 2 C 1 C 2 nbsp and 2 a 2 z w 0 w 0 Q 1 C 1 1 R 1 1 R 2 1 C 1 R 1 R 2 R 1 R 2 displaystyle 2 alpha 2 zeta omega 0 frac omega 0 Q frac 1 C 1 left frac 1 R 1 frac 1 R 2 right frac 1 C 1 left frac R 1 R 2 R 1 R 2 right nbsp So Q w 0 2 a R 1 R 2 C 1 C 2 C 2 R 1 R 2 displaystyle Q frac omega 0 2 alpha frac sqrt R 1 R 2 C 1 C 2 C 2 left R 1 R 2 right nbsp The Q displaystyle Q nbsp factor determines the height and width of the peak of the frequency response of the filter As this parameter increases the filter will tend to ring at a single resonant frequency near f 0 displaystyle f 0 nbsp see LC filter for a related discussion Poles and zeros Edit This transfer function has no finite zeros and two poles located in the complex s plane s a a 2 w 0 2 displaystyle s alpha pm sqrt alpha 2 omega 0 2 nbsp There are two zeros at infinity the transfer function goes to zero for each of the s displaystyle s nbsp terms in the denominator Design choices Edit A designer must choose the Q displaystyle Q nbsp and f 0 displaystyle f 0 nbsp appropriate for their application The Q displaystyle Q nbsp value is critical in determining the eventual shape For example a second order Butterworth filter which has maximally flat passband frequency response has a Q displaystyle Q nbsp of 1 2 displaystyle 1 sqrt 2 nbsp By comparison a value of Q 1 2 displaystyle Q 1 2 nbsp corresponds to the series cascade of two identical simple low pass filters Because there are 2 parameters and 4 unknowns the design procedure typically fixes the ratio between both resistors as well as that between the capacitors One possibility is to set the ratio between C 1 displaystyle C 1 nbsp and C 2 displaystyle C 2 nbsp as n displaystyle n nbsp versus 1 n displaystyle 1 n nbsp and the ratio between R 1 displaystyle R 1 nbsp and R 2 displaystyle R 2 nbsp as m displaystyle m nbsp versus 1 m displaystyle 1 m nbsp So R 1 m R R 2 R m C 1 n C C 2 C n displaystyle begin aligned R 1 amp mR R 2 amp R m C 1 amp nC C 2 amp C n end aligned nbsp As a result the f 0 displaystyle f 0 nbsp and Q displaystyle Q nbsp expressions are reduced to w 0 2 p f 0 1 R C displaystyle omega 0 2 pi f 0 frac 1 RC nbsp and Q m n m 2 1 displaystyle Q frac mn m 2 1 nbsp nbsp Figure 3 A low pass filter which is implemented with a Sallen Key topology with f0 15 9 kHz and Q 0 5Starting with a more or less arbitrary choice for e g C displaystyle C nbsp and n displaystyle n nbsp the appropriate values for R displaystyle R nbsp and m displaystyle m nbsp can be calculated in favor of the desired f 0 displaystyle f 0 nbsp and Q displaystyle Q nbsp In practice certain choices of component values will perform better than others due to the non idealities of real operational amplifiers 3 As an example high resistor values will increase the circuit s noise production whilst contributing to the DC offset voltage on the output of op amps equipped with bipolar input transistors Example Edit For example the circuit in Figure 3 has f 0 15 9 kHz displaystyle f 0 15 9 text kHz nbsp and Q 0 5 displaystyle Q 0 5 nbsp The transfer function is given by H s 1 1 C 2 R 1 R 2 2 z w 0 1 w 0 Q s C 1 C 2 R 1 R 2 1 w 0 2 s 2 displaystyle H s frac 1 1 underbrace C 2 R 1 R 2 frac 2 zeta omega 0 frac 1 omega 0 Q s underbrace C 1 C 2 R 1 R 2 frac 1 omega 0 2 s 2 nbsp and after the substitution this