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New Orleans (1947 film)

New Orleans is a 1947 American musical romance film starring Arturo de Córdova and Dorothy Patrick, and directed by Arthur Lubin.[1] Though it features a rather conventional plot, the film is noteworthy both for casting jazz legends Billie Holiday as a singing maid romantically involved with bandleader Louis Armstrong, and extensive playing of New Orleans-style Dixieland jazz: over twenty songs (or versions of songs) are featured in whole or part.

New Orleans
Theatrical release poster
Directed byArthur Lubin
Screenplay byElliot Paul
Dick Irving Hyland
Story byElliot Paul
Herbert J. Biberman
Produced byJules Levey
Herbert Biberman
StarringArturo de Córdova
Dorothy Patrick
Marjorie Lord
Billie Holiday
Louis Armstrong
Woody Herman
CinematographyLucien Andriot
Music byNat W. Finston
Woody Herman
Production
company
Majestic Productions
Distributed byUnited Artists
Release date
  • April 18, 1947 (1947-04-18) (United States)
Running time
90 minutes
CountryUnited States
LanguageEnglish

Armstrong's band contains a virtual Who's Who of classic jazz greats, including trombonist Kid Ory, drummer Zutty Singleton, clarinetist Barney Bigard, guitar player Bud Scott, bassist George "Red" Callender, pianist Charlie Beal, and pianist Meade Lux Lewis. Also performing in the film is cornetist Mutt Carey and bandleader Woody Herman.

New Orleans is Holiday's only feature film appearance.[2]

Plot

A Storyville casino owner and a high society opera singer fall in love during the birth of the blues in New Orleans.

Cast

Production

New Orleans has its origins in an abandoned component of an unfinished RKO Pictures feature film by Orson Welles — "The Story of Jazz" segment of It's All True. A history of jazz alternatively titled "Jam Session", the section of the film was being written by Elliot Paul in 1941 under contract to Welles. The story of Louis Armstrong was to have been central to that segment of It's All True.[3]: 29, 282, 325 [4]: 138–139 

An additional connection to Welles is that several members of the film's Original New Orleans Ragtime Band — Kid Ory, Mutt Carey, Bud Scott, Barney Bigard and Zutty Singleton — had first been brought together in 1944, for his CBS Radio series, The Orson Welles Almanac.[4]: 138–139 

New Orleans is the only feature film made by singer Billie Holiday, and the last film in which writer-producer Herbert J. Biberman was involved before he was blacklisted.[2]

Producer Jules Levey wanted to make a film about the history of jazz.[5] Lubin signed to direct in July 1946.[6]

Levey's associate was Herbert Biberman who said "we're not archaeologists. We're trying to be accurate with dates and places, if not names – and still turn out an entertaining picture."[5]

In July 1946 Arthur Lubin was scouting for locations in New Orleans. He hoped to feature Lena Horne, Duke Ellington and other black musicians.[7] Ten days of location filming started on 28 August and cost $110,000.[8] The National Jazz Foundation collaborated with Lubin during filming.[9]

De Cordova was borrowed from Eagle-Lion Films in August.[10] Dorothy Patrick was borrowed from MGM.[11] Levey was so pleased with the performances of Patrick and de Cordova he wanted to reteam them in a film called Monterey to celebrate California's 100th anniversary, though the picture was never made.[12]

Reception

A 2019 review in Diabolique magazine stated, "it’s one of those movies where critics generally go “the music’s great but everything else is terrible and isn’t Hollywood racist” which is basically true – but it was 1947, what did people expect? At least there is a lot of music, Louis Armstrong and Dorothy Patrick are charming, it’s fascinating to see Holliday in a movie and I love how in the story her character marries Armstrong’s. Also Lubin seems to have genuine affection for the characters and the music – it’s much better than his previous three features."[13]

Home media

Soundtrack

Although most of the music created for New Orleans was truncated in the film's release version,[15]: 117  a soundtrack issued in 1983 made the full versions of the songs available, with additional music cut from the final release.[2][16] Songs include "Do You Know What It Means to Miss New Orleans?"

Tracklist

Per AFI,[2] the tracklist is:

