Miss Julie is an opera by Ned Rorem to an English libretto by Kenward Elmslie, based on the play, Miss Julie (1888), by Swedish playwright August Strindberg. It explores the subject of the intersection of social class and illicit sexual relations in late 19th-century Sweden.
The opera was commissioned by the New York City Opera, and had its first performance there on 4 November 1965, in its original two-hour, two-act version.[1] The production was conducted by Robert Zeller and directed by Nikos Psacharopoulos, with scenic and lighting design by Will Steven Armstrong, costume design by Patton Campbell, and choreography by Thomas Andrew.[2] The opera was not a critical success.
Rorem revised the score and shortened it to a single act in 1978; this version lasts 90 minutes and was first performed that same year by the New York Lyric Opera.[1][3] The one-act version underwent further slight revisions and was produced again in 1994 by the Manhattan School of Music Opera Theatre. This version was praised by James Oestreich, music critic of The New York Times, as "taut and persuasive musical drama".[1] It was recorded and released on the Newport Classic label.[4] Another recording, of a production on 7 November 2003 by the Curtis Opera Theatre,[5] has been released on Albany Records.[6]
Miss Julie, the jaded daughter of the Count, orders her fiancé Niels to kiss her boot. He breaks off their engagement in disgust. Later that evening John, the valet, and his fiancée Christine, the cook, sit with Miss Julie. She flirts with John, who eventually admits he has loved her since boyhood. On the following day John and Miss Julie discuss how they will spend their lives together, and John expresses his desire to go to Lake Como to make his living running a hotel. When Miss Julie admits she has no money of her own to finance such an undertaking, John demands she somehow find some, so Miss Julie steals money from the Count. Meanwhile, Christine discovers John's intentions and threatens to quit her job with the Count. The lovers prepare to escape, but Miss Julie demands to take her canary with her. Angered, John kills the bird. She grabs his razor and threatens to slit her wrists, and he suggests she go ahead and do it. The Count rings for John, and he leaves, as Julie goes slowly into the garden and follows his suggestion.[3][7]
Referencesedit
^ abcOestreich, James R. (1994). "OPERA REVIEW; 'Miss Julie,' to Rorem's Music", The New York Times, 9 December 1994. Accessed 23 February 2010.
^ abSokol, Martin L. (1981). The New York City Opera, p. 346. New York: Macmillan. ISBN0-02-612280-4.
^ abcd"Ned Rorem – Miss Julie – Opera" at Boosey & Hawkes website. Accessed 23 February 2010.
^Miss Julie, Manhattan School of Music Opera Theatre at Amazon.com. Accessed 23 February 2010.
^The Official Ned Rorem Website: Roremania. Accessed 23 February 2010.
^Miss Julie, Curtis Opera Theatre at Amazon.com. Accessed 23 February 2010.
^ abcOPERA America – New Works Directory. Accessed 23 February 2010.
External linksedit
Scoring, synopsis and audio sample: Boosey & Hawkes
Review: "OPERA REVIEW; 'Miss Julie,' to Rorem's Music", New York Times, 9 Dec 1994
April 11, 2024
miss, julie, rorem, opera, confused, with, miss, julie, alwyn, opera, 1977, opera, william, alwyn, julie, opera, 2005, opera, philippe, boesmans, miss, julie, opera, rorem, english, libretto, kenward, elmslie, based, play, miss, julie, 1888, swedish, playwrigh. Not to be confused with Miss Julie Alwyn opera the 1977 opera by William Alwyn or Julie opera the 2005 opera by Philippe Boesmans Miss Julie is an opera by Ned Rorem to an English libretto by Kenward Elmslie based on the play Miss Julie 1888 by Swedish playwright August Strindberg It explores the subject of the intersection of social class and illicit sexual relations in late 19th century Sweden Contents 1 Performance history 2 Roles 3 Instrumentation 4 Synopsis 5 References 6 External linksPerformance history editThe opera was commissioned by the New York City Opera and had its first performance there on 4 November 1965 in its original two hour two act version 1 The production was conducted by Robert Zeller and directed by Nikos Psacharopoulos with scenic and lighting design by Will Steven Armstrong costume design by Patton Campbell and choreography by Thomas Andrew 2 The opera was not a critical success Rorem revised the score and shortened it to a single act in 1978 this version lasts 90 minutes and was first performed that same year by the New York Lyric Opera 1 3 The one act version underwent further slight revisions and was produced again in 1994 by the Manhattan School of Music Opera Theatre This version was praised by James Oestreich music critic of The New York Times as taut and persuasive musical drama 1 It was recorded and released on the Newport Classic label 4 Another recording of a production on 7 November 2003 by the Curtis Opera Theatre 5 has been released on Albany Records 6 Roles editRole 3 Voice type Premiere Cast 4 November 1965 2 7 Conductor Robert Zeller Miss Julie 25 daughter of the Count soprano Marguerite WillauerJohn 30 the valet bass baritone Donald GrammChristine 28 the cook mezzo soprano Elaine BonazziNiels 38 Miss Julie s fiance tenor Richard KrauseWildcat boy soprano or boy soprano Betsy HepburnStableboy bass Don YuleYoung couple sopranotenor Joan SummersNico CastelChorus revellers servants and farmhandsInstrumentation editThe orchestra consists of 2 flutes 2 oboes 2 clarinets 2 bassoons 3 horns 2 trumpets 2 trombones timpani 2 additional percussion players xylophone slapstick gong triangle vibraphone tambourine cymbals tenor drum glockenspiel castanets chimes suspended cymbal bongos guitar harp strings 3 7 Synopsis editPlace the servants quarters of a country estate in Sweden Time a Midsummer Eve celebration in the 1880s Miss Julie the jaded daughter of the Count orders her fiance Niels to kiss her boot He breaks off their engagement in disgust Later that evening John the valet and his fiancee Christine the cook sit with Miss Julie She flirts with John who eventually admits he has loved her since boyhood On the following day John and Miss Julie discuss how they will spend their lives together and John expresses his desire to go to Lake Como to make his living running a hotel When Miss Julie admits she has no money of her own to finance such an undertaking John demands she somehow find some so Miss Julie steals money from the Count Meanwhile Christine discovers John s intentions and threatens to quit her job with the Count The lovers prepare to escape but Miss Julie demands to take her canary with her Angered John kills the bird She grabs his razor and threatens to slit her wrists and he suggests she go ahead and do it The Count rings for John and he leaves as Julie goes slowly into the garden and follows his suggestion 3 7 References edit a b c Oestreich James R 1994 OPERA REVIEW Miss Julie to Rorem s Music The New York Times 9 December 1994 Accessed 23 February 2010 a b Sokol Martin L 1981 The New York City Opera p 346 New York Macmillan ISBN 0 02 612280 4 a b c d Ned Rorem Miss Julie Opera at Boosey amp Hawkes website Accessed 23 February 2010 Miss Julie Manhattan School of Music Opera Theatre at Amazon com Accessed 23 February 2010 The Official Ned Rorem Website Roremania Accessed 23 February 2010 Miss Julie Curtis Opera Theatre at Amazon com Accessed 23 February 2010 a b c OPERA America New Works Directory Accessed 23 February 2010 External links editScoring synopsis and audio sample Boosey amp Hawkes Review OPERA REVIEW Miss Julie to Rorem s Music New York Times 9 Dec 1994 Retrieved from https en wikipedia org w index php title Miss Julie Rorem opera amp oldid 1207547517, wikipedia, wiki, book, books, library,
