Postmodern theatre is a recent phenomenon in world theatre, coming as it does out of the postmodernphilosophy that originated in Europe in the middle of the twentieth century. Postmodern theatre emerged as a reaction against modernist theatre. Most postmodern productions are centered on highlighting the fallibility of definite truth, instead encouraging the audience to reach their own individual understanding. Essentially, thus, postmodern theatre raises questions rather than attempting to supply answers.
A postmodern theatrical production might make use of some or all of the following techniques:
The accepted norms of seeing and representing the world are challenged and disregarded, while experimental theatrical perceptions and representations are created.
A pastiche of different textualities and media forms are used, including the simultaneous use of multiple art or media forms, and there is the 'theft' of a heterogeneous group of artistic forms.
The narrative needs not be complete but can be broken, paradoxical and imagistic. There is a movement away from linearity to multiplicity (to inter-related webs of stories), where acts and scenes give way to a series of peripatetic dramatic moments.
Characters are fragmented, forming a collection of contrasting and parallel shards stemming from a central idea, theme or traditional character.
Each new performance of a theatrical pieces is a new Gestalt, a unique spectacle, with no intent on methodically repeating a play.
The audience is integral to the shared meaning-making of the performance process and its members are included in the dialogue of the play.
There is a rejection of the notions of "High" and "Low" art. The production exists only in the viewer's mind as what the viewer interprets - nothing more and nothing less.
The rehearsal process in a theatrical production is driven more by shared meaning-making and improvisation, rather than the scripted text.
The play steps back from reality to create its own self-conscious atmosphere. This is sometimes referred to as metatheatre.
While these techniques are often found in postmodern productions they are never part of a centralised movement or style. Rather, they are tools for authentic introspection, questioning and representation of human experience.
postmodern, theatre, recent, phenomenon, world, theatre, coming, does, postmodern, philosophy, that, originated, europe, middle, twentieth, century, emerged, reaction, against, modernist, theatre, most, postmodern, productions, centered, highlighting, fallibil. Postmodern theatre is a recent phenomenon in world theatre coming as it does out of the postmodern philosophy that originated in Europe in the middle of the twentieth century Postmodern theatre emerged as a reaction against modernist theatre Most postmodern productions are centered on highlighting the fallibility of definite truth instead encouraging the audience to reach their own individual understanding Essentially thus postmodern theatre raises questions rather than attempting to supply answers Contents 1 Postmodern techniques 2 Notable examples of postmodern theatre 3 See also 4 External linksPostmodern techniques editA postmodern theatrical production might make use of some or all of the following techniques The accepted norms of seeing and representing the world are challenged and disregarded while experimental theatrical perceptions and representations are created A pastiche of different textualities and media forms are used including the simultaneous use of multiple art or media forms and there is the theft of a heterogeneous group of artistic forms The narrative needs not be complete but can be broken paradoxical and imagistic There is a movement away from linearity to multiplicity to inter related webs of stories where acts and scenes give way to a series of peripatetic dramatic moments Characters are fragmented forming a collection of contrasting and parallel shards stemming from a central idea theme or traditional character Each new performance of a theatrical pieces is a new Gestalt a unique spectacle with no intent on methodically repeating a play The audience is integral to the shared meaning making of the performance process and its members are included in the dialogue of the play There is a rejection of the notions of High and Low art The production exists only in the viewer s mind as what the viewer interprets nothing more and nothing less The rehearsal process in a theatrical production is driven more by shared meaning making and improvisation rather than the scripted text The play steps back from reality to create its own self conscious atmosphere This is sometimes referred to as metatheatre While these techniques are often found in postmodern productions they are never part of a centralised movement or style Rather they are tools for authentic introspection questioning and representation of human experience Notable examples of postmodern theatre editGriselda Gambaro s Information For Foreigners Ozono Production s Fuerzabruta Heiner Muller s Hamletmachine Dimitris Lyacos s With the People from the Bridge Reza Abdoh s Quotations from a Ruined City Dummies TheatreSee also editPostmodernism Postmodernity Poststructuralism Category Postmodern theatreExternal links edit nbsp Wikiversity has learning resources about Collaborative play writing Forced Entertainment http www forcedentertainment com Fuerza Bruta http www fuerzabruta net Reckless Sleepers http www reckless sleepers eu Retrieved from https en wikipedia org w index php title Postmodern theatre amp oldid 1189102738, wikipedia, wiki, book, books, library,
