The melody derived from band members' riffs—Basie rarely wrote down musical ideas, so Eddie Durham and Buster Smith helped him crystallize his ideas. The original 1937 recording of the tune by Basie and his band is noted for the saxophone work of Herschel Evans and Lester Young, trumpet by Buck Clayton, Walter Page on bass, and Basie himself on piano.[1] The song is typical of Basie's early riff style. The instrumentation is based on "head arrangements" where each section makes up their part based on what the other sections are playing. Individuals take turns improvising over the top of the entire sound. Basie recorded "One O'Clock Jump" several times after the original performance for Decca in 1937, for Columbia in 1942 and 1950 and on a number of occasions in the fifties. "One O'Clock Jump" became the theme song of the Count Basie Orchestra. They used it to close each of their concerts for the next half century. It was reportedly titled "Blue Ball" at first but a radio announcer feared that title was too risqué.[2]
"Two O'Clock Jump" was a performance by Harry James and his big band in 1939, slightly based on "One O'Clock Jump" but using triplets. Several versions of the original by Harry James and Benny Goodman feature the "Two O'Clock Jump" ending. Lionel Hampton used the song as his theme song for a while as well. Basie later released "Jumpin' at the Woodside" in a similar style.
A popular jazz standard for virtually all top swing bands and their fans and jitterbuggers, it was part of the concert bill for Benny Goodman's famous 1938 concert at Carnegie Hall. It was also the last number ever recorded by Earl Hines, in 1981 after a 58-year recording career.[4]
^Green, Alfred (2015). Rhythm Is My Beat: Jazz Guitar Great Freddie Green and the Count Basie Sound. Lanham, Maryland: Rowman & Littlefield. p. xxvi. 1979 Basie's signature tune, "One O'Clock Jump," is inducted into the Grammy Hall of Fame.
^At São Paulo, Brazil, when he was aged 78: One O'clock Jump with Eric Schneider and the 150 Band on "Fatha's Birthday" (source: Tom Lord, The Jazz Discography)
^Al Hirt, He's the King and His Band Retrieved April 6, 2013.
clock, jump, 1957, album, album, jazz, standard, blues, instrumental, written, count, basie, 1937, single, count, basieb, side, john, idea, released1937recordedjuly, 1937, york, nygenrejazzlength3, 02labeldecca1363songwriter, count, basie, contents, background. For the 1957 album see One O Clock Jump album One O Clock Jump is a jazz standard a 12 bar blues instrumental written by Count Basie in 1937 One O Clock Jump Single by Count BasieB side John s Idea Released1937RecordedJuly 7 1937 New York NYGenreJazzLength3 02LabelDecca1363Songwriter s Count Basie Contents 1 Background 2 Accolades 3 Other versions 4 Appearance in film and television 5 Web sources 6 See alsoBackground EditThe melody derived from band members riffs Basie rarely wrote down musical ideas so Eddie Durham and Buster Smith helped him crystallize his ideas The original 1937 recording of the tune by Basie and his band is noted for the saxophone work of Herschel Evans and Lester Young trumpet by Buck Clayton Walter Page on bass and Basie himself on piano 1 The song is typical of Basie s early riff style The instrumentation is based on head arrangements where each section makes up their part based on what the other sections are playing Individuals take turns improvising over the top of the entire sound Basie recorded One O Clock Jump several times after the original performance for Decca in 1937 for Columbia in 1942 and 1950 and on a number of occasions in the fifties One O Clock Jump became the theme song of the Count Basie Orchestra They used it to close each of their concerts for the next half century It was reportedly titled Blue Ball at first but a radio announcer feared that title was too risque 2 Accolades EditIn 1979 the song was inducted into the Grammy Hall of Fame 3 Later it was listed in the Songs of the Century Other versions Edit Two O Clock Jump was a performance by Harry James and his big band in 1939 slightly based on One O Clock Jump but using triplets Several versions of the original by Harry James and Benny Goodman feature the Two O Clock Jump ending Lionel Hampton used the song as his theme song for a while as well Basie later released Jumpin at the Woodside in a similar style A popular jazz standard for virtually all top swing bands and their fans and jitterbuggers it was part of the concert bill for Benny Goodman s famous 1938 concert at Carnegie Hall It was also the last number ever recorded by Earl Hines in 1981 after a 58 year recording career 4 Al Hirt released a version on his 1961 album He s the King and His Band 5 Rush drummer Neil Peart included One O Clock Jump in his drum solos on the band s concert tours in 2002 and 2004 Appearance in film and television EditThe Tuskegee Airmen The Grass Harp 1995 film version Harlem Nights Enigma The English Patient Reveille with Beverly Bon Voyage Charlie Brown and Don t Come Back The Gong ShowWeb sources Edit PBS All About Jazz Green Alfred 2015 Rhythm Is My Beat Jazz Guitar Great Freddie Green and the Count Basie Sound Lanham Maryland Rowman amp Littlefield p xxvi 1979 Basie s signature tune One O Clock Jump is inducted into the Grammy Hall of Fame At Sao Paulo Brazil when he was aged 78 One O clock Jump with Eric Schneider and the 150 Band on Fatha s Birthday source Tom Lord The Jazz Discography Al Hirt He s the King and His Band Retrieved April 6 2013 See also EditList of 1930s jazz standards Retrieved from https en wikipedia org w index php title One O 27Clock Jump amp oldid 1149917819, wikipedia, wiki, book, books, library,
