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Mary Oppen

Mary Oppen (November 28, 1908 – May 14, 1990), was an American activist, artist, photographer, poet and writer.[1] She published an autobiography, Meaning a Life (1978), and a book of verse, Poems and Transpositions (1980).[2]

Mary Oppen
BornNovember 28, 1908
Kalispell, Montana, U.S.
DiedMay 14, 1990 (aged 81)
Berkeley, California, U.S.
OccupationWriter, artist
Educationattended Oregon State University

Early life edit

Oppen was born in Kalispell, Montana, to Ora and Alice (Conklin) Colby. Her father was a postmaster and her mother was a singer.[3] She was raised in the Pacific Northwest. In 1926 she met George Oppen in a poetry class at Oregon State University.[4] Although they were, respectively, suspended (George) and expelled (Mary) for staying out together overnight, they formed a serious commitment, eventually to be a lifetime bond.[2] Together they travelled extensively, and this began the succession of friendships and contacts out of which the poetry and politics of George and Mary Oppen grew.

Fifty years later, in her autobiography Meaning A Life (1978), Mary Oppen observed of these times:

We were constantly searching—searching in our travels in our pursuit of friends and in our conversation concerning all that we saw and felt about the world. We were searching for a way to avoid the trap that our class backgrounds held for us if we relented in our attempts to escape from them ... [W]e had learned at college that poetry was being written in our own times, and that in order for us to write it was not necessary for us to ground ourselves in the academic; the ground we needed was the roads we were travelling.

Poetry, activism, and World War II edit

After their initial peripatetic years together, the Oppens took up residence in New York City in the late 1920s. There they joined a circle of artists and writers, among whom were the poets Charles Reznikoff and Louis Zukofsky. During the 1930s the Oppens involved themselves in leftist political movements. They joined the Communist Party USA in 1935 after the seventh World Congress of the Communist Parties called for intellectuals to join in a united front against fascism and war.[4]

After World War II, in which George Oppen was severely wounded at the Battle of the Bulge, the Oppens were persecuted by the U.S. government for their leftist activities during the Depression. Rather than testify against friends and associates, the Oppens decided in 1950 to flee to Mexico, and by the late 1950s they had found their way into a circle of U.S. expatriates living in Mexico City.[4]

Return to the United States edit

After a brief trip to the United States in 1958, to visit their daughter Linda at her university, the Oppens returned to New York in the early 1960s. Back in Brooklyn, George, who had started writing again towards the end of his time in Mexico, renewed old ties with his fellow Objectivists and also befriended many younger poets. The Oppens continued to move around, once driving an amphibious car from Miami to New York. In the later part of the 1960s, the Oppens took up residence in the San Francisco Bay area, where George Oppen's family largely lived. For a time, they summered at Deer Isle, Maine, where they entertained such East Coast writers as Theodore Enslin, Rachel Blau DuPlessis, Michael Heller, and John Taggart.[4]

Later years edit

In 1970 Mary Oppen resumed writing poems and continued painting and work in collage. By 1975 she was in the midst of the composition of her memoirs, eventually published as Meaning a Life: An Autobiography by Black Sparrow Press in May 1978. In this work, Mary Oppen makes apparent how completely she and George shared the risks, adventures, and commitments of their itinerant and artistic life.

This included their harrowing, life-changing trip to Israel in September 1975. They had been invited by the mayor of Jerusalem to be his guests at the Mishkenot Sha'ananim, a residence for distinguished artists, writers, and musicians from abroad that faced the walls of the Old City.[5] After their return from this trip, Mary noticed a decline in her husband’s health and a waning in his artistic authority. In 1977, she provided secretarial help so George could complete his final volume of poetry, Primitive. According to Rachel Blau DuPlessis, this "help" was atypical of their practice and was related to George's decline. During this time, George's final illness began to manifest itself with confusion, failing memory, and other losses. In 1980, the Montemora Foundation published her book Poems & Transpositions. George Oppen, died of pneumonia preceded by Alzheimer's disease on July 7, 1984, aged 76. On December 3, 1987, his widow read from her autobiography at the San Francisco Arts Commission Gallery. [citation needed]

