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Mari Carmen Díaz de Mendoza

María Carmen Díaz de Mendoza Larrabeiti (December 1, 1927 – March 11, 2018) was a Spanish theatre actress.[1]

María Carmen Díaz de Mendoza Larrabeiti
María Carmen Díaz de Mendoza Larrabeiti
- with her parents
Born(1927-12-01)1 December 1927
Madrid, Spain
Died11 March 2018(2018-03-11) (aged 90)
Madrid, Spain
OccupationTheatre actress
SpouseJosé Beltrán de Heredia (1914-1992)
Partner(s)Carlos Díaz de Mendoza
Carmen Larrabeiti

Life edit

Mari Carmen Díaz de Mendoza was born in Madrid towards the end of 1927. Her parents, Carlos Díaz de Mendoza [es] and Carmen Larrabeiti, who were both actors, had married the previous year. He paternal grand parents were also highly successful in the world of theatre.[1] Although Mari Carmen made one or two film appearances, the focus of her own acting career was the theatre.

She embarked on her stage career in the 1940s at the Theatre of María Guerrero, originally purchased by her grandfather, the theatrical impresario Fernando Díaz de Mendoza y Aguado, back in 1908. In 1944 she appeared in a play based on Dostoyevsky's "Demons", playing opposite Ricardo Calvo Agostí [es].[2] Another early role was in the Spanish translation of "Time and the Conways" by J. B. Priestley, in which she appeared with Guillermo Marín and Elvira Noriega [es].[3] A few months later she transferred to the Teatro Español, in June 1945 appearing in "Hamlet" with Marin and Mercedes Prendes.[4]

During the next few years she appeared in "Tres de madrugada" by Claudio de la Torre (1946), "Cuento de cuentos" by Joaquín Dicenta (the younger) [es] (1947) and after setting up her own theatre company, in "Víspera de bodas" by Eduardo Manzanos (1948), in which Milagros Leal and Salvador Soler Marí [es] also appeared.

She was part of the production of En la ardiente oscuridad by Antonio Buero Vallejo, which had its triumphant premier in December 1950 at the Teatro María Guerrero. There were other successes during the early 1950s in the theatre that still bore her grandmother's name, including "María Antonieta" (1952) and "El jefe" (1953) by Joaquín Calvo Sotelo [es],[5] "Berkeley Square" (1952) by John L. Balderston and "Recién llegada" (1953), by Keith Winter.[6]

Later in the decade Díaz de Mendoza switched to Madrid's Teatro de la Comedia where she shared the stage with Alberto Closas in "¿De acuerdo, Susana?" (1955)[7] and appeared in "Mi adorado Juan" (1956) by Miguel Mihura,[8] with Ismael Merlo, as well as featuring with Carlos Muñoz in "En cualquier Puerta del Sol" (1956) by Carlos Llopis and in "48 horas de felicidad" (1956) by Alfonso Paso. In 1957 she was in La malquerida by Jacinto Benavente, a piece which had premiered 45 years earlier, with her grandmother heading up the cast.

Towards the end of 1957 she returned to the Theatre of María Guerrero for the premier of "El cuervo" by then the young Alfonso Sastre. 1958 was a particularly rich year for Díaz de Mendoza, which included appearances in "Alta fidelidad" by Edgar Neville, "Tránsito de madrugada" by Santiago Moncada [es], "Las manos son inocentes" by José López Rubio, "The Teahouse of the August Moon" by John Patrick and "Vida moderna" by Álvaro de Laiglesia. In each of these she starred opposite Ángel Picazo. A year later, after playing in a theatrical version of La vida en un hilo by Edgar Neville, she retired from the stage.

She bore no children and died on 11 March 2018.[citation needed]

Personal edit

Mari Carmen Díaz de Mendoza was married in September 1959 to José Beltrán de Heredia, a professor of civil law initially at Salamanca and later in Madrid.[9] He died in 1992, however.

References edit

  1. ^ a b "Biografía de Mari Carmen Díaz". Telfo Networks S.L., Pontevedra (Biograpfias.es). Retrieved 10 January 2016.
  2. ^ "Ricardo Calvo y Mari Carmen Díaz de Mendoza". Diario ABC. 28 January 1944. Retrieved 10 January 2016.
  3. ^ "El Teatro Nacional y el monumento a María Guerrero". Diario ABC. 25 April 1945. Retrieved 10 January 2016.
  4. ^ "Noticias teatrales". Diario ABC. 30 June 1945. Retrieved 10 January 2016.
  5. ^ "Anoche fue estrenada en el Teatro María Guerrero la comedia dramática de Joaquín Calvo Sotelo "El jefe"". Diario ABC. 6 March 1953. Retrieved 11 January 2016.
  6. ^ "Anoche se estrenó en el María Guerrero Recién llegada, de Keith Winter". Diario ABC. 14 May 1953. Retrieved 11 January 2016.
  7. ^ "Crítica del estreno de ¿De acuerdo, Susana?". Diario ABC. 10 April 1955. Retrieved 11 January 2016.
  8. ^ "Crítica del estreno de Mi adorado Juan". La Vanguardia. 12 January 1956. Retrieved 11 January 2016.
  9. ^ Eugenia Torijano (31 October 2013). "BELTRÁN DE HEREDIA Y CASTAÑO, José (1914-1992)". Universidad Carlos III de Madrid. Retrieved 11 January 2016.

