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Missa Sanctissimae Trinitatis

Missa Sanctissimae Trinitatis (Mass of the Holiest Trinity) in A minor, ZWV 17, is the a vocal-instrumental sacred work, written by Czech Baroque composer Jan Dismas Zelenka. It was completed in 1736 as the first of five high masses he wrote in the last ten years of his life.

Description edit

Missa Santissimae Trinitis is the composition of combined sacred style, which not only divides the liturgy text only according to the conventional Kyrie, Gloria, Credo, Sanctus and Agnus Dei, but also into shorter parts which form independent musical movements. In each of them the instrumental grouping, character and style differ. Old and modern techniques are joined, therefore, not only in the sense of changing the individual movements, but they also penetrate each other within.

The mass is divided into 19 individual movements. Above all, the choruses reveal the strong influence of contemporary opera and concerto, and solo arias. The solo arias (in Part II, alto, in VI and XV, soprano) are much more extensive than other Zelenka's mass arias of the 1720s. They are introduced by virtuoso ritornellos. Orchestral parts are independent and rich with melodiously flowing solo voices. Similarly, the concertante choruses (Parts IV, IX and XI) are represented with modern ritornellos. The orchestra parts in these movements also are independent and often dominate over the simple homophonic chorus. The influence of the concerto structure is revealed in the contrast between solo vocal and choral parts. The opposite pole of the chorus concerto are the massive choral fugues - their dialogue here not only demonstrate the composer's technical mastery, but also illustrate the intellectual depth and significance of the work.

Orchestration edit

As with Zelenka's other High Mass compositions there are no brasses in the orchestration, which includes only organ, six violins, two viols, cello, double bass, two oboes, bassoon and archlute, expanded by two solo flutes and a chalumeau.

Structure edit

  • Kyrie
    • I Kyrie eleison I (Coro)
    • II Christe eleison (Aria, Alto solo)
    • III Kyrie eleison II (Coro - Fuga)
  • Gloria
    • IV Gloria in excelsis Deo (Coro e soli SATB)
    • V Qui tollis peccata mundi (Coro)
    • VI Quoniam tu solus Sanctus (Aria, Soprano solo)
    • VII Cum sancto Spiritu I (Coro)
    • VIII Cum sancto Spiritu II (Coro - Fuga)
  • Credo
    • IX Credo in unum Deum (Coro e soli SATB)
    • X Et incarnatus est (Coro)
    • XI Et resurrexit (Coro e solo Tenore)
    • XII Et unam sanctam...Ecclesiam (Soli - SAT)
    • XIII Et vitam venturi saeculi (Coro - Fuga)
  • Sanctus
    • XIV Sanctus (Coro)
    • XV Benedictus (Aria, Soprano solo)
    • XVI Osanna in excelsis (Coro)
  • Agnus Dei

XVII. Agnus Dei I (Soli: Tenore e Basso) XVIII. Agnus Dei II (Coro) XIX. Dona nobis pacem (Coro - Fuga)

Recordings edit

  • Missa Sanctissimae Trinitatis by Musica Florea, CD, Studio Matouš, 1994
  • Missa Sanctissimae Trinitatis ZWV 17, Gaude laetare ZWV 168 by Ensemble Inégal, Prague Baroque Soloists (Adam Viktora), CD, Nibiru, 2012

missa, sanctissimae, trinitatis, this, article, does, cite, sources, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, february, 2020, l. This article does not cite any sources Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Missa Sanctissimae Trinitatis news newspapers books scholar JSTOR February 2020 Learn how and when to remove this message Missa Sanctissimae Trinitatis Mass of the Holiest Trinity in A minor ZWV 17 is the a vocal instrumental sacred work written by Czech Baroque composer Jan Dismas Zelenka It was completed in 1736 as the first of five high masses he wrote in the last ten years of his life Contents 1 Description 2 Orchestration 3 Structure 4 RecordingsDescription editMissa Santissimae Trinitis is the composition of combined sacred style which not only divides the liturgy text only according to the conventional Kyrie Gloria Credo Sanctus and Agnus Dei but also into shorter parts which form independent musical movements In each of them the instrumental grouping character and style differ Old and modern techniques are joined therefore not only in the sense of changing the individual movements but they also penetrate each other within The mass is divided into 19 individual movements Above all the choruses reveal the strong influence of contemporary opera and concerto and solo arias The solo arias in Part II alto in VI and XV soprano are much more extensive than other Zelenka s mass arias of the 1720s They are introduced by virtuoso ritornellos Orchestral parts are independent and rich with melodiously flowing solo voices Similarly the concertante choruses Parts IV IX and XI are represented with modern ritornellos The orchestra parts in these movements also are independent and often dominate over the simple homophonic chorus The influence of the concerto structure is revealed in the contrast between solo vocal and choral parts The opposite pole of the chorus concerto are the massive choral fugues their dialogue here not only demonstrate the composer s technical mastery but also illustrate the intellectual depth and significance of the work Orchestration editAs with Zelenka s other High Mass compositions there are no brasses in the orchestration which includes only organ six violins two viols cello double bass two oboes bassoon and archlute expanded by two solo flutes and a chalumeau Structure editKyrie I Kyrie eleison I Coro II Christe eleison Aria Alto solo III Kyrie eleison II Coro Fuga Gloria IV Gloria in excelsis Deo Coro e soli SATB V Qui tollis peccata mundi Coro VI Quoniam tu solus Sanctus Aria Soprano solo VII Cum sancto Spiritu I Coro VIII Cum sancto Spiritu II Coro Fuga Credo IX Credo in unum Deum Coro e soli SATB X Et incarnatus est Coro XI Et resurrexit Coro e solo Tenore XII Et unam sanctam Ecclesiam Soli SAT XIII Et vitam venturi saeculi Coro Fuga Sanctus XIV Sanctus Coro XV Benedictus Aria Soprano solo XVI Osanna in excelsis Coro Agnus Dei XVII Agnus Dei I Soli Tenore e Basso XVIII Agnus Dei II Coro XIX Dona nobis pacem Coro Fuga Recordings editMissa Sanctissimae Trinitatis by Musica Florea CD Studio Matous 1994 Missa Sanctissimae Trinitatis ZWV 17 Gaude laetare ZWV 168 by Ensemble Inegal Prague Baroque Soloists Adam Viktora CD Nibiru 2012 Retrieved from https en wikipedia org w index php title Missa Sanctissimae Trinitatis amp oldid 1174485015, wikipedia, wiki, book, books, library,

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