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Luiz Fernando Carvalho

December 28, 2022

Luiz Fernando Carvalho (born July 28, 1960, in Rio de Janeiro) is a Brazilian filmmaker and television director, known for works closely linked to literature that constitute a renovation in Brazilian audiovisual aesthetics.[1] He has already brought to the screen works by Ariano Suassuna, Raduan Nassar, Machado de Assis, Eça de Queirós, Roland Barthes, Clarice Lispector, Milton Hatoum, José Lins do Rego and Graciliano Ramos, among others.

Luiz Fernando Carvalho
Born
Luiz Fernando Carvalho de Almeida

(1960-07-28) July 28, 1960 (age 62)
Rio de Janeiro, Brazil
Occupation(s)Film director, screenwriter, novelist
Years active1985–present
Known forFilms and TV series based on Brazilian writers
Notable workTo the Left of the Father (Lavoura Arcaica), Os Maias, Hoje É Dia de Maria and Dois Irmãos

Some critics compare Luiz Fernando Carvalho's productions to the Brazilian Cinema Novo[2] and icons of film history such as Luchino Visconti and Andrei Tarkovsky.[3] His work is characterized by visual and linguistic experimentation[4] and exploration of the multiplicity of Brazil's cultural identity.[5][6] The baroque style[7][8][9] of overlays and interlacing of narrative genres, the relation to the moment in Time,[10] the archetypal symbols of the Earth and the reflection on the language of social and family melodrama[11] are features of the director's poetic language.

The filmmaker's works have met with both critical and public acclaim. He directed the film To the Left of the Father (Lavoura Arcaica) (2001),[12][13] based on the homonymous novel by Raduan Nassar, cited by the critic Jean-Philippe Tessé in the French magazine Cahiers du Cinéma as a "ground-breaking promise of renovation, of an upheaval not seen in Brazilian cinema since Glauber Rocha,[14][15] which won over 50 national and international awards.[16] The telenovelas Renascer (Rebirth) (1993) and The King of the Cattle (O Rei do Gado) (1996), by screenwriter Benedito Ruy Barbosa and directed by Luiz Fernando Carvalho, are recognized as benchmarks of Brazilian television drama and achieved some of the highest audience ratings of the 1990s.[17][18]

There is a marked contrast between the director's television works: from the pop design of the 60s in the series Ladies' Mail (Correio Feminino) (2013) to the classic rigor of the mini-series The Maias (Os Maias) (2001), the urban references of the working-class suburbs in the mini-series Suburbia (2012) to the playfulness of the soap My Little Plot of Land (Meu Pedacinho de Chão) (2014), the aesthetic research of the Sertão (backcountry) in Old River (Velho Chico) (2016) to the Brazilian fairytale of the mini-series Today is Maria's Day (Hoje É Dia de Maria) (2005) and the realistic universe of family tragedy in Two Brothers (Dois Irmãos) (2017).[19][20]

The director's production process is renowned for identifying new talent from all over Brazil and for training actors,[21] revealing new stars of the dramatic arts such as Letícia Sabatella, Eliane Giardini, Bruna Linzmeyer, Johnny Massaro, Irandhir Santos, Simone Spoladore, Caco Ciocler, Marcello Antony, Marco Ricca, Isabel Fillardis, Giselle Itié, Emilio Orciollo Netto, Sheron Menezes, Jackson Antunes, Maria Luísa Mendonça, Eduardo Moscovis, Jackson Costa, Leonardo Vieira, Cacá Carvalho, Luciana Braga, Julia Dalavia, Renato Góes, Cyria Coentro, Marina Nery, Júlio Machado, Bárbara Reis, Lee Taylor, Zezita de Matos, Mariene de Castro and Lucy Alves, among others. The director's actor coaching technique has given rise to a method recounted in the book O processo de criação dos atores de Dois Irmãos (The creation process of the actors in Dois Irmãos), by the photographer Leandro Pagliaro.[22][23]

"There is a concrete promise of renovation, of a palpitation not seen in Brazilian cinema since Glauber Rocha. (...) At first, one is left with nothing but fragments torn from a visual magma. But soon the chaos resolves itself, the film unrolls in all its richness like a barbaric poem verging on hallucination, of extraordinary power. (...) Never, however, does its return to the underlying myths obscure or accelerate the predominance of the sensations. If the film is possessed of such enchanting force, it is because Luiz Fernando Carvalho knows that everything starts there, in this first way of being born into the world, of allowing oneself to be ravished by it, to savor every twist of it..."

—Les Cahiers du Cinèma, by Jean-Philippe Tessé on his critic about To the Left of the Father (Lavoura Arcaica)[14]

Early career: 1980s

Luiz Fernando Carvalho studied architecture and literature. He started out in cinema at 18 in a number of roles: audio technician, assistant director, screenwriter, short film editor, and director. His first TV work came in the early 80s, as assistant director of noteworthy mini-series, such as O Tempo e o Vento, based on the work of Érico Veríssimo, directed by Paulo José, and Grande Sertão: Veredas, from the work of João Guimarães Rosa, in which he started to direct his first scenes, still as assistant director to Walter Avancini.

The Waiting (A Espera)

He wrote and directed the short The Waiting (A Espera), based on the book A Lover's Discourse: Fragments (Fragments d'un discours amoureux) by Roland Barthes. Launched in 1986, the film collected the following awards: Best Short Film, Best Actress (Marieta Severo) and Best Cinematography (Walter Carvalho) at the 13th Festival de Gramado;[24] Best Short Film (Golden Shell) at the San Sebastián International Film Festival (Spain); and the Special Jury Award at the Ste Therèse Festival (Canada).

1990s

Sweet River (Riacho Doce)

Main article: pt:Riacho Doce (minissérie)

Early in the 90s, Luiz Fernando Carvalho directed a 40-chapter mini-series written by Aguinaldo Silva, based on the work of José Lins do Rego and starring Vera Fischer, Osmar Prado, Sebastião Vasconcelos, Carlos Alberto Riccelli and Fernanda Montenegro, with costumes by Beth Filipecki. The then inhospitable island of Fernando de Noronha (PE) served as the scene for the story, which is set in a small fishing village in the Northeast of Brazil.

The Cangaceiro's Revenge (Os Homens Querem Paz)

In 1991, Luiz Fernando Carvalho directed an adaptation of a script by Brazilian TV pioneer Péricles Leal, with costumes by Beth Filipecki. The telefilm was shot in the town of Canindé, Ceará, and reached the finals of the 34th New York Television Festival. This marked the television debut of actress Letícia Sabatella. The critic Rodrigo Fonseca affirmed that his first memory of Letícia Sabatella on TV was also when he discovered the existence of the "genius of direction that is Luiz Fernando".[25]

Stone on Stone (Pedra Sobre Pedra)

Main article: Pedra Sobre Pedra

In 1992, he directed the telenovela written by Aguinaldo Silva, considered to have reached the 6th largest audience in Brazilian television history.[26] Notable cast members included: Lima Duarte, Renata Sorrah, Armando Bógus, Eva Wilma, Paulo Betti, Andréa Beltrão, Pedro Paulo Rangel and Eduardo Moscovis. Certain characters are regarded as landmarks in TV drama: Sergio Cabeleira (Osmar Prado) and the photographer Jorge Tadeu (Fábio Jr.).

