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Robert and Raymond Hakim

Robert Hakim (19 December 1907 – 9 February 1992) and Raymond Hakim (23 August 1909 – 14 August 1980) were Egyptian-born brothers who usually worked in collaboration as film producers in France and other European countries. Their brother André Hakim was also a film producer.

Film production edit

Initially working for the American company Paramount, they formed the company Paris-Film Production in 1934.[1] They financed Julien Duvivier's Pépé le Moko (1937), Jean Renoir's La Bête Humaine (1938) and Marcel Carné's Le Jour se lève (Daybreak 1939), all starring Jean Gabin. The brothers lived to the United States during World War II.[2]

After the war they worked on several American films, including Renoir's The Southerner (1945) and The Long Night (1947), a remake of Le Jour se lève with Henry Fonda.

In 1950, they returned to France and embarked on producing films aimed at an international audience. Casque d'or (1953) effectively launched the career of Simone Signoret and Plein Soleil (1960) did the same for Alain Delon. Notre Dame de Paris (1956) with Anthony Quinn as Quasimodo and Gina Lollobrigida as Esmeralda was internationally successful, but not critically well received.

In the 1960s, they made two films with a nouvelle vague director, Claude Chabrol with À double tour (Web of Passion, 1959) and Les Bonnes Femmes (1960), but worked with older directors, like Luis Buñuel on Belle de jour (1967). On other occasions, they worked with someone relatively new to international audiences, such as Michelangelo Antonioni on L'Eclisse (1962). They also worked with Roger Vadim on a remake of La Ronde (1964), which starred Vadim's then wife, Jane Fonda.

 
The tomb of Robert and Raymond in Père-Lachaise Cemetery.

The Hakims have a mixed reputation; American director Joseph Losey had an especially fraught relationship with them while making Eva (1962). In post-production, Losey and his team found the film had been recut during the weekend without their consultation; Losey and Robert Hakim almost came to blows. Michel Legrand was commissioned for the score without consultation too, but like actor Jeanne Moreau, was not paid a fee.[3]

Selected filmography edit

See also edit

Academy 1-2-3, 165 Oxford Street, London, managed by Eric Hakim

References edit

  1. ^ Bawden, Liz-Anne, ed. (1976). The Oxford Companion to Film. Oxford: Oxford University Press. p. 316.
  2. ^ Baxter, John (2000). "Raymond Hakim and Robert". Film Reference/International Dictionary of Film and Filmmakers.
  3. ^ Caute, David (1994). Joseph Losey: A Revenge on Life. London: Faber & Faber. p. 137.

robert, raymond, hakim, robert, hakim, december, 1907, february, 1992, raymond, hakim, august, 1909, august, 1980, were, egyptian, born, brothers, usually, worked, collaboration, film, producers, france, other, european, countries, their, brother, andré, hakim. Robert Hakim 19 December 1907 9 February 1992 and Raymond Hakim 23 August 1909 14 August 1980 were Egyptian born brothers who usually worked in collaboration as film producers in France and other European countries Their brother Andre Hakim was also a film producer Contents 1 Film production 2 Selected filmography 3 See also 4 ReferencesFilm production editInitially working for the American company Paramount they formed the company Paris Film Production in 1934 1 They financed Julien Duvivier s Pepe le Moko 1937 Jean Renoir s La Bete Humaine 1938 and Marcel Carne s Le Jour se leve Daybreak 1939 all starring Jean Gabin The brothers lived to the United States during World War II 2 After the war they worked on several American films including Renoir s The Southerner 1945 and The Long Night 1947 a remake of Le Jour se leve with Henry Fonda In 1950 they returned to France and embarked on producing films aimed at an international audience Casque d or 1953 effectively launched the career of Simone Signoret and Plein Soleil 1960 did the same for Alain Delon Notre Dame de Paris 1956 with Anthony Quinn as Quasimodo and Gina Lollobrigida as Esmeralda was internationally successful but not critically well received In the 1960s they made two films with a nouvelle vague director Claude Chabrol with A double tour Web of Passion 1959 and Les Bonnes Femmes 1960 but worked with older directors like Luis Bunuel on Belle de jour 1967 On other occasions they worked with someone relatively new to international audiences such as Michelangelo Antonioni on L Eclisse 1962 They also worked with Roger Vadim on a remake of La Ronde 1964 which starred Vadim s then wife Jane Fonda nbsp The tomb of Robert and Raymond in Pere Lachaise Cemetery The Hakims have a mixed reputation American director Joseph Losey had an especially fraught relationship with them while making Eva 1962 In post production Losey and his team found the film had been recut during the weekend without their consultation Losey and Robert Hakim almost came to blows Michel Legrand was commissioned for the score without consultation too but like actor Jeanne Moreau was not paid a fee 3 Selected filmography editThe Kiss of Fire 1937 Lights of Paris 1938 See also editAcademy 1 2 3 165 Oxford Street London managed by Eric HakimReferences edit Bawden Liz Anne ed 1976 The Oxford Companion to Film Oxford Oxford University Press p 316 Baxter John 2000 Raymond Hakim and Robert Film Reference International Dictionary of Film and Filmmakers Caute David 1994 Joseph Losey A Revenge on Life London Faber amp Faber p 137 Retrieved from https en wikipedia org w index php title Robert and Raymond Hakim amp oldid 1219860010, wikipedia, wiki, book, books, library,

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