fbpx
Wikipedia

Milton's 1645 Poems

Milton's 1645 Poems is a collection, divided into separate English and Latin sections, of John Milton's youthful poetry in a variety of genres, including such notable works as An Ode on the Morning of Christ's Nativity, Comus and Lycidas. Appearing in late 1645 or 1646 (see 1646 in poetry), the octavo volume, whose full title is Poems of Mr. John Milton both English and Latin, compos'd at several times, was issued by the Royalist publisher Humphrey Moseley. In 1673, a year before his death, Milton issued a revised and expanded edition of the Poems.

Titlepage to 1645 Poems, with frontispiece depicting Milton surrounded by four muses, designed by William Marshall

According to The Concise Oxford Chronology of English Literature (2004), notwithstanding its title page, the book was published in 1646.[1]

Frontispiece

The volume's frontispiece contains an extremely unflattering portrait of Milton by the engraver William Marshall. Underneath the portrait are satirical verses in Greek denying any resemblance. It is assumed that this was a practical joke on Marshall, who is unlikely to have known that he was engraving insults directed at himself.[2] The verses read in translation,

Looking at the form of the original, you could say, perhaps, that this likeness had been drawn by a rank beginner; but, my friends, since you do not recognize what is pictured here, have a chuckle at a caricature by a useless artist.[3]

Organization

In addition to the first titlepage, the volume contains separate titlepages for the Latin Poemata and Comus (a.k.a. A Mask). There are also five sonnets and a Canzone written in Italian language that are not separately denoted. The order of the English poems is as follows:

The Latin poems are divided into "Elegiarum" (Elegies) and "Sylvarum Liber", and conclude with the Epitaphium Damonis, a poem mourning the death of Milton's best friend, Charles Diodati. In terms of themes and organization, this section "balances and speaks to the English collection".[4]

1673 edition

Milton's 1673 Poems, formally titled Poems etc. on several occasions by Mr John Milton, both English and Latin, composed at several times, etc., also includes a tract on education. The facsimile of the title page shows that the book was published by Thomas Dring of London.

The 1673 book includes all the poems in Milton's 1645 Poems, though not the prefatory material. In addition it includes a few poems written before 1645 but not published in the earlier book, and a number of poems written after 1645. The tract on education is the same as in the 1645 book (Revard, 2009,[5] p. 284ff).

According to the list published by Dartmouth College, poems included in the 1673 book but not in the 1645 book are:

  • On the Death of a Fair Infant Dying of a Cough
  • Sonnets
  • The Fifth Ode of Horace. Book 1
  • At a Vacation Exercise
  • On the New Forcers of Conscience
  • Psalm Translations
  • Apologus de Rustico & Hero
  • In Effigiei Ejus Sculptorem
  • Ad Joannem Roüsium

The sonnets included are usually referred to as numbers 11, 12, 13, 14, 18, 19, 20, 21 and 23, according to the numbering Milton gave them in his autograph notebook referred to as the "Trinity Manuscript" (see Revard, 2009, p. 543), from its location in the Wren Library of Trinity College, Cambridge. In the printed edition, however, they are numbered sequentially. Thus, for example, the famous sonnet that begins When I Consider How My Light is Spent, usually (though inauthentically) referred to as On his blindness, is numbered 19 by Milton but 16 in the printed edition (see Revard, 2009, p. 569).

Significance

Though many of these poems are marvels in their own right, critics are divided on how to read the volume as a whole in the scope of Milton's entire poetic career, which is invariably seen as culminating in the epic poem Paradise Lost. Taking a quote from Vergil's Georgics, Milton identifies himself as a "future poet" on the title page. Some commentators take this as evidence that Milton was self-consciously preparing himself for a greater work.[6] Others, on the other hand, argue that Milton's self-presentation is of "a plural and shifting subject" whose poetic trajectory is not set in stone.[7]

George Steiner stresses the mix of antique and modern; of English, Latin and Italian with knowledge of Hebrew and Greek: according to Steiner, Milton manages to unify the European community in its diversity.[8]

It is also debatable to what extent the volume embraces the republican politics Milton had begun to adopt by this time. Milton's publisher, Moseley, supported Royalist poets, such as Edmund Waller, and the volume contains praises of aristocrats and traditionally Royalist forms, like masque.[9] Yet a strong argument can be made that Milton did subtly inscribe his radical Puritan politics in the Poems through such works as Lycidas.[10]

