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Pavel Filonov

Pavel Nikolayevich Filonov (Russian: Па́вел Никола́евич Фило́нов, IPA: [ˈpavʲɪl nʲɪkɐˈlajɪvʲɪtɕ fʲɪˈlonəf] ; January 8, 1883 – December 3, 1941) was a Russian avant-garde painter, art theorist, and poet.

Pavel Filonov
1938-1939
Born(1883-01-08)January 8, 1883
DiedDecember 3, 1941(1941-12-03) (aged 58)
NationalityRussian
Known forPainting

Biography edit

 
Portrait of E. N. Glebova (the artist's sister), 1915, oil on canvas. 117x152.5 cm. Russian Museum.

Filonov was born in Moscow on January 8, 1883 (Gregorian calendar) or December 27, 1882 (Julian calendar). In 1897, he moved to St. Petersburg, where he took art lessons. In 1908, he entered St. Petersburg Academy of Arts, from which, he was expelled in 1910.

In 1910–1914, he took part in the arts group Soyuz Molodyozhi created by artists Elena Guro and Mikhail Matyushin. In 1912, he wrote the article The Canon and the Law, in which, he formulated the principles of analytical realism, or "anti-Cubism". According to Filonov, Cubism represents objects using elements of their surface geometry but "analytical realists" should represent objects using elements of their inner soul. He was faithful to these principles for the remainder of his life.

 
A Peasant Family (The Holy Family), 1914, oil on canvas, 159x128 cm, Russian Museum.

During the years 1913 to 1915, Filonov was close to Vladimir Mayakovsky, Velimir Khlebnikov, and other futurists. He co-illustrated Khlebnikov's Selected Poems with Postscript, 1907–1914 alongside Kazimir Malevich during this time.[1] In the autumn of 1916, he enlisted for service in World War I, and served on the Romanian front. Filonov participated actively in the Russian Revolution of 1917 and served as the Chairman of the Revolutionary War Committee of Dunay region.

In 1919, he exhibited in the First Free Exhibit of Artists of All Trends at the Hermitage. In 1923, he became a professor of St. Petersburg Academy of Arts and a member of the Institute for Artistic Culture (INKhUK). He organized a large arts school of Masters of Analytical Realism (over seventy artists, including an American sculptor and portrait painter Helen Hooker). Their work influenced suprematism and expressionism.

In 1929, a large retrospective exhibition of Filonov art was planned at the Russian Museum; however, the Soviet government forbade the exhibition. From 1932 onward, Filonov literally starved but still refused to sell his works to private collectors. He wanted to give all his works to the Russian Museum as a gift so as to start a Museum of Analytical Realism. He died of starvation on December 3, 1941, during the Siege of Leningrad.

Method edit

Under the umbrella of Universal Flowering, Filonov put forth a manner of working that proceeded from the particular to the general. He believed that objects and fields should be built up from small details and bits and stated that doing it the other-way-round was nothing short of "charlatanism". To this end, he worked, and required his students to work, with very small brushes in painting and the finest of points when drawing.

Legacy edit

 
Self portrait, 1921

Most of Filonov's works were saved by his sister Yevdokiya Nikolayevna Glebova. She stored the paintings in the Russian Museum's archives and eventually donated them as a gift. Exhibitions of Filonov's work were forbidden. In 1967, an exhibition of Filonov's works in Novosibirsk was permitted. In 1988, his work was allowed in the Russian Museum. In 1989 and 1990, the first international exhibition of Filonov's work was held in Paris.

During the period of half-legal status of Filonov's works it was seemingly easy to steal them; however, there was a that Filonov's ghost protected his art and anybody trying to steal his paintings or to smuggle them abroad would soon die, become paralyzed, or have a similar misfortune.

Selected works edit

See also edit

References edit

  1. ^ "Selected Poems with Postscript, 1907–1914". World Digital Library. 1914. Retrieved September 28, 2013.

