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PANOSE

The PANOSE System is a method for classifying typefaces solely on their visual characteristics, developed by Benjamin Bauermeister. It can be used to identify an unknown font from a sample image or to match a known font to its closest visual neighbor from a font pool. The word "PANOSE" is composed of letters taken from the six classes in which the creator of the system organized the Latin alphabet.[1]

History Edit

The original PANOSE System was developed in 1985 by Benjamin Bauermeister. In 1988, it was published by Van Nostrand Reinhold Company Inc. under the title A Manual of Comparative Typography: The PANOSE System. This initial version of the PANOSE system consisted of seven classification categories, and was based on subjective visual parameters.

In 1990, the Weight category was added, and the Arm Style category was split off from the Stroke Variation category, bringing the number of classification categories to 9. Objective classification criteria were also added at this time.

In 1991, the Family Kind category was added, completing the PANOSE 1.0 definition.

In 1992, there were attempts made to classify Han ideographic typefaces, which allows applications to suggest the most appropriate Latin typeface to match a given Han ideographic typeface. Transliteral mapping could also be used to match between, for example, decorative or script faces and text equivalents.

In 1993, Mapper Application Interface (MAI) was developed. PANOSE 2.0 was also released in the same year, which is the basis for Hewlett-Packard's Infinifont font synthesis technology.

PANOSE was incorporated into a variety of digital font metadata tags in 1992 by ElseWare Corporation. The classification system, its matching algorithms reference databases, classification parameters, and trademarks were purchased by Hewlett-Packard in 1995. A font synthesis engine named Infinifont was also purchased by Hewlett-Packard at that time.

Revisions Edit

1.0 Edit

The PANOSE 1.0 definition was published in 1988. A PANOSE classification number consists of 10 concatenated values. Each value from a given category was computed from a specific visual metric, such as the weight of the font and the presence or absence of serifs. Special values "Any" (0) and "No Fit" (1) exist for every category, which have specific meanings to the mapper. "Any" means match that digit with any available digit, which allows the mapper to handle distortable typefaces. "No Fit" means that the item being classified does not fit within the present system.

The standard classifies fonts in following categories in following order:

  • Family: The Family value defines what type of font is being classified, which affects the valid values available for the latter categories, and the categories available. Different category definitions exist for Latin Text, Latin Hand Written, Latin Decorative, Latin Symbol, Iconographic, Japanese Text, Cyrillic Text, and Hebrew.[citation needed]

Latin Text categories Edit

  • Serif Style: it describes the appearance of the serifs used in a font design and groups them into one of 14 general categories. Serif and sans serif faces are classified within this digit.
  • Weight: it classifies the appearance of a font's stem thickness in relation to its height. It offers 10 gradations, ranging from Very Light to Extra Black.
  • Proportion: it describes the relative proportions of the characters in the font. Distinguishes Monospaced from Proportional, Modern from Old Style, and Extended from Condensed.
  • Contrast: it describes the ratio between the thickest and narrowest points on the letter O. The uppercase O is used because it is generally of higher contrast than the other characters of the alphabet.
  • Stroke Variation: it specifies the relationship between the thicknesses of the thin stems and the wide stems. It further details the contrast trait by describing the kind of transition that occurs as the stem thickness changes on rounded glyph shapes.
  • Arm Style: it classifies special treatment of diagonal stems and termination of open rounded letterforms. The letter A and C are used extensively for this classification, along with G, M, S, V, W, and Y.
  • Letterform: it classifies roundness of the character shapes and the predominant skewing of the character forms.
  • Midline: it describes the placement of the midline across the uppercase characters and the treatment of diagonal stem apexes.
  • X-height: it describes the treatment of uppercase glyphs with diacritical marks and the relative size of the lowercase characters.

