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Pedro de Ribera

Pedro de Ribera (Madrid 4 August 1681 - Madrid, 1742) was a Spanish architect of the Baroque period.

Royal Hospice of San Fernando. Madrid

Biography edit

Ribera worked almost exclusively in Madrid during the first half of the 18th century. He was a disciple of José Benito de Churriguera (creator of the style Churrigueresque). Following in the footsteps of his master, Ribera is considered[by whom?] one of the most important architects of the late Baroque period in Spain. He designed a remarkable quantity of work in Madrid, the capital of Spain, giving the city bridges, palaces, monumental fountains, churches and a variety of public buildings, many of which can still be seen.

Between 1718 and 1719, he was Lieutenant Major Master of Works and sources of Madrid, succeeding Teodoro Ardemans following his death. This position cemented his reputation and allowed him to occupy an important position at court, despite the clear preference of King Philip V of Spain of the sort of foreign architects working in Madrid in the 1720s.

Many of Ribera's creations were destroyed or modified later, especially in the 18th century, when Neoclassicism was a dominating movement. Ribera's architectural style was attacked by influential art scholars like Antonio Ponz.

Works edit

Francisco Antonio de Salcedo and Aguirre, Marqués de Vadillo, was a patron of Ribera who encouraged him and funded many of his projects. These may include:

  • Paseo Nuevo. Puerta de San Vicente (1726–1727)
  • Ermita de Nuestra Señora del Puerto (1716–1718)
  • Cuartel del Conde-Duque (Guardias de Corps) (iniciado en 1717)
  • Puente de Toledo (1718–1732)
  • Iglesia de Nuestra Señora de Montserrat (1720)
  • Real Hospicio del Ave María y San Fernando (1721–1726)
  • Iglesia de San Cayetano (1722–1737)
  • Iglesia de San José (1730)
  • Portada de la capilla del antiguo Monte de Piedad de Madrid (1733)
  • Real Seminario de Nobles (finalizado en 1725)
  • Fuente de la Mariblanca (1726)
  • Puente Verde (1728–1732)
  • Puente sobre el Abroñigal (1729–1732)
  • Carmelitas Descalzas (1730–1742)
  • Monasterio de Uclés (1735)
  • Teatro de la Cruz (1743)
  • Camino nuevo del Escorial (1737)
  • Palacio de Torrecilla (1716–1731)
  • Palacio del marqués de Miraflores (1731–1732)
  • Palacio de Santoña (1730–1734)
  • Palacio de Perales (1732)
  • Fuente de la Fama (c. 1732)

pedro, ribera, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, february, 20. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Pedro de Ribera news newspapers books scholar JSTOR February 2010 Learn how and when to remove this template message Pedro de Ribera Madrid 4 August 1681 Madrid 1742 was a Spanish architect of the Baroque period Royal Hospice of San Fernando MadridBiography editRibera worked almost exclusively in Madrid during the first half of the 18th century He was a disciple of Jose Benito de Churriguera creator of the style Churrigueresque Following in the footsteps of his master Ribera is considered by whom one of the most important architects of the late Baroque period in Spain He designed a remarkable quantity of work in Madrid the capital of Spain giving the city bridges palaces monumental fountains churches and a variety of public buildings many of which can still be seen Between 1718 and 1719 he was Lieutenant Major Master of Works and sources of Madrid succeeding Teodoro Ardemans following his death This position cemented his reputation and allowed him to occupy an important position at court despite the clear preference of King Philip V of Spain of the sort of foreign architects working in Madrid in the 1720s Many of Ribera s creations were destroyed or modified later especially in the 18th century when Neoclassicism was a dominating movement Ribera s architectural style was attacked by influential art scholars like Antonio Ponz Works editFrancisco Antonio de Salcedo and Aguirre Marques de Vadillo was a patron of Ribera who encouraged him and funded many of his projects These may include Paseo Nuevo Puerta de San Vicente 1726 1727 Ermita de Nuestra Senora del Puerto 1716 1718 Cuartel del Conde Duque Guardias de Corps iniciado en 1717 Puente de Toledo 1718 1732 Iglesia de Nuestra Senora de Montserrat 1720 Real Hospicio del Ave Maria y San Fernando 1721 1726 Iglesia de San Cayetano 1722 1737 Iglesia de San Jose 1730 Portada de la capilla del antiguo Monte de Piedad de Madrid 1733 Real Seminario de Nobles finalizado en 1725 Fuente de la Mariblanca 1726 Puente Verde 1728 1732 Puente sobre el Abronigal 1729 1732 Carmelitas Descalzas 1730 1742 Monasterio de Ucles 1735 Teatro de la Cruz 1743 Camino nuevo del Escorial 1737 Palacio de Torrecilla 1716 1731 Palacio del marques de Miraflores 1731 1732 Palacio de Santona 1730 1734 Palacio de Perales 1732 Fuente de la Fama c 1732 Retrieved from https en wikipedia org w index php title Pedro de Ribera amp oldid 1167198401, wikipedia, wiki, book, books, library,

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