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Monument to Isabella the Catholic (Madrid)

The Monument to Isabella the Catholic (Spanish: Monumento a Isabel la Católica) is an instance of public art located in Madrid, Spain. A work by Manuel Oms [es], the monument is a sculptural bronze ensemble consisting of an equestrian statue of Isabella of Castile, accompanied by Pedro González de Mendoza and Gonzalo Fernández de Córdoba.

Isabella the Catholic
Isabel la Católica
40°26′25″N 3°41′27″W / 40.440315°N 3.690756°W / 40.440315; -3.690756
LocationPaseo de la Castellana, Madrid, Spain
DesignerManuel Oms [es]
Opening date30 November 1883
Dedicated toIsabella of Castile

History and description edit

The bronze piece was cast at Nelli's foundry in Rome and it was exhibited in the later city before its transfer to Madrid.[1]

It was officially inaugurated by the Ayuntamiento de Madrid on 30 November 1883.[2] As described by Pedro de Madrazo, the sculptural group comprised three statues: an equestrian statue representing Isabella, who appears dressed in armour and with a royal crown and mantle, carrying the sceptre in one hand and the bridles of the horse in the other; the statue of the Cardinal of Spain Pedro González de Mendoza, dressed in a cassock with the book of the Gospels in his right hand and leaning the other on one of the bridles of the Queen's horse; and the statue of the great captain Gonzalo Fernández de Córdoba, armed from the tip of his head, with his naked sword in his left hand, and holding the other bridle of the horse with his right hand;[2] all three statues are supported by a bronze basement.[2]

The monument was moved from its original location to a location near the Paseo de la Castellana, in the gardens placed at the feet of the National Museum of Natural Sciences.[3]

The pedestal features the coat of arms of Madrid and those of the Catholic Monarchs, and an engraved inscription reads: "To Isabella the Catholic, under whose glorious reign national unity and the discovery of the Americas took place. The People of Madrid. 1883." This text was criticised by Pedro de Madrazo in 1883 as lacking in historical rigour, based on issues such as certain events fulfilling the aforementioned "national unity" happening after the death of Isabella in 1504 (the formal independence of Aragon did not come to an end until the death of Ferdinand of Aragon in 1516 or the annexation of Navarre to Castile in 1515).[2]

It has been highlighted as a notable example of the exaltation of Spanish nationalism during the Restoration in the Spanish capital's public art.[4] The ensemble has been also analyzed as an example of a visual representation of a woman tutored (guided in this case) by masculine figures.[5]

References edit

Citations
  1. ^ Reyero 2003, p. 47.
  2. ^ a b c d Madrazo 1883, p. 347.
  3. ^ Guerrero López 2015, pp. 25–26.
  4. ^ Reyero Hermosilla 2009, p. 1207.
  5. ^ Molina 2003, pp. 463–464.
Bibliography
  • Guerrero López, Salvador (2015). La Institución Libre de Enseñanza y la arquitectura española de la Edad de Plata (1876-1936) (PDF). Madrid: Universidad Politécnica de Madrid.
  • Madrazo, Pedro de (15 December 1883). "Nuestros grabados". La Ilustración Española y Americana. XXVII (XLVI): 346–350.
  • Molina, Álvaro (2003). "La materia y la construcción de la imagen visual de las mujeres en la escultura conmemorativa hacia 1900" (PDF). Representación, construcción e interpretación de la imagen visual de las mujeres: actas del Décimo Coloquio Internacional de la Asociación Española de Investigación de Historia de las Mujeres (AEIHM) (10, 17-19 abril 2002, Madrid. Madrid: Editorial Archiviana. pp. 457–476. ISBN 84-95933-07-1.
  • Reyero, Carlos (2003). "Monumentalizar la capital. La escultura conmemorativa en Madrid durante el siglo XIX". In Lacarra Ducay, María del Carmen; Giménez Navarro, Cristina (eds.). Historia y política a través de la escultura pública 1820-1920 (PDF). Zaragoza: Institución Fernando el Católico. pp. 41–62. ISBN 84-7820-686-8.
  • Reyero Hermosilla, Carlos (2009). "El reconocimiento de la nación en la historia. El uso espacio-temporal de pinturas y monumentos en España". Arbor. 185 (740). Madrid: Consejo Superior de Investigaciones Científicas: 1197–1210. doi:10.3989/arbor.2009.740n1085. ISSN 0210-1963.