External links edit

  Media related to Pavel Filonov at Wikimedia Commons

  • Pavel Filonov at Olga's Gallery
  • (in Russian) Filonov's biography
  • MoMa's Collection: Pavel Filonov

pavel, filonov, pavel, nikolayevich, filonov, russian, Па, вел, Никола, евич, Фило, нов, ˈpavʲɪl, nʲɪkɐˈlajɪvʲɪtɕ, fʲɪˈlonəf, january, 1883, december, 1941, russian, avant, garde, painter, theorist, poet, 1938, 1939born, 1883, january, 1883moscow, russiadiedde. Pavel Nikolayevich Filonov Russian Pa vel Nikola evich Filo nov IPA ˈpavʲɪl nʲɪkɐˈlajɪvʲɪtɕ fʲɪˈlonef January 8 1883 December 3 1941 was a Russian avant garde painter art theorist and poet Pavel Filonov1938 1939Born 1883 01 08 January 8 1883Moscow RussiaDiedDecember 3 1941 1941 12 03 aged 58 NationalityRussianKnown forPainting Contents 1 Biography 2 Method 3 Legacy 4 Selected works 5 See also 6 References 7 External linksBiography edit nbsp Portrait of E N Glebova the artist s sister 1915 oil on canvas 117x152 5 cm Russian Museum Filonov was born in Moscow on January 8 1883 Gregorian calendar or December 27 1882 Julian calendar In 1897 he moved to St Petersburg where he took art lessons In 1908 he entered St Petersburg Academy of Arts from which he was expelled in 1910 In 1910 1914 he took part in the arts group Soyuz Molodyozhi created by artists Elena Guro and Mikhail Matyushin In 1912 he wrote the article The Canon and the Law in which he formulated the principles of analytical realism or anti Cubism According to Filonov Cubism represents objects using elements of their surface geometry but analytical realists should represent objects using elements of their inner soul He was faithful to these principles for the remainder of his life nbsp A Peasant Family The Holy Family 1914 oil on canvas 159x128 cm Russian Museum During the years 1913 to 1915 Filonov was close to Vladimir Mayakovsky Velimir Khlebnikov and other futurists He co illustrated Khlebnikov s Selected Poems with Postscript 1907 1914 alongside Kazimir Malevich during this time 1 In the autumn of 1916 he enlisted for service in World War I and served on the Romanian front Filonov participated actively in the Russian Revolution of 1917 and served as the Chairman of the Revolutionary War Committee of Dunay region In 1919 he exhibited in the First Free Exhibit of Artists of All Trends at the Hermitage In 1923 he became a professor of St Petersburg Academy of Arts and a member of the Institute for Artistic Culture INKhUK He organized a large arts school of Masters of Analytical Realism over seventy artists including an American sculptor and portrait painter Helen Hooker Their work influenced suprematism and expressionism In 1929 a large retrospective exhibition of Filonov art was planned at the Russian Museum however the Soviet government forbade the exhibition From 1932 onward Filonov literally starved but still refused to sell his works to private collectors He wanted to give all his works to the Russian Museum as a gift so as to start a Museum of Analytical Realism He died of starvation on December 3 1941 during the Siege of Leningrad Method editUnder the umbrella of Universal Flowering Filonov put forth a manner of working that proceeded from the particular to the general He believed that objects and fields should be built up from small details and bits and stated that doing it the other way round was nothing short of charlatanism To this end he worked and required his students to work with very small brushes in painting and the finest of points when drawing Legacy edit nbsp Self portrait 1921Most of Filonov s works were saved by his sister Yevdokiya Nikolayevna Glebova She stored the paintings in the Russian Museum s archives and eventually donated them as a gift Exhibitions of Filonov s work were forbidden In 1967 an exhibition of Filonov s works in Novosibirsk was permitted In 1988 his work was allowed in the Russian Museum In 1989 and 1990 the first international exhibition of Filonov s work was held in Paris During the period of half legal status of Filonov s works it was seemingly easy to steal them however there was a legend that Filonov s ghost protected his art and anybody trying to steal his paintings or to smuggle them abroad would soon die become paralyzed or have a similar misfortune Selected works edit nbsp Heads 1910 Filonov considered this painting to be his first real work nbsp A Man and a Woman Adam and Eve 1912 1913 nbsp The Banquet of Kings 1913 nbsp universal flowering 1915 nbsp The Formula of Contemporary Pedagogy of IZO 1923 nbsp Horses 1924 1925 nbsp Two Heads Rabbles 1925 nbsp Animals 1930 nbsp Countenances Faces on an Icon 1940 See also editFine Art of LeningradReferences edit Selected Poems with Postscript 1907 1914 World Digital Library 1914 Retrieved September 28 2013 External links edit nbsp Media related to Pavel Filonov at Wikimedia Commons Pavel Filonov at Olga s Gallery in Russian Filonov s biography MoMa s Collection Pavel Filonov Retrieved from https en wikipedia org w index php title Pavel Filonov amp oldid 1188245804, wikipedia, wiki, book, books, library,

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