OstadSa'id Hormozi (Persian: سعید هرمزی) (1898–1976) was an Iranian musician who is remembered for his efforts to "promote authentic Iranian music" and pass it to modern musicians. He was born in one of the old neighborhoods of Tehran called Sangalaj. He was a prominent radif master and virtuoso tar and setar player. [1][2]
He was a student of Darvish Khan (student of Mirza Hossein-Qoli, "one of the pioneers of Iranian music"), who awarded Hormozi with the medal of the "Golden Hatchet". That prize was given only to Khan's best students.[1] He also studied musical color and rhythm with Haj Ali Akbar Khan Shahnaz (son of that same Mirza Hossein-Qoli).[2]
He was friends and regularly played with Soleiman Khan Amir Ghasemi, a "famous professors of Iranian song and music."[2]
In 1928 Hormozi founded a school of music in Shapur street in Tehran.[2] Later he cooperated with the "Center for preservation and propagation of Persian music" as a master teacher (Ostad) of setar, teaching musicians who were already professors of music.[2]
On October 30, 1976 he died after a long illness.[2]
Some invaluable recordings have been preserved of him, as a legacy.[1][3]
His music allows hints to modern students of other Iranian musical masters. In terms of performance techniques one can find traces of his ostad Darvish Khan in Hormozi's peculiar style. His phrasing is mostly influenced by that of Aqa Hossein-Qoli.[3]
Radif of Persian Music on Setâr, Interpreted and performed by Saʻid Hormozi. Mahoor music (2003). Works include examples of musical forms: Dastgâh-e Homâyun, Châhârgâh and Mâhur, Âvâz-e Dashti and Bayât-e Tork.[6]
See also
The following articles on the Persian Wikipedia (easily translated with a browser such as Chrome) cover material that the sources used in this article refer to. Without it, it is easy to gloss over color, rhythm, instrument and song as having the same meanings that they have in western musical theory.
Color "Color", referred to above, as a Persian musical form, type of music played in 6/8 time, a subset of "corner.". Persian Wikipedia.
Rhythm "Rhythm" as referred to above, also called "Multiplication", on the Persian Wikipedia. Consists of songs or "corners" that have a specific meter and a fixed beat pattern.
Corner "Corner" on Persian Wikipedia. In Iranian music theory, a "row" is a collection of songs and melodies, and each of these songs is called a corner.
Row. A "row" in the theory of Iranian music, is the arrangement of songs and melodies. Each of these songs, called a corner.
Instrument. "instrument" in traditional Iranian music , refers to a collection of several melodies (corners) that are in harmony with each other in steps, tunes, and intervals of notes.
Song "Song", here different: A special kind of musical form of song, which does not have a specific meter (in contrast to percussion songs and compositions that have a specific meter)
Sources
^ abcd"سعيد هرمزي ، سه تار نوازي برجسته و استادي توانا [translation: Saeed Hormozi, a prominent setar player and a talented master]". Iranian Republic News Agency.
^ abcdef""در سالروز درگذشت سعيد هرمزي - نوازنده سه‌تار" دكتر عطاالله اميدوار: هيچ يك از شاگردان نتوانستند سبك استاد را بنوازند [translation: On the anniversary of the death of Saeed Hormozi - third player" Dr. Ataullah Omidvar: None of the students could play the master style]". درسال 1350 بنا به درخواست راديو تلويزيون ملي ايران در سازمان حفظ و اشاعه‌ي موسيقي به تعليم نوازندگاني كه خود از فارغ‌التحصيلان رشته موسيقي دانشكده هنرهاي زيباي دانشگاه تهران بودند و در اين زمان از اساتيد موسيقي مي‌باشند،[translation: ...in 1350, at the request of the National Radio and Television of Iran in Music Preservation and Dissemination Organization to teach musicians who were themselves music graduates of the Faculty of Fine Arts, University of Tehran, and at this time are music professors...]
