Salaga Bhairavi (sālaga bhairavi) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a janya rāgam (derived scale) from the 22nd melakarta scale Kharaharapriya. It is a janya scale, as it does not have all the seven swaras (musical notes) in the ascending scale. It is a combination of the pentatonic scale Shuddha Saveri and the sampurna raga scale Kharaharapriya.[1][2]
Ascending scale with shadjam at C, which is same as Shuddha Saveri scaleDescending scale with shadjam at C, which is same as Kharaharapriya scale
Salaga Bhairavi is an asymmetric rāgam that does not contain gandharam or nishadham in the ascending scale. It is an audava-sampurna rāgam (or owdava rāgam, meaning pentatonic ascending scale).[1][2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows:
The notes used in this scale are shadjam, chatusruti rishabham, shuddha madhyamam, panchamam and chatusruti dhaivatam in ascending scale, with kaisiki nishadham and sadharana gandharam included in descending scale. For the details of the notations and terms, see swaras in Carnatic music.
Dhanyasi can be derived from Salaga Bhairavi when sung from Rishabham to Rishabham.
Scale similaritiesedit
Salaga Bhairavi scale as per Dikshitar school uses sadharana gandharam in ascending scale, and also has a vakra prayoga (zig-zag usage of P D2 P). Its ārohaṇa-avarohaṇa structure is S R2 G2 M1 P D2 P S : S N2 D2 P M1 G2 R2 S
Shuddha Saveri, has a symmetric pentatonic scale, with the notes same as the ascending scale of Salaga Bhairavi. Its ārohaṇa-avarohaṇa structure is S R2 M1 P D2 S : S D2 P M1 R2 S
Yadukula Kambhoji has antara gandharam in descending scale, instead of sadharana gandharam (descending scale of Harikambhoji, instead of descending scale of Kharaharapriya). Its ārohaṇa-avarohaṇa structure is S R2 M1 P D2 S : S N2 D2 P M1 G3 R2 S
^ abRagas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
^ abcRaganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
January 01, 1970
salaga, bhairavi, sālaga, bhairavi, rāgam, carnatic, music, musical, scale, south, indian, classical, music, janya, rāgam, derived, scale, from, 22nd, melakarta, scale, kharaharapriya, janya, scale, does, have, seven, swaras, musical, notes, ascending, scale, . Salaga Bhairavi salaga bhairavi is a ragam in Carnatic music musical scale of South Indian classical music It is a janya ragam derived scale from the 22nd melakarta scale Kharaharapriya It is a janya scale as it does not have all the seven swaras musical notes in the ascending scale It is a combination of the pentatonic scale Shuddha Saveri and the sampurna raga scale Kharaharapriya 1 2 Salaga BhairaviArohanamS R M P D ṠAvarohanamṠ N D P M G R S According to the Muthuswami Dikshitar school this scale is of shadava sampoorna type derived from Kharaharapriya scale 2 Contents 1 Structure and Lakshana 2 Popular compositions 3 Related ragams 3 1 Graha Bhedam 3 2 Scale similarities 4 Notes 5 ReferencesStructure and Lakshana edit nbsp Ascending scale with shadjam at C which is same as Shuddha Saveri scale nbsp Descending scale with shadjam at C which is same as Kharaharapriya scale Salaga Bhairavi is an asymmetric ragam that does not contain gandharam or nishadham in the ascending scale It is an audava sampurna ragam or owdava ragam meaning pentatonic ascending scale 1 2 Its arohaṇa avarohaṇa structure ascending and descending scale is as follows arohaṇa S R M P D Ṡ a avarohaṇa Ṡ N D P M G R S b The notes used in this scale are shadjam chatusruti rishabham shuddha madhyamam panchamam and chatusruti dhaivatam in ascending scale with kaisiki nishadham and sadharana gandharam included in descending scale For the details of the notations and terms see swaras in Carnatic music Popular compositions editThis section does not cite any sources Please help improve this section by adding citations to reliable sources Unsourced material may be challenged and removed July 2020 Learn how and when to remove this message There are many compositions set to Salaga Bhairavi ragam Padavini sadbhakti and Elatare mettu kontivi composed by Tyagaraja Tyagarajena samrakshitoham by Muthuswamy Dikshitar dandini shri candikambe shrikantha dayanidhe by Muthiah Bhagavatar Unnai Maravaamal by Vedanayagam Pillai Kola Mayil Yerum by N S Chidambaram Dashagresha by Madurai G S Mani kalinga mardana nanda gopa Nagarajam and shailaja ramana by Bangalore S Mukund Lalite sura vinute in tishra triputa thalam composed by R Vishveshwaran namo namo dasharathe by R Venugopal pahi parama guru raghavendraya bhakta anugrahaya by R K Suryanarayana radha ramana by E S Shankaranarayana Iyer saketa rajakumara by R N Duraiswamy tunga tira virajam shri raghavendra gururajam by Kamalesha VittaladasaRelated ragams editThis section covers the theoretical and scientific aspect of this ragam Graha Bhedam edit Dhanyasi can be derived from Salaga Bhairavi when sung from Rishabham to Rishabham Scale similarities edit Salaga Bhairavi scale as per Dikshitar school uses sadharana gandharam in ascending scale and also has a vakra prayoga zig zag usage of P D2 P Its arohaṇa avarohaṇa structure is S R2 G2 M1 P D2 P S S N2 D2 P M1 G2 R2 S Shuddha Saveri has a symmetric pentatonic scale with the notes same as the ascending scale of Salaga Bhairavi Its arohaṇa avarohaṇa structure is S R2 M1 P D2 S S D2 P M1 R2 S Yadukula Kambhoji has antara gandharam in descending scale instead of sadharana gandharam descending scale of Harikambhoji instead of descending scale of Kharaharapriya Its arohaṇa avarohaṇa structure is S R2 M1 P D2 S S N2 D2 P M1 G3 R2 SNotes edit Alternate notations Hindustani S R M P D ṠWestern C D F G A C Alternate notations Hindustani Ṡ Ṉ D P M G R SWestern C B A G F E D CReferences edit a b Ragas in Carnatic music by Dr S Bhagyalekshmy Pub 1990 CBH Publications a b c Raganidhi by P Subba Rao Pub 1964 The Music Academy of Madras Retrieved from https en wikipedia org w index php title Salaga Bhairavi amp oldid 1224866389, wikipedia, wiki, book, books, library,
