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Mostellaria

Mostellaria is a play by the Roman author Plautus. Its name translates from Latin as "The Ghost (play)" (with the word fabula understood in the title).[1][2] The play is believed to be an adaptation of a lost comedy of the Athenian poet Philemon called Phasma (the Ghost).[1] It is set in a street in the city of Athens.

Characters edit

Main characters edit

  • Theopropides - an Athenian merchant
  • Philolaches - Theopropides' son
  • Tranio - Slave owned by Theopropides
  • Philematium - A courtesan who has been set free by Philolaches
  • Callidamates - Friend of Philolaches
  • Simo - Theopropides' neighbour
  • Misargyrides - A moneylender

Minor characters edit

  • Grumio - Country slave, owned by Theopropides
  • Sphaerio - Slave owned by Theopropides
  • Scapha - Philematium's attendant
  • Delphium - Callidamates' girlfriend
  • Phaniscus - Callidamates' slave
  • Pinacium - Callidamates' slave

Plot edit

A young man named Philolaches is having a great time while his father Theopropides is overseas on business. Philolaches has borrowed a lot of money to buy the freedom of the slave-girl he loves. One day, he is having a party in the street with his friends, when his slave Tranio interrupts the merry-making to announce that Philolaches' father has returned unexpectedly and will arrive from the harbour at any minute. Amid the general panic, Tranio has an idea. He hustles Philolaches and his friends into the house and locks the door. The father now arrives. Tranio greets him respectfully but pretends that it is dangerous to enter the house because it is haunted by the ghost of a man once killed there.

Unfortunately, at this moment a money-lender turns up to claim the money that Philolaches borrowed. Tranio thinks quickly and pretends that the money was borrowed to buy the house next door. Even after Philolaches' father meets the real owner of the house, Tranio manages to hide the truth for some time, but he is finally found out and jumps on top of an altar to escape punishment. Fortunately, all ends happily when one of Philolaches' friends offers to repay the debt, allowing the father to forgive his son. Even Tranio is forgiven.

The play is set in a street in Athens. The houses of Theopropides and his neighbour Simo face the audience. Between them is a narrow alley leading to the garden door of Simo's house. There is an altar between the stage and the audience. To the audience's left the road leads to the harbour, and on the right to the forum.[1]

Division into acts edit

Plautus's plays are traditionally divided into five acts; these are referred to here for convenience, since many editions make use of them. However, it is not thought that they go back to Plautus's time, since no manuscript contains them before the 15th century.[3] Also, the acts themselves do not always match the structure of the plays, which is more clearly shown by the variation in metres.

Metrical structure edit

The different scenes of the play are clearly differentiated by changes of metre. The usual pattern is to begin each section with iambic senarii (which were spoken without music), then a scene of music in various metres. Each section is rounded off by lively trochaic septenarii, which were apparently recited or sung to the accompaniment of tībiae (a pair of reed pipes). Moore calls this the "ABC" metrical succession.[4] In this play, the pattern is varied from ABC, ABC... as follows:

ABBC, BC, AB(C), ABC, BC, AC

C. W. Marshall (2006), however, who sees the metrical sections (or "arcs") as always starting with iambic senarii, divides the play into just four sections as follows:[5]

ABBCBC, AB(C), ABCBC, AC

The play contains five songs: three of them polymetric, using a range of different metres, involving young men and slaves; and one each of cretic and bacchiac, involving the old men Simo and Theopropides. There is also a section of 90 lines of iambic septenarii (a metre often associated with prostitutes)[6] when the prostitute Philematium is chatting with her maid Scapha.

The scene is set edit

  • Act 1.1 (lines 1–83): iambic senarii (80 lines)
The country slave Grumio chides city-slave Tranio for wasting their master's money
  • Act 1.2 (84–156): polymetric song (bacchiac, iambic, cretic, ending with 3 lines of trochaic septenarii) (70 lines)[7]
The young man Philolaches ruefully contemplates his wasteful way of life.
  • Act 1.3 (154–247): iambic septenarii (90 lines)
Philolaches overhears his girlfriend Philematium and her slave Scapha talking about him.
  • Act 1.3 (248–312): trochaic septenarii (61 lines)
Philolaches sends Scapha away and talks to Philematium.

