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Lynette Yiadom-Boakye

Lynette Yiadom-Boakye (born 1977) is a British painter and writer, of Ghanaian heritage. She is best known for her portraits of imaginary subjects, or ones derived from found objects, which are painted in muted colours. Her work has contributed to the renaissance in painting the Black figure. Her paintings often are presented in solo exhibitions.[2]

Lynette Yiadom-Boakye
Born1977[1]
London, United Kingdom
NationalityBritish
EducationCentral St. Martins, Falmouth University, Royal Academy of Art
Known forPainting, writing
AwardsCarnegie Prize, Arts Foundation fellowship for painting, Pinchuk Foundation Future Generation Prize, Next Generation Prize from the New Museum of Contemporary Art, South Bank Sky Arts Award for Visual Art

Early life and career edit

Lynette Yiadom-Boakye was born in London, UK where she currently lives and works.[3] Her parents worked as nurses for the National Health Service after emigrating from Ghana in the 1960s.[4] Yiadom-Boakye describes herself as "a boring child--good grades, no mischief--but also quite good at living in my head, using my imagination as an escape."[5] As a senior in high school, she took an art foundations course as an experiment and afterwords gave up her previous intentions to become an optician to become an artist[5][6] Yiadom-Boakye attended Central St. Martins College of Art and Design (1996-7); however, she did not enjoy her time there, so she transferred to Falmouth College of Art (1997-2000) where she eventually was awarded her undergraduate degree in 2000. She then completed an MA degree at the Royal Academy Schools in 2003.[7][1] It was there, in her final year of graduate school, that she came to a realization that changed the direction of her work, leading to her fame. In an interview with Dodie Kazanjian of Vogue she stated “Instead of trying to put complicated narratives into my work, I decided to simplify, and focus on just the figure and how it was painted. That in itself would carry the narrative."[5] Following college she worked jobs to support herself until 2006 when she received Arts Foundation Fellowship for painting and was able to afford to focus solely on painting.[5]

In 2010 her work was recognized by Okwui Enwezor. With curator Naomi Beckwith, Okwui Enwezor catalogued her exhibition at Studio Museum in Harlem.[8][9] She was among those nominated for the Turner prize in 2013.[10] In addition to her artwork, Yiadom-Boakye has taught at the Ruskin School of Art, Oxford University where she is a visiting tutor for their Master in Fine Arts programme.[11] Her influence as a painter was recognized in the 2019 Powerlist and she was subsequently listed among the "top 10" of the most influential people of African or African Caribbean heritage in the UK in 2020.[12][13]

Work edit

 
Skylark (2010) by Lynette Yiadom-Boakye at the National Gallery of Art's showing of Afro-Atlantic Histories in Washington, DC in 2022

Artworks edit

Yiadom-Boakye's work consists mostly of painted portraits of imaginary Black subjects. Her paintings are predominantly figurative, with raw and muted colors. The characteristic dark palette of her work is known for creating a feeling of stillness that contributes to the timeless nature of her subjects.[14] Her portraits of imaginary individuals feature people reading, lounging, and resting in traditional poses. She brings to the depiction of her subjects contemplative facial expressions and relaxed gestures, making their posture and mood relatable to many viewers. Commentators have attributed some of the acclaim of Yiadom-Boakye's work to this relatability. She strives to keep her subjects from being associated with a particular decade or time; many of her art pieces depict figures/people of African descent. This results in choices such as not painting shoes on her subjects, as footwear often serves as a time stamp.[15] These figures usually rest in front of ambiguous backgrounds, floating inside monochromatic dark hues. These cryptic, but emotional backdrops remind commentators of old masters such as Velasquez and Degas.[16]

The artist's style shifted slightly after the opening of her 2017 show "In Lieu of a Louder Love". The show featured a new, warmer colour scheme. Her subjects in this show included more vibrant details such as a checkered linoleum-floor, a bold headwrap and bathing suit, and a yellow, orange, and green background.[16]

Although each portrait only contains one person, the paintings typically are presented in groups that are arranged as if family portraits.[17] With her expressive representations of the human figure, Yiadom-Boakye examines the formal mechanisms of the medium of painting and reveals political and psychological dimensions in her works, which focus on imaginary characters who exist beyond our world in a different time and in an unknown location.[18] She paints figures who are intentionally removed from time and place, and has stated, "People ask me, ‘Who are they, where are they?’ What they should be asking is ‘what' are they?"[19]

