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Pantalon

The pantalon (or pantaleon) was a very large type of hammered dulcimer, invented by Pantaleon Hebenstreit in the early 18th century and briefly popular in France and Germany.

A pantalon reconstruction.

Description edit

The pantalon was a very large dulcimer with a double sounding board, approximately 6 ft (2 m) long, with about 200 strings of both gut and metal, some double- or triple-strung. It had no dampers, so the strings vibrated sympathetically, giving a rich resonating tone that was quite novel at the time and made a noticeable stir; the lack of dampers, however, made articulation difficult.

Few instruments were constructed and very few survive.[1] Hebenstreit and his two best pupils Maximilian Hellmann and Johann Baptist Gumpenhuber were essentially the only virtuoso players of the instrument. However, it was well known in French and German musical circles of the early 18th century, and Hebenstreit gained fame and fortune playing it.

Hebenstreit named the instrument after himself. Glowing reviews of its qualities appear in the writings of a number of prominent commentators of the day, such as Johann Kuhnau. The instrument died out with Hebenstreit's retirement, but the idea of allowing sympathetic resonance from undamped strings was adopted into mechanisms that would disengage the dampers in various ways on early keyboard instruments such as the clavichord, called "pantalon stops".

Compositions edit

Compositions made for Hellmann include three by Caldara, eight by Johann Georg Reutter and an aria by Johann Joseph Fux in the Festa teatrale Giunone placata (1725).[2]

References edit

  1. ^ "Pianoforte & Pantalon". Squarepianos.com. Retrieved 19 April 2021.
  2. ^ Musicologica Austriaca, 2001, No 20 p224 "Dementsprechend wurde Hellmann solistisch von Caldara (dreimal), Johann Georg Reutter (achtmal3) und einmal auch von Johann Joseph Fux gefordert: nämlich in der Festa teatrale Giunone placata (1725), wo er die Aria der Venus...
  • Cole, Michael (1998). The Pianoforte in the Classical Era. Clarendon Press Oxford. pp. 23–42. ISBN 0-19-816634-6.
  • Hanks, Sarah E. (1969). "Pantaleon's Pantalon: An 18th-Century Musical Fashion". The Musical Quarterly. 55 (2): 215–227. doi:10.1093/mq/LV.2.215.
  • Jackson, Roland (2005). "Pantaleon". Performance Practice: A Dictionary-guide for Musicians. Routledge. p. 298. ISBN 0-415-94139-3.
  • Loesser, Arthur (1990). Men, Women and Pianos: A Social History. Courier Dover. pp. 25–28. ISBN 0-486-26543-9.
  • Ripin, Edwin M. (1989). Early Keyboard Instruments. W. W. Norton & Co. pp. 166–167. ISBN 0-393-30515-5.

pantalon, french, garment, known, pantalons, trousers, this, article, includes, list, general, references, lacks, sufficient, corresponding, inline, citations, please, help, improve, this, article, introducing, more, precise, citations, april, 2021, learn, whe. For the French garment known as pantalons see trousers This article includes a list of general references but it lacks sufficient corresponding inline citations Please help to improve this article by introducing more precise citations April 2021 Learn how and when to remove this template message The pantalon or pantaleon was a very large type of hammered dulcimer invented by Pantaleon Hebenstreit in the early 18th century and briefly popular in France and Germany A pantalon reconstruction Description editThe pantalon was a very large dulcimer with a double sounding board approximately 6 ft 2 m long with about 200 strings of both gut and metal some double or triple strung It had no dampers so the strings vibrated sympathetically giving a rich resonating tone that was quite novel at the time and made a noticeable stir the lack of dampers however made articulation difficult Few instruments were constructed and very few survive 1 Hebenstreit and his two best pupils Maximilian Hellmann and Johann Baptist Gumpenhuber were essentially the only virtuoso players of the instrument However it was well known in French and German musical circles of the early 18th century and Hebenstreit gained fame and fortune playing it Hebenstreit named the instrument after himself Glowing reviews of its qualities appear in the writings of a number of prominent commentators of the day such as Johann Kuhnau The instrument died out with Hebenstreit s retirement but the idea of allowing sympathetic resonance from undamped strings was adopted into mechanisms that would disengage the dampers in various ways on early keyboard instruments such as the clavichord called pantalon stops Compositions editCompositions made for Hellmann include three by Caldara eight by Johann Georg Reutter and an aria by Johann Joseph Fux in the Festa teatrale Giunone placata 1725 2 References edit Pianoforte amp Pantalon Squarepianos com Retrieved 19 April 2021 Musicologica Austriaca 2001 No 20 p224 Dementsprechend wurde Hellmann solistisch von Caldara dreimal Johann Georg Reutter achtmal3 und einmal auch von Johann Joseph Fux gefordert namlich in der Festa teatrale Giunone placata 1725 wo er die Aria der Venus Cole Michael 1998 The Pianoforte in the Classical Era Clarendon Press Oxford pp 23 42 ISBN 0 19 816634 6 Hanks Sarah E 1969 Pantaleon s Pantalon An 18th Century Musical Fashion The Musical Quarterly 55 2 215 227 doi 10 1093 mq LV 2 215 Jackson Roland 2005 Pantaleon Performance Practice A Dictionary guide for Musicians Routledge p 298 ISBN 0 415 94139 3 Loesser Arthur 1990 Men Women and Pianos A Social History Courier Dover pp 25 28 ISBN 0 486 26543 9 Ripin Edwin M 1989 Early Keyboard Instruments W W Norton amp Co pp 166 167 ISBN 0 393 30515 5 Retrieved from https en wikipedia org w index php title Pantalon amp oldid 1174932596, wikipedia, wiki, book, books, library,

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