Disaster strikes edit

  • Act 1.4 (313–347): polymetric song (bacchiac, cretic, anapaestic, reizianum) (35 lines)
Philolaches's friend Callidamates arrives, very drunk, with his girlfriend Delphium.
  • Act 2.1 (348–408): trochaic septenarii (60 lines)
The slave Tranio brings news that Philocrates' father has returned from his trip. He ushers the young men into the house

Tranio tricks Theopropides edit

  • Act 2.1–3.1 (409–689): iambic senarii (277 lines)
Tranio addresses the audience. He locks the house door. – Philolaches' father Theopropides arrives. Tranio persuades him that the house is haunted. – Next he fends off the money-lender, persuading Theopropides that the money was borrowed as a downpayment on a new house.
  • Act 3.2 (690–743): mostly cretic (54 lines)
The neighbour Simo comes out complaining about his wife. Tranio flatters Simo. He tells him about his difficult situation.
  • Act 3.2 (744–747): tr7, ia8, ia7 (3 lines)
Tranio begs Simo not to betray him to his master.

Tranio tricks Simo edit

  • Act 3.2 (747–782): iambic senarii (36 lines)
Tranio tricks Simo into letting Theopropides inspect his house.
  • Act 3.3 (783–804): bacchiac (ending with 1 line of tr8) (22 lines)
Tranio leads Theopropides over to Simo's house
  • Act 3.3 (805–857): trochaic septenarii (53 lines)
Theopropides converses with Simo and begins his inspection of Simo's house, believing falsely that Simo has agreed to sell it.

Theopropides discovers the truth edit

  • Act 4.1 (858–903): polymetric song (mixed metres) (46 lines)
Callidamates's two slaves, Phaniscus and Pinacium, arrive to collect their master. They exchange banter.
  • Act 4.2 (904–992): trochaic septenarii (89 lines)
When Tranio has gone to fetch Philolaches, Theopropides gets into conversation with the two slaves and discovers the truth.

Tranio escapes punishment edit

  • Act 4.3 (993–1040): iambic senarii (49 lines)
Theopropides meets Simo and they both realise they have been tricked. They determine to punish Tranio.
  • Act 5.1–5.2 (1041–1181): trochaic septenarii (138 lines)
Tranio realises that he has been exposed. He flees to the nearby altar to avoid punishment. Philocrates' friend Callidamates appears and persuades Theopropides to forgive both Philolaches and Tranio.

Adaptations edit

Mostellaria is one of several Plautus plays used as inspiration for the Stephen Sondheim, Burt Shevelove and Larry Gelbart 1962 musical A Funny Thing Happened on the Way to the Forum. The character Erroneous returns from being abroad to be told his house is haunted and must walk seven times around the seven hills of Rome to remove the ghosts.

Kevin P. Joyce's play When the Cat's Away is loosely based on Mostellaria, transposing the story from Athens to modern day Nantucket.

Rachel Beth Cunning simplified and adapted the play to create more comprehensible reading materials for Latin 3 and Latin 4 students in a high school classroom.[8]

References edit

  1. ^ a b c Merrill, F. R. (1972), Titi Macci Plauti: Mostellaria, p. xviii.
  2. ^ mostellum is a diminutive of the word monstrum, according to Lewis and Short A Latin Dictionary.
  3. ^ Merrill, F. R. (1972). Titi Macci Plauti Mostellaria, p. xix.
  4. ^ Moore, Timothy J. (2012), Music in Roman Comedy. Cambridge University Press, pp. 237-42, 253-8, 305-8, 367-71.
  5. ^ Marshall, C. W. (2006). The Stagecraft of Roman Comedy (Cambridge University Press), p. 218.
  6. ^ Moore, Timothy J. (2012), Music in Roman Comedy, p. 185.
  7. ^ For details of the metres used, see the Database by Timothy J. Moore of The Meters of Roman Comedy Washington University in St Louis.
  8. ^ Cunning, Rachel (10 August 2020). "Mostellaria: An Adapted Latin Play". Bombax Press.