Yiadom-Boakye takes inspiration for her paintings from the found objects she uses as well as personal memories, literature, and art history of painting.[14] She also finds inspiration from music and artists including: Miles Davis, John Coltrane, Bill Evans, Nick Drake, Lisa Yuskavage, Chris Offili, and Isaac Julien.[20][14]

The Tate Museum provides an introduction to her work that is extensive, to accompany a major exhibition of her work held from 2 December 2020 to 9 May 2021.[21][14]

Writing edit

For an artist, Yiadom-Boakye is unusual in describing herself as a writer as much as a painter—her short stories and prosy poems frequently appear in her catalogues.[15]

Examples of her works shown in catalogues includes five extracts from a detective novel entitled "an Officer of the Law" and some intermittent notes on criminality. [4] Her story "an Officer of the Law" is a fictional short story that utilizes animals for the characters. Yiadom-Boakye also creates poetry as shown in her intermittent note "Something Close to a Confession." An example of this:

"Dead but for the life in me,

Where Black rivers run in the Bath,

Having eaten the Activist and her Cause

And alerted the Ugly to all their Flaws

I Bask where God cannot see me.

On Vacant lot, my eyes make water

And draw the blinds against a Slaughter."[4]

In talks about her work, the artist notes that her writing is to her as her painting is, and explains that she "writes the things she doesn't paint and paints all the things she doesn't write". Her paintings are given poetic titles.[22]

Art market edit

At a 2019 auction at Phillips in London, Yiadom-Boakye's Leave A Brick Under The Maple (2015), a life-size portrait of a standing man, sold for about $1 million.[23]

At the 2022 Christie's 20th/21st Century Frieze Week season auction, Yiadom-Boakye's Highpower was estimated at £600,000 and sold for £1,482,000[24]

Subject for work of others edit

Painted in 2017, Kehinde Wiley's Portrait of Lynette Yiadom-Boakye, Jacob Morland of Capplethwaite is displayed in the Yale Center for British Art in New Haven, CT.[25]

A portrait of Yiadom-Boakye by photographer Sal Idriss is held in the collection of the National Portrait Gallery, London.[26]

Poem After an Iteration of a Painting by Lynette Yiadom-Boakye, Destroyed by the Artist Herself by Ama Codje was published by the Massachusetts's Review on December 26, 2019[27]

Exhibitions edit

Yiadom-Boakye has staged numerous solo exhibitions at museums and galleries internationally. Her notable solo shows include Any Number of Preoccupations (2010), Studio Museum in Harlem, New York;[28] Verses After Dusk (2015),[29] Serpentine Galleries, London;[30] A Passion To A Principle (2016),[31] Kunsthalle Basel, Switzerland;[32] Under-Song For a Cipher (2017), New Museum, New York;[33][34][35] and Fly In League With The Night (2022-2023), Tate Britain, London.[36]

She has also participated in a number of group shows and exhibitions, including the 55th Venice Biennale (2013); the Sharjah Biennial (2015);[37] 58th Venice Biennale (2019),[3][38] and Afro-Atlantic Histories (2021-2022).[39] Yiadom-Boakye's work is included in several museum collections in the United States including the Carnegie Museum of Art, and the Pérez Art Museum Miami collection, and the picture King for an Hour was on view at the institution's long-term display for 2023.[40]

Awards edit

Yiadom-Boakye has been widely hailed for her work, winning accolades including The Arts Foundation fellowship for painting (2006), the Pinchuk Foundation Future Generation Prize (2012),[41] Next Generation Prize from the New Museum of Contemporary Art (2013),[5] South Bank Sky Arts Award for Visual Art (2016)[5] and the Carnegie Prize at 57th edition of Carnegie International (2018).[42][16] She was also nominated for the Turner Prize (2013).[1][43]