expression is equal to H s 1 1 R C m 1 m n 2 z w 0 1 w 0 Q s R 2 C 2 1 w 0 2 s 2 displaystyle H s frac 1 1 underbrace frac RC m 1 m n frac 2 zeta omega 0 frac 1 omega 0 Q s underbrace R 2 C 2 frac 1 omega 0 2 s 2 nbsp which shows how every R C displaystyle R C nbsp combination comes with some m n displaystyle m n nbsp combination to provide the same f 0 displaystyle f 0 nbsp and Q displaystyle Q nbsp for the low pass filter A similar design approach is used for the other filters below Input impedance Edit The input impedance of the second order unity gain Sallen Key low pass filter is also of interest to designers It is given by Eq 3 in Cartwright and Kaminsky 4 as Z s R 1 s 2 s Q 1 s 2 s k Q displaystyle Z s R 1 frac s 2 s Q 1 s 2 s k Q nbsp where s s w 0 displaystyle s frac s omega 0 nbsp and k R 1 R 1 R 2 m m 1 m displaystyle k frac R 1 R 1 R 2 frac m m 1 m nbsp Furthermore for Q gt 1 k 2 2 displaystyle Q gt sqrt frac 1 k 2 2 nbsp there is a minimal value of the magnitude of the impedance given by Eq 16 of Cartwright and Kaminsky 4 which states that Z s min R 1 1 2 Q 2 k 2 1 2 2 Q 4 k 2 2 Q 2 k 2 1 2 2 Q 2 Q 4 k 2 2 Q 2 k 2 1 displaystyle Z s text min R 1 sqrt 1 frac 2Q 2 k 2 1 2 2Q 4 k 2 2Q 2 k 2 1 2 2Q 2 sqrt Q 4 k 2 2Q 2 k 2 1 nbsp Fortunately this equation is well approximated by 4 Z s min R 1 1 Q 2 k 2 0 34 displaystyle Z s text min approx R 1 sqrt frac 1 Q 2 k 2 0 34 nbsp for 0 25 k 0 75 displaystyle 0 25 leq k leq 0 75 nbsp For k displaystyle k nbsp values outside of this range the 0 34 constant has to be modified for minimal error Also the frequency at which the minimal impedance magnitude occurs is given by Eq 15 of Cartwright and Kaminsky 4 i e w min w 0 Q 2 Q 4 k 2 2 Q 2 k 2 1 2 Q 2 k 2 1 displaystyle omega text min omega 0 sqrt frac Q 2 sqrt Q 4 k 2 2Q 2 k 2 1 2Q 2 k 2 1 nbsp This equation can also be well approximated using Eq 20 of Cartwright and Kaminsky 4 which states that w min w 0 2 Q 2 2 Q 2 k 2 1 displaystyle omega text min approx omega 0 sqrt frac 2Q 2 2Q 2 k 2 1 nbsp Application high pass filter Edit nbsp Figure 4 A specific Sallen Key high pass filter with f0 72 Hz and Q 0 5A second order unity gain high pass filter with f 0 72 Hz displaystyle f 0 72 text Hz nbsp and Q 0 5 displaystyle Q 0 5 nbsp is shown in Figure 4 A second order unity gain high pass filter has the transfer function H s s 2 s 2 2 p f 0 Q 2 z w 0 w 0 Q s 2 p f 0 2 w 0 2 displaystyle H s frac s 2 s 2 underbrace 2 pi left frac f 0 Q right 2 zeta omega 0 frac omega 0 Q s underbrace 2 pi f 0 2 omega 0 2 nbsp where undamped natural frequency f 0 displaystyle f 0 nbsp and Q displaystyle Q nbsp factor are discussed above in the low pass filter discussion The circuit above implements this transfer function by the equations w 0 2 p f 0 1 R 1 R 2 C 1 C 2 displaystyle omega 0 2 pi f 0 frac 1 sqrt R 1 R 2 C 1 C 2 nbsp as before and 1 2 z Q w 0 2 a R 1 R 2 C 1 C 2 R 1 C 1 C 2 displaystyle frac 1 2 zeta Q frac omega 0 2 alpha frac sqrt R 1 R 2 C 1 C 2 R 1 C 1 C 2 nbsp So 2 a 2 z w 0 w 0 Q C 1 C 2 R 2 C 1 C 2 displaystyle 2 alpha 2 zeta omega 0 frac omega 0 Q frac C 1 C 2 R 2 C 1 C 2 nbsp Follow an approach similar to the one used to design the low pass filter above Application bandpass filter Edit nbsp Figure 5 A bandpass filter realized with a VCVS topologyAn example of a non unity gain bandpass