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Martin Eybl

April 11, 2024

Martin Eybl[1] is an Austrian musicologist.

Early life and education edit

Martin Eybl was born on December 7, 1960, in Neumarkt im Hausruckkreis, a town in the province of Upper Austria, and was educated at the Gymnasium in Kremsmünster where he graduated in 1979. Thereafter, he studied at the Anton Bruckner Conservatory in Linz and, in 1984, majored there in Piano Performance (class of Horst Matthaeus). At the same time, he studied composition (German: Tonsatz) at the University of Music and Performing Arts Vienna, as well as musicology at the University of Vienna, from where he graduated in 1988 (Master of Philosophy) and 1995 (Doctor of Philosophy).

Professional activities and career edit

Martin Eybl has taught lectures and courses at the University of Vienna from 1991 until 2004, and has been teaching at the University of Music and Performing Arts Vienna since 1994 (until 2004 in the fields of Schenkerian analysis and history of music theory).

From 1994 until 2006, he held a course about Schenkerian analysis (German: Lehrgang für Tonsatz nach Heinrich Schenker). In 1996, he was a visiting scholar at Harvard University. Since 2000, he is on the editorial board of Denkmäler der Tonkunst in Österreich (DTÖ – German for Monuments of Musical Art in Austria), becoming editor-in-chief in 2007 (together with Theophil Antonicek).

Martin Eybl obtained his habilitation in music theory in 2004, and since that time holds an academic chair for music history at the University of Music and Performing Arts Vienna. From 2007 to 2009, he served as a member of the university's academic senate.

Research interests and activities edit

Martin Eybl's main research focus lies on the aesthetics and theory of early 20th century music, as well as on music in Austria during the 18th century and on the edition of pre-classical music. He was involved in several peer-reviewed research projects, among which

  • Instrumental ensemble music in the wake of Vienna 1730-1760, 1993-1995;
  • Modernity in Vienna and Central Europe around 1900, 1994–2002;
  • Changes in musical taste around 1760. The solo concerto in Maria Theresia's Vienna, 2002–2003.

From 2007 until 2010, he acted as the principal investigator of a project called

Major publications 1992-2010 edit

Books edit

  • Ideology and method. Schenker's theory of music in the context of the history of ideas. (German: Ideologie und Methode. Zum ideengeschichtlichen Kontext von Schenkers Musiktheorie). Wiener Veröffentlichungen zur Musikwissenschaft 32. Tutzing 1995 (Ph.D. thesis, Vienna).
  • The emancipation of the instant. Schoenberg's scandalizing concerts 1907 and 1908. A documentation (German: Die Befreiung des Augenblicks: Schönbergs Skandalkonzerte von 1907 und 1908. Eine Dokumentation[2]). Wiener Veröffentlichungen zur Musikgeschichte 4. Wien 2004.
  • Schenkerian traditions. A Viennese school of music theory and its international dissemination (English/German: Schenker-Traditionen. Eine Wiener Schule der Musiktheorie und ihre internationale Verbreitung), Martin Eybl and Evelyn Fink-Mennel (eds.). Wiener Veröffentlichungen zur Musikgeschichte 6. Wien 2006.
  • Celebrations: On occasion of the 70th birthday of Theophil Antonicek (German: Feste. Theophil Antonicek zum 70. Geburtstag), Martin Eybl, Stefan Jena, Andreas Vejvar (eds.), Studien zur Musikwissenschaft 56. Tutzing 2010.

Musical Editions edit

  • Pieter Maessins, Complete Works (German: Sämtliche Werke). Published by Othmar Wessely und Martin Eybl (DTÖ 149). Graz 1995.
  • Johann Joseph Fux, Trio sonatas. Complete Works (German: Sämtliche Werke), Ser. VI, Vol.. 4. Graz 2000.
  • Johann Joseph Fux, Trio sonatas. Complete Works (German: Sämtliche Werke), Ser. VI, Vol. 5. Graz 2009.

