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Nia Love

Nia Love is a dancer and choreographer based in New York City. She is a radical thinker, artist, performer and professor that focuses on Modern dance, Post-Modern dance, and West African dance. She is known for her spiritual relationships to movement and performance,[1] as well as her personal work that is critical of structural racism and examines the role of women in dance through her poetry, movement and art.[2]

Nia Love

Early life and inspiration edit

Love was raised in Florida, where her father Ed was a professor at Florida State University (FSU). Love apprenticed with the Cuban National Ballet in Havana, Cuba in 1978 and 1986.[3] She received her MFA in Dance at FSU in 1992.[4] Love's dance style draws inspiration from Butoh, Modern dance forms, and traditional African dance.[5] While at FSU, she integrated live drumming into her classes and performances.[4] Regarding her work's individuality, she has cited inspiration from her father and her emphasis on family, as well as traditional Japanese dance influences, having studied Butoh under Min Tanaka.

Teaching edit

In the early 1990s, Love taught an Alternative Learning Program in the Arts with a focus on African culture in Los Angeles.[4] Since then, Love has taught through many programs and institutions, such as: American Dance Festival, Smith College, Williams College, Sarah Lawrence College, Hunter College, University of Colorado, Movement Research, and Bates Dance Festival.[6] She currently teaches at Queens College, Hunter College, and The New School.

List of choreographed works edit

  • Ye Who Seeks Balance in the Midst of Chaos Shall Rise to a Warrior's Stance - 1990[5]
  • Pow - 1993[7]
  • Listen, Little Man - 1994[2]
  • Wind at My Back - 1995[8]
  • Bringing' It Together - 2001[9]
  • No Dancing Please! - 2001[10]
  • Residue - 2001[11]
  • g1(host): lostatsea - 2019[12]

Fellowships and awards edit

  • Fulbright Fellow - 2001 to 2003
  • Brooklyn Arts Exchange Artist in Residence - 2011 to 2012, 2013 to 2014
  • Suitcase Fund Award/African - 2013 to 2014
  • Middle East Cultural Partnership - 2013 to 2014
  • New Directions Choreographic Laboratory - 2013 to 2014[6]
  • CUNY Dance Initiative - 2014 to 2015
  • Movement Research Artist in Residence - 2016[3]
  • The Bessie Award - 2017 [13]

References edit

  1. ^ Lewis, Julinda (August 1991). "Black Choreographers Moving Toward the 21st Century: Nia Love-Pointer; Bebe Miller". DANCE Magazine.
  2. ^ a b Sloat, Susanna (Spring 1994). "Bust a Move!". Vol. 10, no. 2. Attitude.
  3. ^ a b "Nia Love". Movement Research. Retrieved 30 March 2017.
  4. ^ a b c Arnold, Denise (May 14, 1992). "Class blends dance and drums to explore African roots". Vol. 77, no. 154. Florida Flambeau.
  5. ^ a b Segal, Lewis (July 23, 1990). "'Kaleidoscope' Proves Artistry More Telling Than Ethnicity". The Los Angeles Times.
  6. ^ a b "Nia Love – CUNY Dance Initiative". Retrieved 2018-03-20.
  7. ^ Gere, David (May 29, 1993). "Originality, variety shown in Black Choreographers Moving". The Oakland Tribune.
  8. ^ "Dance". The Village Voice. August 8, 1995.
  9. ^ Curtis, Lisa J. (June 4, 2001). "Dance flowers in Brooklyn". The Brooklyn Papers.
  10. ^ Dunning, Jennifer (June 7, 2001). "Through Sidewalk Cracks, Hardy Cultural Flowers Leap Toward the Sun". The New York Times.
  11. ^ "Blacksmith's Daughter forges emotion connection in Residue". The Republican Journal. July 12, 2001.
  12. ^ "Gibney Presents nia love's 'g1(host): lostatsea' Nov. 7-9, 2019". gibneydance.org. Retrieved 2020-04-21.
  13. ^ "Awards". The Bessies. Retrieved 2018-05-26.


