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Pulcinella (ballet)

January 13, 2023

This article is about Stravinsky's ballet. For the Commedia character, see Pulcinella. For Justin Peck's ballet, see Pulcinella Variations.

Pulcinella is a one-act ballet by Igor Stravinsky based on an 18th-century play, Quatre Polichinelles semblables ("Four identical Pulcinellas"). Pulcinella is a stock character originating from commedia dell'arte.

Pulcinella
Pulcinella (Maurice Sand)
ChoreographerLéonide Massine
MusicIgor Stravinsky
Based onAn 18th-century play
Premiere15 May 1920
Paris
Original ballet companyBallets Russes
CharactersPulcinella
Pimpinella
Furbo
Prudenza
Rosetta
Florindo
Cloviello
GenreNeoclassical ballet
TypeClassical ballet

The ballet premiered at the Paris Opera on 15 May 1920 under the baton of Ernest Ansermet. The dancer Léonide Massine created both the libretto and choreography, and Pablo Picasso designed the original costumes and sets. The ballet was commissioned by Sergei Diaghilev, impresario of the Ballets Russes.

A performance of the work typically lasts 35 minutes. The ballet score was revised by Stravinsky in 1965.

History

Diaghilev wanted a ballet based on an early 18th-century commedia dell'arte libretto and music then believed to have been composed by Giovanni Battista Pergolesi. This attribution has since been proved to be spurious.[1] Some of the music may have been by Domenico Gallo,[2] Unico Wilhelm van Wassenaer, Carlo Ignazio Monza and Alessandro Parisotti.[3]

Conductor Ernest Ansermet wrote to Stravinsky in 1919 about the project. The composer initially did not like the idea of music by Pergolesi, but once he studied the scores, which Diaghilev had found in libraries in Naples and London, he changed his mind. Stravinsky adapted the older music to a more modern style by borrowing specific themes and textures, but interjecting his modern rhythms, cadences, and harmonies.

Pulcinella marked the beginning of Stravinsky's second phase as a composer, his neoclassical period. He wrote:

Pulcinella was my discovery of the past, the epiphany through which the whole of my late work became possible. It was a backward look, of course—the first of many love affairs in that direction—but it was a look in the mirror, too.[4]

The ballet was revived and revised by New York City Ballet's balletmasters George Balanchine and Jerome Robbins for their 1972 Stravinsky Festival. They both danced in the performance, Robbins in the title role, and were joined in the premier by Francisco Moncion, who danced the role of The Devil.[5]

Story

Pulcinella is taken from a manuscript from Naples, dating from 1700, containing a number of comedies portraying the traditional character of the popular Neapolitan stage. This libretto was derived from Quatre Polichinelles semblables ("Four similar Pulcinellas").

The one-act ballet features Pulcinella, his girlfriend Pimpinella, his friends Furbo, Prudenza and Rosetta, and Florindo and Cloviello. The story starts with Florindo and Cloviello serenading Prudenza and Rosetta. The two women are unimpressed and reply by showering the suitors with water. Prudenza's father, a doctor, appears and chases them away.

A new episode begins with Rosetta, when her father appears. Rosetta dances for Pulcinella and they kiss. But Pimpinella sees this and interrupts them. Florindo and Cloviello arrive and, jealous of Pulcinella, they beat him up. Pulcinella is stabbed, but this is a set-up event to gain Pimpinella's forgiveness of him. Furbo, disguised as a magician, comes and appears to resurrect Pulcinella in front of everybody. Pimpinella forgives Pulcinella, and Prudenza and Rosetta succumb to Florindo's and Cloviello's wooing. The ballet ends with the marriages of the three couples.

Music

The music is based on pieces then believed to have been by the Italian composer Giovanni Battista Pergolesi. The following is a description of the musical forces and movements.

Instrumentation

Pulcinella is scored for a modern chamber orchestra with three solo singers:

Form

The ballet is in one act and is divided into 21 sections:

  1. Overture: Allegro moderato
  2. Serenata: Larghetto: "Mentre l'erbetta pasce l'agnella" (tenor)
  3. Scherzino: Allegro
  4. Poco più vivo
  5. Allegro
  6. Andantino
  7. Allegro
  8. Ancora poco meno: "Contento forse vivere" (soprano)
  9. Allegro assai
  10. Allegro – Alla breve: "Con queste paroline" (bass)
  11. Andante: "Sento dire no' ncè pace" (soprano, tenor and bass)
  12. Allegro: "Chi disse cà la femmena" (tenor)
  13. Presto: "Ncè sta quaccuna pò" (soprano and tenor) / "Una te fa la nzemprece" (tenor)
  14. Allegro – Alla breve
  15. Tarantella
  16. Andantino: "Se tu m'ami" (soprano)
  17. Allegro
  18. Gavotta con due variazioni
  19. Vivo
  20. Tempo di minuetto: "Pupillette, fiammette d'amore" (soprano, tenor and bass)
  21. Finale: Allegro assai

Pieces based on Pulcinella

Pulcinella Suite

The Pulcinella Suite, derived from the ballet, was written in 1922 and has no vocal parts. The first performance was in Boston, by the Boston Symphony Orchestra and conducted by Pierre Monteux on 22 December 1922.