mari, carmen, díaz, mendoza, maría, carmen, díaz, mendoza, larrabeiti, december, 1927, march, 2018, spanish, theatre, actress, maría, carmen, díaz, mendoza, larrabeitimaría, carmen, díaz, mendoza, larrabeiti, with, parentsborn, 1927, december, 1927madrid, spai. Maria Carmen Diaz de Mendoza Larrabeiti December 1 1927 March 11 2018 was a Spanish theatre actress 1 Maria Carmen Diaz de Mendoza LarrabeitiMaria Carmen Diaz de Mendoza Larrabeiti with her parentsBorn 1927 12 01 1 December 1927Madrid SpainDied11 March 2018 2018 03 11 aged 90 Madrid SpainOccupationTheatre actressSpouseJose Beltran de Heredia 1914 1992 Partner s Carlos Diaz de MendozaCarmen LarrabeitiLife editMari Carmen Diaz de Mendoza was born in Madrid towards the end of 1927 Her parents Carlos Diaz de Mendoza es and Carmen Larrabeiti who were both actors had married the previous year He paternal grand parents were also highly successful in the world of theatre 1 Although Mari Carmen made one or two film appearances the focus of her own acting career was the theatre She embarked on her stage career in the 1940s at the Theatre of Maria Guerrero originally purchased by her grandfather the theatrical impresario Fernando Diaz de Mendoza y Aguado back in 1908 In 1944 she appeared in a play based on Dostoyevsky s Demons playing opposite Ricardo Calvo Agosti es 2 Another early role was in the Spanish translation of Time and the Conways by J B Priestley in which she appeared with Guillermo Marin and Elvira Noriega es 3 A few months later she transferred to the Teatro Espanol in June 1945 appearing in Hamlet with Marin and Mercedes Prendes 4 During the next few years she appeared in Tres de madrugada by Claudio de la Torre 1946 Cuento de cuentos by Joaquin Dicenta the younger es 1947 and after setting up her own theatre company in Vispera de bodas by Eduardo Manzanos 1948 in which Milagros Leal and Salvador Soler Mari es also appeared She was part of the production of En la ardiente oscuridad by Antonio Buero Vallejo which had its triumphant premier in December 1950 at the Teatro Maria Guerrero There were other successes during the early 1950s in the theatre that still bore her grandmother s name including Maria Antonieta 1952 and El jefe 1953 by Joaquin Calvo Sotelo es 5 Berkeley Square 1952 by John L Balderston and Recien llegada 1953 by Keith Winter 6 Later in the decade Diaz de Mendoza switched to Madrid s Teatro de la Comedia where she shared the stage with Alberto Closas in De acuerdo Susana 1955 7 and appeared in Mi adorado Juan 1956 by Miguel Mihura 8 with Ismael Merlo as well as featuring with Carlos Munoz in En cualquier Puerta del Sol 1956 by Carlos Llopis and in 48 horas de felicidad 1956 by Alfonso Paso In 1957 she was in La malquerida by Jacinto Benavente a piece which had premiered 45 years earlier with her grandmother heading up the cast Towards the end of 1957 she returned to the Theatre of Maria Guerrero for the premier of El cuervo by then the young Alfonso Sastre 1958 was a particularly rich year for Diaz de Mendoza which included appearances in Alta fidelidad by Edgar Neville Transito de madrugada by Santiago Moncada es Las manos son inocentes by Jose Lopez Rubio The Teahouse of the August Moon by John Patrick and Vida moderna by Alvaro de Laiglesia In each of these she starred opposite Angel Picazo A year later after playing in a theatrical version of La vida en un hilo by Edgar Neville she retired from the stage She bore no children and died on 11 March 2018 citation needed Personal editMari Carmen Diaz de Mendoza was married in September 1959 to Jose Beltran de Heredia a professor of civil law initially at Salamanca and later in Madrid 9 He died in 1992 however References edit a b Biografia de Mari Carmen Diaz Telfo Networks S L Pontevedra Biograpfias es Retrieved 10 January 2016 Ricardo Calvo y Mari Carmen Diaz de Mendoza Diario ABC 28 January 1944 Retrieved 10 January 2016 El Teatro Nacional y el monumento a Maria Guerrero Diario ABC 25 April 1945 Retrieved 10 January 2016 Noticias teatrales Diario ABC 30 June 1945 Retrieved 10 January 2016 Anoche fue estrenada en el Teatro Maria Guerrero la comedia dramatica de Joaquin Calvo Sotelo El jefe Diario ABC 6 March 1953 Retrieved 11 January 2016 Anoche se estreno en el Maria Guerrero Recien llegada de Keith Winter Diario ABC 14 May 1953 Retrieved 11 January 2016 Critica del estreno de De acuerdo Susana Diario ABC 10 April 1955 Retrieved 11 January 2016 Critica del estreno de Mi adorado Juan La Vanguardia 12 January 1956 Retrieved 11 January 2016 Eugenia Torijano 31 October 2013 BELTRAN DE HEREDIA Y CASTANO Jose 1914 1992 Universidad Carlos III de Madrid Retrieved 11 January 2016 Retrieved from https en wikipedia org w index php title Mari Carmen Diaz de Mendoza amp oldid 1179067994, wikipedia, wiki, book, books, library,

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