filter implemented with a VCVS filter is shown in Figure 5 Although it uses a different topology and an operational amplifier configured to provide non unity gain it can be analyzed using similar methods as with the generic Sallen Key topology Its transfer function is given by H s 1 R b R a G s R 1 C 1 s 2 1 R 1 C 1 1 R 2 C 1 1 R 2 C 2 R b R a R f C 1 2 z w 0 w 0 Q s R 1 R f R 1 R f R 2 C 1 C 2 w 0 2 2 p f 0 2 displaystyle H s frac overbrace left 1 frac R text b R text a right G frac s R 1 C 1 s 2 underbrace left frac 1 R 1 C 1 frac 1 R 2 C 1 frac 1 R 2 C 2 frac R text b R text a R text f C 1 right 2 zeta omega 0 frac omega 0 Q s underbrace frac R 1 R text f R 1 R text f R 2 C 1 C 2 omega 0 2 2 pi f 0 2 nbsp The center frequency f 0 displaystyle f 0 nbsp i e the frequency where the magnitude response has its peak is given by f 0 1 2 p R f R 1 C 1 C 2 R 1 R 2 R f displaystyle f 0 frac 1 2 pi sqrt frac R text f R 1 C 1 C 2 R 1 R 2 R text f nbsp The Q factor Q displaystyle Q nbsp is given by Q w 0 2 z w 0 w 0 w 0 Q R 1 R f R 1 R f R 2 C 1 C 2 1 R 1 C 1 1 R 2 C 1 1 R 2 C 2 R b R a R f C 1 R 1 R f R 1 R f R 2 C 1 C 2 R 1 R f C 1 C 2 R 2 C 2 R f R b R a R 1 displaystyle begin aligned Q amp frac omega 0 2 zeta omega 0 frac omega 0 omega 0 Q 10pt amp frac sqrt frac R 1 R text f R 1 R text f R 2 C 1 C 2 frac 1 R 1 C 1 frac 1 R 2 C 1 frac 1 R 2 C 2 frac R text b R text a R text f C 1 10pt amp frac sqrt R 1 R text f R 1 R text f R 2 C 1 C 2 R 1 R text f C 1 C 2 R 2 C 2 left R text f frac R text b R text a R 1 right end aligned nbsp The voltage divider in the negative feedback loop controls the inner gain G displaystyle G nbsp of the op amp G 1 R b R a displaystyle G 1 frac R text b R text a nbsp If the inner gain G displaystyle G nbsp is too high the filter will oscillate See also EditFilter design Electronic filter topology Harmonic oscillator ResonanceReferences Edit a b EE315A Course Notes Chapter 2 B Murmann Archived 2010 07 16 at the Wayback Machine Sallen R P E L Key March 1955 A Practical Method of Designing RC Active Filters IRE Transactions on Circuit Theory 2 1 74 85 doi 10 1109 tct 1955 6500159 S2CID 51640910 Stop band limitations of the Sallen Key low pass filter a b c d e Cartwright K V E J Kaminsky 2013 Finding the minimum input impedance of a second order unity gain Sallen Key low pass filter without calculus PDF Lat Am J Phys Educ 7 4 525 535 External links EditTexas Instruments Application Report Analysis of the Sallen Key Architecture Analog Devices filter design tool A simple online tool for designing active filters using voltage feedback op amps TI active filter design source FAQ Op Amps for Everyone Chapter 16 High frequency modification of Sallen Key filter improving the stopband attenuation floor Online Calculation Tool for Sallen Key Low pass High pass Filters Online Calculation Tool for Filter Design and Analysis ECE 327 Procedures for Output Filtering Lab Section 3 Smoothing Low Pass Filter discusses active filtering with Sallen Key Butterworth low pass filter Filtering 101 Multi Pole Filters with Sallen Key Matt Duff of Analog Devices explains how Sallen Key circuit works Retrieved from https en wikipedia org w index php title Sallen Key topology amp oldid 1171215199, wikipedia, wiki, book, books, library,

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