External links edit

  • The Latin text of the Mostellaria, at the Perseus Project
  • Mostellaria, or the Haunted House, translated into English by Henry Thomas Riley, published 1912, via the Perseus Project

mostellaria, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, july, 2011, le. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Mostellaria news newspapers books scholar JSTOR July 2011 Learn how and when to remove this template message Mostellaria is a play by the Roman author Plautus Its name translates from Latin as The Ghost play with the word fabula understood in the title 1 2 The play is believed to be an adaptation of a lost comedy of the Athenian poet Philemon called Phasma the Ghost 1 It is set in a street in the city of Athens Contents 1 Characters 1 1 Main characters 1 2 Minor characters 2 Plot 3 Division into acts 4 Metrical structure 4 1 The scene is set 4 2 Disaster strikes 4 3 Tranio tricks Theopropides 4 4 Tranio tricks Simo 4 5 Theopropides discovers the truth 4 6 Tranio escapes punishment 5 Adaptations 6 References 7 External linksCharacters editMain characters edit Theopropides an Athenian merchant Philolaches Theopropides son Tranio Slave owned by Theopropides Philematium A courtesan who has been set free by Philolaches Callidamates Friend of Philolaches Simo Theopropides neighbour Misargyrides A moneylenderMinor characters edit Grumio Country slave owned by Theopropides Sphaerio Slave owned by Theopropides Scapha Philematium s attendant Delphium Callidamates girlfriend Phaniscus Callidamates slave Pinacium Callidamates slavePlot editA young man named Philolaches is having a great time while his father Theopropides is overseas on business Philolaches has borrowed a lot of money to buy the freedom of the slave girl he loves One day he is having a party in the street with his friends when his slave Tranio interrupts the merry making to announce that Philolaches father has returned unexpectedly and will arrive from the harbour at any minute Amid the general panic Tranio has an idea He hustles Philolaches and his friends into the house and locks the door The father now arrives Tranio greets him respectfully but pretends that it is dangerous to enter the house because it is haunted by the ghost of a man once killed there Unfortunately at this moment a money lender turns up to claim the money that Philolaches borrowed Tranio thinks quickly and pretends that the money was borrowed to buy the house next door Even after Philolaches father meets the real owner of the house Tranio manages to hide the truth for some time but he is finally found out and jumps on top of an altar to escape punishment Fortunately all ends happily when one of Philolaches friends offers to repay the debt allowing the father to forgive his son Even Tranio is forgiven The play is set in a street in Athens The houses of Theopropides and his neighbour Simo face the audience Between them is a narrow alley leading to the garden door of Simo s house There is an altar between the stage and the audience To the audience s left the road leads to the harbour and on the right to the forum 1 Division into acts editPlautus s plays are traditionally divided into five acts these are referred to here for convenience since many editions make use of them However it is not thought that they go back to Plautus s time since no manuscript contains them before the 15th century 3 Also the acts themselves do not always match the structure of the plays which is more clearly shown by the variation in metres Metrical structure editFurther information Metres of Roman comedy The different scenes of the play are clearly differentiated by changes of metre The usual pattern is to begin each section with iambic senarii which were spoken without music then a scene of music in various metres Each section is rounded off by lively trochaic septenarii which were apparently recited or sung to the accompaniment of tibiae a pair of reed pipes Moore calls this the ABC metrical succession 4 In this play the pattern is varied from ABC ABC as follows ABBC BC AB C ABC BC ACC W Marshall 2006 however who sees the metrical sections or arcs as always starting with iambic senarii divides the play into just four sections as follows 5 ABBCBC AB C ABCBC ACThe play contains five songs three of them polymetric using a range of different metres involving young men and slaves and one each of cretic and bacchiac involving the old men Simo and Theopropides There is also a section of 90 lines of iambic septenarii a metre often associated with prostitutes 6 when the