Notable works in public collections edit

References edit

  1. ^ a b c Wright, Karen (8 November 2013). "In the studio: Lynette Yiadom-Boakye, painter". The Independent. Retrieved 30 December 2013.
  2. ^ "Lynette Yiadom-Boakye's Imaginary Portraits". The New Yorker. 12 June 2017. Retrieved 11 April 2023.
  3. ^ a b "LYNETTE YIADOM-BOAKYE: The Love Within | Contemporary And". www.contemporaryand.com (in German). Retrieved 26 March 2018.
  4. ^ a b c Baruchello, Giorgio (2020). "W. Friese et al. (eds.), Ascending and Descending the Acropolis: Movement in Athenian Religion; and T. Møbjerg et al. (eds.), The Hammerum Burial Site: Customs and Clothing in the Roman Iron Age (Aarhus: Aarhus University Press, 2019)". Nordicum-Mediterraneum. 15 (1). doi:10.33112/nm.15.1.10. ISSN 1670-6242. S2CID 216505190.
  5. ^ a b c d e f "Lynette Yiadom-Boakye". Gale. Contemporary Black Biography. Retrieved 19 April 2023.
  6. ^ Tate. "Who is Lynette Yiadom-Boakye?". Tate Kids. Retrieved 5 April 2023.
  7. ^ Cooke, Rachel (31 May 2015). "Lynette Yiadom-Boakye: artist in search of the mystery figure". The Guardian. ISSN 0261-3077. Retrieved 5 March 2016.
  8. ^ Hirsch, Faye. "The Portraitist." The New York Times Book Review, 28 June 2015, p. 28(L). Gale Literature Resource Center, link.gale.com/apps/doc/A419626495/LitRC?u=lln_alsu&sid=bookmark-LitRC&xid=018b53c4.
  9. ^ Kazanjian, Dodie (27 March 2017). "How British-Ghanaian Artist Lynette Yiadom-Boakye Portrays Black Lives in Her Paintings". Vogue. Retrieved 17 April 2020.
  10. ^ McGreevy, Nora, Stunning Paintings of Fictitious Black Figures Subvert Traditional Portraiture, Smithsonian, December 3, 2020, with slide show and video link
  11. ^ "The Ruskin School of Art - Lynette Yiadom Boakye". www.rsa.ox.ac.uk. Retrieved 17 April 2020.
  12. ^ "Who are the influential Black Britons honoured in Powerlist 2019?". Melan Magazine. 27 October 2018. Retrieved 17 April 2020.
  13. ^ "Who's on the list of the most influential black people?". BBC News. 25 October 2019. Retrieved 17 April 2020.
  14. ^ a b c d An Introduction to Lynette Yiadom-Boakye From her imagined figures to her poetic titles, discover this figurative painter’s work, Tate Museum, accessed December 5, 2020
  15. ^ a b Smith, Zadie (12 June 2017). "Lynette Yiadom-Boakye's Imaginary Portraits". ISSN 0028-792X. Retrieved 3 March 2019.
  16. ^ a b c "LYNETTE YIADOM-BOAKYE'S LOVELY, 'LOUDER' NEW PAINTINGS". AFROPUNK. 16 January 2019. Retrieved 3 March 2019.
  17. ^ "What to See in New York Art Galleries This Week". The New York Times. 8 January 2019. ISSN 0362-4331. Retrieved 3 March 2019.
  18. ^ "Haus der Kunst - Detail". www.hausderkunst.de. Retrieved 11 March 2017.
  19. ^ Bollen, Christopher (27 November 2012). "Galleries - Interview Magazine". www.interviewmagazine.com. Retrieved 5 March 2016.
  20. ^ "Lynette Yiadom-Boakye". artnet.com. Retrieved 5 April 2023.
  21. ^ Exhibition Announcement, Lynette Yiadom-Boakye Fly In League With The Night - The first major survey of one of the most important painters working today, Tate Museum, December 2020
  22. ^ "Lynette Yiadom-Boakye". Tate.
  23. ^ Scott Reyburn (June 27, 2019), Female Artists With African Backgrounds Are Winners at Phillips Auction in London New York Times
  24. ^ "David Hockney, Lynette Yiadom-Boakye and Beauford Delaney lead Christie's 20th/21st century Frieze Week season in London". Christie's. 14 October 2022. Retrieved 5 April 2023.
  25. ^ "Art in Context : Kehinde Wiley's "Portrait of Lynette Yiadom-Boakye, Jacob Morland of Capplethwaite"". Yale Center for British Art. Retrieved 8 December 2019.
  26. ^ "Lynette Yiadom-Boakye - Portrait". National Portrait Gallery. Retrieved 3 December 2020.
