Gaetano Sgarabotto (1878–1959) was born in Vicenza, Italy. He devoted his entire career to violin making. He was a very prolific violin maker, making more than 700 instruments including violas and cellos.
His son, Pietro Sgarabotto (1903–1990), born in Milan, retired 1971, still produced masterworks as late as 1979; both worked for their entire lives in Italy as master violin makers.[1]
Gaetano S. worked initially in the city of Vicenza for many years before moving to Milan in 1901 to work for Leandro Bisiach. He moved to Parma in 1926, where he stayed almost without interruptions until his death in 1959.
His son, Pietro, continued in his father’s profession and also became a master violin maker in his own right. Today one speaks within initiated circles with the utmost admiration of the brief, but prestigious dynasty of violin makers Sgarabotti. This refers to the historical presence of both these masters who, apart from creating their own master instruments, spent much of their time passing on experience to young violin makers.[2]
Indeed the activity of the Sgarabotto makers was very influential in the violin making school of Parma, Cremona and elsewhere. Much could be said about their combined influence on the cultural heritage within the musical world of string instruments, and of the enormous regard and esteem with which all their students and musicians held the masters. The greatest interest by posterity, of course, centers on their combined oeuvre, on the set of master violins from their hand left for us to play and admire.
The works of both the Sgarabotto makers can be readily identified by their meticulous choice of materials, the workmanship always being exquisitely “manual” in every phase of the making of each instrument, and showing extreme precision and loving care to detail.
The violin making of the Sgarabotto makers is always graceful, that of the father Gaetano said to be presenting a lighter touch whilst the graduation used by Pietro is more consistent. The sonority and general musical quality of these master violins of course shall forever be residing in their handling by the musicians and experts who are fortunate enough to play a Sgarabotto violin, viola, violoncello….
Liuteria Parmense - In Parma, the 20th century tradition (of violin making) commenced with Gaetano Sgarabotto, who served his apprenticeship in the workshop of the Bisiachs, and can therefore be traced back to a Milanese origin.
As is known, after the death of the last great Cremonese Masters after the middle of the 18th century, only the Cerutis remained in Cremona to prevent that memorable tradition from dying out completely. It was the Antoniazzis who undertook the task of transferring the scant knowledge saved from oblivion from Cremona to Milan.
However the most important event for the renaissance of violin-making in Lombardy was certainly the meeting between Riccardo Antoniazzi and Leandro Bisiach; the latter, thanks to his talent, his taste and his business ability succeeded in founding, at the end of the 19th century, a workshop which soon gained international fame. Bisiach was an outstanding figure in the commerce of antique violins but above all had the merit of raising a generation of great luthiers, among whom for example Sderci, Borghi, Ornati and Garimberti come to mind.
Gaetano Sgarabotto, another of Leandro Bisiach's pupils was born in 1878 in Vicenza; while still very young he had demonstrated a talent for violin-making. After his experience in Milan, Gaetano moved to Parma in 1926 and two years later was given the task of directing the School of Violin-Making which had been annexed to the Conservatory of Music.
The school concluded its experience after nine years, in 1937, but in the meantime had distinguished itself for the quality of its teaching. The proof of this is that luthiers such as Sesto Rocchi, Raffaele Vaccari and of course Gaetano's son Pietro were among its pupils. Gaetano was a most prolific and eclectic maker, and created instruments drawing inspiration from many different authors. Among this great variety of styles, his preferences were for the Amatis' models and Guadagnini forms. After the closure of the school Gaetano lived in Parma for long periods, from 1942 to 1948 and again from 1957 until his death in 1959.
His son Pietro, who was also a musician, lived and worked at length in Parma before being called to teach in the school of Cremona. For almost half a century, this experience of the first public School of violin-making seemed to have died out forever. But evidently the memory of this tradition was still alive because in 1975 the School returned to its place in the Conservatory under the direction of Renato Scrollavezza."