References

  1. ^ New Orleans Monthly Film Bulletin; London Vol. 15, Iss. 169, (Jan 1, 1948): 18.
  2. ^ a b c d "New Orleans". American Film Institute Catalog of Motion Pictures. Retrieved 2014-03-24.
  3. ^ Benamou, Catherine L., It's All True: Orson Welles's Pan-American Odyssey. Berkeley: University of California Press, 2007 ISBN 978-0-520-24247-0
  4. ^ a b Stowe, David Ware, Swing Changes: Big-Band Jazz in New Deal America. Cambridge, Massachusetts [u.a.]: Harvard University Press, 1998, ISBN 9780674858268
  5. ^ a b Elusive Saga of Jazz May Be Found Here: New Orleans' Screens Real Story of How American Folk Music Developed Scheuer, Philip K. Los Angeles Times 27 Oct 1946: B1.
  6. ^ Comedy Snaring Roz; Culver Studio-Pacted Schallert, Edwin. Los Angeles Times Calif]24 July 1946: A2.
  7. ^ Looking at Hollywood Hopper, Hedda. Chicago Daily Tribune 25 July 1946: 23.
  8. ^ 'AMBER' IN HOLLYWOOD: NOTED IN HOLLYWOOD Yes and No The Pay-Off By THOMAS F. BRADY. New York Times 3 Nov 1946: 65.
  9. ^ "Jules Levey Crew in new Orleans". 28 August 1946. p. 15. {{cite magazine}}: Cite magazine requires |magazine= (help)
  10. ^ CAGNEY, BOGEAUS CLOSE STUDIO DEAL THE NEW YORK TIMES.1 Aug 1946: 30.
  11. ^ Jane Greer Attains Dramatic Highroad Schallert, Edwin. Los Angeles Times 16 Sep 1946: A2.
  12. ^ Schallert, Edwin. "Paramount Recruits Television's Blossom" Los Angeles Times 10 Oct 1946: A3.
  13. ^ Vagg, Stephen (14 September 2019). "The Cinema of Arthur Lubin". Diabolique Magazine.
  14. ^ . Kino Lorber Home Video. Archived from the original on 2014-03-25. Retrieved 2014-03-24.
  15. ^ Bergan, Ronald, The United Artists Story. New York: Crown Publishers, Inc., 1986, ISBN 0-517-56100X
  16. ^ "New Orleans Original Motion Picture Soundtrack". Discogs. Retrieved 2014-03-24.

