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Ranchhodbhai Dave

Ranchhodbhai Udayaram Dave (9 August 1837 – 9 April 1923) was a Gujarati playwright, producer and translator. He is considered the father of modern Gujarati theatre and plays in Gujarati literature.[1]

Biography edit

He was born on 9 August 1837 in a Khedawal Brahmin family in Mahudha near Nadiad (now in Gujarat, India).[2] He completed his primary education in Mahudha and moved to Nadiad in 1852 to study in English. He joined Law Class in Ahmedabad in 1857. He initially worked in Collector Office in Ahmedabad and later joined M/s Lawrence Company in Bombay in 1863 (now Mumbai) as a representative of Bahechardas Ambaidas, a businessman from Ahmedabad. He also worked as a representative of Gondal, Palanpur and Idar states in Bombay. He befriended Mansukhram Tripathi there. He was awarded Huzoor Assistant by Khengarji III of Cutch State and later appointed a minister (Diwan). He retired in 1904. He was the president of Gujarati Sahitya Parishad in the year 1912 in Vadodara. He was awarded Dewan Bahadur by British Government in 1915. He died on 9 April 1923 following brief illness of brain fever.[3]

His oil painting is placed in the library of Arts & Commerce College at Mahudha.

Works edit

Dave was not happy with the adult-comedy being performed in traditional-folk Gujarati play form called Bhavai. So he decided to come up with pure and sober Gujarati plays. He had written ten original and four adapted plays from Sanskrit literature. He borrowed from Sanskrit plays and also used mythological themes. He wrote plays on social and moral issues and some of these plays were performed in Bombay by Parsi theatre which caught attention of people. He first published his play Jaykumari-Vijay (1864) in Gujarati monthly Buddhiprakash in serialized manner. It is considered as the first modern love-story of Gujarati. It featured an educated female protagonist. It became very popular in Gujarat. Lalita Dukh Darsak (1866) is a great example of his themes and his ability to address social reforms in his work. It was about an educated girl marrying an illiterate boy and thus passing through social and emotional trial which at the end result in his death. It became very popular and people shed tears at the performance. Nandan, the name of the illiterate boy, became synonymous for a heartless rake. He also wrote mythological play called Harishchandra (1871) which was seen and lauded by Mahatma Gandhi. His other plays are Taramatiswayamvar (1871), Premrai Ane Charumati (1876), Bhanasur Madmardan (1878), Madalasa ane Hritudhwaj (1878), Nala-Damatanti (1893), Nindya Shringarnishedhak Roopak (1920), Verno Vanse Vashyo Varso (1922), Vanthel Virhana Kunda Krutyo (1923). He formed a drama troupe and produced plays to differentiate from Parsi theatre.[1][3][4][5][6]

His works on prosody in three volumes Rannpingal (1902, 1905, 1907) are noteworthy. His essays are collected in Arogyasuchak (1859), Kul Vishe Nibandh (1867) and Natyaprakash (1990).[3]

His other works are Santoshsurtaru (1866), Prastavik Kathasangrah (1866), Padshahi Rajniti (1890). Yuropianono Purvapradesh Aadi Sathe Vyapar Vol. I, IV, III (1916), II (1915), V (1918) are works on business.[3]

He translated Rasmala Vol I, II (1870, 1892), the history from 8th century to arrival of British and folk literature of Gujarat by Alexander Kinloch Forbes, in Gujarati in 1869.[7] His translations from Sanskrit plays include Malvikagnimitra (1870), Vikramorvarshiya-trotak (1868), Ratnavali (1889) as well as Gujarati Hitopadesh (1889), Laghusiddhantkaumudi (1874). He was member of Shakespeare Katha Samaj.[4] He translated Shakespeare Katha Samaj (1878) and Barthold (1865) from English.[3]

See also edit

References edit

  1. ^ a b Mukherjee, Sujit (1998). A Dictionary of Indian Literature: Beginnings-1850. Orient Blackswan. p. 322. ISBN 978-81-250-1453-9.
  2. ^ Desai, Neera (1978). Social Change in Gujarat [A Study of Nineteenth Century Gujarati Society]. Vora & Co. p. 441.
  3. ^ a b c d e "રણછોડભાઈ દવે (Ranchhodbhai Dave)". Gujarati Sahitya Parishad (in Gujarati). Retrieved 20 February 2017.
  4. ^ a b Kanaiyalal Maneklal Munshi (1935). Gujarāta and Its Literature: A Survey from the Earliest Times. Longmans, Green & Company, Limited. p. 248.
  5. ^ Datta, Amaresh (1988). Encyclopaedia of Indian Literature. Sahitya Akademi. p. 1071. ISBN 978-81-260-1194-0.
  6. ^ Natarajan, Nalini; Sampath Nelson, Emmanuel (1996). Handbook of Twentieth-century Literatures of India. Greenwood Publishing Group. p. 111. ISBN 978-0-313-28778-7.
  7. ^ Datta, Amaresh (1988). Encyclopaedia of Indian Literature. Sahitya Akademi. p. 1319. ISBN 978-81-260-1194-0.