The Tale of Our Lady of Light (O Auto de Nossa Senhora da Luz)

While filming Pedra sobre Pedra, Luiz Fernando Carvalho came up with a significant sequence inspired by Ariano Suassuna's Armorial Movement (Movimento Armorial) . The enormous success of the sequence, confirmed by the record number of requests by viewers for a rerun, was decisive in the transformation of the material into a telefilm, with additional scenes written by Braulio Tavares and interpreted by the actor and musician Antonio Nóbrega. It competed for the International Emmy Award in 1993.[27]

Rebirth (Renascer)

Main article: Renascer

The 1993 soap, written by Benedito Ruy Barbosa and directed by Luiz Fernando Carvalho, met with critical and public acclaim and was the most-watched in the 90s and 4th in audience ratings in the history of Brazilian television.[26] It was also shown in several other countries. As directed by Luiz Fernando Carvalho, it is regarded as among the symbols of renovation of the aesthetics of the genre in the 90s.[28] The character Buba, interpreted by Maria Luísa Mendonça, caused a national controversy, as it was the first time that the discussion of gender had been addressed in a telenovela. It received the APCA Award for Best Novela, Best Actor (Antônio Fagundes), Best Supporting Actor (Osmar Prado), Best Supporting Actress (Regina Dourado), Best Male Breakthrough Performance (Jackson Antunes).[29] Leonardo Vieira, Jackson Antunes, Cacá Carvalho, Marco Ricca, Isabel Fillardis and Maria Luísa Mendonça were among the talents revealed in this work. The television entrepreneur José Bonifácio de Oliveira, considered the plot "well structured by Benedito, with a well-crafted first part, masterfully directed by Luiz Fernando Carvalho".[30] According to Marilia Martins, few novelas had a first chapter directed with such polish and skill as Rebirth.

A Woman Clothed in Sun (Uma Mulher Vestida de Sol)

Main article: pt:Uma mulher vestida de sol

In 1994, the telefilm directed by Luiz Fernando Carvalho marked the first appearance of Ariano Suassuna's works on television.[31] Based on the writer's unpublished novel of the same name, the script was the work of Ariano himself, in partnership with the director. Director of photography Dib Lufti, costumes by Luciana Buarque, and art production by Lia Renha. Scenography by the artist Fernando Velloso, from the Grupo Corpo dance group, music by Antônio Madureira, a member of the Armorial Quintet (Quinteto Armorial). With A Woman dressed in Sun (Uma Mulher Vestida de Sol), the director commenced his exploration of the limits of television language, combining elements of the popular theater of the Northeast. Luiz Carlos Vasconcelos's Grupo Piolim participated and the cast included Tereza Seiblitz, Lineu Dias, Sebastião Vasconcelos, Ana Lúcia Torre, Raul Cortez and the then novice actor Floriano Peixoto. According to the researcher of Literature Hélio Guimarães, the work gave rise to an impasse at the TV station: was Luíz Fernando Carvalho too big for the Globo screen?[32]

The Farce of Pleasant Idleness (A Farsa da Boa Preguiça)

Main article: pt:A Farsa da Boa Preguiça (TV)

One year after A Woman dressed in Sun (Uma Mulher Vestida de Sol), in 1995, Luiz Fernando Carvalho resumed his connection with the writer Ariano Suassuna, this time transforming the play The Farce of Pleasant Idleness (A Farsa da Boa Preguiça) into a telefilm . The director continued his search for a hybrid language for television, as a way of criticizing the naturalism of the novelas. Art production and costumes by Yurika Yamasaki and the artist Dantas Suassuna, participation of Antonio Nóbrega, Patrícia França, Ary Fontoura and Marieta Severo. According to the critic Rogério Durst, the telefilm was a major feat of TV drama.[33]

The King of the Cattle (O Rei do Gado)

Main article: O Rei do Gado

The King of the Cattle (O Rei do Gado), 1996, the director's next collaboration with the author Benedito Ruy Barbosa,[34] became the novela with the 9th largest audience in Brazilian television history.[26] It was rescreened three times,[35][36] outrating other productions of the time, and was sold to over 30 countries. It marked the debut of Marcello Antony, Caco Ciocler, Mariana Lima, Emilio Orciollo Netto and Lavínia Vlasak.[37] Other significant aspects of the novela were its social criticism and sensitive approach to the Landless Workers Movement (movimento dos sem-terra).[38] The actors Jackson Antunes and Ana Beatriz Nogueira stand out in this context. The cast included Antônio Fagundes, Patricia Pillar, Leticia Spiller and Raul Cortez with guest appearances in the early stages by Tarcisio Meira, Eva Wilma and Vera Fischer. The character Tião Galinha, interpreted by Osmar Prado, is a landmark of his career. The novela received the Certificate of Merit at the San Francisco International Film Festival and the APCA Award for Best Actor (Raul Cortez), Best Supporting Actor (Leonardo Brício), Best Supporting Actress (Walderez de Barros) and Best Male Breakthrough Performance (Caco Ciocler).[39] Fernando de Barros e Silva wrote, in the Folha de S.Paulo, "The King of the Cattle (O Rei do Gado) swallows up Brazilian cinema".[40] According to critic Rogerio Durst, the novela is "a dramatic epic with first class special appearances and superb photography".

Tiao Galinha belongs to another soap opera: “Renascer”.

Giovanna and Henrico (Giovanna e Henrico)

The quality of the first seven chapters of The King of the Cattle (O Rei do Gado), showing the decline of the coffee cycle and Brazil's participation in World War II, prompted The Globo Network's International Division to transform the first part of the novela into the mini-series Giovanna and Henrico, with Letícia Spiller and Leonardo Brício playing the lead couple. The production was selected as hors-concours at the Banff World Media Festival, in Canada.[41]

May your eyes be blessed (Que Teus Olhos Sejam Atendidos)

Main article: pt:Que Teus Olhos Sejam Atendidos

Before the end of the 90s, Luiz Fernando Carvalho had already started on research for the feature film To the Left of The Father (Lavoura Arcaica). Together with the author of the novel, Raduan Nassar, he traveled to Lebanon to familiarize himself with Mediterranean culture. The material collected during the trip was used to produce the documentary May your eyes be blessed (Que Teus Olhos Sejam Atendidos), screened on GNT in 1997.[42] In the opinion of critic Rodrigo Fonseca, the documentary "honed to the limit of tragic fatality its investigation of time".

2000s

To the Left of The Father (Lavoura Arcaica)

Main article: To the Left of the Father

In 2001, the director made his first feature film, To the Left of the Father (Lavoura Arcaica), in which he was responsible for directing, screenplay and editing, with cinematography by Walter Carvalho, art direction by Yurika Yamazaki and costume design by Beth Filipecki.[2][3][43] The cast included Selton Mello, Raul Cortez, Simone Spoladore, Leonardo Medeiros, Caio Blat and Juliana Carneiro da Cunha. Aiming to maintain the connection with the poetic prose of Raduan Nassar's book, the director elected to film without a defined script, based entirely on the actors' improvisations on the theme.[10][8][11] This involved intensive coaching of the cast, secluded on a farm for four months.[44] The film's creation and production process was discussed in the book About To the Left of The Father ("Sobre Lavoura Arcaica"), in which the director is interviewed by José Carlos Avellar, Geraldo Sarno, Miguel Pereira, Ivana Bentes, Arnaldo Carrilho and Liliane Heynemann, launched in Portuguese, English and French by the publisher Ateliê Editorial.[45] It was success with the critics[46][47][48][49] and the public, reaching 300 thousand viewers with just two copies, one in Rio de Janeiro and the other in São Paulo. It is considered one of the 100 best Brazilian films of all times, according to the Brazilian Film Critics Association (Abraccine).[50] It had a successful career in a number of national and international festivals, receiving over 50 awards at the Montreal World Film Festival,[16][51] the Rio Film Festival, the São Paulo International Film Festival, the Grand Prix for Brazilian Film, the Brasília Film Festival,[52] the Havana Film Festival,[53] the Cartagena Film Festival,[54] the Guadalajara International Film Festival, the Buenos Aires International Festival of Independent Cinema,[55] among others. In the opinion of writer and psychoanalyst Renato Tardivo, author of Porvir que vem antes de tudo – literatura e cinema em Lavoura Arcaica, the film is one of the most important works of Brazilian cinema “of all times”.[56] The critic Carlos Alberto de Mattos described it as the first work of art of the Brazilian cinema in the 21st century.[57] The film was acclaimed by the critics of various countries and, according to the French magazine Cahiers du Cinéma, To the Left of the Father is a "barbarous poem verging on hallucination, of extraordinary power".[58][59][60]