External links

orleans, 1947, film, orleans, 1947, american, musical, romance, film, starring, arturo, córdova, dorothy, patrick, directed, arthur, lubin, though, features, rather, conventional, plot, film, noteworthy, both, casting, jazz, legends, billie, holiday, singing, . New Orleans is a 1947 American musical romance film starring Arturo de Cordova and Dorothy Patrick and directed by Arthur Lubin 1 Though it features a rather conventional plot the film is noteworthy both for casting jazz legends Billie Holiday as a singing maid romantically involved with bandleader Louis Armstrong and extensive playing of New Orleans style Dixieland jazz over twenty songs or versions of songs are featured in whole or part New OrleansTheatrical release posterDirected byArthur LubinScreenplay byElliot PaulDick Irving HylandStory byElliot PaulHerbert J BibermanProduced byJules LeveyHerbert BibermanStarringArturo de CordovaDorothy PatrickMarjorie LordBillie HolidayLouis ArmstrongWoody HermanCinematographyLucien AndriotMusic byNat W FinstonWoody HermanProductioncompanyMajestic ProductionsDistributed byUnited ArtistsRelease dateApril 18 1947 1947 04 18 United States Running time90 minutesCountryUnited StatesLanguageEnglishArmstrong s band contains a virtual Who s Who of classic jazz greats including trombonist Kid Ory drummer Zutty Singleton clarinetist Barney Bigard guitar player Bud Scott bassist George Red Callender pianist Charlie Beal and pianist Meade Lux Lewis Also performing in the film is cornetist Mutt Carey and bandleader Woody Herman New Orleansis Holiday s only feature film appearance 2 Contents 1 Plot 2 Cast 3 Production 4 Reception 5 Home media 6 Soundtrack 6 1 Tracklist 7 References 8 External linksPlot EditA Storyville casino owner and a high society opera singer fall in love during the birth of the blues in New Orleans Cast EditArturo de Cordova as Nick Duquesne Dorothy Patrick as Miralee Smith Marjorie Lord as Grace Voiselle Irene Rich as Mrs Rutledge Smith John Alexander as Col McArdle Richard Hageman as Henry Ferber Jack Lambert as Biff Lewis Bert Conway as Tommy Lake Joan Blair as Constance Vigil John Canady Louis Armstrong Billie Holiday as Endie Woody Herman and His Orchestra Zutty Singleton on drums Barney Bigard on clarinet Kid Ory on trombone Bud Scott on guitar Red Callender on bass Charlie Beal on piano Meade Lux Lewis on piano Mutt Carey on trumpet Shelley Winters as Miss Holmbright Nick s New York secretary uncredited Production EditNew Orleans has its origins in an abandoned component of an unfinished RKO Pictures feature film by Orson Welles The Story of Jazz segment of It s All True A history of jazz alternatively titled Jam Session the section of the film was being written by Elliot Paul in 1941 under contract to Welles The story of Louis Armstrong was to have been central to that segment of It s All True 3 29 282 325 4 138 139 An additional connection to Welles is that several members of the film s Original New Orleans Ragtime Band Kid Ory Mutt Carey Bud Scott Barney Bigard and Zutty Singleton had first been brought together in 1944 for his CBS Radio series The Orson Welles Almanac 4 138 139 New Orleans is the only feature film made by singer Billie Holiday and the last film in which writer producer Herbert J Biberman was involved before he was blacklisted 2 Producer Jules Levey wanted to make a film about the history of jazz 5 Lubin signed to direct in July 1946 6 Levey s associate was Herbert Biberman who said we re not archaeologists We re trying to be accurate with dates and places if not names and still turn out an entertaining picture 5 In July 1946 Arthur Lubin was scouting for locations in New Orleans He hoped to feature Lena Horne Duke Ellington and other black musicians 7 Ten days of location filming started on 28 August and cost 110 000 8 The National Jazz Foundation collaborated with Lubin during filming 9 De Cordova was borrowed from Eagle Lion Films in August 10 Dorothy Patrick was borrowed from MGM 11 Levey was so pleased with the performances of Patrick and de Cordova he wanted to reteam them in a film called Monterey to celebrate California s 100th anniversary though the picture was never made 12 Reception EditA 2019 review in Diabolique magazine stated it s one of those movies where critics generally go the music s great but everything else is terrible and isn t Hollywood racist which is basically true but it was 1947 what did people expect At least there is a lot of music Louis Armstrong and Dorothy Patrick are charming it s fascinating to see Holliday in a movie and I love how in the story her character marries Armstrong s Also Lubin seems to have genuine affection for the characters and the music it s much better than his previous three features 13 Home media Edit2000 Kino Lorber Home Video Region 1 DVD April 25 2000 14 Soundtrack EditAlthough most of the music created for New Orleans was truncated in the film s release version 15 117 a soundtrack issued in 1983 made the full versions of the songs available with additional music cut from the final release 2 16 Songs include Do You Know What It Means to Miss New Orleans Tracklist Edit Per AFI 2 the tracklist is A1 Flee As A Bird When The Saints Go Marching In A2 West End Blues A3 Do You Know What It Means To Miss New Orleans A4 Brahms Lullaby A5 Tiger Rag A6 Buddy Bolden Blues Take 3 A7 Buddy Bolden Blues Take 4 A8 Basin St Blues A9 Raymond St Blues A10 Milenberg Joys A11 Where The Blues Were Born In New Orleans A12 Farewell To Storyville B1 Beale Street Stomp B2 Dippermouth Blues Slow Version B3 Dippermouth Blues Fast Version B4 Shimme Sha Wabble B5 Ballin The Jack B6 King Porter Stomp B7 Mahogany Hall Stomp Slow Version B8 Mahogany Hall Stomp Fast Version B9 The Blues Are Brewin B10 Endie B11 Do You Know What It Means To Miss New Orleans References Edit New Orleans Monthly Film Bulletin London Vol 15 Iss 169 Jan 1 1948 18 a b c d New Orleans American Film Institute Catalog of Motion Pictures Retrieved 2014 03 24 Benamou Catherine L It s All True Orson Welles s Pan American Odyssey Berkeley University of California Press 2007 ISBN 978 0 520 24247 0 a b Stowe David Ware Swing Changes Big Band Jazz in New Deal America Cambridge Massachusetts u a Harvard University Press 1998 ISBN 9780674858268 a b Elusive Saga of Jazz May Be Found Here New Orleans Screens Real Story of How American Folk Music Developed Scheuer Philip K Los Angeles Times 27 Oct 1946 B1 Comedy Snaring Roz Culver Studio Pacted Schallert Edwin Los Angeles Times Calif 24 July 1946 A2 Looking at Hollywood Hopper Hedda Chicago Daily Tribune 25 July 1946 23 AMBER IN HOLLYWOOD NOTED IN HOLLYWOOD Yes and No The Pay Off By THOMAS F BRADY New York Times 3 Nov 1946 65 Jules Levey Crew in new Orleans 28 August 1946 p 15 a href Template Cite magazine html title Template Cite magazine cite magazine a Cite magazine requires magazine help CAGNEY BOGEAUS CLOSE STUDIO DEAL THE NEW YORK TIMES 1 Aug 1946 30 Jane Greer Attains Dramatic Highroad Schallert Edwin Los Angeles Times 16 Sep 1946 A2 Schallert Edwin Paramount Recruits Television s Blossom Los Angeles Times 10 Oct 1946 A3 Vagg Stephen 14 September 2019 The Cinema of Arthur Lubin Diabolique Magazine New Orleans Kino Lorber Home Video Archived from the original on 2014 03 25 Retrieved 2014 03 24 Bergan Ronald The United Artists Story New York Crown Publishers Inc 1986 ISBN 0 517 56100X New Orleans Original Motion Picture Soundtrack Discogs Retrieved 2014 03 24 External links EditNew Orleans at IMDb New Orleans at the American Film Institute Catalog New Orleans at Letterbox DVD Complete film at Internet Archive Retrieved from https en wikipedia org w index php title New Orleans 1947 film amp oldid 1134504957, wikipedia, wiki, book, books, library,

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