  27. ^ Codjoe, Ama (2019). "Poem After an Iteration of a Painting by Lynette Yiadom-Boakye, Destroyed by the Artist Herself". The Massachusetts Review. 60 (4): 718–719. doi:10.1353/mar.2019.0106. ISSN 2330-0485. S2CID 213931952.
  28. ^ Lynette Yiadom-Boyake. Under-song for a cipher. New York: New Museum New York. 2017. ISBN 9780915557141. OCLC 992527373.
  29. ^ Yiadom-Boakye, Lynette, and Serpentine Gallery, host institution. Lynette Yiadom-Boakye : Verses after Dusk. 2015.
  30. ^ "Lynette Yiadom-Boakye in conversation with Hans Ulrich Obrist (1 June 2015)", Serpentine UK.
  31. ^ "Lynette Yiadom-Boakye : A Passion To A Principle". Contemporary And (in German). Retrieved 27 March 2023.
  32. ^ "A Passion To A Principle • Kunsthalle Basel". Kunsthalle Basel. Retrieved 11 March 2017.
  33. ^ Bell, Natalie (4 March 2017). "Lynette Yiadom-Boakye: Under-Song For A Cipher". New Museum. Retrieved 1 December 2017.
  34. ^ "Lynette Yiadom-Boakye: Under-Song For A Cipher". www.newmuseum.org. Retrieved 20 June 2017.
  35. ^ Smith, Zadie (12 June 2017). "Lynette Yiadom-Boakye's Imaginary Portraits". The New Yorker. Retrieved 20 June 2017.
  36. ^ Tate. "Lynette Yiadom-Boakye: Fly In League With The Night – Exhibition at Tate Britain". Tate. Retrieved 4 March 2022.
  37. ^ "GIBCA • Lynette Yiadom-Boakye". www.gibca.se (in Swedish). Retrieved 26 March 2018.
  38. ^ Hirsch, Faye (25 June 2015). "Lynette Yiadom-Boakye". The New York Times. ISSN 0362-4331. Retrieved 3 March 2019.
  39. ^ "Afro-Atlantic Histories". NGA. National Gallery of Art. from the original on 18 April 2022. Retrieved 18 April 2022.
  40. ^ "Collection at Perez". website. Retrieved 11 April 2023.
  41. ^ "History - English - Future Generation Art Prize". futuregenerationartprize.org. Retrieved 4 April 2023.
  42. ^ Russeth, Andrew (13 October 2018). "2018 Carnegie International's Prizes Go to Lynette Yiadom-Boakye, Postcommodity". ARTnews.com. Retrieved 6 September 2023.
  43. ^ Extracts and Verses
  44. ^ "Nous étions". Studio Museum in Harlem. Retrieved 24 April 2022.
  45. ^ "The Fondness". Nelson-Atkins. Nelson-Atkins Museum of Art. from the original on 16 October 2022. Retrieved 16 October 2022.
  46. ^ "Tambourine". Nasher Museum of Art. Retrieved 24 April 2022.
  47. ^ "Lynette Yiadom-Boakye".
  48. ^ "King for an Hour". www.pamm.org.
  49. ^ "Bracken or Moss". Museum of Contemporary Art, Chicago. Retrieved 24 April 2022.
  50. ^ "Lynette Yiadom-Boakye born 1977". Tate.
  51. ^ "Siskin | Yiadom-Boakye, Lynette | V&A Search the Collections". V and A Collections. 25 August 2020.
  52. ^ "A Few For the Many". LACMA. Los Angeles County Museum of Art. from the original on 16 October 2022. Retrieved 16 October 2022.
  53. ^ "Appreciation of the Inches". SFMOMA.
  54. ^ "Observer of Spring". Museum of Modern Art, Warsaw. Retrieved 24 April 2022.
  55. ^ "Lynette Yiadom-Boakye – Artists – eMuseum".
  56. ^ "Womanology 12". National Museum of African Art. Retrieved 24 April 2022.
  57. ^ "A Culmination". Kunstmuseum Basel (in German). from the original on 16 October 2022. Retrieved 16 October 2022.
  58. ^ "8am Cadiz". ArtBMA. Baltimore Museum of Art. from the original on 16 October 2022. Retrieved 16 October 2022.
  59. ^ "Medicine at Playtime". MOCA. Museum of Contemporary Art, Los Angeles. from the original on 16 October 2022. Retrieved 16 October 2022.
  60. ^ "The Much-Vaunted Air". ICA Boston. Institute of Contemporary Art, Boston. from the original on 16 October 2022. Retrieved 16 October 2022.
  61. ^ "No Need of Speech". CMOA. Carnegie Museum of Art. from the original on 16 October 2022. Retrieved 16 October 2022.
  62. ^ "Repose 3". DMA. Dallas Museum of Art. from the original on 16 October 2022. Retrieved 16 October 2022.
  63. ^ "Shelves for Dynamite". ArtsMIA. Minneapolis Institute of Art. from the original on 16 October 2022. Retrieved 16 October 2022.