^ abIntroduction of Hooman Asadi in the CD inlet of "Setar of Ostad Sa'id Hormozi" published by "Mahoor Institute".
hormozi, ostad, persian, سعید, هرمزی, 1898, 1976, iranian, musician, remembered, efforts, promote, authentic, iranian, music, pass, modern, musicians, born, neighborhoods, tehran, called, sangalaj, prominent, radif, master, virtuoso, setar, player, ostadسعید, . Ostad Sa id Hormozi Persian سعید هرمزی 1898 1976 was an Iranian musician who is remembered for his efforts to promote authentic Iranian music and pass it to modern musicians He was born in one of the old neighborhoods of Tehran called Sangalaj He was a prominent radif master and virtuoso tar and setar player 1 2 OstadSa id Hormoziسعید هرمزیSa id Hormozi playing a setar Background informationBornca 1898TehranDied30 October 1976TehranGenresIranian classical music radifOccupation s musician educatorInstrument s Setar Tar He was a student of Darvish Khan student of Mirza Hossein Qoli one of the pioneers of Iranian music who awarded Hormozi with the medal of the Golden Hatchet That prize was given only to Khan s best students 1 He also studied musical color and rhythm with Haj Ali Akbar Khan Shahnaz son of that same Mirza Hossein Qoli 2 He was friends and regularly played with Soleiman Khan Amir Ghasemi a famous professors of Iranian song and music 2 In 1928 Hormozi founded a school of music in Shapur street in Tehran 2 Later he cooperated with the Center for preservation and propagation of Persian music as a master teacher Ostad of setar teaching musicians who were already professors of music 2 On October 30 1976 he died after a long illness 2 Contents 1 Legacy 2 Recordings 3 See also 4 Sources 5 External linkLegacy EditSome invaluable recordings have been preserved of him as a legacy 1 3 His music allows hints to modern students of other Iranian musical masters In terms of performance techniques one can find traces of his ostad Darvish Khan in Hormozi s peculiar style His phrasing is mostly influenced by that of Aqa Hossein Qoli 3 Three prominent musicians who were his students include Mohammad Reza Lotfi and ostad Hossein Alizadeh and Dariush Talai 1 Recordings EditSa id Hormozi Setar 1 Mahoor music 2000 4 Saʻid Hormozi Setar 2 Mahoor music 2003 5 Radif of Persian Music on Setar Interpreted and performed by Saʻid Hormozi Mahoor music 2003 Works include examples of musical forms Dastgah e Homayun Chahargah and Mahur Avaz e Dashti and Bayat e Tork 6 See also EditThe following articles on the Persian Wikipedia easily translated with a browser such as Chrome cover material that the sources used in this article refer to Without it it is easy to gloss over color rhythm instrument and song as having the same meanings that they have in western musical theory Color Color referred to above as a Persian musical form type of music played in 6 8 time a subset of corner Persian Wikipedia Rhythm Rhythm as referred to above also called Multiplication on the Persian Wikipedia Consists of songs or corners that have a specific meter and a fixed beat pattern Corner Corner on Persian Wikipedia In Iranian music theory a row is a collection of songs and melodies and each of these songs is called a corner Row A row in the theory of Iranian music is the arrangement of songs and melodies Each of these songs called a corner Instrument instrument in traditional Iranian music refers to a collection of several melodies corners that are in harmony with each other in steps tunes and intervals of notes Song Song here different A special kind of musical form of song which does not have a specific meter in contrast to percussion songs and compositions that have a specific meter Sources Edit a b c d سعيد هرمزي سه تار نوازي برجسته و استادي توانا translation Saeed Hormozi a prominent setar player and a talented master Iranian Republic News Agency a b c d e f در سالروز درگذشت سعيد هرمزي نوازنده سه تار دكتر عطاالله اميدوار هيچ يك از شاگردان نتوانستند سبك استاد را بنوازند translation On the anniversary of the death of Saeed Hormozi third player Dr Ataullah Omidvar None of the students could play the master style درسال 1350 بنا به درخواست راديو تلويزيون ملي ايران در سازمان حفظ و اشاعه ي موسيقي به تعليم نوازندگاني كه خود از فارغ التحصيلان رشته موسيقي دانشكده هنرهاي زيباي دانشگاه تهران بودند و در اين زمان از اساتيد موسيقي مي باشند translation in 1350 at the request of the National Radio and Television of Iran in Music Preservation and Dissemination Organization to teach musicians who were themselves music graduates of the Faculty of Fine Arts University of Tehran and at this time are music professors a b Introduction of Hooman Asadi in the CD inlet of Setar of Ostad Sa id Hormozi published by Mahoor Institute ماهور سه تار سعید هرمزی ۱ www mahoor com Retrieved 2021 05 19 ماهور سه تار سعید هرمزی ۲ www mahoor com Retrieved 2021 05 19 ماهور ردیف سه تار سعید هرمزی www mahoor com Retrieved 2021 05 19 External link Editpotential source potential source Iranian National Library bio data Retrieved from https en wikipedia org w index php title Sa 27id Hormozi amp oldid 1095323263, wikipedia, wiki, book, books, library,