monument, isabella, catholic, madrid, monument, isabella, catholic, spanish, monumento, isabel, católica, instance, public, located, madrid, spain, work, manuel, monument, sculptural, bronze, ensemble, consisting, equestrian, statue, isabella, castile, accompa. The Monument to Isabella the Catholic Spanish Monumento a Isabel la Catolica is an instance of public art located in Madrid Spain A work by Manuel Oms es the monument is a sculptural bronze ensemble consisting of an equestrian statue of Isabella of Castile accompanied by Pedro Gonzalez de Mendoza and Gonzalo Fernandez de Cordoba Isabella the CatholicIsabel la Catolica40 26 25 N 3 41 27 W 40 440315 N 3 690756 W 40 440315 3 690756LocationPaseo de la Castellana Madrid SpainDesignerManuel Oms es Opening date30 November 1883Dedicated toIsabella of CastileHistory and description editThe bronze piece was cast at Nelli s foundry in Rome and it was exhibited in the later city before its transfer to Madrid 1 It was officially inaugurated by the Ayuntamiento de Madrid on 30 November 1883 2 As described by Pedro de Madrazo the sculptural group comprised three statues an equestrian statue representing Isabella who appears dressed in armour and with a royal crown and mantle carrying the sceptre in one hand and the bridles of the horse in the other the statue of the Cardinal of Spain Pedro Gonzalez de Mendoza dressed in a cassock with the book of the Gospels in his right hand and leaning the other on one of the bridles of the Queen s horse and the statue of the great captain Gonzalo Fernandez de Cordoba armed from the tip of his head with his naked sword in his left hand and holding the other bridle of the horse with his right hand 2 all three statues are supported by a bronze basement 2 The monument was moved from its original location to a location near the Paseo de la Castellana in the gardens placed at the feet of the National Museum of Natural Sciences 3 The pedestal features the coat of arms of Madrid and those of the Catholic Monarchs and an engraved inscription reads To Isabella the Catholic under whose glorious reign national unity and the discovery of the Americas took place The People of Madrid 1883 This text was criticised by Pedro de Madrazo in 1883 as lacking in historical rigour based on issues such as certain events fulfilling the aforementioned national unity happening after the death of Isabella in 1504 the formal independence of Aragon did not come to an end until the death of Ferdinand of Aragon in 1516 or the annexation of Navarre to Castile in 1515 2 It has been highlighted as a notable example of the exaltation of Spanish nationalism during the Restoration in the Spanish capital s public art 4 The ensemble has been also analyzed as an example of a visual representation of a woman tutored guided in this case by masculine figures 5 References editCitations Reyero 2003 p 47 a b c d Madrazo 1883 p 347 Guerrero Lopez 2015 pp 25 26 Reyero Hermosilla 2009 p 1207 Molina 2003 pp 463 464 BibliographyGuerrero Lopez Salvador 2015 La Institucion Libre de Ensenanza y la arquitectura espanola de la Edad de Plata 1876 1936 PDF Madrid Universidad Politecnica de Madrid Madrazo Pedro de 15 December 1883 Nuestros grabados La Ilustracion Espanola y Americana XXVII XLVI 346 350 Molina Alvaro 2003 La materia y la construccion de la imagen visual de las mujeres en la escultura conmemorativa hacia 1900 PDF Representacion construccion e interpretacion de la imagen visual de las mujeres actas del Decimo Coloquio Internacional de la Asociacion Espanola de Investigacion de Historia de las Mujeres AEIHM 10 17 19 abril 2002 Madrid Madrid Editorial Archiviana pp 457 476 ISBN 84 95933 07 1 Reyero Carlos 2003 Monumentalizar la capital La escultura conmemorativa en Madrid durante el siglo XIX In Lacarra Ducay Maria del Carmen Gimenez Navarro Cristina eds Historia y politica a traves de la escultura publica 1820 1920 PDF Zaragoza Institucion Fernando el Catolico pp 41 62 ISBN 84 7820 686 8 Reyero Hermosilla Carlos 2009 El reconocimiento de la nacion en la historia El uso espacio temporal de pinturas y monumentos en Espana Arbor 185 740 Madrid Consejo Superior de Investigaciones Cientificas 1197 1210 doi 10 3989 arbor 2009 740n1085 ISSN 0210 1963 Retrieved from https en wikipedia org w index php title Monument to Isabella the Catholic Madrid amp oldid 981923382, wikipedia, wiki, book, books, library,

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