Further reading edit

  • Orlando Reade, "Life Outside the Manet Paradise Resort: On the Paintings of Lynette Yiadom-Boakye", The White Review, November 2012.
  • Eddie Chambers, "Black British artists who should be better known", The IB Tauris Blog, 7 August 2014.
  • Smith, Zadie (19 June 2017). "A bird of few words : narrative mysteries in the paintings of Lynette Yiadom-Boakye". Onward and Upward with the Arts. The New Yorker. Vol. 93, no. 17. pp. 48–53. (Online version is entitled "Lynette Yiadom-Boakye’s imaginary portraits".)
  • Portraits of Lynette Yiadom-Boakye at the National Portrait Gallery, London

lynette, yiadom, boakye, born, 1977, british, painter, writer, ghanaian, heritage, best, known, portraits, imaginary, subjects, ones, derived, from, found, objects, which, painted, muted, colours, work, contributed, renaissance, painting, black, figure, painti. Lynette Yiadom Boakye born 1977 is a British painter and writer of Ghanaian heritage She is best known for her portraits of imaginary subjects or ones derived from found objects which are painted in muted colours Her work has contributed to the renaissance in painting the Black figure Her paintings often are presented in solo exhibitions 2 Lynette Yiadom BoakyeBorn1977 1 London United KingdomNationalityBritishEducationCentral St Martins Falmouth University Royal Academy of ArtKnown forPainting writingAwardsCarnegie Prize Arts Foundation fellowship for painting Pinchuk Foundation Future Generation Prize Next Generation Prize from the New Museum of Contemporary Art South Bank Sky Arts Award for Visual Art Contents 1 Early life and career 2 Work 2 1 Artworks 2 2 Writing 3 Art market 4 Subject for work of others 5 Exhibitions 6 Awards 7 Notable works in public collections 8 References 9 Further readingEarly life and career editLynette Yiadom Boakye was born in London UK where she currently lives and works 3 Her parents worked as nurses for the National Health Service after emigrating from Ghana in the 1960s 4 Yiadom Boakye describes herself as a boring child good grades no mischief but also quite good at living in my head using my imagination as an escape 5 As a senior in high school she took an art foundations course as an experiment and afterwords gave up her previous intentions to become an optician to become an artist 5 6 Yiadom Boakye attended Central St Martins College of Art and Design 1996 7 however she did not enjoy her time there so she transferred to Falmouth College of Art 1997 2000 where she eventually was awarded her undergraduate degree in 2000 She then completed an MA degree at the Royal Academy Schools in 2003 7 1 It was there in her final year of graduate school that she came to a realization that changed the direction of her work leading to her fame In an interview with Dodie Kazanjian of Vogue she stated Instead of trying to put complicated narratives into my work I decided to simplify and focus on just the figure and how it was painted That in itself would carry the narrative 5 Following college she worked jobs to support herself until 2006 when she received Arts Foundation Fellowship for painting and was able to afford to focus solely on painting 5 In 2010 her work was recognized by Okwui Enwezor With curator Naomi Beckwith Okwui Enwezor catalogued her exhibition at Studio Museum in Harlem 8 9 She was among those nominated for the Turner prize in 2013 10 In addition to her artwork Yiadom Boakye has taught at the Ruskin School of Art Oxford University where she is a visiting tutor for their Master in Fine Arts programme 11 Her influence as a painter was recognized in the 2019 Powerlist and she was subsequently listed among the top 10 of the most influential people of African or African Caribbean heritage in the UK in 2020 12 13 Work edit nbsp Skylark 2010 by Lynette Yiadom Boakye at the National Gallery of Art s showing of Afro Atlantic Histories in Washington DC in 2022Artworks edit Yiadom Boakye s work consists mostly of painted portraits of imaginary Black subjects Her paintings are predominantly figurative with raw and muted colors The characteristic dark palette of her work is known for creating a feeling of stillness that contributes to the timeless nature of her subjects 14 Her portraits of imaginary individuals feature people reading lounging and resting in traditional poses She brings to the depiction of her subjects contemplative facial expressions and relaxed gestures making their posture and mood relatable to many viewers Commentators have attributed some of the acclaim of Yiadom Boakye s work