Bibliography
Gaetano e Pietro Sgarabotto-Liutai Violin Makers 1878-1990 Editrice TURRIS 1991 ISBN88-7929-000-2
References
Philip J. Kass (1983). "Bisiach Family" (PDF). William Moening & Sons Ltd. Retrieved 2007-04-05.
Gaetano e Pietro Sgarabotto-Liutai Violin Makers 1878-1990 Editrice TURRIS 1991 ISBN88-7929-000-2
Jost Thoene, Italian & French Makers (2006)
Marlin Brinser, Dictionary of 20th Century Italian Violin Makers (1978)
Carlo Vettori, I Maestri Del Novecento (1992)
Vannes, Rene (1985) [1951]. Dictionnaire Universel del Luthiers (vol.3). Bruxelles: Les Amis de la musique. OCLC 53749830.
Blot, Eric (1994). "Emilia e Romagna I". Un secolo di liuteria italiana, 1860-1960 - A century of Italian violin making. Cremona: Turris. ISBN88-7929-026-6.
Versari Artemio, Modern Violin Making in the Emilia-Romagna Region (2002)
^Philip J. Kass (1983). "Bisiach Family" (PDF). William Moening & Sons Ltd. Retrieved 2007-04-05.
^. Archived from the original on 2012-11-15. Retrieved 2007-04-17.
^Gaetano e Pietro Sgarabotto-Liutai Violin Makers 1878-1990 Editrice TURRIS 1991 ISBN88-7929-000-2
^Philip J. Kass (1983). "Bisiach Family" (PDF). William Moening & Sons Ltd. Retrieved 2007-04-05.
^Philip J. Kass (1982). . William Moening & Sons Ltd. Archived from the original on 2007-02-07. Retrieved 2007-04-05.
Pietro Sgarabotto & David Oistrakh photo
March 05, 2023
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Gaetano and Pietro Sgarabotto in 1926 Contents 1 Biography 2 Quotes 3 Bibliography 4 References 5 External sourcesBiography EditGaetano Sgarabotto 1878 1959 was born in Vicenza Italy He devoted his entire career to violin making He was a very prolific violin maker making more than 700 instruments including violas and cellos His son Pietro Sgarabotto 1903 1990 born in Milan retired 1971 still produced masterworks as late as 1979 both worked for their entire lives in Italy as master violin makers 1 Gaetano S worked initially in the city of Vicenza for many years before moving to Milan in 1901 to work for Leandro Bisiach He moved to Parma in 1926 where he stayed almost without interruptions until his death in 1959 His son Pietro continued in his father s profession and also became a master violin maker in his own right Today one speaks within initiated circles with the utmost admiration of the brief but prestigious dynasty of violin makers Sgarabotti This refers to the historical presence of both these masters who apart from creating their own master instruments spent much of their time passing on experience to young violin makers 2 Indeed the activity of the Sgarabotto makers was very influential in the violin making school of Parma Cremona and elsewhere Much could be said about their combined influence on the cultural heritage within the musical world of string instruments and of the enormous regard and esteem with which all their students and musicians held the masters The greatest interest by posterity of course centers on their combined oeuvre on the set of master violins from their hand left for us to play and admire The works of both the Sgarabotto makers can be readily identified by their meticulous choice of materials the workmanship always being exquisitely manual in every phase of the making of each instrument and showing extreme precision and loving care to detail The violin making of the Sgarabotto makers is always graceful that of the father Gaetano said to be presenting a lighter touch whilst the graduation used by Pietro is more consistent The sonority and general musical quality of these master violins of course shall forever be residing in their handling by the musicians and experts who are fortunate enough to play a Sgarabotto violin viola violoncello 3 Gaetano Sgarabotto in his workshop 1929Quotes EditLiuteria Parmense In Parma the 20th century tradition of violin making commenced with Gaetano Sgarabotto who served his apprenticeship in the workshop of the Bisiachs and can therefore be traced back