The Maias (Os Maias)

Main article: pt:Os Maias (minissérie)

A 2001 production, this mini-series based on the homonymous novel by Eça de Queirós and adapted by Maria Adelaide Amaral was another landmark in the director's career.[61] The Maias portrays the decadent Portuguese aristocracy in the second half of the 19th century, through the tragic story of a traditional Lisbon family. Costumes by Beth Filipecki and direction of photography by José Tadeu Ribeiro. In the opinion of writer Luis Fernando Veríssimo, "the extraordinarily mobile camera of Luiz Fernando Carvalho “visited”, more than portrayed, the frivolous Lisbon of the time and all the novel's atmospheres. But beneath it all, there was this majestic progression, from the first scene to the denouement, the moving camera conducting us like a slow tragic theme tune that recalls a symphony. No TV camera has ever been so complicit and seductive, never has TV been so romantic".[62][63]

Today is Maria's Day (Hoje é Dia de Maria)

Main article: Hoje É Dia de Maria

Over two seasons, Today is Maria's Day (Hoje É Dia de Maria) (2005), a mini-series in which he was also responsible for creation and script, consolidated the director's linguistic research.[64] His co-writers were Luis Alberto de Abreu and Carlos Alberto Soffredini, basing themselves on a selection of stories taken from popular Brazilian oral storytelling tradition,[65] collected by the writers Câmara Cascudo, Mário de Andrade and Sílvio Romero. Art direction by Lia Renha, guest artist Raimundo Rodriguez, direction of photography by José Tadeu Ribeiro and costumes by Luciana Buarque. The 60 marionettes that represented the animals were produced by the Grupo Giramundo, from Minas Gerais state. The work marked the start of the partnership between the director and psychoanalyst Carlos Byington, as advisor on the mythological dramatization of the text. The mini-series was conceived under a 360º dome, scrap from a rock show stage. The sound track, by Tim Rescala, was based on cirandas (traditional dances) by Heitor Villa-Lobos, César Guerra-Peixe and Francisco Mignone. Designer Jum Nakao was responsible for some of the costumes, with animation of the stop-motion scenes by Cesar Coelho, founder of the Anima Mundi festival. It received the 2005 APCA (Associação Paulista de Críticos de Arte) Critics' Choice Award, the ABC Best Photography Award, the Contigo Award for Best Director and Best Child Actress and the Brazil Quality Award (Prêmio Qualidade Brasil ) for Best Director, Television – Best Special Project, Best Author and Best Breakthrough Actress, and reached the finals of the 2005 International Emmy Award, in the categories Best Mini-Series and Best Actress.[66] It was nominated Hors Concours by the Banff World Media Festival, in Canada (2006), and the Input International Board Taipei (2005). Compared with To the Left of the Father on account of its innovative television language, it caught the attention of critics and public by its novel, theatrical and playful language in transporting the universe of popular culture to a sophisticated television production, without losing its authenticity.[67] The critic Nilson Xavier considers it one of the most poetic, original and beautiful productions of recent years.[68] According to Jean-Philippe Tessé, in the French magazine Cahiers du Cinéma, the mini-series was very ambitious and formally very well produced, following other noteworthy projects such as The Maias (Os Maias).

Stone of the Kingdom (A Pedra do Reino)

Main article: pt:A Pedra do Reino

In 2007, the director's third production based on the works of Ariano Suassuna brought to the TV the Romance d'A Pedra do Reino e o Príncipe do Sangue do Vai-e-Volta. The mini-series is regarded as yet another aesthetic innovation by the director, as in To the Left of the Father (Lavoura Arcaica) and Today is Maria's Day (Hoje é Dia de Maria). The script was the work of Luiz Fernando Carvalho, in collaboration with Luis Alberto de Abreu and Braulio Tavares, direction of photography by Adrian Teijido, scenography by João Irenio Maia, editing by Marcio Hashimoto and costumes by Luciana Buarque. Colorist Sergio Pasqualino. Regional artists, coordinated by the artist Raimundo Rodriguez, assisted with the art production. Music by Antônio Madureira (Quinteto Armorial) and Marco Antônio Guimarães (Uakti). The cast was the fruit of the director's extensive search for talent throughout the backcountry (sertão) of the Northeast. The television debut of the actors Irandhir Santos and Mayana Neiva and the singer Renata Rosa, among many others. It was filmed in the town of Taperoá, where Ariano Suassuna spent his childhood. During the coaching process, the team and cast attended lectures, out in the sertão, by the actress Fernanda Montenegro, the psychoanalyst Carlos Byington and the writer himself. Ariano Suassuna affirmed that Luiz Fernando Carvalho's recreation of his Romance d’A Pedra do Reino resulted in an "extraordinarily beautiful work that moved him as author and individual, as a spectator".[69][70][71][72][73]

Quadrante Project (Projeto Quadrante)

Based on Stone of the Kingdom (A Pedra do Reino) (2007), the director set up the Quadrante Project with the intention of making a series of regional drama programs to rediscover the Brazilian imaginary through adaptations of literary texts of authors from each Brazilian state.[74] Similarly, local actors act out the texts. The richness of the project lay in the discovery of regional talent: authors, actors, composers, artists in general. The project recognized the human potential of each regional culture, looking beyond the simplistic image of a postcard. In addition to Stone of the Kingdom, the Quadrante is made up of the mini-series Capitu (2008), based on the book Dom Casmurro, by Machado de Assis, and Dois Irmãos (2017), by Milton Hatoum.[75]

Capitu

Main article: Capitu

In 2008, Luiz Fernando Carvalho directed and finalized the script for this adaptation of the book Dom Casmurro, by Machado de Assis.[76] The mini-series was written by Euclydes Marinho in collaboration with Daniel Piza, Luis Alberto de Abreu and Edna Palatnik. Art direction by Raimundo Rodriguez, photography by Adrian Teijido and costumes by Beth Filipecki. Colorist Sergio Pasqualino. It marked the TV debut of actors Letícia Persiles and Michel Melamed, among others. The mini-series was filmed in the abandoned Automóvel Clube building, in downtown Rio de Janeiro, and the whole scenographic universe was created from newspaper and recycled material. The opening credits scene was conceived by the director and created by the designer Carlos Bêla.[77] The production is part of the Quadrante Project and was the director's tribute to Machado de Assis on the centenary of his death. It received the APCA (Associação Paulista de Críticos de Arte) Critic's Choice Award (2009), ABC Best Photography Award (from the Associação Brasileira de Cinematografia) and the Creative Review award in the Best in Book and Design and Art Director categories. In the opinion of critic Gustavo Bernardo, the mini-series deserves "to be viewed and reviewed countless times, at least because each fragment of a scene is precious for its beauty".[78] According to theatre director Gabriel Villela, Luiz Fernando Carvalho produces works of art on the screen, calls on the viewer's vivacity so that he accepts nothing masticated, but masticates along with Casmurro.[79] For Randall Johnson, director of the UCLA Latin American Institute, "Luiz Fernando Carvalho is today, without doubt, the director whose work is the most authorial of all TV and cinema production in Brazil".[80][81]

2010s

After all, what does a woman want (Afinal, O Que Querem as Mulheres?)

Main article: pt:Afinal, o Que Querem as Mulheres?