to this relatability She strives to keep her subjects from being associated with a particular decade or time many of her art pieces depict figures people of African descent This results in choices such as not painting shoes on her subjects as footwear often serves as a time stamp 15 These figures usually rest in front of ambiguous backgrounds floating inside monochromatic dark hues These cryptic but emotional backdrops remind commentators of old masters such as Velasquez and Degas 16 The artist s style shifted slightly after the opening of her 2017 show In Lieu of a Louder Love The show featured a new warmer colour scheme Her subjects in this show included more vibrant details such as a checkered linoleum floor a bold headwrap and bathing suit and a yellow orange and green background 16 Although each portrait only contains one person the paintings typically are presented in groups that are arranged as if family portraits 17 With her expressive representations of the human figure Yiadom Boakye examines the formal mechanisms of the medium of painting and reveals political and psychological dimensions in her works which focus on imaginary characters who exist beyond our world in a different time and in an unknown location 18 She paints figures who are intentionally removed from time and place and has stated People ask me Who are they where are they What they should be asking is what are they 19 Yiadom Boakye takes inspiration for her paintings from the found objects she uses as well as personal memories literature and art history of painting 14 She also finds inspiration from music and artists including Miles Davis John Coltrane Bill Evans Nick Drake Lisa Yuskavage Chris Offili and Isaac Julien 20 14 The Tate Museum provides an introduction to her work that is extensive to accompany a major exhibition of her work held from 2 December 2020 to 9 May 2021 21 14 Writing edit For an artist Yiadom Boakye is unusual in describing herself as a writer as much as a painter her short stories and prosy poems frequently appear in her catalogues 15 Examples of her works shown in catalogues includes five extracts from a detective novel entitled an Officer of the Law and some intermittent notes on criminality 4 Her story an Officer of the Law is a fictional short story that utilizes animals for the characters Yiadom Boakye also creates poetry as shown in her intermittent note Something Close to a Confession An example of this Dead but for the life in me Where Black rivers run in the Bath Having eaten the Activist and her CauseAnd alerted the Ugly to all their FlawsI Bask where God cannot see me On Vacant lot my eyes make waterAnd draw the blinds against a Slaughter 4 In talks about her work the artist notes that her writing is to her as her painting is and explains that she writes the things she doesn t paint and paints all the things she doesn t write Her paintings are given poetic titles 22 Art market editAt a 2019 auction at Phillips in London Yiadom Boakye s Leave A Brick Under The Maple 2015 a life size portrait of a standing man sold for about 1 million 23 At the 2022 Christie s 20th 21st Century Frieze Week season auction Yiadom Boakye s Highpower was estimated at 600 000 and sold for 1 482 000 24 Subject for work of others editPainted in 2017 Kehinde Wiley s Portrait of Lynette Yiadom Boakye Jacob Morland of Capplethwaite is displayed in the Yale Center for British Art in New Haven CT 25 A portrait of Yiadom Boakye by photographer Sal Idriss is held in the collection of the National Portrait Gallery London 26 Poem After an Iteration of a Painting by Lynette Yiadom Boakye Destroyed by the Artist Herself by Ama Codje was published by the Massachusetts s Review on December 26 2019 27 Exhibitions editYiadom Boakye has staged numerous solo exhibitions at museums and galleries internationally Her notable solo shows include Any Number of Preoccupations 2010 Studio Museum in Harlem New York 28 Verses After Dusk 2015 29 Serpentine Galleries London 30 A Passion To A Principle 2016 31 Kunsthalle Basel Switzerland 32 Under Song For a Cipher 2017 New Museum New York 33 34 35 and Fly In League With The Night 2022 2023 Tate Britain London 36 She has also participated in a number of group shows and exhibitions including the 55th Venice Biennale 2013 the Sharjah Biennial 2015 37 58th Venice Biennale 2019 3 38 and Afro Atlantic Histories 2021 2022 39 Yiadom Boakye s work is included in several museum collections in the United States including the Carnegie Museum of Art and the Perez Art Museum Miami collection and