love, dancer, choreographer, based, york, city, radical, thinker, artist, performer, professor, that, focuses, modern, dance, post, modern, dance, west, african, dance, known, spiritual, relationships, movement, performance, well, personal, work, that, critica. Nia Love is a dancer and choreographer based in New York City She is a radical thinker artist performer and professor that focuses on Modern dance Post Modern dance and West African dance She is known for her spiritual relationships to movement and performance 1 as well as her personal work that is critical of structural racism and examines the role of women in dance through her poetry movement and art 2 Nia Love Contents 1 Early life and inspiration 2 Teaching 3 List of choreographed works 4 Fellowships and awards 5 ReferencesEarly life and inspiration editLove was raised in Florida where her father Ed was a professor at Florida State University FSU Love apprenticed with the Cuban National Ballet in Havana Cuba in 1978 and 1986 3 She received her MFA in Dance at FSU in 1992 4 Love s dance style draws inspiration from Butoh Modern dance forms and traditional African dance 5 While at FSU she integrated live drumming into her classes and performances 4 Regarding her work s individuality she has cited inspiration from her father and her emphasis on family as well as traditional Japanese dance influences having studied Butoh under Min Tanaka Teaching editIn the early 1990s Love taught an Alternative Learning Program in the Arts with a focus on African culture in Los Angeles 4 Since then Love has taught through many programs and institutions such as American Dance Festival Smith College Williams College Sarah Lawrence College Hunter College University of Colorado Movement Research and Bates Dance Festival 6 She currently teaches at Queens College Hunter College and The New School List of choreographed works editYe Who Seeks Balance in the Midst of Chaos Shall Rise to a Warrior s Stance 1990 5 Pow 1993 7 Listen Little Man 1994 2 Wind at My Back 1995 8 Bringing It Together 2001 9 No Dancing Please 2001 10 Residue 2001 11 g1 host lostatsea 2019 12 Fellowships and awards editFulbright Fellow 2001 to 2003 Brooklyn Arts Exchange Artist in Residence 2011 to 2012 2013 to 2014 Suitcase Fund Award African 2013 to 2014 Middle East Cultural Partnership 2013 to 2014 New Directions Choreographic Laboratory 2013 to 2014 6 CUNY Dance Initiative 2014 to 2015 Movement Research Artist in Residence 2016 3 The Bessie Award 2017 13 References edit Lewis Julinda August 1991 Black Choreographers Moving Toward the 21st Century Nia Love Pointer Bebe Miller DANCE Magazine a b Sloat Susanna Spring 1994 Bust a Move Vol 10 no 2 Attitude a b Nia Love Movement Research Retrieved 30 March 2017 a b c Arnold Denise May 14 1992 Class blends dance and drums to explore African roots Vol 77 no 154 Florida Flambeau a b Segal Lewis July 23 1990 Kaleidoscope Proves Artistry More Telling Than Ethnicity The Los Angeles Times a b Nia Love CUNY Dance Initiative Retrieved 2018 03 20 Gere David May 29 1993 Originality variety shown in Black Choreographers Moving The Oakland Tribune Dance The Village Voice August 8 1995 Curtis Lisa J June 4 2001 Dance flowers in Brooklyn The Brooklyn Papers Dunning Jennifer June 7 2001 Through Sidewalk Cracks Hardy Cultural Flowers Leap Toward the Sun The New York Times Blacksmith s Daughter forges emotion connection in Residue The Republican Journal July 12 2001 Gibney Presents nia love s g1 host lostatsea Nov 7 9 2019 gibneydance org Retrieved 2020 04 21 Awards The Bessies Retrieved 2018 05 26 nbsp This article about an artist from the United States is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Nia Love amp oldid 1096140622, wikipedia, wiki, book, books, library,

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