Richard Cooper (or Richard Cooper Jr. or Richard Cooper II; 6 February 1740 in Edinburgh – December 1822 at Eltham),[1] he was the son of Richard Cooper senior (1701-1764) and his wife Anne Lind.[2]
Richard Cooper II Landscape Composition in the Blot Manner. Watercolour on paper. Tate GalleryClassical Landscape with Figures by Richard Cooper Jnr. Pen and brown ink on paper.
He is considered one of Britain's Grand Masters in Watercolour and Drawing. Despite this, little is known about him. He was an exhibitor at the Royal Academy.
Cooper succeeded Alexander Cuzens as Drawing Master at Eton College and taught members of the Royal Family. Queen Charlotte was England's enthusiastic Patron of the Arts and Queen to King George III. Queen Charlotte was interested in the arts and music. Cooper was her art teacher.
Cooper was taught by his father before moving to Paris to train under the engraver, J. P. Le Bas. Cooper went to Italy around 1770 but by 1778 he was back in Britain.
Original works are rare; The Tate has five original works and five prints; The Government Art Collection has five prints; the National Portrait Gallery, London has one original work and nine prints. The British Museum, however, has over ninety objects attributed to him including ten drawings and seventy four prints.[3]
Cooper's work is typically dark, as he specialised in charcoal, pencil, pen and ink. He drew with a reed pen, which he used with rapid and flowing movements to produce strongly contrasted areas of light and shade. The yellow-brown tone of his broad washes suggest the ink used was bistre. The washes were diluted and applied over the iron gall pen work, causing the ink lines underneath to "bleed". The sheet is left bare in places to suggest falling sunlight. He would often sketch a scene to complete it in his studio years later. His subjects include Edward Kynaston, Sir Robert Naunton, John Lilburne, Mary Frith and Daniel Dancer. His landscapes often included the Thames riverbank, and around Windsor Castle, where he used his connections to gain access.
Referencesedit
^Oxford University and City Herald, 28 December 1822, p. 2.
^"Works by Richard Cooper II". British Museum. Retrieved 18 May 2013.
External linksedit
Wikimedia Commons has media related to Richard Cooper, the younger.
Works of Richard Cooper from the National Portrait Gallery collection
Works of Richard Cooper from the Government Art Collection
Works of Richard Cooper at The Tate
Biography of Richard Cooper II at the British Museum
January 01, 1970
richard, cooper, other, people, named, richard, cooper, richard, cooper, disambiguation, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, rem. For other people named Richard Cooper see Richard Cooper disambiguation This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Richard Cooper Jr news newspapers books scholar JSTOR May 2013 Learn how and when to remove this message Richard Cooper or Richard Cooper Jr or Richard Cooper II 6 February 1740 in Edinburgh December 1822 at Eltham 1 he was the son of Richard Cooper senior 1701 1764 and his wife Anne Lind 2 Richard Cooper II Landscape Composition in the Blot Manner Watercolour on paper Tate Gallery Classical Landscape with Figures by Richard Cooper Jnr Pen and brown ink on paper He is considered one of Britain s Grand Masters in Watercolour and Drawing Despite this little is known about him He was an exhibitor at the Royal Academy Cooper succeeded Alexander Cuzens as Drawing Master at Eton College and taught members of the Royal Family Queen Charlotte was England s enthusiastic Patron of the Arts and Queen to King George III Queen Charlotte was interested in the arts and music Cooper was her art teacher Cooper was taught by his father before moving to Paris to train under the engraver J P Le Bas Cooper went to Italy around 1770 but by 1778 he was back in Britain Original works are rare The Tate has five original works and five prints The Government Art Collection has five prints the National Portrait Gallery London has one original work and nine prints The British Museum however has over ninety objects attributed to him including ten drawings and seventy four prints 3 Cooper s work is typically dark as he specialised in charcoal pencil pen and ink He drew with a reed pen which he used with rapid and flowing movements to produce strongly contrasted areas of light and shade The yellow brown tone of his broad washes suggest the ink used was bistre The washes were diluted and applied over the iron gall pen work causing the ink lines underneath to bleed The sheet is left bare in places to suggest falling sunlight He would often sketch a scene to complete it in his studio years later His subjects include Edward Kynaston Sir Robert Naunton John Lilburne Mary Frith and Daniel Dancer His landscapes often included the Thames riverbank and around Windsor Castle where he used his connections to gain access References edit Oxford University and City Herald 28 December 1822 p 2 Stephen Leslie ed 1887 Cooper Richard d 1764 Dictionary of National Biography Vol 12 London Smith Elder amp Co Works by Richard Cooper II British Museum Retrieved 18 May 2013 External links edit nbsp Wikimedia Commons has media related to Richard Cooper the younger Works of Richard Cooper from the National Portrait Gallery collection Works of Richard Cooper from the Government Art Collection Works of Richard Cooper at The Tate Biography of Richard Cooper II at the British Museum Retrieved from https en wikipedia org w index php title Richard Cooper Jr amp oldid 926504162, wikipedia, wiki, book, books, library,