Mary Oppen died on May 14, 1990, of ovarian cancer at Alta Bates-Herrick Hospital in Berkeley, California, aged 81. She had been living in Albany, California. She was survived by a daughter, Linda Mourelatos.[6]

Artist, poet, writer, photographer edit

Several of her works have been exhibited. Oppen was also a diligent photographer and hers is a record of a life shared among writers and artists only now achieving recognition. These photographs afford glimpses into the world which George and Mary Oppen inhabited—one which was not officially recorded by the arbiters of taste or by academics in a depoliticized postwar America. Prints, paintings and collages by Mary Oppen were included in the 19th National Exhibition of Prints at the Library of Congress in 1963.[6]

Bibliography edit

  • Meaning a Life: An Autobiography (Black Sparrow Press, 1978; New Directions, 2020)
  • Poems & Transpositions (Montemora Foundation, 1980)

References edit

  1. ^ . David R. Godine, Publisher. Archived from the original on 2019-05-08. Retrieved 2019-05-08.
  2. ^ a b Sharp, Tom (May 1982). "Section 6: George and Mary Oppen". "Objectivists" 1927-1934: A critical history of the work and association of Louis Zukofsky, William Carlos Williams, Charles Reznikoff, Carl Rakosi, Ezra Pound, and George Oppen (Dissertation). Stanford University. Retrieved 7 February 2021.
  3. ^ Contemporary Authors Online. Detroit: Gale. 2003. ISBN 9780787691356.[not specific enough to verify]
  4. ^ a b c d Whitney, Joel (18 January 2021). "The Violent Years". Poetry Foundation. Retrieved 6 February 2021.
  5. ^ Kauffman, Shirley (1 January 1985). "The Obvious and the Hidden; Some Thoughts About 'Disasters'". Ironwood 26: George Oppen Special Issue. Retrieved 7 February 2021.
  6. ^ a b "Mary Oppen, Author, 81". New York Times. 16 May 1990. Retrieved 7 February 2021.

External links edit

  • "Finding Aid to Mary Oppen Papers, MSS 0125" (Special Collections & Archives, UC San Diego). Online Archive of California. Retrieved 2021-02-08.
  • Object Lessons: Andrea Brady on George Oppen's New Collected Poems includes a brief but insightful discussion of Mary.