See also

References

  1. ^ Cox, Michael, editor, The Concise Oxford Chronology of English Literature, Oxford University Press, 2004, ISBN 0-19-860634-6
  2. ^ Skerpan, Elizabeth Penley, Authorship and Authority: John Milton, William Marshall, and the Two Frontispieces of Poems 1645, Milton Quarterly - Volume 33, Number 4, December 1999, pp. 105-114
  3. ^ Milton, In Effigiei Ejus Sculptorem 2006-11-19 at the Wayback Machine
  4. ^ Stella Revard, Milton and the Tangles of Neaera's Hair (Columbia: University of Missouri Press, 1997), p. 1.
  5. ^ Revard, S. P. (Ed.), (2009). John Milton: Collected Shorter Poems. Chichester, UK: Wiley (ISBN 978-1-4051-2927-5)
  6. ^ Louis Martz, "The Rising Poet," Chapter 2 in Milton: Poet of Exile, 2 ed. (New Haven: Yale University Press, 1980), pp. 31-59; C.W.R.D. Moseley, The Poetic Birth: Milton's Poems of 1645 (Aldershot: Scolar Press, 1991).
  7. ^ Colin Burrow, “Poems 1645: the future poet,” Chapter 4 in The Cambridge Companion to Milton, 2 ed., ed. Dennis Danielson (Cambridge: Cambridge University Press, 1999), pp. 54-69.
  8. ^ George Steiner, After Babel, IV, 1.
  9. ^ Thomas Corns 'Milton's Quest for Respectability,' Modern Language Review 77 (1982): 769-79.
  10. ^ Michael Wilding, "Milton's Early Radicalism," Chapter 4 in John Milton, ed. Annabel Patterson (London: Longman, 1992), pp. 39-45; David Norbrook, "The Politics of Milton's Early Poetry," Chapter 5 in ibid.

External links

  •   The full text of Poems of Mr. John Milton, Both English and Latin, Compos'd at several times at Wikisource
  • Text of 1645 Poems
  • Text of the contents, including a facsimile of the title page
  •   Milton's Minor Poems public domain audiobook at LibriVox