Latin Hand Written categories Edit

  • Tool Kind:
  • Weight:
  • Spacing:
  • Aspect Ratio:
  • Contrast:
  • Topology:
  • Form:
  • Finials: Possible values are 0 (Any), 1 (No fit), 2/3/4 (None), 5/6/7 (Sharp), 8/9/10 (Tapered), 11/12/13 (Round). For each of the latter options there are three variants: respectively No loops, Closed Loops, and Open loops.
  • X-ascent:

Latin Decoratives categories Edit

  • Class:
  • Weight:
  • Aspect:
  • Contrast:
  • Serif Variant:
  • Treatment:
  • Lining:
  • Topology:
  • Range of Characters:

Latin Symbol categories Edit

  • Kind:
  • Weight:
  • Spacing:
  • Aspect Ratio & Contrast:
  • Aspect Ratio of Character 94:
  • Aspect Ratio of Character 119:
  • Aspect Ratio of Character 157:
  • Aspect Ratio of Character 163:
  • Aspect Ratio of Character 211:

Example Edit

For example, the PANOSE digits for Times New Roman are:

Family Kind 2 (Latin text)
Serif Style 2 (Cove)
Weight 6 (Medium)
Proportion 3 (Modern)
Contrast 5 (Medium low)
Stroke variation 4 (Transitional)
Arm style 5 (Straight arms)
Letterform 2 (Round)
Midline 3 (Standard)
X-height 4 (Large)

2.0 Edit

The system stores actual measurement data under the Rich Font Description (RFD) rather than bucketing it, which allows the matching system to use mathematical distance rather than penalty tables. It is designed for distortable font technologies (e.g.: Multi Master fonts). The system offers multiple methods for distortable fonts.

The original classification system was changed from a bucket-based system to an arithmetic system (except the Family from PANOSE 1.0 and derivatives), and was expanded to following categories:

1.0 2.0
Family Class, Genre
Serif Style Serif Measure, Serif Tall Measure, Serif Tip Measure, Serif Hip Roundness, Serif Tip Roundness, Serif Angle, Serif Drop Measure, Serif Balance Measure, Serif Foot Pitch Measure, Serif Cup Measure
Weight Weight Measure
Proportion Monospace Flag, Distortion Measure, Ratio Measure
Contrast Narrow Stem Measure
Stroke Speed Factor, Stress-up Angle, Stress-low Angle
Arm Style Stem Taper Factor, Stem Dishing Measure, Stem Bowing Measure, Stem Termination Type, Stem Termination Angle
Letterform Slant Angle, Outer Curve Factor, Side Flat Factor, Top Flat Factor, Bowl Mid-out Measure
Midline Mid "E" Measure, Mid "A" Measure, Apex Trim Factor, Apex Serif Flag
X-Height X-Tall Measure, Diacritical Location
none Cap-Scale Factor

Each PANOSE 2.0 category value is a signed 16-bit number (from −32,768 to 32,767; only ranges between −10,000 and 10,000 are defined), where value zero (0) is considered to be the "normal" for the digit. For example, digit zero for the weight represents medium weight. The "any" value from PANOSE 1.0 is translated to a "don't care" parameter and is replaced by the more comprehensive distortable font descriptions.

The Family category is replaced by Class and Genre, where Class indicates a font's language and character set, where Genre indicates text faces, display faces, symbol faces, and so on. PANOSE matching software is designed to match fonts with different Class, but same Genre. The same Genre can have different meaning in different Class, so the matching heuristic decides the closeness of fonts based on adjusted values based on Class, rather than raw PANOSE values within the fonts themselves.

PANOSE Classification Procedures Edit

Classification Procedures are objective measurement techniques used to assign a PANOSE number to a font.

PANOSE Mapper software Edit

The PANOSE Mapper software determines the closest possible font match on any given system by comparing the PANOSE numbers of the requested and available fonts. The individual PANOSE digits are compared, weighted by their typographic importance, and summed to provide a numerical visual distance. Typographic importance is derived by assigning weights to each digit; for example, a font's weight (regular, bold, demibold, etc.) is more important than its contrast (difference between thick and thin strokes).

Standardizations Edit

PANOSE 1.0 table is supported in TrueType font format.