the picture King for an Hour was on view at the institution s long term display for 2023 40 Awards editYiadom Boakye has been widely hailed for her work winning accolades including The Arts Foundation fellowship for painting 2006 the Pinchuk Foundation Future Generation Prize 2012 41 Next Generation Prize from the New Museum of Contemporary Art 2013 5 South Bank Sky Arts Award for Visual Art 2016 5 and the Carnegie Prize at 57th edition of Carnegie International 2018 42 16 She was also nominated for the Turner Prize 2013 1 43 Notable works in public collections editNous etions 2007 Studio Museum in Harlem New York 44 The Fondness 2010 Nelson Atkins Museum of Art Kansas City Missouri 45 Tambourine 2010 Nasher Museum of Art Durham North Carolina 46 Skylark 2010 Museum of Modern Art New York 47 King for an Hour 2011 Perez Art Museum Miami 48 Bracken or Moss 2012 Museum of Contemporary Art Chicago 49 10pm Saturday 2012 Tate London 50 Siskin 2012 Victoria and Albert Museum London 51 A Few For the Many 2013 Los Angeles County Museum of Art 52 Appreciation of the Inches 2013 San Francisco Museum of Modern Art 53 Observer of Spring 2013 Museum of Modern Art Warsaw 54 Trapsprung 2013 Seattle Art Museum 55 Womanology 12 2014 National Museum of African Art Smithsonian Institution Washington D C 56 A Culmination 2016 Kunstmuseum Basel Switzerland 57 8am Cadiz 2017 Baltimore Museum of Art 58 Medicine at Playtime 2017 Museum of Contemporary Art Los Angeles 59 The Much Vaunted Air 2017 Institute of Contemporary Art Boston 60 No Need of Speech 2018 Carnegie Museum of Art Pittsburgh 61 Repose 3 2018 Dallas Museum of Art 62 Shelves for Dynamite 2018 Minneapolis Institute of Art 63 References edit a b c Wright Karen 8 November 2013 In the studio Lynette Yiadom Boakye painter The Independent Retrieved 30 December 2013 Lynette Yiadom Boakye s Imaginary Portraits The New Yorker 12 June 2017 Retrieved 11 April 2023 a b LYNETTE YIADOM BOAKYE The Love Within Contemporary And www contemporaryand com in German Retrieved 26 March 2018 a b c Baruchello Giorgio 2020 W Friese et al eds Ascending and Descending the Acropolis Movement in Athenian Religion and T Mobjerg et al eds The Hammerum Burial Site Customs and Clothing in the Roman Iron Age Aarhus Aarhus University Press 2019 Nordicum Mediterraneum 15 1 doi 10 33112 nm 15 1 10 ISSN 1670 6242 S2CID 216505190 a b c d e f Lynette Yiadom Boakye Gale Contemporary Black Biography Retrieved 19 April 2023 Tate Who is Lynette Yiadom Boakye Tate Kids Retrieved 5 April 2023 Cooke Rachel 31 May 2015 Lynette Yiadom Boakye artist in search of the mystery figure The Guardian ISSN 0261 3077 Retrieved 5 March 2016 Hirsch Faye The Portraitist The New York Times Book Review 28 June 2015 p 28 L Gale Literature Resource Center link gale com apps doc A419626495 LitRC u lln alsu amp sid bookmark LitRC amp xid 018b53c4 Kazanjian Dodie 27 March 2017 How British Ghanaian Artist Lynette Yiadom Boakye Portrays Black Lives in Her Paintings Vogue Retrieved 17 April 2020 McGreevy Nora Stunning Paintings of Fictitious Black Figures Subvert Traditional Portraiture Smithsonian December 3 2020 with slide show and video link The Ruskin School of Art Lynette Yiadom Boakye www rsa ox ac uk Retrieved 17 April 2020 Who are the influential Black Britons honoured in Powerlist 2019 Melan Magazine 27 October 2018 Retrieved 17 April 2020 Who s on the list of the most influential black people BBC News 25 October 2019 Retrieved 17 April 2020 a b c d An Introduction to Lynette Yiadom Boakye From her imagined figures to her poetic titles discover this figurative painter s work Tate Museum accessed December 5 2020 a b Smith Zadie 12 June 2017 Lynette Yiadom Boakye s Imaginary Portraits ISSN 0028 792X Retrieved 3 March 2019 a b c LYNETTE YIADOM BOAKYE S LOVELY LOUDER NEW PAINTINGS AFROPUNK 16 January 2019 Retrieved 3 March 2019 What to See in New York Art Galleries This Week The New York Times 8 January 2019 ISSN 0362 4331 Retrieved 3 March 2019 Haus der Kunst Detail www hausderkunst de Retrieved 11 March 2017 Bollen Christopher 27 November 2012 Galleries Interview Magazine www interviewmagazine com Retrieved 5 March 2016 Lynette Yiadom Boakye artnet com Retrieved 5 April 2023 Exhibition Announcement Lynette Yiadom Boakye Fly In League With The Night The first major survey of one of the most important painters working today Tate Museum December 2020 Lynette Yiadom Boakye Tate Scott Reyburn June 27 2019 Female Artists With African Backgrounds Are Winners at Phillips Auction in London New York Times David Hockney Lynette