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This article includes a list of general references but it lacks sufficient corresponding inline citations Please help to improve this article by introducing more precise citations November 2010 Learn how and when to remove this message Mary Oppen November 28 1908 May 14 1990 was an American activist artist photographer poet and writer 1 She published an autobiography Meaning a Life 1978 and a book of verse Poems and Transpositions 1980 2 Mary OppenBornNovember 28 1908Kalispell Montana U S DiedMay 14 1990 aged 81 Berkeley California U S OccupationWriter artistEducationattended Oregon State University Contents 1 Early life 2 Poetry activism and World War II 3 Return to the United States 4 Later years 5 Artist poet writer photographer 6 Bibliography 7 References 8 External linksEarly life editOppen was born in Kalispell Montana to Ora and Alice Conklin Colby Her father was a postmaster and her mother was a singer 3 She was raised in the Pacific Northwest In 1926 she met George Oppen in a poetry class at Oregon State University 4 Although they were respectively suspended George and expelled Mary for staying out together overnight they formed a serious commitment eventually to be a lifetime bond 2 Together they travelled extensively and this began the succession of friendships and contacts out of which the poetry and politics of George and Mary Oppen grew Fifty years later in her autobiography Meaning A Life 1978 Mary Oppen observed of these times We were constantly searching searching in our travels in our pursuit of friends and in our conversation concerning all that we saw and felt about the world We were searching for a way to avoid the trap that our class backgrounds held for us if we relented in our attempts to escape from them W e had learned at college that poetry was being written in our own times and that in order for us to write it was not necessary for us to ground ourselves in the academic the ground we needed was the roads we were travelling Poetry activism and World War II editAfter their initial peripatetic years together the Oppens took up residence in New York City in the late 1920s There they joined a circle of artists and writers among whom were the poets Charles Reznikoff and Louis Zukofsky During the 1930s the Oppens involved themselves in leftist political movements They joined the Communist Party USA in 1935 after the seventh World Congress of the Communist Parties called for intellectuals to join in a united front against fascism and war 4 After World War II in which George Oppen was severely wounded at the Battle of the Bulge the Oppens were persecuted by the U S government for their leftist activities during the Depression Rather than testify against friends and associates the Oppens decided in 1950 to flee to Mexico and by the late 1950s they had found their way into a circle of U S expatriates living in Mexico City 4 Return to the United States editAfter a brief trip to the United States in 1958 to visit their daughter Linda at her university the Oppens returned to New York in the early 1960s Back in Brooklyn George who had started writing again towards the end of his time in Mexico renewed old ties with his fellow Objectivists and also befriended many younger poets The Oppens continued to move around once driving an amphibious car from Miami to New York In the later part of the 1960s the Oppens took up residence in the San Francisco Bay area where George Oppen s family largely lived For a time they summered at Deer Isle Maine where they entertained such East Coast writers as Theodore Enslin Rachel Blau DuPlessis Michael Heller and John Taggart 4 Later years editIn 1970 Mary Oppen resumed writing poems and continued painting and work in collage By 1975 she was in the midst of the composition of her memoirs eventually published as Meaning a Life An Autobiography by Black Sparrow Press in May 1978 In this work Mary Oppen makes apparent how completely she and George shared the risks adventures and commitments of their itinerant and artistic life This included their harrowing life changing trip to Israel in September 1975 They had been invited by the mayor of Jerusalem to be his guests at the Mishkenot Sha ananim a residence for distinguished artists writers and musicians from abroad that faced the walls of the Old City 5 After their return from this trip Mary noticed a decline in her husband s health and a waning in his artistic authority In 1977 she provided secretarial help so George could complete his final volume of poetry Primitive According to Rachel Blau DuPlessis this help was atypical of their practice and was related to George s decline During this time George s final illness began to manifest itself with confusion failing memory and other losses In 1980 the Montemora Foundation published her book Poems amp Transpositions George Oppen died of pneumonia preceded by Alzheimer s disease on July 7 1984 aged 76 On December 3 1987 his widow read from her autobiography at the San Francisco Arts Commission Gallery citation needed Mary Oppen died on May 14 1990 of ovarian cancer at Alta Bates Herrick Hospital in Berkeley California aged 81 She had been living in Albany California She was survived by a daughter Linda Mourelatos 6 Artist poet writer photographer editSeveral of her works have been exhibited Oppen was also a diligent photographer and hers is a record of a life shared among writers and artists only now achieving recognition These photographs afford glimpses into the world which George and Mary Oppen inhabited one which was not officially recorded by the arbiters of taste or by academics in a depoliticized postwar America Prints paintings and collages by Mary Oppen were included in the 19th National Exhibition of Prints at the Library of Congress in 1963 6 Bibliography editMeaning a Life An Autobiography Black Sparrow Press 1978 New Directions 2020 Poems amp Transpositions Montemora Foundation 1980 References edit Mary Oppen David R Godine Publisher Archived from the original on 2019 05 08 Retrieved 2019 05 08 a b Sharp Tom May 1982 Section 6 George and Mary Oppen Objectivists 1927 1934 A critical history of the work and association of Louis Zukofsky William Carlos Williams Charles Reznikoff Carl Rakosi Ezra Pound and George Oppen Dissertation Stanford University Retrieved 7 February 2021 Contemporary Authors Online Detroit Gale 2003 ISBN 9780787691356 not specific enough to verify a b c d Whitney Joel 18 January 2021 The Violent Years Poetry Foundation Retrieved 6 February 2021 Kauffman Shirley 1 January 1985 The Obvious and the Hidden Some Thoughts About Disasters Ironwood 26 George Oppen Special Issue Retrieved 7 February 2021 a b Mary Oppen Author 81 New York Times 16 May 1990 Retrieved 7 February 2021 External links edit Finding Aid to Mary Oppen Papers MSS 0125 Special Collections amp Archives UC San Diego Online Archive of California Retrieved 2021 02 08 Object Lessons Andrea Brady on George Oppen s New Collected Poems includes a brief but insightful discussion of Mary Quotes from Mary Oppen s autobiography Retrieved from https en wikipedia org w index php title Mary Oppen amp oldid 1215369009, wikipedia, wiki, book, books, library,

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