In 2010, Luiz Fernando Carvalho created, directed and wrote the mini-series inspired by Sigmund Freud's: famous question "What does a woman want?". João Paulo Cuenca, Cecilia Giannetti and Michel Melamed collaborated on the script. As well as acting in the production, Melamed created the opening sound track. The direction of Photography Adrian Teijido, costumes by Beth Filipecki and art direction by Raimundo Rodriguez. The director launched actress Bruna Linzmeyer’s career in this production. Osmar Prado shared the part of Freud with a model animated by Cesar Coelho, founder of the Anima Mundi festival, using the stop-motion technique. The opening vignette features the work of German artist Olaf Hajek, who also produced special illustrations for the mini-series by invitation of the director.[82] It received the ABC award (Associação Brasileira de Cinematografia) for Best Photography. According to columnist Patrícia Kogut, "it is an oneiric journey, a visual poem that blends realities, full of references to times past, to what has been experienced, to what lingers in memory".[83][84]

Suburbia

Main article: pt:Suburbia

In 2012, Luiz Fernando Carvalho inaugurated in TV drama a production in which all the protagonists are of African descent.[85][86] The mini-series, created and written by the director in partnership with Paulo Lins, counted on the collaboration of Adrian Teijido (Photography), Luciana Buarque (Costumes), Marcio Hashimoto (Editing) and Sergio Pasqualino (Colorist). It also marked the start of another research cycle, in which the director focused on realist aesthetics, which influenced the language as a whole, but mainly in the choice of non-actors for the main parts. The nearly 40 actors launched in the mini-series include artists of the groups Nós do Morro and Afroreggae.[87] Érika Januza, until then secretary of a school in the interior of Minas Gerais state, was chosen to play the main character of the story. Guest appearance by Fabrício Boliveira, Rosa Marya Colin, Haroldo Costa, Maria Salvadora, Paulo Tiefenthaler and Dani Ornellas, among others. In 2012, the Globo network took the series up again for a second season in 2013 due to its satisfactory audience ratings. Later, however, the director Luiz Fernando Carvalho chose to cancel the new season. In the opinion of anthropologist Luiz Eduardo Soares, the work was a "reconstructive reading of the carioca society, producing a superb result ".[88]

Ladies' Mail (Correio Feminino)

Main article: pt:Correio Feminino

A mini-series in eight episodes, created and directed by Luiz Fernando Carvalho based on women's journals written by Clarice Lispector in the 1950s and 1960s, under the pseudonym Helen Palmer. The visual language and narrative were based on 60s pop art and design,[89] from the costumes to the lighting and set; all filmed in a single lightbox, which changed color according to the subjects addressed. Adapted by Maria Camargo, the series was shown in 2013 as part of the program Fantástico,[90] with costumes by Thanara Schönardie and Luciana Buarque, photography by Mikeas and edited by Marcio Hashimoto. The actress Maria Fernanda Cândido played Helen Palmer narrating all the episodes. In the cast, Luiza Brunet interpreted the mature woman, and Alessandra Maestrini, the young woman. The adolescent is Cintia Dicker, an international model whose acting career was launched in the mini-series. In the opinion of critic Patricia Kogut, the series is "inspired, pleasant, in good taste and unpretentious, like Clarice's texts as Helen Palmer".[91]

Alexandre and Other Heroes (Alexandre e Outros Heróis)

Main article: pt:Alexandre e Outros Heróis (programa de TV)

A 2013 telefilm, with script by Luis Alberto de Abreu and Luiz Fernando Carvalho[92] based on two stories by the Alagoan writer Graciliano Ramos. Luiz Fernando Carvalho's coaching and directing of the actors revealed a new code of interpretation to Marcelo Serrado and Ney Latorraca,[93][94] as well as a harmony in the quality of the interpretations. Direction of photography by Mickeas, art direction by Raimundo Rodriguez and costumes by Luciana Buarque. Incidental sound track by Tim Rescala. Opening theme by the Pernambucan Siba. The cast of the TV special, a finalist in the 2014 International Emmy Awards,[95] also included Flávio Bauraqui, Flávio Rocha, Marcélia Cartaxo and Luci Pereira.[96] Critic Patricia Kogut considered the telefilm a miniature work of art on television.[97][98]

My Little Plot of Land (Meu Pedacinho de Chão)

Main article: Meu Pedacinho de Chão

This 2014 production marked the director's return to the telenovela format after 12 years of dedicating himself to mini-series and more authorial projects.[99][100] My Little Plot of Land (Meu Pedacinho de Chão) was written by Benedito Ruy Barbosa and directed by Luiz Fernando Carvalho, with art production by Marco Cortez, art work by Raimundo Rodriguez and costumes by Thanara Schönardie. The critics praised various aspects, from the harmony of the quality of acting to the editing, direction, costumes, scenography and aesthetics, inspired by Westerns and Japanese manga (comics).[101][102][103][104][105] Luiz Fernando Carvalho's direction of the actors revealed a new code of interpretation, noted by the critics, to actors such as Juliana Paes and Rodrigo Lombardi.[106] The team's creative process and cast coaching to shape the aesthetics of My Little Plot of Land took place at TVLiê, known as Galpão, which operated from 2013 to 2017. The space brought together all the creative teams and was conceived by Luiz Fernando Carvalho, at Projac, for collaborative project creation and talent training. In addition to My Little Plot of Land (Meu Pedacinho de Chão), the works Female Messages (Correio Feminino), Alexander and Other Heroes (Alexandre e Outros Heróis), Old River (Velho Chico) and The Brothers (Dois Irmãos) were created in the Galpão. The whole process of creation and production of the novela in the Galpão is described by the journalist Melina Dalboni in the book Meu Pedacinho de Chão, which has drawings, sketches and photos by the director and the team (published by Casa da Palavra).[107] Sets and costumes were envisaged through the playful eye of childhood,[108] and according to the columnist Patrícia Kogut, contributed to a beautiful invented universe, far different from what we are used to seeing on TV.[109] The houses were faced with recycled cans, based on the work of artist Raimundo Rodriguez. The costumes, the subject of an exhibition, mixed technological fabrics and plastic material.[110] Cesar Coelho, of the Anima Mundi Festival, used stop-motion and time-lapse techniques for all the animation. The novela received the APCA (Associação Paulista de Críticos de Arte) Award for Best Actor (Irandhir Santos); Contigo Magazine Award for Best Child Actor (Tomás Sampaio) and Best Director; the Extra television award for Best Costumes and Best Makeup (Rubens Libório); and the Quem Magazine award for Best Actor (Irandhir Santos), Best Supporting Actor (Johnny Massaro) and Best Author (Benedito Ruy Barbosa). The critic Cristina Padiglione regards the novela as worthy of a standing ovation, and in the opinion of Alexandra Moraes "the images, at first sight childish, gain relevance with colors and effects of dramatic intent. Good performances and the firm hand of the director give the plot meaning".[111][112]

Old River (Velho Chico)

Main article: Velho Chico (telenovela)

