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Opéra-ballet

Opéra-ballet (French: [ɔ.pe.ʁa.ba.lɛ]; plural: opéras-ballets)[1] is a genre of French Baroque lyric theatre that was most popular during the 18th century,[2] combining elements of opera and ballet,[3] "that grew out of the ballets à entrées of the early seventeenth century".[4] It differed from the more elevated tragédie en musique as practised by Jean-Baptiste Lully in several ways. It contained more dance music than the tragédie, and the plots were not necessarily derived from classical mythology and allowed for the comic elements, which Lully had excluded from the tragédie en musique after Thésée (1675). The opéra-ballet consisted of a prologue followed by a number of self-contained acts (also known as entrées), often loosely grouped around a single theme. The individual acts could also be performed independently, in which case they were known as actes de ballet.

The first work in the genre is generally held to be André Campra's L'Europe galante ("Europe in Love") of 1697,[5] but Les Saisons[6] of 1695 is so typical of the genre that it is mentioned as the most distinctive prototype of this sort of composition,[4] although the latter has a mythological plot. Famous later examples are Les élémens (1721) by Destouches, Les Indes galantes (1735), and Les fêtes d'Hébé (1739) by Jean-Philippe Rameau.

Notes edit

  1. ^ Bartlet 1992, p. 683; Anthony 2001; Bellingham 2002; Warrack & West 1992.
  2. ^ Anthony 2001.
  3. ^ Bartlet 1992, p. 683.
  4. ^ a b Pitou 1983, p. 278 "Opéra-ballet".
  5. ^ Warrack & West, Ewan 1992, p. 520.
  6. ^ Composed by Pascal Collasse and by Louis Lully, possibly by also borrowing from the late (that is, Jean-Baptiste) Lully (Pitou 1983, pp. 308–309 "Les Saisons").

References edit

  • Anthony, James R. (2001). "Opéra-ballet" in The New Grove Dictionary of Music and Musicians, 2nd edition, edited by Stanley Sadie. London: Macmillan. ISBN 9781561592395 (hardcover). OCLC 419285866 (eBook). Also at Oxford Music Online (subscription required).
  • Bartlet, M. Elizabeth C. (1992). "Opéra-ballet", vol. 3, pp. 683–684, in The New Grove Dictionary of Opera, 4 volumes, edited by Stanley Sadie. New York: Grove. ISBN 9781561592289. Also at Oxford Music Online (subscription required).
  • Bellingham, Jane (2002). "opéra-ballet", p. 862, in The Oxford Companion to Music, edited by Alison Latham. Oxford: Oxford University Press. ISBN 9780198662129. Also at Oxford Music Online (subscription required).
  • Pitou, Spire (1983). The Paris Opéra. An Encyclopedia of Operas, Ballets, Composers, and Performers – Genesis and Glory, 1671-1715. Westport, Connecticut: Greenwood Press. ISBN 9780313214202.
  • Warrack, John; West, Ewan (1992). The Oxford Dictionary of Opera. Oxford: Oxford University Press. ISBN 9780198691648.


opéra, ballet, french, plural, opéras, ballets, genre, french, baroque, lyric, theatre, that, most, popular, during, 18th, century, combining, elements, opera, ballet, that, grew, ballets, entrées, early, seventeenth, century, differed, from, more, elevated, t. Opera ballet French ɔ pe ʁa ba lɛ plural operas ballets 1 is a genre of French Baroque lyric theatre that was most popular during the 18th century 2 combining elements of opera and ballet 3 that grew out of the ballets a entrees of the early seventeenth century 4 It differed from the more elevated tragedie en musique as practised by Jean Baptiste Lully in several ways It contained more dance music than the tragedie and the plots were not necessarily derived from classical mythology and allowed for the comic elements which Lully had excluded from the tragedie en musique after Thesee 1675 The opera ballet consisted of a prologue followed by a number of self contained acts also known as entrees often loosely grouped around a single theme The individual acts could also be performed independently in which case they were known as actes de ballet The first work in the genre is generally held to be Andre Campra s L Europe galante Europe in Love of 1697 5 but Les Saisons 6 of 1695 is so typical of the genre that it is mentioned as the most distinctive prototype of this sort of composition 4 although the latter has a mythological plot Famous later examples are Les elemens 1721 by Destouches Les Indes galantes 1735 and Les fetes d Hebe 1739 by Jean Philippe Rameau Notes edit Bartlet 1992 p 683 Anthony 2001 Bellingham 2002 Warrack amp West 1992 Anthony 2001 Bartlet 1992 p 683 a b Pitou 1983 p 278 Opera ballet Warrack amp West Ewan 1992 p 520 Composed by Pascal Collasse and by Louis Lully possibly by also borrowing from the late that is Jean Baptiste Lully Pitou 1983 pp 308 309 Les Saisons References editAnthony James R 2001 Opera ballet in The New Grove Dictionary of Music and Musicians 2nd edition edited by Stanley Sadie London Macmillan ISBN 9781561592395 hardcover OCLC 419285866 eBook Also at Oxford Music Online subscription required Bartlet M Elizabeth C 1992 Opera ballet vol 3 pp 683 684 in The New Grove Dictionary of Opera 4 volumes edited by Stanley Sadie New York Grove ISBN 9781561592289 Also at Oxford Music Online subscription required Bellingham Jane 2002 opera ballet p 862 in The Oxford Companion to Music edited by Alison Latham Oxford Oxford University Press ISBN 9780198662129 Also at Oxford Music Online subscription required Pitou Spire 1983 The Paris Opera An Encyclopedia of Operas Ballets Composers and Performers Genesis and Glory 1671 1715 Westport Connecticut Greenwood Press ISBN 9780313214202 Warrack John West Ewan 1992 The Oxford Dictionary of Opera Oxford Oxford University Press ISBN 9780198691648 nbsp This article about an opera or opera related subject is a stub You can help Wikipedia by expanding it vte nbsp This ballet related article is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Opera ballet amp oldid 1119144561, wikipedia, wiki, book, books, library,

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