PANOSE 2.0 is used in ElseWare Corporation's Infinifont parametric font generation system.

In 1996, during the W3C's draft process for CSS 1, Hewlett-Packard proposed a PANOSE syntax extension for font substitution. It was not included in the final CSS 1 recommendation partly because of licensing concerns. Although Hewlett-Packard Co. is not interested in profiting from PANOSE, it will negotiate licenses on a time and materials basis.[2]

PANOSE 1.0 is supported in SVG since version 1.0 in the font-face element under panose-1 attribute.[3] In CSS 2, it is used in the panose-1 property,[4] which was removed in CSS 2.1.

In Office Open XML, it is part of WordProcessingML.[5]

PANOSE 1.0 is used in Rich Text Format Specification 1.7.[6]

References Edit

  1. ^ Yannis Haralambous, Fonts & Encodings, O'Reilly Media, 2007, p. 424. ISBN 0-596-10242-9.
  2. ^ PANOSE: An Ideal Typeface Matching System for the Web
  3. ^ 20.8.3 The 'font-face' element
  4. ^ 15.3.6 Descriptors for Matching: 'panose-1', 'stemv', 'stemh', 'slope', 'cap-height', 'x-height', 'ascent', and 'descent'
  5. ^ WordML and Panose- Yes, Panose!
  6. ^ RTF Version 1.7[permanent dead link]
  • Clyde D. McQueen III, Raymond G. Beausoleil. Infinifont: a parametric font generation system, ElseWare Corporation.
  • Benjamin Bauermeister. A Manual of Comparative Typography: The PANOSE System, Van Nostrand Reinhold Company Inc. ISBN 0-442-21187-2, 1988. ISBN 978-0-442-21187-5.
  • Doyle, John R. "Evaluating the IBM and HP/PANOSE font classification systems." In Online Information Review 29 (5) 2005: 468-482. doi:10.1108/14684520510628873. Doyle argues that IBM and PANOSE classification systems are underused and do not represent the main useful methods of font classification.

External links Edit

  • PANOSE 1.0 Reference
  • PANOSE 2.0 White Paper
  • Example classification cheat sheet
  • Windows GDI: PANOSE