In 2016, Old River (Velho Chico) marked Luiz Fernando Carvalho's return to prime time,[113] directing the novela written by Benedito Ruy Barbosa and Bruno Luperi, which again carried the imprint of the new esthetic in TV drama.[114][115] The novela was divided into two phases,[116] with direction of photography by Alexandre Fructuoso and costumes by Thanara Schönardie. Highlights were the photography[117] and acclaimed performances by the actors Antônio Fagundes, Lucy Alves, Domingos Montagner, Lee Taylor, Marcos Palmeira, Chico Diaz, Renato Góes, Rodrigo Lombardi, Dira Paes, Irandhir Santos, Fabiula Nascimento, Julia Dalavia, Cyria Coentro, Barbara Reis, Julio Machado, Umberto Magnani, Camila Pitanga, Christiane Torloni, Marcelo Serrado, Gabriel Leone, Giulia Buscaccio, Mariene de Castro, Gésio Amadeu, José Dumont, Marcélia Cartaxo and others.[118] The cast was of a uniformity rarely seen in novelas, resulting in countless awards for its actors, including the APCA (Associação Paulista de Críticos de Arte) Award for Best Actress for Selma Egrei and the Critics' Choice Award for Domingos Montagner(posthumous) and the production also won Best Supporting Actress (Selma Egrei), Best Supporting Actor (Irandhir Santos), Best Breakthrough Actress (Lucy Alves) and Best Breakthrough Actor (Lee Taylor),[119][120] with Veja Rio's Carioca of the Year Award going to Luiz Fernando Carvalho for the renovated aesthetic of prime time television.[121] The team's creative process and cast coaching lasted only three months and took place at TVliê, Luiz Fernando Carvalho's collaborative creative space, which operated at Projac between 2013 and 2017 and was known as Galpão.[122][123][124][125] The first phase, applauded by the critics, marked the return of actor Rodrigo Santoro to the Globo fold[126] and revealed the hitherto undiscovered talent of Carol Castro.[127] Tarcísio Meira, in just two episodes, put in an impressive performance, as did actress Selma Egrei, who took part in both phases of the novela.[128] The cast was selected after an extensive search for actors from the Northeast and marked the debut in novelas of Lucy Alves, Renato Góes, Marina Nery, Barbara Reis, Diyo Coelho, Xangai, Veronica Cavalcanti, Lee Taylor, Zezita de Matos, Mariene de Castro, Yara Charry, Raiza Alcântara, Lucas Veloso, Sueli Bispo and the comedian Batoré.[129][130] The last chapters of the novela pay tribute to the actor Domingos Montagner (Santo), who drowned in the São Francisco river two weeks before the end of the serial. The character was maintained in the plot even after the actor's death through the language created by Luiz Fernando Carvalho, in which a single subjective camera interpreted Santo's viewpoint, so his presence was felt, engaging with all the other characters, to the end.[131][132][133] The novela came under strong pressure from the Globo network's drama department, calling for modifications to the text, storyline and esthetics. The director and the author, Benedito Ruy Barbosa, stood firm and refused to make the changes to Old River (Velho Chico). The in-house crisis made the TV columns and was described as a form of public pressure on Luiz Fernando Carvalho. According to the critic Maurício Stycer, Old River (Velho Chico) is a landmark in the recent history of Brazilian TV, on account of its esthetic ambition and cultural relevance.[134] According to Nilson Xavier, the novela “had incontestable technical and artistic quality, from the direction to the photography, sound track and the actors’ performances.[135][136][137][138] It competed for the International Emmy Award for Best Telenovela of 2017.[139][140][141][142][143][144][145]

Lavoura Arcaica, 15 years on

Tribute was paid to the film To the Left of the Father in 2017, 15 years after it was made and on account of it being hailed as one of the most important Brazilian films of all time, at the Rio International Film Festival[146][147][148] and the São Paulo International Film Festival,[149] where a 35 mm copy was shown.[150][151][152][153] As part of the tribute at the Rio International Film Festival, artist Raimundo Rodriguez created an installation that went on show for a month at the Estação Net Botafogo, with memorabilia from the film, reviews and the director's notebooks.[154] For Ismail Xavier and Ilana Feldman, Lavoura was born in 2001, emerging as a foreign body in the scenario of early 21st century Brazilian film, marked by its realism and its direct confrontation with Brazilian social and urban issues.[4]

Two Brothers (Dois Irmãos)

Main article: Dois Irmãos (miniseries)

Screened in 2017, the mini-series written by Maria Camargo based on the homonymous novel by Milton Hatoum was regarded by critics as another quality contribution to Brazilian television on account of the poetic style applied by the director to the adaptation of the novel.[155][156][157][158][159] Direction of photography by Alexandre Fructuoso, costumes by Thanara Schönardie, scenography by Danielly Ramos, Juliana Carneiro and Mariana Villas-Bôas, art production by Marco Cortez and Myriam Mendes. The production is part of the Quandrante Project and gained kudos with writer Milton Hatoum's television debut.[160] According to the publishing house Companhia das Letras, the book sales increased by some 500% after the start of the mini-series.[161] Careers launched in Two Brothers include actors Matheus Abreu (Omar and Yaqub as an adolescent), the indigenous Zahy Guajajara (the índia Domingas) and the singer Bruna Caram (Rânia in the adult phase). The Lebanese actor Mounir Maasri made a guest appearance in the mini-series and was also responsible for the prosody (stress patterns) of the cast. The quality of the acting of the whole cast was stressed by the critics and also on social media and reached the worldwide and Brazilian Trending Topics throughout the series: Eliane Giardini and Juliana Paes as Zana; Antônio Fagundes and Antonio Calloni as Halim; and Cauã Reymond and Matheus Abreu as the twins Omar and Yaqub. It was filmed in 2015, but at the request of the Globo network, the director agreed to make the novela Old River (Velho Chico) before he finished editing Dois Irmãos, which was shown in January 2017. A number of innovative relevant points in the director's language were highlighted: the relation between literature and the transposition into images,[162] photography, framing, poetic language and sound track, which included hits from various decades to contextualize the period in which the mini-series was set. In addition, Luiz Fernando Carvalho inaugurated, on TV, the dialogue between the fictional scenes and images from the archives of Brazilian History, with the research of historical material done by Raquel Couto. According to the critic Maurício Stycer, in an article published in the Folha de S.Paulo newspaper about Netflix's investment in Brazil, the miniseries was a startling revelation to those who normally only have access to terrestrial channels in Brazil.[163] For Luiz Zanin, the miniseries was about Brazil and the thwarted ideal of a multi-ethnic, sensual and carefree nation. “An elegant delicacy served up to the public, and which will leave it wanting more".[164] Critic Carlos Alberto de Mattos wrote that what was seen in The Brothers (Dois Irmãos) “was not a realistic reflection, but an exuberant image, a mythical saga, a work of art”.[165][166][167][168][169][170][171]

In February 2017, Luiz Fernando Carvalho left the Globo Network (Rede Globo) after 30 years of working for the TV station.[172][173]

In 2017, the director received the APCA Award for Two Brothers (Dois Irmãos),[174][175] the International Emmy Award for Best Telenovela Nomination for Old River (Velho Chico) and the Bravo Award (Prêmio Bravo) for Artist of the Year, for his trajectory and esthetic renovation on television with Old River (Velho Chico) and Two Brothers (Dois Irmãos) and the 15th anniversary of the film To the Left of The Father (Lavoura Arcaica).

2020s

The Passion According to G.H. (A Paixão Segundo G.H.)

Main article: The Passion According to G.H. (film)

For the centennial of the birth of Clarice Lispector, in 2020, Carvalho is releasing a film adaptation based on the homonymous novel by the Brazilian author.[176][177][178] Is the second feature film by the filmmaker after the award-winning To the Left of the Father (Portuguese: Lavoura Arcaica) (2001), also a cinematographic version of a classic of Brazilian literature. It was during the editing of "Lavoura Arcaica" that Luiz Fernando Carvalho had contact with G.H. - central novel of Clarice Lispector's work. The movie was entirely filmed in a penthouse of the neighbourhood of Copacabana, Rio de Janeiro, and presents Maria Fernanda Candido as the main character, G.H.[179]

Personal life

He was married to the artist Sandra Burgos, with whom he has one son, Théo Burgos Carvalho.

He was married to the actress Tereza Seiblitz, with whom he has one son, Vittório, born June 8, 2001.

He was married to the actress Letícia Persiles, with whom he has one son, Ariel.