The suite consists of eight movements:

  1. Sinfonia
  2. Serenata
  3. Scherzino – Allegretto – Andantino
  4. Tarantella
  5. Toccata
  6. Gavotta (con due variazioni)
  7. Vivo (Duetto prior to revision)
  8. Minuetto – Finale

The suite was revised in 1947 to correct printing errors, change metronome markings and rename part VII.[6]

Suite italienne

Stravinsky based the following works on the ballet:

  • 1925: Suite d'après des thèmes, fragments et morceaux de Giambattista Pergolesi, for violin and piano (in collaboration with Paul Kochanski).
  • 1932/33: Suite italienne, for cello and piano (in collaboration with Gregor Piatigorsky).
  • 1933: Suite italienne, for violin and piano (in collaboration with Samuel Dushkin).
  • Violinist Jascha Heifetz and Piatigorsky later made an arrangement for violin and cello, which they also called Suite italienne.

Notes

  1. ^ Dunning 1988.
  2. ^ "Domenico Gallo".
  3. ^ Hubscher, Philip. (PDF). Archived from the original (PDF) on 2020-11-05. Retrieved 2021-08-13.
  4. ^ Saint Louis Symphony Program Notes, in External Links
  5. ^ Francisco Moncion as The Devil in the premier of Balanchine's "Pulcinella" "Pulcinella" - Francisco Moncion, The George Balanchine Foundation
  6. ^ "K034 Pulcinella". Kirchmeyer Catalog. Retrieved August 31, 2022.

Sources

  • Dunning, Albert (1988). "Un gentilhomme hollandais, diplomate-compositeur, à la cour de Louis XV : Nouvelles recherches sur le comte Unico Wilhelm van Wassenaer". Revue de Musicologie 74, no. 1:27–51.
  • White, Eric Walter (1966). Stravinsky : The Composer and His Works, second edition. Berkeley: University of California Press. ISBN 978-0-520-03983-4.

