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Piano Concerto (Adès)

The Concerto for Piano and Orchestra is a piano concerto by the British composer Thomas Adès. The work was commissioned by the Boston Symphony Orchestra for the pianist Kirill Gerstein and was completed in 2018. It was first performed by Gerstein and the Boston Symphony Orchestra conducted by the composer at Symphony Hall, Boston, on 7 March 2019. The piece is Adès's second piano concerto following In Seven Days in 2008.[1]

Composition edit

The Piano Concerto has a performance duration of approximately 22 minutes and is cast in three movements in the traditional fast–slow–fast form:

  1. Allegramente
  2. Andante gravemente
  3. Allegro gioioso

Instrumentation edit

The work is scored for solo piano and a large orchestra comprising three flutes (3rd doubling piccolo and alto flute), three oboes (3rd doubling cor anglais), three clarinets (1st in B, 2nd in A, and 3rd in B doubling bass clarinet), three bassoons (3rd doubling contrabassoon), four horns, two trumpets, three trombones, tuba, timpani, rototoms, three percussionists, and strings.[1]

Reception edit

Adès's Piano Concerto has been highly praised by music critics. Zoë Madonna of The Boston Globe lauded the world premiere as "an auspicious meeting of giants" between Adès and Gerstein.[2] Aaron Keebaugh of the Boston Classical Review wrote, "Throughout its thirty-minute span, the composer paints a bright sonic picture through thorny dissonances and wild chromatic diversions. Its melodies unfold through quick-changing meters to form asymmetric shapes, with orchestral tuttis never seeming to fall on the beat." He added, "The effect is mesmerizing, and the Concerto for Piano and Orchestra stands as Adès' greatest achievement to date."[3] Anthony Tommasini of The New York Times enthusiastically wrote, "This breathless, 20-minute concerto, structured in three essentially traditional movements (fast, slow, fast), comes across as zesty and accessible. But don't be fooled. Just below the surface, the music sizzles with modernist harmonies, fractured phrases, gaggles of counterpoint and lyrical strands that keep breaking into skittish bits. The finale is a riotous, clattering, assaultive romp. I can’t wait to hear it again."[4] The music was also praised by Alex Ross of The New Yorker.[5]

Reviewing a recording of the work, the music was later praised by the music critics Richard Fairman of the Financial Times[6] and Tom Huizenga of NPR, who declared, "It may be the most attractive concerto so far this century."[7]

Recording edit

A recording of the Piano Concerto's world premiere performance was released on album together with Adès's Totentanz through Deutsche Grammophon on 28 February 2020.[8]

See also edit

References edit

  1. ^ a b Adès, Thomas (2018). "Concerto for Piano and Orchestra". Faber Music. Retrieved 30 July 2020.
  2. ^ Madonna, Zoë (8 March 2019). "Adès piano concerto receives impressive world premiere from BSO". The Boston Globe. Retrieved 30 July 2020.
  3. ^ Keebaugh, Aaron (8 March 2019). "Adès' spiky, exuberant Piano Concerto receives a brilliant world premiere from Gerstein, BSO". Boston Classical Review. Retrieved 30 July 2020.
  4. ^ Tommasini, Anthony (21 March 2019). "Thomas Adès Brings Fresh Wildness to the Boston Symphony". The New York Times. Retrieved 30 July 2020.
  5. ^ Ross, Alex (18 March 2019). "The Concerto Challenge: John Adams and Thomas Adès offer new takes on a beloved form". The New Yorker. Retrieved 30 July 2020.
  6. ^ Fairman, Richard (28 February 2020). "Boston Symphony Orchestra releases Thomas Adès's Concerto for Piano and Orchestra and Totentanz". Financial Times. Retrieved 30 July 2020.
  7. ^ Huizenga, Tom (28 February 2020). "A New Piano Concerto For The People". Deceptive Cadence. NPR. Retrieved 30 July 2020.
  8. ^ Barone, Joshua (7 May 2020). "A Pianist Has Cracked a Composer's Code". The New York Times. Retrieved 30 July 2020.

