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Melchiorre Cafà

Melchiorre Cafà (1636–1667), born Melchiorre Gafà and also known as Caffà, Gafa, Gaffar or Gafar,[a] was a Maltese Baroque sculptor. Cafà began a promising career in Rome but this was cut short by his premature death following a work accident. He was the older brother of the architect Lorenzo Gafà.

Melchiorre Cafà
Melchiorre Gafà
Born1636
Died4 September 1667 (aged 31)
Cause of deathWork accident
Resting placeSan Biagio della Pagnotta, Rome
NationalityMaltese
OccupationSculptor
StyleBaroque
Parents
  • Marco Gafà (father)
  • Veronica Gafà (mother)
RelativesLorenzo Gafà (brother)

Biography edit

 
Ecstasy of Saint Catherine

Cafà was born in Vittoriosa, Malta, and given the name Marcello at his baptism on 21 January 1636. After his move to Rome in 1658 or shortly after, he was most frequently referred to as Melchior (or Melchiorre) Maltese. His brother Lorenzo Gafà was one of the leading architects in Malta.

Cafà was already an accomplished sculptor when he came to Rome and entered the workshop of Ercole Ferrata, who was not strictly speaking his teacher although he probably helped him refining his technique. Despite soon attracting his own commissions, he stayed in close contact with Ferrata and collaborated with him.

In 1660 Cafà signed his first independent contract with Prince Camillo Pamphilj for the relief of the Martyrdom of Saint Eustace in Sant'Agnese in Agone. In 1662 he became a member of the Accademia di San Luca and was even elected its principal in 1667, but declined the honor. Reportedly, he was a close friend of the painter Giovanni Battista Gaulli. Cafà died on the 4 September 1667 after some material collapsed on him in the foundry of Saint Peter's while he was working on the altar decoration for Saint John's Co-Cathedral in Valletta.[b]

There is no monument or plaque in his honour in his home city of Vittoriosa, Malta. However, the Maltese Post Office issued several stamps with Cafà's sculptures as motives.[1]

Works edit

 
Martyrdom of Saint Eustace

Extremely busy throughout his short life, he only managed to finish a few major commissions himself:

  • Wooden statue of Saint Paul in St. Paul's Shipwreck in Valletta (c. 1659).
  • Wooden statue of the Virgin of the Rosary in the Dominican Church, Rabat, Malta (1660–61).
  • The marble statue of the dying Saint Rose of Lima (signed and dated 1665; Lima, Santo Domingo) was in 1668 the centrepiece for the future saint's Beatification ceremony in Rome's Santa Maria sopra Minerva, and shipped to Peru straight after that event. While it has some formal analogies with Bernini's Ecstasy of St Theresa and possibly influenced in its turn the latter's Death of the Blessed Ludovica Albertoni, Cafà's statue depicts a peaceful death, free from the turmoil in the two works by Bernini.[2][3][4]
  • Saint Thomas of Villanova distributing alms in the church of Sant'Agostino in Rome (1663–69).
  • The relief in white marble of the Ecstasy of Saint Catherine of Siena at Santa Caterina a Magnanapoli in Rome. The curved polychrome background is suggestive of cloud formations and of a halo, intensifying the idea that the saint is carried to heaven. There are no known dates for Cafà's intervention, but it is generally accepted that he finished it himself, i.e. 1667 or earlier. The wax bozzetto for this work was discovered by Edgar Vella in 1995 and is now in a private collection in Malta.[5]
  • A bust of Alexander VII exists in an extremely fine terracotta version in the Palazzo Chigi in Ariccia, a signed bronze (dated 1667) is in New York's Metropolitan Museum (photo here) and a further bronze in the Duomo in Siena.

A number of Cafà terracottas are in the Hermitage Museum in St. Petersburg, MUŻA (previously the National Museum of Fine Arts) in Valletta, the Museo di Palazzo Venezia in Rome, the Fogg Museum at Harvard University, Massachusetts, and the Museo di Roma. There are various wax reliefs and sculptures by Cafà in Malta: the Valletta Museum has sketches of martyrs, and models for the statues in the colonnade in Saint Peter's Square in Rome. Notably, MUŻA houses the etching Charity of St Thomas of Villanova[6] and a bronze statuette of Saint Rose of Lima, which is a smaller copy of the statue of the dying Saint Rose of Lima that Cafà himself had created in marble.[2][4] Four reliefs were recently discovered in the Cathedral of Mdina representing the Nativity, the Adoration of the shepherds, the Annunciation and the Glory of St. Rose of Lima.[7]

Most unfinished works were completed by Ercole Ferrata, e.g.:

  • Martyrdom of Saint Eustace in Sant'Agnese in Agone, Rome (1660–69). Cafà's terracotta is in the Museo di Palazzo Venezia in Rome. In 2014, Vella published his discovery of a wax bozzetto by Cafà for this marble relief.[5]
  • Saint Thomas of Villanova distributing alms in the church of Sant'Agostino in Rome (1663–69). Cafà's terracotta is housed in MUŻA in Valletta.[6]
  • Marble statue of Pope Alexander III in the Duomo in Siena (from 1665/66).
  • Marble statue of Saint Paul in St. Paul's Grotto, Rabat, Malta (1666–69).