External links

    January 13, 2023
    pulcinella, ballet, this, article, about, stravinsky, ballet, commedia, character, pulcinella, justin, peck, ballet, pulcinella, variations, pulcinella, ballet, igor, stravinsky, based, 18th, century, play, quatre, polichinelles, semblables, four, identical, p. This article is about Stravinsky s ballet For the Commedia character see Pulcinella For Justin Peck s ballet see Pulcinella Variations Pulcinella is a one act ballet by Igor Stravinsky based on an 18th century play Quatre Polichinelles semblables Four identical Pulcinellas Pulcinella is a stock character originating from commedia dell arte PulcinellaPulcinella Maurice Sand ChoreographerLeonide MassineMusicIgor StravinskyBased onAn 18th century playPremiere15 May 1920ParisOriginal ballet companyBallets RussesCharactersPulcinellaPimpinellaFurboPrudenzaRosettaFlorindoClovielloGenreNeoclassical balletTypeClassical balletThe ballet premiered at the Paris Opera on 15 May 1920 under the baton of Ernest Ansermet The dancer Leonide Massine created both the libretto and choreography and Pablo Picasso designed the original costumes and sets The ballet was commissioned by Sergei Diaghilev impresario of the Ballets Russes A performance of the work typically lasts 35 minutes The ballet score was revised by Stravinsky in 1965 Contents 1 History 2 Story 3 Music 3 1 Instrumentation 3 2 Form 4 Pieces based on Pulcinella 4 1 Pulcinella Suite 4 2 Suite italienne 5 Notes 6 Sources 7 External linksHistory EditDiaghilev wanted a ballet based on an early 18th century commedia dell arte libretto and music then believed to have been composed by Giovanni Battista Pergolesi This attribution has since been proved to be spurious 1 Some of the music may have been by Domenico Gallo 2 Unico Wilhelm van Wassenaer Carlo Ignazio Monza and Alessandro Parisotti 3 Conductor Ernest Ansermet wrote to Stravinsky in 1919 about the project The composer initially did not like the idea of music by Pergolesi but once he studied the scores which Diaghilev had found in libraries in Naples and London he changed his mind Stravinsky adapted the older music to a more modern style by borrowing specific themes and textures but interjecting his modern rhythms cadences and harmonies Pulcinella marked the beginning of Stravinsky s second phase as a composer his neoclassical period He wrote Pulcinella was my discovery of the past the epiphany through which the whole of my late work became possible It was a backward look of course the first of many love affairs in that direction but it was a look in the mirror too 4 The ballet was revived and revised by New York City Ballet s balletmasters George Balanchine and Jerome Robbins for their 1972 Stravinsky Festival They both danced in the performance Robbins in the title role and were joined in the premier by Francisco Moncion who danced the role of The Devil 5 Story EditPulcinella is taken from a manuscript from Naples dating from 1700 containing a number of comedies portraying the traditional character of the popular Neapolitan stage This libretto was derived from Quatre Polichinelles semblables Four similar Pulcinellas The one act ballet features Pulcinella his girlfriend Pimpinella his friends Furbo Prudenza and Rosetta and Florindo and Cloviello The story starts with Florindo and Cloviello serenading Prudenza and Rosetta The two women are unimpressed and reply by showering the suitors with water Prudenza s father a doctor appears and chases them away A new episode begins with Rosetta when her father appears Rosetta dances for Pulcinella and they kiss But Pimpinella sees this and interrupts them Florindo and Cloviello arrive and jealous of Pulcinella they beat him up Pulcinella is stabbed but this is a set up event to gain Pimpinella s forgiveness of him Furbo disguised as a magician comes and appears to resurrect Pulcinella in front of everybody Pimpinella forgives Pulcinella and Prudenza and Rosetta succumb to Florindo s and Cloviello s wooing The ballet ends with the marriages of the three couples Music EditThe music is based on pieces then believed to have been by the Italian composer Giovanni Battista Pergolesi The following is a description of the musical forces and movements Instrumentation Edit Pulcinella is scored for a modern chamber orchestra with three solo singers Voices Solo soprano Solo tenor Solo bassWoodwinds 2 flutes 2nd doubling piccolo 2 oboes 2 bassoonsBrass 2 horns in F 1 trumpet in C 1 trombone Strings Concertino 2 violins 1 viola 1 cello 1 contrabass dd Ripieno 8 violins 4 violas 3 celli 3 contrabasses dd Form Edit The ballet is in one act and is divided into 21 sections Overture Allegro moderato Serenata Larghetto Mentre l erbetta pasce l agnella tenor Scherzino Allegro Poco piu vivo Allegro Andantino Allegro Ancora poco meno Contento forse vivere soprano Allegro assai Allegro Alla breve Con queste paroline bass Andante Sento dire no nce pace soprano tenor and bass Allegro Chi disse ca la femmena tenor Presto Nce sta quaccuna po soprano and tenor Una te fa la nzemprece tenor Allegro Alla breve Tarantella Andantino Se tu m ami soprano Allegro Gavotta con due variazioni Vivo Tempo di minuetto Pupillette fiammette d amore soprano tenor and bass Finale Allegro assaiPieces based on Pulcinella EditPulcinella Suite Edit The Pulcinella Suite derived from the ballet was written in 1922 and has no vocal parts The first performance was in Boston by the Boston Symphony Orchestra and conducted by Pierre Monteux on 22 December 1922 The suite consists of eight movements SinfoniaSerenataScherzino Allegretto AndantinoTarantellaToccataGavotta con due variazioni Vivo Duetto prior to revision Minuetto Finale The suite was revised in 1947 to correct printing errors change metronome markings and rename part VII 6 Suite italienne Edit Stravinsky based the following works on the ballet 1925 Suite d apres des themes fragments et morceaux de Giambattista Pergolesi for violin and piano in collaboration with Paul Kochanski 1932 33 Suite italienne for cello and piano in collaboration with Gregor Piatigorsky 1933 Suite italienne for violin and piano in collaboration with Samuel Dushkin Violinist Jascha Heifetz and Piatigorsky later made an arrangement for violin and cello which they also called Suite italienne Notes Edit Dunning 1988 Domenico Gallo Hubscher Philip Program Notes PDF Archived from the original PDF on 2020 11 05 Retrieved 2021 08 13 Saint Louis Symphony Program Notes in External Links Francisco Moncion as The Devil in the premier of Balanchine s Pulcinella Pulcinella Francisco Moncion The George Balanchine Foundation K034 Pulcinella Kirchmeyer Catalog Retrieved August 31 2022 Sources EditDunning Albert 1988 Un gentilhomme hollandais diplomate compositeur a la cour de Louis XV Nouvelles recherches sur le comte Unico Wilhelm van Wassenaer Revue de Musicologie 74 no 1 27 51 White Eric Walter 1966 Stravinsky The Composer and His Works second edition Berkeley University of California Press ISBN 978 0 520 03983 4 External links EditProgramme notes Retrieved from https en wikipedia org w index php title Pulcinella ballet amp oldid 1107923925, wikipedia, wiki, book, books, library,

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