Bibliography

The following books written by Luiz Fernando Carvalho are references for this article. For the complete list of books about the director, see Luiz Fernando Carvalho Bibliography

  • Carvalho, Luiz Fernando (2002). Sobre Lavour'Arcaica – O filme. Ateliê Editorial. ISBN 9780815411833.
  • Carvalho, Luiz Fernando; Abreu, Luis Alberto (2006). Hoje é dia de Maria – Roteiros da 1a e 2a jornadas. Globo. ISBN 9788525040985.
  • Carvalho, Luiz Fernando (2007). Pedra do Reino - Estojo Ilustrado com 5 Cadernos de Filmagens + Diário de Elenco e Equipe. Globo. ISBN 978-8525043375.
  • Carvalho, Luiz Fernando (2008). O processo de Capitu. LeYa Casa da Palavra. ISBN 978-8577341023.
  • Carvalho, Luiz Fernando (2008). "Capitu c'est moi?". Livro - Quem é Capitu?. Nova Fronteira. pp. 17–20. ISBN 9788520920831.
  • Carvalho, Luiz Fernando; Diniz, Julio (2008). "Capitu c'est moi?". Machado de Assis (1908-2008). Contraponto. pp. 80–83. ISBN 978-85-7866-011-6.
  • Carvalho, Luiz Fernando; Cuenca, João Paulo; Gianetti, Cecília; Melamed, Michel (2010). Afinal, o que querem as mulheres?. LeYa. ISBN 9788580440300.
  • Carvalho, Luiz Fernando; Lins, Paulo; Franz, Pedro (2012). . Aeroplano. ISBN 9788578200916. Archived from the original on 2017-11-12. Retrieved 2017-05-16.
  • Carvalho, Luiz Fernando (2013). Meu Pedacinho de Chão. LeYa Casa da Palavra. ISBN 978-85-7734-525-0.

Filmography

Cinema
Year Title Credit Notes
1986 The Waiting (A Espera) Director and Screenwriter Short-film based on Roland Barthes´s Fragments d'un discours amoureux
1998 May your eyes be blessed (Que Teus Ohos Sejam Atendidos) Director Documentary film
2001 To the Left of the Father (Lavoura Arcaica) Director and Screenwriter Film based on the novel of Raduan Nassar
2020 The Passion According to G.H. Director and Screenwriter Film based on the novel of Clarice Lispector
TV Series
Year Title Credit Notes
1985 Grande Sertão: Veredas Assistant director Based on João Guimarães Rosa´s Grande Sertão: Veredas
1990 Sweet River (Riacho Doce) Director Based on José Lins do Rego´s novel
2001 The Maias (Os Maias) Director Based on Eça de Queiroz´s Os Maias
2005 Today is Maria's Day (Hoje É Dia de Maria) Novelist, Director and Screenwriter Based on Mário de Andrade, Câmara Cascudo and Sílvio Romero´s essay; Co-written with Luis Alberto de Abreu
2005 Today is Maria's Day: Second Journey (Hoje é Dia de Maria: Segunda Jornada) Novelist, Director and Screenwriter Based on Mário de Andrade, Câmara Cascudo and Sílvio Romero´s essay; Co-written with Luis Alberto de Abreu
2007 Stone of the Kingdom (A Pedra do Reino) Director and Screenwriter Based on Ariano Suassuna´s novel; Co-written with Braulio Tavares and Luis Alberto de Abreu
2008 Capitu Director and Screenwriter Based on Machado de Assis´s Dom Casmurro
2010 After all, what does a woman want (Afinal, O Que Querem as Mulheres?) Novelist, Director and Screenwriter Influenced by Sigmund Freud´s theory; Co-written with J.P. Cuenca and Michel Melamed
2012 Suburbia Novelist, Director and Screenwriter Co-written with Paulo Lins
2013 Ladies' Mail (Correio Feminino) Novelist e Diretor From Clarice Lispector´s chronicles
2017 Two Brothers (Dois Irmãos) Director Based on Milton Hatoum´s novel
Soap Opera
Year Title Credit Notes
1987 Helena Director Based on the novel of Machado de Assis
1987 Carmen Director Written by Glória Perez
1988 Vida Nova Director Written by Benedito Ruy Barbosa
1989 Tieta Director Based on the novel of Jorge Amado
1992 Stone on Stone (Pedra sobre Pedra) Director Written by Aguinaldo Silva
1993 Rebirth (Renascer) Director Written by Benedito Ruy Barbosa
1995 Irmãos Coragem Director Remake of Janete Clair´s soap opera
1998 The King of Catlle (O Rei do Gado) Director Written by Benedito Ruy Barbosa
2002 Esperança Director Written by Benedito Ruy Barbosa
2014 My Little Plot of Land (Meu Pedacinho de Chão) Director Written by Benedito Ruy Barbosa
2016 Old River (Velho Chico) Director Written by Benedito Ruy Barbosa e Bruno Luperi
Especiais para TV
Year Title Credit Notes
1990 Chitãozinho e Xororó Especial Director Musical Show
1991 The Cangaceiro's Revenge (Os Homens Querem Paz) Director Television film
1994 A Woman Clothed in Sun (Uma Mulher Vestida de Sol) Director Based on Ariano Suassuna´s novel
1995 The Farce of Pleasant Idleness (A Farsa da Boa Preguiça) Director Based on Ariano Suassuna´s novel
2013 Alexandre and Others Heroes (Alexandre e Outros Heróis) Diretor Based on Graciliano Ramos´s short stories