piano, concerto, adès, concerto, piano, orchestra, piano, concerto, british, composer, thomas, adès, work, commissioned, boston, symphony, orchestra, pianist, kirill, gerstein, completed, 2018, first, performed, gerstein, boston, symphony, orchestra, conducted. The Concerto for Piano and Orchestra is a piano concerto by the British composer Thomas Ades The work was commissioned by the Boston Symphony Orchestra for the pianist Kirill Gerstein and was completed in 2018 It was first performed by Gerstein and the Boston Symphony Orchestra conducted by the composer at Symphony Hall Boston on 7 March 2019 The piece is Ades s second piano concerto following In Seven Days in 2008 1 Contents 1 Composition 1 1 Instrumentation 2 Reception 3 Recording 4 See also 5 ReferencesComposition editThe Piano Concerto has a performance duration of approximately 22 minutes and is cast in three movements in the traditional fast slow fast form AllegramenteAndante gravementeAllegro gioioso Instrumentation edit The work is scored for solo piano and a large orchestra comprising three flutes 3rd doubling piccolo and alto flute three oboes 3rd doubling cor anglais three clarinets 1st in B 2nd in A and 3rd in B doubling bass clarinet three bassoons 3rd doubling contrabassoon four horns two trumpets three trombones tuba timpani rototoms three percussionists and strings 1 Reception editAdes s Piano Concerto has been highly praised by music critics Zoe Madonna of The Boston Globe lauded the world premiere as an auspicious meeting of giants between Ades and Gerstein 2 Aaron Keebaugh of the Boston Classical Review wrote Throughout its thirty minute span the composer paints a bright sonic picture through thorny dissonances and wild chromatic diversions Its melodies unfold through quick changing meters to form asymmetric shapes with orchestral tuttis never seeming to fall on the beat He added The effect is mesmerizing and the Concerto for Piano and Orchestra stands as Ades greatest achievement to date 3 Anthony Tommasini of The New York Times enthusiastically wrote This breathless 20 minute concerto structured in three essentially traditional movements fast slow fast comes across as zesty and accessible But don t be fooled Just below the surface the music sizzles with modernist harmonies fractured phrases gaggles of counterpoint and lyrical strands that keep breaking into skittish bits The finale is a riotous clattering assaultive romp I can t wait to hear it again 4 The music was also praised by Alex Ross of The New Yorker 5 Reviewing a recording of the work the music was later praised by the music critics Richard Fairman of the Financial Times 6 and Tom Huizenga of NPR who declared It may be the most attractive concerto so far this century 7 Recording editA recording of the Piano Concerto s world premiere performance was released on album together with Ades s Totentanz through Deutsche Grammophon on 28 February 2020 8 See also editList of compositions by Thomas AdesReferences edit a b Ades Thomas 2018 Concerto for Piano and Orchestra Faber Music Retrieved 30 July 2020 Madonna Zoe 8 March 2019 Ades piano concerto receives impressive world premiere from BSO The Boston Globe Retrieved 30 July 2020 Keebaugh Aaron 8 March 2019 Ades spiky exuberant Piano Concerto receives a brilliant world premiere from Gerstein BSO Boston Classical Review Retrieved 30 July 2020 Tommasini Anthony 21 March 2019 Thomas Ades Brings Fresh Wildness to the Boston Symphony The New York Times Retrieved 30 July 2020 Ross Alex 18 March 2019 The Concerto Challenge John Adams and Thomas Ades offer new takes on a beloved form The New Yorker Retrieved 30 July 2020 Fairman Richard 28 February 2020 Boston Symphony Orchestra releases Thomas Ades s Concerto for Piano and Orchestra and Totentanz Financial Times Retrieved 30 July 2020 Huizenga Tom 28 February 2020 A New Piano Concerto For The People Deceptive Cadence NPR Retrieved 30 July 2020 Barone Joshua 7 May 2020 A Pianist Has Cracked a Composer s Code The New York Times Retrieved 30 July 2020 Retrieved from https en wikipedia org w index php title Piano Concerto Ades amp oldid 1097841677, wikipedia, wiki, book, books, library,

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