ranchhodbhai, dave, ranchhodbhai, udayaram, dave, august, 1837, april, 1923, gujarati, playwright, producer, translator, considered, father, modern, gujarati, theatre, plays, gujarati, literature, contents, biography, works, also, referencesbiography, edithe, . Ranchhodbhai Udayaram Dave 9 August 1837 9 April 1923 was a Gujarati playwright producer and translator He is considered the father of modern Gujarati theatre and plays in Gujarati literature 1 Contents 1 Biography 2 Works 3 See also 4 ReferencesBiography editHe was born on 9 August 1837 in a Khedawal Brahmin family in Mahudha near Nadiad now in Gujarat India 2 He completed his primary education in Mahudha and moved to Nadiad in 1852 to study in English He joined Law Class in Ahmedabad in 1857 He initially worked in Collector Office in Ahmedabad and later joined M s Lawrence Company in Bombay in 1863 now Mumbai as a representative of Bahechardas Ambaidas a businessman from Ahmedabad He also worked as a representative of Gondal Palanpur and Idar states in Bombay He befriended Mansukhram Tripathi there He was awarded Huzoor Assistant by Khengarji III of Cutch State and later appointed a minister Diwan He retired in 1904 He was the president of Gujarati Sahitya Parishad in the year 1912 in Vadodara He was awarded Dewan Bahadur by British Government in 1915 He died on 9 April 1923 following brief illness of brain fever 3 His oil painting is placed in the library of Arts amp Commerce College at Mahudha Works editDave was not happy with the adult comedy being performed in traditional folk Gujarati play form called Bhavai So he decided to come up with pure and sober Gujarati plays He had written ten original and four adapted plays from Sanskrit literature He borrowed from Sanskrit plays and also used mythological themes He wrote plays on social and moral issues and some of these plays were performed in Bombay by Parsi theatre which caught attention of people He first published his play Jaykumari Vijay 1864 in Gujarati monthly Buddhiprakash in serialized manner It is considered as the first modern love story of Gujarati It featured an educated female protagonist It became very popular in Gujarat Lalita Dukh Darsak 1866 is a great example of his themes and his ability to address social reforms in his work It was about an educated girl marrying an illiterate boy and thus passing through social and emotional trial which at the end result in his death It became very popular and people shed tears at the performance Nandan the name of the illiterate boy became synonymous for a heartless rake He also wrote mythological play called Harishchandra 1871 which was seen and lauded by Mahatma Gandhi His other plays are Taramatiswayamvar 1871 Premrai Ane Charumati 1876 Bhanasur Madmardan 1878 Madalasa ane Hritudhwaj 1878 Nala Damatanti 1893 Nindya Shringarnishedhak Roopak 1920 Verno Vanse Vashyo Varso 1922 Vanthel Virhana Kunda Krutyo 1923 He formed a drama troupe and produced plays to differentiate from Parsi theatre 1 3 4 5 6 His works on prosody in three volumes Rannpingal 1902 1905 1907 are noteworthy His essays are collected in Arogyasuchak 1859 Kul Vishe Nibandh 1867 and Natyaprakash 1990 3 His other works are Santoshsurtaru 1866 Prastavik Kathasangrah 1866 Padshahi Rajniti 1890 Yuropianono Purvapradesh Aadi Sathe Vyapar Vol I IV III 1916 II 1915 V 1918 are works on business 3 He translated Rasmala Vol I II 1870 1892 the history from 8th century to arrival of British and folk literature of Gujarat by Alexander Kinloch Forbes in Gujarati in 1869 7 His translations from Sanskrit plays include Malvikagnimitra 1870 Vikramorvarshiya trotak 1868 Ratnavali 1889 as well as Gujarati Hitopadesh 1889 Laghusiddhantkaumudi 1874 He was member of Shakespeare Katha Samaj 4 He translated Shakespeare Katha Samaj 1878 and Barthold 1865 from English 3 See also editList of Gujarati language writersReferences edit a b Mukherjee Sujit 1998 A Dictionary of Indian Literature Beginnings 1850 Orient Blackswan p 322 ISBN 978 81 250 1453 9 Desai Neera 1978 Social Change in Gujarat A Study of Nineteenth Century Gujarati Society Vora amp Co p 441 a b c d e રણછ ડભ ઈ દવ Ranchhodbhai Dave Gujarati Sahitya Parishad in Gujarati Retrieved 20 February 2017 a b Kanaiyalal Maneklal Munshi 1935 Gujarata and Its Literature A Survey from the Earliest Times Longmans Green amp Company Limited p 248 Datta Amaresh 1988 Encyclopaedia of Indian Literature Sahitya Akademi p 1071 ISBN 978 81 260 1194 0 Natarajan Nalini Sampath Nelson Emmanuel 1996 Handbook of Twentieth century Literatures of India Greenwood Publishing Group p 111 ISBN 978 0 313 28778 7 Datta Amaresh 1988 Encyclopaedia of Indian Literature Sahitya Akademi p 1319 ISBN 978 81 260 1194 0 Retrieved from https en wikipedia org w index php title Ranchhodbhai Dave amp oldid 1219665537, wikipedia, wiki, book, books, library,

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