References

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  145. ^ Patricia Kogut (14 November 2017). "Rodrigo Santoro participará do Emmy com equipe do Velho Chico". O Globo. Retrieved 20 November 2017. Luiz Fernando Carvalho, convidado pela Globo, não poderá ir: está filmando em São Paulo
  146. ^ Rodrigo Fonseca (23 September 2016). "'Lavoura Arcaica' renasce, 15 anos após sua estreia, no Festival do Rio". Estado de S. Paulo. Retrieved 12 April 2017. Um monumento cinematográfico de nossa Retomada
  147. ^ Cleo Guimaraes (15 October 2016). "Exibição de Lavoura Arcaica em película faz a felicidade dos nostálgicos no Festival do Rio". Gente Boa - OGlobo. Retrieved 20 April 2017. Para Selton Mello, que interpreta o protagonista André, "Foi uma aventura emocional radical, que me tirou o chão e me fez renascer. Esse filme me deu coragem e a verdadeira dimensão da minha profissão”
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  160. ^ Rita Cipriano (4 November 2017). "Milton Hatoum: "O Brasil é o romance da desilusão"". Observador. Retrieved 20 November 2017. Milton Hatoum: "O Luiz Fernando Carvalho é um dos grandes diretores brasileiros. Dirigiu a adaptação de Lavoura Arcaica, do Raduan Nassar, e novelas importantes. A linguagem dele é muito inovadora. Não é aquele pastelão, aquele soap opera previsível. Ele trabalha com uma linguagem muito criativa e pensa em tudo — nos figurinos, na luz, em cada detalhe. É impressionante."
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  164. ^ Luiz Zanin (21 January 2017). "O Som e a Fúria de Dois Irmãos". Estadão. Retrieved 20 April 2017. Uma história bem contada fala de si mesma e também de outras coisas. Esta nos falou do Brasil, de sua utopia frustrada de nação multiétnica, sensual e feliz. Um fino biscoito oferecido ao público, e que vai deixar saudades
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  166. ^ Nilson Xavier (9 January 2017). "'Dois Irmãos' transmite em belas imagens um crescente clima de tragédia". UOL. Retrieved 20 April 2017. (A minissérie) tem a assinatura de Luiz Fernando Carvalho, o que – já sabemos – significa esmero na estética, fotografia, tomadas, trilha sonora e direção de atores.(...) Quem conhece a obra de Luiz Fernando Carvalho sabe que cada produção sua é única, mesmo dentro de seu estilo característico de direção
  167. ^ Christiane Passafaro Guzzi (13 January 2017). "A 'lavoura amazonense' de Luiz Fernando Carvalho". Revista Caju. Retrieved 20 April 2017. O que parece diferenciar Carvalho é o estabelecimento de um estudo aprofundado da obra, da crítica, da tradição, e, principalmente, das reverberações que a produção dos escritores selecionados produzem no cenário ficcional[permanent dead link]
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  171. ^ Juliana Domingos de Lima (12 January 2017). "'Dois irmãos' é sobre o colapso de uma família. Mas também de um projeto de país". Nexo Jornal. Retrieved 20 April 2017. "A adaptação de “Dois irmãos”, na verdade uma transposição ou transcrição para o audiovisual, (...) oferece ao espectador brasileiro a possibilidade de alguns encontros fundamentais: encontro com cinquenta anos de história do país (...); com uma enorme diversidade humana e cultural (...); com uma forma expressiva que investe na sensibilidade e inteligência do espectador (...); por fim, o encontro com um projeto de país, que se insinuava durante a Belle Époque amazônica, mas cuja promessa de futuro é posta abaixo pela ditadura civil-militar e sua ideia destrutiva de “progresso”. (...) É importante perceber que, enquanto a literatura brasileira ganha relevância e contundência ao migrar para a TV, a própria TV ganha também enorme prestígio artístico ao valorizar um produto literário nacional, ainda mais sob a marca e o estilo barroco, marcado pelo acúmulo de elementos e alta intensidade, do Luiz Fernando Carvalho" (Ilana Feldman)
  172. ^ "Um diretor fora da curva". Telepadi. 24 February 2017. Retrieved 28 February 2017.
  173. ^ Maria da Paz Trefaut (24 March 2017). "Um diretor fora da curva". Valor Econômico. Retrieved 20 November 2017. Luiz Fernando Carvalho construiu uma aura intelectual ao seu redor, uma imagem de profissional autoral que não se apega a convenções
  174. ^ "APCA escolhe os melhores de 2017". Folha de S. Paulo. 11 December 2017. Retrieved 3 January 2018.
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  176. ^ Guilherme Genestreti (28 November 2018). "Após Lavoura Arcaica, Luiz Fernando Carvalho adapta obra de Clarice". Folha de S. Paulo. Retrieved 30 January 2020.
  177. ^ Alessandro Giannini (6 December 2017). "Luiz Fernando Carvalho retoma carreira como diretor de cinema em SP". O Globo. Retrieved 29 January 2020.
  178. ^ Celia Musilli (11 January 2020). "Iluminações e Assombros Literários". Folha de Londrina. Retrieved 30 January 2020.
  179. ^ Alessandro Giannini (6 December 2017). "Maria Fernanda Cândido estará em versão para cinema de "A Paixão Segundo G.H."". O Globo. Retrieved 29 January 2020. "Tenho uma afinidade grande com o Luiz. Esse aprofundamento que ele propõe é fundamental para realizarmos e desenvolvermos um trabalho. Gosto de como ele leva tudo isso e como propõe o laboratório".

External links

  • Luiz Fernando Carvalho - Official website (in Portuguese)
  • Luiz Fernando Carvalho at IMDb*
  • To The Left of The Father - Mostra de Cinema de SP
  • A La Gauche du Pere - Comme au Cinema (in French)
  • A La Gauche du Pere - AlloCine (in French)
  • Luiz Fernando Carvalho - Enciclopedia Itaú Cultural (in Portuguese)
  • Luiz Fernando Carvalho - Estadão (in Portuguese)
  • Luiz Fernando Carvalho - Ateliê Editorial (in Portuguese)
  • Luiz Fernando Carvalho - Mostra de Cinema de SP (in Portuguese)
  • Luiz Fernando Carvalho - Filme B (in Portuguese)
  • Luiz Fernando Carvalho - Adoro Cinema (in Portuguese)
  • Lavoura Arcaica - Festival do Rio (in Portuguese)
  • Luiz Fernando Carvalho no Twitter (in Portuguese)
  • Luiz Fernando Carvalho no Facebook (in Portuguese)