milton, 1645, poems, collection, divided, into, separate, english, latin, sections, john, milton, youthful, poetry, variety, genres, including, such, notable, works, morning, christ, nativity, comus, lycidas, appearing, late, 1645, 1646, 1646, poetry, octavo, . Milton s 1645 Poems is a collection divided into separate English and Latin sections of John Milton s youthful poetry in a variety of genres including such notable works as An Ode on the Morning of Christ s Nativity Comus and Lycidas Appearing in late 1645 or 1646 see 1646 in poetry the octavo volume whose full title is Poems of Mr John Milton both English and Latin compos d at several times was issued by the Royalist publisher Humphrey Moseley In 1673 a year before his death Milton issued a revised and expanded edition of the Poems Titlepage to 1645 Poems with frontispiece depicting Milton surrounded by four muses designed by William Marshall According to The Concise Oxford Chronology of English Literature 2004 notwithstanding its title page the book was published in 1646 1 Contents 1 Frontispiece 2 Organization 3 1673 edition 4 Significance 5 See also 6 References 7 External linksFrontispiece EditThe volume s frontispiece contains an extremely unflattering portrait of Milton by the engraver William Marshall Underneath the portrait are satirical verses in Greek denying any resemblance It is assumed that this was a practical joke on Marshall who is unlikely to have known that he was engraving insults directed at himself 2 The verses read in translation Looking at the form of the original you could say perhaps that this likeness had been drawn by a rank beginner but my friends since you do not recognize what is pictured here have a chuckle at a caricature by a useless artist 3 Organization EditIn addition to the first titlepage the volume contains separate titlepages for the Latin Poemata and Comus a k a A Mask There are also five sonnets and a Canzone written in Italian language that are not separately denoted The order of the English poems is as follows On the Morning of Christ s Nativity A Paraphrase on Psalm 114 Psalm 136 The Passion On Time Upon the Circumcision At a Solemn Musick An Epitaph on the Marchioness of Winchester Song on May Morning On Shakespeare On the University Carrier Hobson s Epitaph Another on the same L Allegro Il Penseroso Sonnets 1 10 Arcades Lycidas A Mask Comus The Latin poems are divided into Elegiarum Elegies and Sylvarum Liber and conclude with the Epitaphium Damonis a poem mourning the death of Milton s best friend Charles Diodati In terms of themes and organization this section balances and speaks to the English collection 4 1673 edition EditMilton s 1673 Poems formally titled Poems etc on several occasions by Mr John Milton both English and Latin composed at several times etc also includes a tract on education The facsimile of the title page shows that the book was published by Thomas Dring of London The 1673 book includes all the poems in Milton s 1645 Poems though not the prefatory material In addition it includes a few poems written before 1645 but not published in the earlier book and a number of poems written after 1645 The tract on education is the same as in the 1645 book Revard 2009 5 p 284ff According to the list published by Dartmouth College poems included in the 1673 book but not in the 1645 book are On the Death of a Fair Infant Dying of a Cough Sonnets The Fifth Ode of Horace Book 1 At a Vacation Exercise On the New Forcers of Conscience Psalm Translations Apologus de Rustico amp Hero In Effigiei Ejus Sculptorem Ad Joannem RousiumThe sonnets included are usually referred to as numbers 11 12 13 14 18 19 20 21 and 23 according to the numbering Milton gave them in his autograph notebook referred to as the Trinity Manuscript see Revard 2009 p 543 from its location in the Wren Library of Trinity College Cambridge In the printed edition however they are numbered sequentially Thus for example the famous sonnet that begins When I Consider How My Light is Spent usually though inauthentically referred to as On his blindness is numbered 19 by Milton but 16 in the printed edition see Revard 2009 p 569 Significance EditThough many of these poems are marvels in their own right critics are divided on how to read the volume as a whole in the scope of Milton s entire poetic career which is invariably seen as culminating in the epic poem Paradise Lost Taking a quote from Vergil s Georgics Milton identifies himself as a future poet on the title page Some commentators take this as evidence that Milton was self consciously preparing himself for a greater work 6 Others on the other hand argue that Milton s self presentation is of a plural and shifting subject whose poetic trajectory is not set in stone 7 George Steiner stresses the mix of antique and modern of English Latin and Italian with knowledge of Hebrew and Greek according to Steiner Milton manages to unify the European community in its diversity 8 It is also debatable to what extent the volume embraces the republican politics Milton had begun to adopt by this time Milton s publisher Moseley supported Royalist poets such as Edmund Waller and the volume contains praises of aristocrats and traditionally Royalist forms like masque 9 Yet a strong argument can be made that Milton did subtly inscribe his radical Puritan politics in the Poems through such works as Lycidas 10 See also Edit1646 in poetryReferences Edit Cox Michael editor The Concise Oxford Chronology of English Literature Oxford University Press 2004 ISBN 0 19 860634 6 Skerpan Elizabeth Penley Authorship and Authority John Milton William Marshall and the Two Frontispieces of Poems 1645 Milton Quarterly Volume 33 Number 4 December 1999 pp 105 114 Milton In Effigiei Ejus Sculptorem Archived 2006 11 19 at the Wayback Machine Stella Revard Milton and the Tangles of Neaera s Hair Columbia University of Missouri Press 1997 p 1 Revard S P Ed 2009 John Milton Collected Shorter Poems Chichester UK Wiley ISBN 978 1 4051 2927 5 Louis Martz The Rising Poet Chapter 2 in Milton Poet of Exile 2 ed New Haven Yale University Press 1980 pp 31 59 C W R D Moseley The Poetic Birth Milton s Poems of 1645 Aldershot Scolar Press 1991 Colin Burrow Poems 1645 the future poet Chapter 4 in The Cambridge Companion to Milton 2 ed ed Dennis Danielson Cambridge Cambridge University Press 1999 pp 54 69 George Steiner After Babel IV 1 Thomas Corns Milton s Quest for Respectability Modern Language Review 77 1982 769 79 Michael Wilding Milton s Early Radicalism Chapter 4 in John Milton ed Annabel Patterson London Longman 1992 pp 39 45 David Norbrook The Politics of Milton s Early Poetry Chapter 5 in ibid External links Edit The full text of Poems of Mr John Milton Both English and Latin Compos d at several times at Wikisource Text of 1645 Poems Text of the contents including a facsimile of the title page Milton s Minor Poems public domain audiobook at LibriVox Retrieved from https en wikipedia org w index php title Milton 27s 1645 Poems amp oldid 1097347458, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.