Scholarly Articles edit

Music in 18th-century Austria edit

  • Nightingale, quail, cuckoo, Adler and Fux. Remarks on the stylistic change in the 18th century on the basis of the recovered Leipzig overture (German: Nachtigall, Wachtel, Kuckuck, Adler und Fux. Bemerkungen zum Stilwandel im 18. Jahrhundert anhand der wiederaufgefundenen Leipziger Ouverture). In Rudolf Flotzinger (ed.), J. J. Fux-Symposium Graz ’91. Proceedings (Grazer musikwissenschaftliche Arbeiten 9), pp. 63–83. Graz 1992.
  • Two weddings at the Vienna court 1744 and 1760. Self-conception, representation, and audience of the courtiers during the enlightenment process (German: Zwei Hochzeiten am Wiener Hof 1744 und 1760. Höfisches Selbstverständnis, Repräsentation und Publikum im Prozess der Aufklärung). In: Martin Eybl, Stefan Jena, Andreas Vejvar (eds.), Feste. Theophil Antonicek zum 70. Geburtstag (Studien zur Musikwissenschaft 56), pp. 153–170. Tutzing 2010.
  • The secularization of devotion. Perception of music between emancipation and disciplining (German: Die Säkularisierung der Andacht. Musikrezeption im Spannungsfeld zwischen Emanzipation und Disziplinierung). In: Franz M. Eybl (ed.), Strukturwandel kultureller Praxis. Beiträge zu einer kulturwissenschaftlichen Sicht des theresianischen Zeitalters (Jahrbuch der Österreichischen Gesellschaft zur Erforschung des achtzehnten Jahrhunderts 17), pp. 71–93. Wien 2002.
  • Early sources of concert symphonies in Kremsmünster 1762–1769. Music in the evolution of public sphere in the wake of Vienna (German: Frühe Quellen von Konzertsinfonien in Kremsmünster 1762–1769. Zur Entwicklung musikalischer Öffentlichkeit im Einflußbereich Wiens) In: Miscellanea Musicae. (Musicologica Austriaca 18), pp. 93–113. Wien 1999.
  • Franz Bernhard Ritter von Keeß – Collector, patron and promoter. Vienna's musical life in the spirit of enlightenment (German: Franz Bernhard Ritter von Keeß – Sammler, Mäzen und Organisator. Materialien zu Wiens Musikleben im Geist der Aufklärung) In: Elisabeth Theresia Hilscher (ed.), Österreichische Musik – Musik in Österreich. Beiträge zur Musikgeschichte Mitteleuropas. (Wiener Veröffentlichungen zur Musikwissenschaft 34), pp. 239–250. Tutzing 1998.
  • Mozart's earliest concerto movement. The Pasticcio concertos K. 37, 39, 40 and 41 in context of contemporary Vienna (German: Mozarts erster Konzertsatz. Die Pasticcio-Konzerte KV 37, 39, 40 und 41 im zeitgenössischen Wiener Kontext). In: Joachim Brügge et al. (eds.), Musikgeschichte als Verstehensgeschichte, pp. 199–214. Tutzing 2004.
  • The Kremsier copies of W.A.Mozart's piano concertos (German: Die Kremsierer Abschriften von Klavierkonzerten W.A. Mozarts). In: Manfred Hermann Schmid (ed.), Mozart-Studien 17, pp. 215–238. Tutzing 2008.

From Richard Wagner to modern music edit

  • Menacing innovation. Conservative views of music history in Vienna around 1900 (German: Das bedrohliche Neue. Konservative Konzepte von Musikgeschichte in Wien um 1900). In: Gerhard Anselm (ed.), Musikwissenschaft – eine verspätete Disziplin? Die akademische Musikforschung in der ersten Hälfte des 20. Jahrhunderts zwischen Fortschrittsglauben und Modernitätsverweigerung, pp. 119–127. Stuttgart 2000.
  • Schoenberg's frightening innovations. Assumptions on a paradigm shift in aesthetics (German: Schönbergs schreckliche Neuerungen. Thesen zu einem ästhetischen Paradigmenwechsel). In: Petr Macek, Mikuláš Bek (eds..), Horror novitatis (Colloquium Musicologicum Brunense 37, 2002), pp. 111–116. Praha 2004.
  • Schopenhauer, Freud, and the concept of deep structure in music. In: Martin Eybl, Evelyn Fink-Mennel (eds.), Schenker-Traditionen. Eine Wiener Schule der Musiktheorie und ihre internationale Verbreitung/A Viennese school of music theory and its international dissemination (Wiener Veröffentlichungen zur Musikgeschichte 6), pp. 51–58. Vienna 2006.
  • Expressivity versus adherence to the text. Seven observations on Heinrich Schenker's performance indications (German: Texttreue und Expressivität. Sieben Beobachtungen zu Heinrich Schenkers Vortragshinweisen). In: Markus Grassl, Reinhard Kapp (eds.), Die Lehre von der musikalischen Aufführung in der Wiener Schule. Verhandlungen des Internationalen Colloquiums Wien 1995 (Wiener Veröffentlichungen zur Musikgeschichte 3), pp. 411–427. Vienna 2002.