prostitute Philematium is chatting with her maid Scapha The scene is set edit Act 1 1 lines 1 83 iambic senarii 80 lines The country slave Grumio chides city slave Tranio for wasting their master s money dd Act 1 2 84 156 polymetric song bacchiac iambic cretic ending with 3 lines of trochaic septenarii 70 lines 7 The young man Philolaches ruefully contemplates his wasteful way of life dd Act 1 3 154 247 iambic septenarii 90 lines Philolaches overhears his girlfriend Philematium and her slave Scapha talking about him dd Act 1 3 248 312 trochaic septenarii 61 lines Philolaches sends Scapha away and talks to Philematium dd Disaster strikes edit Act 1 4 313 347 polymetric song bacchiac cretic anapaestic reizianum 35 lines Philolaches s friend Callidamates arrives very drunk with his girlfriend Delphium dd Act 2 1 348 408 trochaic septenarii 60 lines The slave Tranio brings news that Philocrates father has returned from his trip He ushers the young men into the house dd Tranio tricks Theopropides edit Act 2 1 3 1 409 689 iambic senarii 277 lines Tranio addresses the audience He locks the house door Philolaches father Theopropides arrives Tranio persuades him that the house is haunted Next he fends off the money lender persuading Theopropides that the money was borrowed as a downpayment on a new house dd Act 3 2 690 743 mostly cretic 54 lines The neighbour Simo comes out complaining about his wife Tranio flatters Simo He tells him about his difficult situation dd Act 3 2 744 747 tr7 ia8 ia7 3 lines Tranio begs Simo not to betray him to his master dd Tranio tricks Simo edit Act 3 2 747 782 iambic senarii 36 lines Tranio tricks Simo into letting Theopropides inspect his house dd Act 3 3 783 804 bacchiac ending with 1 line of tr8 22 lines Tranio leads Theopropides over to Simo s house dd Act 3 3 805 857 trochaic septenarii 53 lines Theopropides converses with Simo and begins his inspection of Simo s house believing falsely that Simo has agreed to sell it dd Theopropides discovers the truth edit Act 4 1 858 903 polymetric song mixed metres 46 lines Callidamates s two slaves Phaniscus and Pinacium arrive to collect their master They exchange banter dd Act 4 2 904 992 trochaic septenarii 89 lines When Tranio has gone to fetch Philolaches Theopropides gets into conversation with the two slaves and discovers the truth dd Tranio escapes punishment edit Act 4 3 993 1040 iambic senarii 49 lines Theopropides meets Simo and they both realise they have been tricked They determine to punish Tranio dd Act 5 1 5 2 1041 1181 trochaic septenarii 138 lines Tranio realises that he has been exposed He flees to the nearby altar to avoid punishment Philocrates friend Callidamates appears and persuades Theopropides to forgive both Philolaches and Tranio dd Adaptations editMostellaria is one of several Plautus plays used as inspiration for the Stephen Sondheim Burt Shevelove and Larry Gelbart 1962 musical A Funny Thing Happened on the Way to the Forum The character Erroneous returns from being abroad to be told his house is haunted and must walk seven times around the seven hills of Rome to remove the ghosts Kevin P Joyce s play When the Cat s Away is loosely based on Mostellaria transposing the story from Athens to modern day Nantucket Rachel Beth Cunning simplified and adapted the play to create more comprehensible reading materials for Latin 3 and Latin 4 students in a high school classroom 8 References edit nbsp Wikimedia Commons has media related to Mostellaria a b c Merrill F R 1972 Titi Macci Plauti Mostellaria p xviii mostellum is a diminutive of the word monstrum according to Lewis and Short A Latin Dictionary Merrill F R 1972 Titi Macci Plauti Mostellaria p xix Moore Timothy J 2012 Music in Roman Comedy Cambridge University Press pp 237 42 253 8 305 8 367 71 Marshall C W 2006 The Stagecraft of Roman Comedy Cambridge University Press p 218 Moore Timothy J 2012 Music in Roman Comedy p 185 For details of the metres used see the Database by Timothy J Moore of The Meters of Roman Comedy Washington University in St Louis Cunning Rachel 10 August 2020 Mostellaria An Adapted Latin Play Bombax Press Plautus The Rope and Other Plays translated by E F Watling Penguin London 1964 ISBN 0 14 044136 0 External links editThe Latin text of the Mostellaria at the Perseus Project Mostellaria or the Haunted House translated into English by Henry Thomas Riley published 1912 via the Perseus Project Retrieved from https en wikipedia org w index php title Mostellaria amp oldid 1177375373, wikipedia, 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