to a Milanese origin As is known after the death of the last great Cremonese Masters after the middle of the 18th century only the Cerutis remained in Cremona to prevent that memorable tradition from dying out completely It was the Antoniazzis who undertook the task of transferring the scant knowledge saved from oblivion from Cremona to Milan However the most important event for the renaissance of violin making in Lombardy was certainly the meeting between Riccardo Antoniazzi and Leandro Bisiach the latter thanks to his talent his taste and his business ability succeeded in founding at the end of the 19th century a workshop which soon gained international fame Bisiach was an outstanding figure in the commerce of antique violins but above all had the merit of raising a generation of great luthiers among whom for example Sderci Borghi Ornati and Garimberti come to mind Gaetano Sgarabotto another of Leandro Bisiach s pupils was born in 1878 in Vicenza while still very young he had demonstrated a talent for violin making After his experience in Milan Gaetano moved to Parma in 1926 and two years later was given the task of directing the School of Violin Making which had been annexed to the Conservatory of Music The school concluded its experience after nine years in 1937 but in the meantime had distinguished itself for the quality of its teaching The proof of this is that luthiers such as Sesto Rocchi Raffaele Vaccari and of course Gaetano s son Pietro were among its pupils Gaetano was a most prolific and eclectic maker and created instruments drawing inspiration from many different authors Among this great variety of styles his preferences were for the Amatis models and Guadagnini forms After the closure of the school Gaetano lived in Parma for long periods from 1942 to 1948 and again from 1957 until his death in 1959 His son Pietro who was also a musician lived and worked at length in Parma before being called to teach in the school of Cremona For almost half a century this experience of the first public School of violin making seemed to have died out forever But evidently the memory of this tradition was still alive because in 1975 the School returned to its place in the Conservatory under the direction of Renato Scrollavezza Liuteria ParmenseBibliography EditGaetano e Pietro Sgarabotto Liutai Violin Makers 1878 1990 Editrice TURRIS 1991 ISBN 88 7929 000 2References EditPhilip J Kass 1983 Bisiach Family PDF William Moening amp Sons Ltd Retrieved 2007 04 05 Gaetano e Pietro Sgarabotto Liutai Violin Makers 1878 1990 Editrice TURRIS 1991 ISBN 88 7929 000 2 Jost Thoene Italian amp French Makers 2006 Marlin Brinser Dictionary of 20th Century Italian Violin Makers 1978 Carlo Vettori I Maestri Del Novecento 1992 Vannes Rene 1985 1951 Dictionnaire Universel del Luthiers vol 3 Bruxelles Les Amis de la musique OCLC 53749830 William Henley 1969 Universal Dictionary of Violin amp Bow Makers Brighton England Amati ISBN 0 901424 00 5 Blot Eric 1994 Emilia e Romagna I Un secolo di liuteria italiana 1860 1960 A century of Italian violin making Cremona Turris ISBN 88 7929 026 6 Versari Artemio Modern Violin Making in the Emilia Romagna Region 2002 Liuteria ParmenseExternal sources EditBisiach Family Heritage by Philip J Kass 4 5 Philip J Kass 1983 Bisiach Family PDF William Moening amp Sons Ltd Retrieved 2007 04 05 Liuteria Parmense Archived from the original on 2012 11 15 Retrieved 2007 04 17 Gaetano e Pietro Sgarabotto Liutai Violin Makers 1878 1990 Editrice TURRIS 1991 ISBN 88 7929 000 2 Philip J Kass 1983 Bisiach Family PDF William Moening amp Sons Ltd Retrieved 2007 04 05 Philip J Kass 1982 Selected World of Strings Newsletters William Moening amp Sons Ltd Archived from the original on 2007 02 07 Retrieved 2007 04 05 Liuteria ParmensePietro Sgarabotto amp David Oistrakh photo Retrieved from https en wikipedia org w index php title Gaetano and Pietro Sgarabotto amp oldid 1087278624, wikipedia, wiki, book, books, library,