Notes edit

  1. ^ After a long period of various spellings, international scholars of Italian baroque sculpture finally agreed on the spelling Cafà, which he himself used when signing works; cf. the book by Sciberras cited below.
  2. ^ This was eventually executed decades later and after a new design by Cafà's most distinguished (and according to contemporary sources his only) pupil Giuseppe Mazzuoli.

References edit

  1. ^ Examples here[permanent dead link]
  2. ^ a b Vassallo, Alvin (15 February 2020). "Melchiorre Cafà's statuette added to Heritage Malta national collection". TVM News. Retrieved 4 August 2022.
  3. ^ "Melchiorre Cafà and his Golden Rose". Times of Malta. 11 February 2020. Retrieved 4 August 2022.
  4. ^ a b "Heritage Malta acquires Melchiorre Cafà's 'St Rose of Lima'". independent.com.mt. 22 November 2019. Retrieved 4 August 2022.
  5. ^ a b Edgar Vella, New Cafà bozzetto discovered, in: Times of Malta, 23 November 2014.
  6. ^ a b "Charity of St Thomas of Villanova". Europeana. Retrieved 4 August 2022.
  7. ^ George Cini (1 December 2010). "Four wax reliefs by Melchiorre Cafà discovered in Mdina". Times of Malta. Retrieved 5 December 2010.

Sources edit

  • Rudolf Preimesberger, in: Dizionario Biografico degli Italiani, vol. 16, 1973, pp. 230–235 (in Italian)
  • Gerhard Bissell, in: Allgemeines Künstlerlexikon, vol. 15, 1997, pp. 493–495 (in German)
  • Keith Sciberras (Ed.), Melchiorre Cafà. Maltese Genius of the Roman Baroque, Valletta 2006 (individual entries in English or Italian)
  • Sante Guido, Giuseppe Mantella, Melchiorre Cafà insigne modellatore. La Natività, l'Adorazione dei pastori e altre opere in cera, Soveria Mannelli (CZ) 2010 (in Italian)