panose, panose, redirects, here, organic, compound, trisaccharide, system, method, classifying, typefaces, solely, their, visual, characteristics, developed, benjamin, bauermeister, used, identify, unknown, font, from, sample, image, match, known, font, closes. Panose redirects here For the organic compound see Trisaccharide The PANOSE System is a method for classifying typefaces solely on their visual characteristics developed by Benjamin Bauermeister It can be used to identify an unknown font from a sample image or to match a known font to its closest visual neighbor from a font pool The word PANOSE is composed of letters taken from the six classes in which the creator of the system organized the Latin alphabet 1 Contents 1 History 2 Revisions 2 1 1 0 2 1 1 Latin Text categories 2 1 2 Latin Hand Written categories 2 1 3 Latin Decoratives categories 2 1 4 Latin Symbol categories 2 1 5 Example 2 2 2 0 3 PANOSE Classification Procedures 4 PANOSE Mapper software 5 Standardizations 6 References 7 External linksHistory EditThe original PANOSE System was developed in 1985 by Benjamin Bauermeister In 1988 it was published by Van Nostrand Reinhold Company Inc under the title A Manual of Comparative Typography The PANOSE System This initial version of the PANOSE system consisted of seven classification categories and was based on subjective visual parameters In 1990 the Weight category was added and the Arm Style category was split off from the Stroke Variation category bringing the number of classification categories to 9 Objective classification criteria were also added at this time In 1991 the Family Kind category was added completing the PANOSE 1 0 definition In 1992 there were attempts made to classify Han ideographic typefaces which allows applications to suggest the most appropriate Latin typeface to match a given Han ideographic typeface Transliteral mapping could also be used to match between for example decorative or script faces and text equivalents In 1993 Mapper Application Interface MAI was developed PANOSE 2 0 was also released in the same year which is the basis for Hewlett Packard s Infinifont font synthesis technology PANOSE was incorporated into a variety of digital font metadata tags in 1992 by ElseWare Corporation The classification system its matching algorithms reference databases classification parameters and trademarks were purchased by Hewlett Packard in 1995 A font synthesis engine named Infinifont was also purchased by Hewlett Packard at that time Revisions Edit1 0 Edit The PANOSE 1 0 definition was published in 1988 A PANOSE classification number consists of 10 concatenated values Each value from a given category was computed from a specific visual metric such as the weight of the font and the presence or absence of serifs Special values Any 0 and No Fit 1 exist for every category which have specific meanings to the mapper Any means match that digit with any available digit which allows the mapper to handle distortable typefaces No Fit means that the item being classified does not fit within the present system The standard classifies fonts in following categories in following order Family The Family value defines what type of font is being classified which affects the valid values available for the latter categories and the categories available Different category definitions exist for Latin Text Latin Hand Written Latin Decorative Latin Symbol Iconographic Japanese Text Cyrillic Text and Hebrew citation needed Latin Text categories Edit Serif Style it describes the appearance of the serifs used in a font design and groups them into one of 14 general categories Serif and sans serif faces are classified within this digit Weight it classifies the appearance of a font s stem thickness in relation to its height It offers 10 gradations ranging from Very Light to Extra Black Proportion it describes the relative proportions of the characters in the font Distinguishes Monospaced from Proportional Modern from Old Style and Extended from Condensed Contrast it describes the ratio between the thickest and narrowest points on the letter O The uppercase O is used because it is generally of higher contrast than the other characters of the alphabet Stroke Variation it specifies the relationship between the thicknesses of the thin stems and the wide stems It further details the contrast trait by describing the kind of transition that occurs as the stem thickness changes on rounded glyph shapes Arm Style it classifies special treatment of diagonal stems and termination of open rounded letterforms The letter A and C are used extensively for this classification along with G M S V W and Y Letterform it classifies roundness of the character shapes and the predominant skewing of the character forms Midline it describes the placement of the midline across the uppercase characters and the treatment of diagonal stem apexes X height it describes the treatment of uppercase glyphs with diacritical marks and the relative size of the lowercase characters Latin Hand Written categories Edit This section needs expansion with descriptions You can help by adding to it February 2013 Tool Kind Weight Spacing Aspect Ratio Contrast Topology Form Finials Possible values are 0 Any 1 No fit 2 3 4 None 5 6 7 Sharp 8 9 10 Tapered 11 12 13 Round For each of the latter options there are three variants respectively No loops Closed Loops and Open loops X ascent Latin Decoratives categories Edit This section needs expansion with descriptions You can help