Analysis and theory of music edit

  • "Tota pulchra es" by Pieter Maessins. Purpose and notion of canon around 1550 (German: "Tota pulchra es" von Pieter Maessins. Zu Begriff und Funktion des Canons um 1550) In: Studien zur Musikwissenschaft 42, S. 34–52 (1993).
  • Tonal music as a cross-linked patchwork. A catalog of attributes of harmonic tonality (German: Tonale Musik als vernetztes Stückwerk. Ein Merkmalkatalog der harmonischen Tonalität). In: Ariane Jeßulat, Andreas Ickstadt, Martin Ullrich (eds.), Zwischen Komposition und Hermeneutik, pp. 54–66.Würzburg 2005.
  • Purpose and historical preconditions of Heinrich Schenker's analytics (German: Zweckbestimmung und historische Voraussetzungen der Analytik Heinrich Schenkers). In: Gernot Gruber (ed.), Zur Geschichte der musikalischen Analyse (Schriften zur musikalischen Hermeneutik 5), pp. 145–156. Laaber 1996.
  • Archaeology of musical art: Heinrich Schenker's analyses of works by Mozart (German: Archäologie der Tonkunst. Mozart-Analysen Heinrich Schenkers). In: Gernot Gruber, Siegfried Mauser (eds.), Mozartanalyse im 19. und frühen 20. Jahrhundert (Schriften zur musikalischen Hermeneutik 6), pp. 133–145. Laaber 1999.
  • Grandiose cells of isolation and rattling fugue mechanism – Schenker's critique of his teacher Bruckner (German: Grandiose Isolierzellen und rasselnde Fugenmechanik – Zu Schenkers Kritik an seinem Lehrer Bruckner). In: Othmar Wessely (ed.), Bruckner-Symposion Linz 1988, Proceedings, pp. 137–145. Linz 1992.
  • Exploring the perception of Magnus Lindberg's kinetics. An analytical dialogue (jointly with Tomi Mäkelä). In: Tomi Mäkelä (ed.), Topics. Texts. Tensions. Essays in Music Theory on Paavo Heininen, Joonas Kokkonen, Magnus Lindberg, Usko Meriläinen, Einojuhani Rautavaara, Kaija Saariaho & Aulis Sallinen, pp. 64–84. Magdeburg 1999.

References edit

  1. ^ Martin Eybl's homepage at the University of Music and Performing Arts Vienna
  2. ^ Joachim Reiber's article in Zeitschrift der Gesellschaft der Musikfreunde in Wien (February 2008, in German) on Schoenberg's concerts 1907, 1908 and 1913 refers to Eybl's book as a 'brilliant study'

