Romantic racism is a form of racism in which members of a dominant group project their fantasies onto members of oppressed groups. Scholarship[which?] has found this view, for example, in Norman Mailer,[1][2][3]Jack Kerouac, and other Beatnik authors of the 1950s of romantic racism. They maintain that the dominant mainstream culture of the 1950s in the United States stressed conformity and held up middle-classsuburban families as the cultural ideal, and that it was indifferent to art and literature, upheld racial segregation, and despised or ignored black achievements, such as jazz.[1] Those, like the novelist Norman Mailer, who felt limited by or alienated from mainstream culture, sought out influences from other cultures as a form of rebellion. This romanticization is based in stereotypes created by the dominant group.
Mailer's essay "The White Negro" offers a clear description of this romanticization of the racial Other in American culture. Mailer, a great fan of jazz music, created his concept of what it meant to be "hip", or a member of the white urban counterculture, largely on his perception of the culture of urban African-Americans (with whom the expression "hip", meaning "in the know", originated) and articulated his vision in his essay "The White Negro". Mailer, who considered himself an opponent of Victorian sexual repression and regimentation, idealized what he saw as the sexual and other freedoms of minority and other countercultural groups, overlooking the fact that in these groups sexual exploitation of women sometimes occurred.[citation needed]
Critics consider Mailer's depictions of what he imagines African-American life to be like as an instance of what they call "romantic racism", contending that he implies that life in urban ghettoes—depicted as filled with sex, drugs, and violence—is somehow enriched, rather than hurt, by poverty and crime. Mailer's essay has also been criticized for spreading the stereotype of African-American men as hypermasculine and hypersexual.[3]
^ abBreines, Wini (1992). Young, White, and Miserable: Growing up Female in the Fifties. Chicago: University of Chicago Press[page needed]
^Hoberek, Andrew (2005). "Liberal Antiliberalism: Mailer, O'Connor, and The Gender Politics of Middle-Class Ressentiment". Women's Studies Quarterly. 33 (3/4): 24–47. JSTOR 40004417.
^ abWallace, Michele ([1979]1990) Black Macho and the Myth of the Superwoman. London: Verso[page needed]
May 04, 2023
romantic, racism, this, article, lend, undue, weight, certain, ideas, incidents, controversies, please, help, improve, rewriting, balanced, fashion, that, contextualizes, different, points, view, april, 2021, learn, when, remove, this, template, message, this,. This article may lend undue weight to certain ideas incidents or controversies Please help improve it by rewriting it in a balanced fashion that contextualizes different points of view April 2021 Learn how and when to remove this template message This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Romantic racism news newspapers books scholar JSTOR May 2016 Learn how and when to remove this template message Romantic racism is a form of racism in which members of a dominant group project their fantasies onto members of oppressed groups Scholarship which has found this view for example in Norman Mailer 1 2 3 Jack Kerouac and other Beatnik authors of the 1950s of romantic racism They maintain that the dominant mainstream culture of the 1950s in the United States stressed conformity and held up middle class suburban families as the cultural ideal and that it was indifferent to art and literature upheld racial segregation and despised or ignored black achievements such as jazz 1 Those like the novelist Norman Mailer who felt limited by or alienated from mainstream culture sought out influences from other cultures as a form of rebellion This romanticization is based in stereotypes created by the dominant group Mailer s essay The White Negro offers a clear description of this romanticization of the racial Other in American culture Mailer a great fan of jazz music created his concept of what it meant to be hip or a member of the white urban counterculture largely on his perception of the culture of urban African Americans with whom the expression hip meaning in the know originated and articulated his vision in his essay The White Negro Mailer who considered himself an opponent of Victorian sexual repression and regimentation idealized what he saw as the sexual and other freedoms of minority and other countercultural groups overlooking the fact that in these groups sexual exploitation of women sometimes occurred citation needed Critics consider Mailer s depictions of what he imagines African American life to be like as an instance of what they call romantic racism contending that he implies that life in urban ghettoes depicted as filled with sex drugs and violence is somehow enriched rather than hurt by poverty and crime Mailer s essay has also been criticized for spreading the stereotype of African American men as hypermasculine and hypersexual 3 See also EditCultural appropriation Cultural cringe Exoticism Magical Negro Model minority Multiculturalism Noble savage Objectification Orientalism Othering Pizza effect Racial fetishism World music XenocentrismReferences Edit a b Breines Wini 1992 Young White and Miserable Growing up Female in the Fifties Chicago University of Chicago Press page needed Hoberek Andrew 2005 Liberal Antiliberalism Mailer O Connor and The Gender Politics of Middle Class Ressentiment Women s Studies Quarterly 33 3 4 24 47 JSTOR 40004417 a b Wallace Michele 1979 1990 Black Macho and the Myth of the Superwoman London Verso page needed Retrieved from https en wikipedia org w index php title Romantic racism amp oldid 1149197807, wikipedia, wiki, book, books, library,