by adding to it February 2013 Class Weight Aspect Contrast Serif Variant Treatment Lining Topology Range of Characters Latin Symbol categories Edit This section needs expansion with descriptions You can help by adding to it February 2013 Kind Weight Spacing Aspect Ratio amp Contrast Aspect Ratio of Character 94 Aspect Ratio of Character 119 Aspect Ratio of Character 157 Aspect Ratio of Character 163 Aspect Ratio of Character 211 Example Edit For example the PANOSE digits for Times New Roman are Family Kind 2 Latin text Serif Style 2 Cove Weight 6 Medium Proportion 3 Modern Contrast 5 Medium low Stroke variation 4 Transitional Arm style 5 Straight arms Letterform 2 Round Midline 3 Standard X height 4 Large 2 0 Edit The system stores actual measurement data under the Rich Font Description RFD rather than bucketing it which allows the matching system to use mathematical distance rather than penalty tables It is designed for distortable font technologies e g Multi Master fonts The system offers multiple methods for distortable fonts The original classification system was changed from a bucket based system to an arithmetic system except the Family from PANOSE 1 0 and derivatives and was expanded to following categories 1 0 2 0Family Class GenreSerif Style Serif Measure Serif Tall Measure Serif Tip Measure Serif Hip Roundness Serif Tip Roundness Serif Angle Serif Drop Measure Serif Balance Measure Serif Foot Pitch Measure Serif Cup MeasureWeight Weight MeasureProportion Monospace Flag Distortion Measure Ratio MeasureContrast Narrow Stem MeasureStroke Speed Factor Stress up Angle Stress low AngleArm Style Stem Taper Factor Stem Dishing Measure Stem Bowing Measure Stem Termination Type Stem Termination AngleLetterform Slant Angle Outer Curve Factor Side Flat Factor Top Flat Factor Bowl Mid out MeasureMidline Mid E Measure Mid A Measure Apex Trim Factor Apex Serif FlagX Height X Tall Measure Diacritical Locationnone Cap Scale FactorEach PANOSE 2 0 category value is a signed 16 bit number from 32 768 to 32 767 only ranges between 10 000 and 10 000 are defined where value zero 0 is considered to be the normal for the digit For example digit zero for the weight represents medium weight The any value from PANOSE 1 0 is translated to a don t care parameter and is replaced by the more comprehensive distortable font descriptions The Family category is replaced by Class and Genre where Class indicates a font s language and character set where Genre indicates text faces display faces symbol faces and so on PANOSE matching software is designed to match fonts with different Class but same Genre The same Genre can have different meaning in different Class so the matching heuristic decides the closeness of fonts based on adjusted values based on Class rather than raw PANOSE values within the fonts themselves PANOSE Classification Procedures EditClassification Procedures are objective measurement techniques used to assign a PANOSE number to a font PANOSE Mapper software EditThe PANOSE Mapper software determines the closest possible font match on any given system by comparing the PANOSE numbers of the requested and available fonts The individual PANOSE digits are compared weighted by their typographic importance and summed to provide a numerical visual distance Typographic importance is derived by assigning weights to each digit for example a font s weight regular bold demibold etc is more important than its contrast difference between thick and thin strokes Standardizations EditPANOSE 1 0 table is supported in TrueType font format PANOSE 2 0 is used in ElseWare Corporation s Infinifont parametric font generation system In 1996 during the W3C s draft process for CSS 1 Hewlett Packard proposed a PANOSE syntax extension for font substitution It was not included in the final CSS 1 recommendation partly because of licensing concerns Although Hewlett Packard Co is not interested in profiting from PANOSE it will negotiate licenses on a time and materials basis 2 PANOSE 1 0 is supported in SVG since version 1 0 in the font face element under panose 1 attribute 3 In CSS 2 it is used in the panose 1 property 4 which was removed in CSS 2 1 In Office Open XML it is part of WordProcessingML 5 PANOSE 1 0 is used in Rich Text Format Specification 1 7 6 References Edit Yannis Haralambous Fonts amp Encodings O Reilly Media 2007 p 424 ISBN 0 596 10242 9 PANOSE An Ideal Typeface Matching System for the Web 20 8 3 The font face element 15 3 6 Descriptors for Matching panose 1 stemv stemh slope cap height x height ascent and descent WordML and Panose Yes Panose RTF Version 1 7 permanent dead link Clyde D McQueen III Raymond G Beausoleil Infinifont a parametric font generation system ElseWare Corporation Benjamin Bauermeister A Manual of Comparative Typography The PANOSE System Van Nostrand Reinhold Company Inc ISBN 0 442 21187 2 1988 ISBN 978 0 442 21187 5 Doyle John R Evaluating the IBM and HP PANOSE font classification systems In Online Information Review 29 5 2005 468 482 doi 10 1108 14684520510628873 Doyle argues that IBM and PANOSE classification systems are underused and do not represent the main useful methods of font classification External links EditPANOSE 1 0 Reference PANOSE 2 0 White Paper Example classification cheat sheet Windows GDI PANOSE The Panose Typeface Matching System Retrieved from https en wikipedia org w index php title PANOSE amp oldid 1152017280, wikipedia, wiki, book, books, library,

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