April 11, 2024
martin, eybl, austrian, musicologist, contents, early, life, education, professional, activities, career, research, interests, activities, major, publications, 1992, 2010, books, musical, editions, scholarly, articles, music, 18th, century, austria, from, rich. Martin Eybl 1 is an Austrian musicologist Contents 1 Early life and education 2 Professional activities and career 3 Research interests and activities 4 Major publications 1992 2010 4 1 Books 4 2 Musical Editions 4 3 Scholarly Articles 4 3 1 Music in 18th century Austria 4 3 2 From Richard Wagner to modern music 4 3 3 Analysis and theory of music 5 ReferencesEarly life and education editMartin Eybl was born on December 7 1960 in Neumarkt im Hausruckkreis a town in the province of Upper Austria and was educated at the Gymnasium in Kremsmunster where he graduated in 1979 Thereafter he studied at the Anton Bruckner Conservatory in Linz and in 1984 majored there in Piano Performance class of Horst Matthaeus At the same time he studied composition German Tonsatz at the University of Music and Performing Arts Vienna as well as musicology at the University of Vienna from where he graduated in 1988 Master of Philosophy and 1995 Doctor of Philosophy Professional activities and career editThis section needs expansion You can help by adding to it January 2011 Martin Eybl has taught lectures and courses at the University of Vienna from 1991 until 2004 and has been teaching at the University of Music and Performing Arts Vienna since 1994 until 2004 in the fields of Schenkerian analysis and history of music theory From 1994 until 2006 he held a course about Schenkerian analysis German Lehrgang fur Tonsatz nach Heinrich Schenker In 1996 he was a visiting scholar at Harvard University Since 2000 he is on the editorial board of Denkmaler der Tonkunst in Osterreich DTO German for Monuments of Musical Art in Austria becoming editor in chief in 2007 together with Theophil Antonicek Martin Eybl obtained his habilitation in music theory in 2004 and since that time holds an academic chair for music history at the University of Music and Performing Arts Vienna From 2007 to 2009 he served as a member of the university s academic senate Research interests and activities editMartin Eybl s main research focus lies on the aesthetics and theory of early 20th century music as well as on music in Austria during the 18th century and on the edition of pre classical music He was involved in several peer reviewed research projects among which Instrumental ensemble music in the wake of Vienna 1730 1760 1993 1995 Modernity in Vienna and Central Europe around 1900 1994 2002 Changes in musical taste around 1760 The solo concerto in Maria Theresia s Vienna 2002 2003 From 2007 until 2010 he acted as the principal investigator of a project called The diaries of Heinrich Schenker 1918 1925 commented edition Major publications 1992 2010 editBooks edit Ideology and method Schenker s theory of music in the context of the history of ideas German Ideologie und Methode Zum ideengeschichtlichen Kontext von Schenkers Musiktheorie Wiener Veroffentlichungen zur Musikwissenschaft 32 Tutzing 1995 Ph D thesis Vienna The emancipation of the instant Schoenberg s scandalizing concerts 1907 and 1908 A documentation German Die Befreiung des Augenblicks Schonbergs Skandalkonzerte von 1907 und 1908 Eine Dokumentation 2 Wiener Veroffentlichungen zur Musikgeschichte 4 Wien 2004 Schenkerian traditions A Viennese school of music theory and its international dissemination English German Schenker Traditionen Eine Wiener Schule der Musiktheorie und ihre internationale Verbreitung Martin Eybl and Evelyn Fink Mennel eds Wiener Veroffentlichungen zur Musikgeschichte 6 Wien 2006 Celebrations On occasion of the 70th birthday of Theophil Antonicek German Feste Theophil Antonicek zum 70 Geburtstag Martin Eybl Stefan Jena Andreas Vejvar eds Studien zur Musikwissenschaft 56 Tutzing 2010 Musical Editions edit Pieter Maessins Complete Works German Samtliche Werke Published by Othmar Wessely und Martin Eybl DTO 149 Graz 1995 Johann Joseph Fux Trio sonatas Complete Works German Samtliche Werke Ser VI Vol 4 Graz 2000 Johann Joseph Fux Trio sonatas Complete Works German Samtliche Werke Ser VI Vol 5 Graz 2009 Scholarly Articles edit Music in 18th century Austria edit Nightingale quail cuckoo Adler and Fux Remarks on the stylistic change in the 18th century on the basis of the recovered Leipzig overture German Nachtigall Wachtel Kuckuck Adler und Fux Bemerkungen zum Stilwandel im 18 Jahrhundert anhand der wiederaufgefundenen Leipziger Ouverture In Rudolf Flotzinger ed J J Fux Symposium Graz 91 Proceedings Grazer musikwissenschaftliche Arbeiten 9 pp 63 83 Graz 1992 Two weddings at the Vienna court 1744 and 1760 Self conception representation and audience of the courtiers during the enlightenment process German Zwei Hochzeiten am Wiener Hof 1744 und 1760 Hofisches Selbstverstandnis Reprasentation und Publikum im Prozess der Aufklarung In Martin Eybl Stefan Jena Andreas Vejvar eds Feste Theophil Antonicek zum 70 Geburtstag Studien zur Musikwissenschaft 56 pp 153 170 Tutzing 2010 The secularization of devotion Perception of music between emancipation and disciplining German Die