External links edit

  • Web Gallery of Art: Melchiore Caffa
  • Artcyclopedia: Melchiore Caffa

melchiorre, cafà, 1636, 1667, born, melchiorre, gafà, also, known, caffà, gafa, gaffar, gafar, maltese, baroque, sculptor, cafà, began, promising, career, rome, this, short, premature, death, following, work, accident, older, brother, architect, lorenzo, gafà,. Melchiorre Cafa 1636 1667 born Melchiorre Gafa and also known as Caffa Gafa Gaffar or Gafar a was a Maltese Baroque sculptor Cafa began a promising career in Rome but this was cut short by his premature death following a work accident He was the older brother of the architect Lorenzo Gafa Melchiorre CafaMelchiorre GafaBorn1636Birgu Hospitaller MaltaDied4 September 1667 aged 31 Rome Papal StatesCause of deathWork accidentResting placeSan Biagio della Pagnotta RomeNationalityMalteseOccupationSculptorStyleBaroqueParentsMarco Gafa father Veronica Gafa mother RelativesLorenzo Gafa brother Contents 1 Biography 2 Works 3 Notes 4 References 5 Sources 6 External linksBiography edit nbsp Ecstasy of Saint CatherineCafa was born in Vittoriosa Malta and given the name Marcello at his baptism on 21 January 1636 After his move to Rome in 1658 or shortly after he was most frequently referred to as Melchior or Melchiorre Maltese His brother Lorenzo Gafa was one of the leading architects in Malta Cafa was already an accomplished sculptor when he came to Rome and entered the workshop of Ercole Ferrata who was not strictly speaking his teacher although he probably helped him refining his technique Despite soon attracting his own commissions he stayed in close contact with Ferrata and collaborated with him In 1660 Cafa signed his first independent contract with Prince Camillo Pamphilj for the relief of the Martyrdom of Saint Eustace in Sant Agnese in Agone In 1662 he became a member of the Accademia di San Luca and was even elected its principal in 1667 but declined the honor Reportedly he was a close friend of the painter Giovanni Battista Gaulli Cafa died on the 4 September 1667 after some material collapsed on him in the foundry of Saint Peter s while he was working on the altar decoration for Saint John s Co Cathedral in Valletta b There is no monument or plaque in his honour in his home city of Vittoriosa Malta However the Maltese Post Office issued several stamps with Cafa s sculptures as motives 1 Works edit nbsp Martyrdom of Saint EustaceExtremely busy throughout his short life he only managed to finish a few major commissions himself Wooden statue of Saint Paul in St Paul s Shipwreck in Valletta c 1659 Wooden statue of the Virgin of the Rosary in the Dominican Church Rabat Malta 1660 61 The marble statue of the dying Saint Rose of Lima signed and dated 1665 Lima Santo Domingo was in 1668 the centrepiece for the future saint s Beatification ceremony in Rome s Santa Maria sopra Minerva and shipped to Peru straight after that event While it has some formal analogies with Bernini s Ecstasy of St Theresa and possibly influenced in its turn the latter s Death of the Blessed Ludovica Albertoni Cafa s statue depicts a peaceful death free from the turmoil in the two works by Bernini 2 3 4 Saint Thomas of Villanova distributing alms in the church of Sant Agostino in Rome 1663 69 The relief in white marble of the Ecstasy of Saint Catherine of Siena at Santa Caterina a Magnanapoli in Rome The curved polychrome background is suggestive of cloud formations and of a halo intensifying the idea that the saint is carried to heaven There are no known dates for Cafa s intervention but it is generally accepted that he finished it himself i e 1667 or earlier The wax bozzetto for this work was discovered by Edgar Vella in 1995 and is now in a private collection in Malta 5 A bust of Alexander VII exists in an extremely fine terracotta version in the Palazzo Chigi in Ariccia a signed bronze dated 1667 is in New York s Metropolitan Museum photo here and a further bronze in the Duomo in Siena A number of Cafa terracottas are in the Hermitage Museum in St Petersburg MUZA previously the National Museum of Fine Arts in Valletta the Museo di Palazzo Venezia in Rome the Fogg Museum at Harvard University Massachusetts and the Museo di Roma There are various wax reliefs and sculptures by Cafa in Malta the Valletta Museum has sketches of martyrs and models for the statues in the colonnade in Saint Peter s Square in Rome Notably MUZA houses the etching Charity of St Thomas of Villanova 6 and a bronze statuette of Saint Rose of Lima which is a smaller copy of the statue of the dying Saint Rose of Lima that Cafa himself had created in marble 2 4 Four reliefs were recently discovered in the Cathedral of Mdina representing the Nativity the Adoration of the shepherds the Annunciation and the Glory of St Rose of Lima 7 Most unfinished works were completed by Ercole Ferrata e g Martyrdom of Saint Eustace in Sant Agnese in Agone Rome 1660 69 Cafa s terracotta is in the Museo di Palazzo Venezia in Rome In 2014 Vella published his discovery of a wax bozzetto by Cafa for this marble relief 5 Saint Thomas of Villanova distributing alms in the church of Sant Agostino in Rome 1663 69 Cafa s terracotta is housed in MUZA in Valletta 6 Marble statue of Pope Alexander III in the Duomo in Siena from 1665 66 Marble statue of Saint Paul in St Paul s Grotto Rabat Malta 1666 69 Notes edit After a long period of various spellings international scholars of Italian baroque sculpture finally agreed on the spelling Cafa which he himself used when signing works cf the book by Sciberras cited below This was eventually executed decades later and after a new design by Cafa s most distinguished and according to contemporary sources his only pupil Giuseppe Mazzuoli References edit Examples here permanent dead link a b Vassallo Alvin 15 February 2020 Melchiorre Cafa s statuette added to Heritage Malta national collection TVM News Retrieved 4 August 2022 Melchiorre Cafa and his Golden Rose Times of Malta 11 February 2020 Retrieved 4 August 2022 a b Heritage Malta acquires Melchiorre Cafa s St Rose of Lima independent com mt 22 November 2019 Retrieved 4 August 2022 a b Edgar Vella New Cafa bozzetto discovered in Times of Malta 23 November 2014 a b Charity of St Thomas of Villanova Europeana Retrieved 4 August 2022 George Cini 1 December 2010 Four wax reliefs by Melchiorre Cafa discovered in Mdina Times of Malta Retrieved 5 December 2010 Sources editRudolf Preimesberger in Dizionario Biografico degli Italiani vol 16 1973 pp 230 235 in Italian Gerhard Bissell in Allgemeines Kunstlerlexikon vol 15 1997 pp 493 495 in German Keith Sciberras Ed Melchiorre Cafa Maltese Genius of the Roman Baroque Valletta 2006 individual entries in English or Italian Sante Guido Giuseppe Mantella Melchiorre Cafa insigne modellatore La Nativita l Adorazione dei pastori e altre opere in cera Soveria Mannelli CZ 2010 in Italian External links editWeb Gallery of Art Melchiore Caffa Artcyclopedia Melchiore Caffa Retrieved from https en wikipedia org w index php title Melchiorre Cafa amp oldid 1177405343, wikipedia, wiki, book, books, library,

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