Yiadom Boakye and Beauford Delaney lead Christie s 20th 21st century Frieze Week season in London Christie s 14 October 2022 Retrieved 5 April 2023 Art in Context Kehinde Wiley s Portrait of Lynette Yiadom Boakye Jacob Morland of Capplethwaite Yale Center for British Art Retrieved 8 December 2019 Lynette Yiadom Boakye Portrait National Portrait Gallery Retrieved 3 December 2020 Codjoe Ama 2019 Poem After an Iteration of a Painting by Lynette Yiadom Boakye Destroyed by the Artist Herself The Massachusetts Review 60 4 718 719 doi 10 1353 mar 2019 0106 ISSN 2330 0485 S2CID 213931952 Lynette Yiadom Boyake Under song for a cipher New York New Museum New York 2017 ISBN 9780915557141 OCLC 992527373 Yiadom Boakye Lynette and Serpentine Gallery host institution Lynette Yiadom Boakye Verses after Dusk 2015 Lynette Yiadom Boakye in conversation with Hans Ulrich Obrist 1 June 2015 Serpentine UK Lynette Yiadom Boakye A Passion To A Principle Contemporary And in German Retrieved 27 March 2023 A Passion To A Principle Kunsthalle Basel Kunsthalle Basel Retrieved 11 March 2017 Bell Natalie 4 March 2017 Lynette Yiadom Boakye Under Song For A Cipher New Museum Retrieved 1 December 2017 Lynette Yiadom Boakye Under Song For A Cipher www newmuseum org Retrieved 20 June 2017 Smith Zadie 12 June 2017 Lynette Yiadom Boakye s Imaginary Portraits The New Yorker Retrieved 20 June 2017 Tate Lynette Yiadom Boakye Fly In League With The Night Exhibition at Tate Britain Tate Retrieved 4 March 2022 GIBCA Lynette Yiadom Boakye www gibca se in Swedish Retrieved 26 March 2018 Hirsch Faye 25 June 2015 Lynette Yiadom Boakye The New York Times ISSN 0362 4331 Retrieved 3 March 2019 Afro Atlantic Histories NGA National Gallery of Art Archived from the original on 18 April 2022 Retrieved 18 April 2022 Collection at Perez website Retrieved 11 April 2023 History English Future Generation Art Prize futuregenerationartprize org Retrieved 4 April 2023 Russeth Andrew 13 October 2018 2018 Carnegie International s Prizes Go to Lynette Yiadom Boakye Postcommodity ARTnews com Retrieved 6 September 2023 Extracts and Verses Nous etions Studio Museum in Harlem Retrieved 24 April 2022 The Fondness Nelson Atkins Nelson Atkins Museum of Art Archived from the original on 16 October 2022 Retrieved 16 October 2022 Tambourine Nasher Museum of Art Retrieved 24 April 2022 Lynette Yiadom Boakye King for an Hour www pamm org Bracken or Moss Museum of Contemporary Art Chicago Retrieved 24 April 2022 Lynette Yiadom Boakye born 1977 Tate Siskin Yiadom Boakye Lynette V amp A Search the Collections V and A Collections 25 August 2020 A Few For the Many LACMA Los Angeles County Museum of Art Archived from the original on 16 October 2022 Retrieved 16 October 2022 Appreciation of the Inches SFMOMA Observer of Spring Museum of Modern Art Warsaw Retrieved 24 April 2022 Lynette Yiadom Boakye Artists eMuseum Womanology 12 National Museum of African Art Retrieved 24 April 2022 A Culmination Kunstmuseum Basel in German Archived from the original on 16 October 2022 Retrieved 16 October 2022 8am Cadiz ArtBMA Baltimore Museum of Art Archived from the original on 16 October 2022 Retrieved 16 October 2022 Medicine at Playtime MOCA Museum of Contemporary Art Los Angeles Archived from the original on 16 October 2022 Retrieved 16 October 2022 The Much Vaunted Air ICA Boston Institute of Contemporary Art Boston Archived from the original on 16 October 2022 Retrieved 16 October 2022 No Need of Speech CMOA Carnegie Museum of Art Archived from the original on 16 October 2022 Retrieved 16 October 2022 Repose 3 DMA Dallas Museum of Art Archived from the original on 16 October 2022 Retrieved 16 October 2022 Shelves for Dynamite ArtsMIA Minneapolis Institute of Art Archived from the original on 16 October 2022 Retrieved 16 October 2022 Further reading editOrlando Reade Life Outside the Manet Paradise Resort On the Paintings of Lynette Yiadom Boakye The White Review November 2012 Eddie Chambers Black British artists who should be better known The IB Tauris Blog 7 August 2014 Smith Zadie 19 June 2017 A bird of few words narrative mysteries in the paintings of Lynette Yiadom Boakye Onward and Upward with the Arts The New Yorker Vol 93 no 17 pp 48 53 Online version is entitled Lynette Yiadom Boakye s imaginary portraits Portraits of Lynette Yiadom Boakye at the National Portrait Gallery London Retrieved from https en wikipedia org w index php title Lynette Yiadom Boakye amp oldid 1199775251, wikipedia, wiki, book, books, library,

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