Sakularisierung der Andacht Musikrezeption im Spannungsfeld zwischen Emanzipation und Disziplinierung In Franz M Eybl ed Strukturwandel kultureller Praxis Beitrage zu einer kulturwissenschaftlichen Sicht des theresianischen Zeitalters Jahrbuch der Osterreichischen Gesellschaft zur Erforschung des achtzehnten Jahrhunderts 17 pp 71 93 Wien 2002 Early sources of concert symphonies in Kremsmunster 1762 1769 Music in the evolution of public sphere in the wake of Vienna German Fruhe Quellen von Konzertsinfonien in Kremsmunster 1762 1769 Zur Entwicklung musikalischer Offentlichkeit im Einflussbereich Wiens In Miscellanea Musicae Musicologica Austriaca 18 pp 93 113 Wien 1999 Franz Bernhard Ritter von Keess Collector patron and promoter Vienna s musical life in the spirit of enlightenment German Franz Bernhard Ritter von Keess Sammler Mazen und Organisator Materialien zu Wiens Musikleben im Geist der Aufklarung In Elisabeth Theresia Hilscher ed Osterreichische Musik Musik in Osterreich Beitrage zur Musikgeschichte Mitteleuropas Wiener Veroffentlichungen zur Musikwissenschaft 34 pp 239 250 Tutzing 1998 Mozart s earliest concerto movement The Pasticcio concertos K 37 39 40 and 41 in context of contemporary Vienna German Mozarts erster Konzertsatz Die Pasticcio Konzerte KV 37 39 40 und 41 im zeitgenossischen Wiener Kontext In Joachim Brugge et al eds Musikgeschichte als Verstehensgeschichte pp 199 214 Tutzing 2004 The Kremsier copies of W A Mozart s piano concertos German Die Kremsierer Abschriften von Klavierkonzerten W A Mozarts In Manfred Hermann Schmid ed Mozart Studien 17 pp 215 238 Tutzing 2008 From Richard Wagner to modern music edit Menacing innovation Conservative views of music history in Vienna around 1900 German Das bedrohliche Neue Konservative Konzepte von Musikgeschichte in Wien um 1900 In Gerhard Anselm ed Musikwissenschaft eine verspatete Disziplin Die akademische Musikforschung in der ersten Halfte des 20 Jahrhunderts zwischen Fortschrittsglauben und Modernitatsverweigerung pp 119 127 Stuttgart 2000 Schoenberg s frightening innovations Assumptions on a paradigm shift in aesthetics German Schonbergs schreckliche Neuerungen Thesen zu einem asthetischen Paradigmenwechsel In Petr Macek Mikulas Bek eds Horror novitatis Colloquium Musicologicum Brunense 37 2002 pp 111 116 Praha 2004 Schopenhauer Freud and the concept of deep structure in music In Martin Eybl Evelyn Fink Mennel eds Schenker Traditionen Eine Wiener Schule der Musiktheorie und ihre internationale Verbreitung A Viennese school of music theory and its international dissemination Wiener Veroffentlichungen zur Musikgeschichte 6 pp 51 58 Vienna 2006 Expressivity versus adherence to the text Seven observations on Heinrich Schenker s performance indications German Texttreue und Expressivitat Sieben Beobachtungen zu Heinrich Schenkers Vortragshinweisen In Markus Grassl Reinhard Kapp eds Die Lehre von der musikalischen Auffuhrung in der Wiener Schule Verhandlungen des Internationalen Colloquiums Wien 1995 Wiener Veroffentlichungen zur Musikgeschichte 3 pp 411 427 Vienna 2002 Analysis and theory of music edit Tota pulchra es by Pieter Maessins Purpose and notion of canon around 1550 German Tota pulchra es von Pieter Maessins Zu Begriff und Funktion des Canons um 1550 In Studien zur Musikwissenschaft 42 S 34 52 1993 Tonal music as a cross linked patchwork A catalog of attributes of harmonic tonality German Tonale Musik als vernetztes Stuckwerk Ein Merkmalkatalog der harmonischen Tonalitat In Ariane Jessulat Andreas Ickstadt Martin Ullrich eds Zwischen Komposition und Hermeneutik pp 54 66 Wurzburg 2005 Purpose and historical preconditions of Heinrich Schenker s analytics German Zweckbestimmung und historische Voraussetzungen der Analytik Heinrich Schenkers In Gernot Gruber ed Zur Geschichte der musikalischen Analyse Schriften zur musikalischen Hermeneutik 5 pp 145 156 Laaber 1996 Archaeology of musical art Heinrich Schenker s analyses of works by Mozart German Archaologie der Tonkunst Mozart Analysen Heinrich Schenkers In Gernot Gruber Siegfried Mauser eds Mozartanalyse im 19 und fruhen 20 Jahrhundert Schriften zur musikalischen Hermeneutik 6 pp 133 145 Laaber 1999 Grandiose cells of isolation and rattling fugue mechanism Schenker s critique of his teacher Bruckner German Grandiose Isolierzellen und rasselnde Fugenmechanik Zu Schenkers Kritik an seinem Lehrer Bruckner In Othmar Wessely ed Bruckner Symposion Linz 1988 Proceedings pp 137 145 Linz 1992 Exploring the perception of Magnus Lindberg s kinetics An analytical dialogue jointly with Tomi Makela In Tomi Makela ed Topics Texts Tensions Essays in Music Theory on Paavo Heininen Joonas Kokkonen Magnus Lindberg Usko Merilainen Einojuhani Rautavaara Kaija Saariaho amp Aulis Sallinen pp 64 84 Magdeburg 1999 References edit Martin Eybl s homepage at the University of Music and Performing Arts Vienna Joachim Reiber s article in Zeitschrift der Gesellschaft der Musikfreunde in Wien February 2008 in German on Schoenberg s concerts 1907 1908 and 1913 refers to Eybl s book as a brilliant study Retrieved from https en wikipedia org w index php title Martin Eybl amp oldid 1188871622, wikipedia, wiki, book, books, library,

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