December 28, 2022
luiz, fernando, carvalho, born, july, 1960, janeiro, brazilian, filmmaker, television, director, known, works, closely, linked, literature, that, constitute, renovation, brazilian, audiovisual, aesthetics, already, brought, screen, works, ariano, suassuna, rad. Luiz Fernando Carvalho born July 28 1960 in Rio de Janeiro is a Brazilian filmmaker and television director known for works closely linked to literature that constitute a renovation in Brazilian audiovisual aesthetics 1 He has already brought to the screen works by Ariano Suassuna Raduan Nassar Machado de Assis Eca de Queiros Roland Barthes Clarice Lispector Milton Hatoum Jose Lins do Rego and Graciliano Ramos among others Luiz Fernando CarvalhoBornLuiz Fernando Carvalho de Almeida 1960 07 28 July 28 1960 age 62 Rio de Janeiro BrazilOccupation s Film director screenwriter novelistYears active1985 presentKnown forFilms and TV series based on Brazilian writersNotable workTo the Left of the Father Lavoura Arcaica Os Maias Hoje E Dia de Maria and Dois IrmaosSome critics compare Luiz Fernando Carvalho s productions to the Brazilian Cinema Novo 2 and icons of film history such as Luchino Visconti and Andrei Tarkovsky 3 His work is characterized by visual and linguistic experimentation 4 and exploration of the multiplicity of Brazil s cultural identity 5 6 The baroque style 7 8 9 of overlays and interlacing of narrative genres the relation to the moment in Time 10 the archetypal symbols of the Earth and the reflection on the language of social and family melodrama 11 are features of the director s poetic language The filmmaker s works have met with both critical and public acclaim He directed the film To the Left of the Father Lavoura Arcaica 2001 12 13 based on the homonymous novel by Raduan Nassar cited by the critic Jean Philippe Tesse in the French magazine Cahiers du Cinema as a ground breaking promise of renovation of an upheaval not seen in Brazilian cinema since Glauber Rocha 14 15 which won over 50 national and international awards 16 The telenovelas Renascer Rebirth 1993 and The King of the Cattle O Rei do Gado 1996 by screenwriter Benedito Ruy Barbosa and directed by Luiz Fernando Carvalho are recognized as benchmarks of Brazilian television drama and achieved some of the highest audience ratings of the 1990s 17 18 There is a marked contrast between the director s television works from the pop design of the 60s in the series Ladies Mail Correio Feminino 2013 to the classic rigor of the mini series The Maias Os Maias 2001 the urban references of the working class suburbs in the mini series Suburbia 2012 to the playfulness of the soap My Little Plot of Land Meu Pedacinho de Chao 2014 the aesthetic research of the Sertao backcountry in Old River Velho Chico 2016 to the Brazilian fairytale of the mini series Today is Maria s Day Hoje E Dia de Maria 2005 and the realistic universe of family tragedy in Two Brothers Dois Irmaos 2017 19 20 The director s production process is renowned for identifying new talent from all over Brazil and for training actors 21 revealing new stars of the dramatic arts such as Leticia Sabatella Eliane Giardini Bruna Linzmeyer Johnny Massaro Irandhir Santos Simone Spoladore Caco Ciocler Marcello Antony Marco Ricca Isabel Fillardis Giselle Itie Emilio Orciollo Netto Sheron Menezes Jackson Antunes Maria Luisa Mendonca Eduardo Moscovis Jackson Costa Leonardo Vieira Caca Carvalho Luciana Braga Julia Dalavia Renato Goes Cyria Coentro Marina Nery Julio Machado Barbara Reis Lee Taylor Zezita de Matos Mariene de Castro and Lucy Alves among others The director s actor coaching technique has given rise to a method recounted in the book O processo de criacao dos atores de Dois Irmaos The creation process of the actors in Dois Irmaos by the photographer Leandro Pagliaro 22 23 There is a concrete promise of renovation of a palpitation not seen in Brazilian cinema since Glauber Rocha At first one is left with nothing but fragments torn from a visual magma But soon the chaos resolves itself the film unrolls in all its richness like a barbaric poem verging on hallucination of extraordinary power Never however does its return to the underlying myths obscure or accelerate the predominance of the sensations If the film is possessed of such enchanting force it is because Luiz Fernando Carvalho knows that everything starts there in this first way of being born into the world of allowing oneself to be ravished by it to savor every twist of it Les Cahiers du Cinema by Jean Philippe Tesse on his critic about To the Left of the Father Lavoura Arcaica 14 Contents 1 Early career 1980s 1 1 The Waiting A Espera 2 1990s 2 1 Sweet River Riacho Doce 2 2 The Cangaceiro s Revenge Os Homens Querem Paz 2 3 Stone on Stone Pedra Sobre Pedra 2 4 The Tale of Our Lady of Light O Auto de Nossa Senhora da Luz 2 5 Rebirth Renascer 2 6 A Woman Clothed in Sun Uma Mulher Vestida de Sol 2 7 The Farce of Pleasant Idleness A Farsa da Boa Preguica 2 8 The King of the Cattle O Rei do Gado 2 9 Giovanna and Henrico Giovanna e Henrico 2 10 May your eyes be blessed Que Teus Olhos Sejam Atendidos 3 2000s 3 1 To the Left of The Father Lavoura Arcaica 3 2 The Maias Os Maias 3 3 Today is Maria s Day Hoje e Dia de Maria 3 4 Stone of the Kingdom A Pedra do Reino 3 5 Quadrante Project Projeto Quadrante 3 6 Capitu 4 2010s 4 1 After all what does a woman want Afinal O Que Querem as Mulheres 4 2 Suburbia 4 3 Ladies Mail Correio Feminino 4 4 Alexandre and Other Heroes Alexandre e Outros Herois 4 5 My Little Plot of Land Meu Pedacinho de Chao 4 6 Old River Velho Chico 4 7 Lavoura Arcaica 15 years on 4 8 Two Brothers Dois Irmaos 5 2020s 5 1 The Passion According to G H A Paixao Segundo G H 6 Personal life 7 Bibliography 8 Filmography 9 References 10 External linksEarly career 1980s EditLuiz Fernando Carvalho studied architecture and literature He started out in cinema at 18 in a number of roles audio technician assistant director screenwriter short film editor and director His first TV work came in the early 80s as assistant director of noteworthy mini series such as O Tempo e o Vento based on the work of Erico Verissimo directed by Paulo Jose and Grande Sertao Veredas from the work of Joao Guimaraes Rosa in which he started to direct his first scenes still as assistant director to Walter Avancini The Waiting A Espera Edit He wrote and directed the short The Waiting A Espera based on the book A Lover s Discourse Fragments Fragments d un discours amoureux by Roland Barthes Launched in 1986 the film collected the following awards Best Short Film Best Actress Marieta Severo and Best Cinematography Walter Carvalho at the 13th Festival de Gramado 24 Best Short Film Golden Shell at the San Sebastian International Film Festival Spain and the Special Jury Award at the Ste Therese Festival Canada 1990s EditSweet River Riacho Doce Edit Main article pt Riacho Doce minisserie Early in the 90s Luiz Fernando Carvalho directed a 40 chapter mini series written by Aguinaldo Silva based on the work of Jose Lins do Rego and starring Vera Fischer Osmar Prado Sebastiao Vasconcelos Carlos Alberto Riccelli and Fernanda Montenegro with costumes by Beth Filipecki The then inhospitable island of Fernando de Noronha PE served as the scene for the story which is set in a small fishing village in the Northeast of Brazil The Cangaceiro s Revenge Os Homens Querem Paz Edit In 1991 Luiz Fernando Carvalho directed an adaptation of a script by Brazilian TV pioneer Pericles Leal with costumes by Beth Filipecki The telefilm was shot in the town of Caninde Ceara and reached the finals of the 34th New York Television Festival This marked the television debut of actress Leticia Sabatella The critic Rodrigo Fonseca affirmed that his first memory of Leticia Sabatella on TV was also when he discovered the existence of the genius of direction that is Luiz Fernando 25 Stone on Stone Pedra Sobre Pedra Edit Main article Pedra Sobre Pedra In 1992 he directed the telenovela written by Aguinaldo Silva considered to have reached the 6th largest audience in Brazilian television history 26 Notable cast members included Lima Duarte Renata Sorrah Armando Bogus Eva Wilma Paulo Betti Andrea Beltrao Pedro Paulo Rangel and Eduardo Moscovis Certain characters are regarded as landmarks in TV drama Sergio Cabeleira Osmar Prado and the photographer Jorge Tadeu Fabio Jr The Tale of Our Lady of Light O Auto de Nossa Senhora da Luz Edit While filming Pedra sobre Pedra Luiz Fernando Carvalho came up with a significant sequence inspired by Ariano Suassuna s Armorial Movement Movimento Armorial The enormous success of the sequence confirmed by the record number of requests by viewers for a rerun was decisive in the transformation of the material into a telefilm with additional scenes written by Braulio Tavares and interpreted by the actor and musician Antonio Nobrega It competed for the International Emmy Award in 1993 27 Rebirth Renascer Edit Main article Renascer The 1993 soap written by Benedito Ruy Barbosa and directed by Luiz Fernando Carvalho met with critical and public acclaim and was the most watched in the 90s and 4th in audience ratings in the history of Brazilian television 26 It was also shown in several other countries As directed by Luiz Fernando Carvalho it is regarded as among the symbols of renovation of the aesthetics of the genre in the 90s 28 The character Buba interpreted by Maria Luisa Mendonca caused a national controversy as it was the first time that the discussion of gender had been addressed in a telenovela It received the APCA Award for Best Novela Best Actor Antonio Fagundes Best Supporting Actor Osmar Prado Best Supporting Actress Regina Dourado Best Male Breakthrough Performance Jackson Antunes 29 Leonardo Vieira Jackson Antunes Caca Carvalho Marco Ricca Isabel Fillardis and Maria Luisa Mendonca were among the talents revealed in this work The television entrepreneur Jose Bonifacio de Oliveira considered the plot well structured by Benedito with a well crafted first part masterfully directed by Luiz Fernando Carvalho 30 According to Marilia Martins few novelas had a first chapter directed with such polish and skill as Rebirth A Woman Clothed in Sun Uma Mulher Vestida de Sol Edit Main article pt Uma mulher vestida de sol In 1994 the telefilm directed by Luiz Fernando Carvalho marked the first appearance of Ariano Suassuna s works on television 31 Based on the writer s unpublished novel of the same name the script was the work of Ariano himself in partnership with the director Director of photography Dib Lufti costumes by Luciana Buarque and art production by Lia Renha Scenography by the artist Fernando Velloso from the Grupo Corpo dance group music by Antonio Madureira a member of the Armorial Quintet Quinteto Armorial With A Woman dressed in Sun Uma Mulher Vestida de Sol the director commenced his exploration of the limits of television language combining elements of the popular theater of the Northeast Luiz Carlos Vasconcelos s Grupo Piolim participated and the cast included Tereza Seiblitz Lineu Dias Sebastiao Vasconcelos Ana Lucia Torre Raul Cortez and the then novice actor Floriano Peixoto According to the researcher of Literature Helio Guimaraes the work gave rise to an impasse at the TV station was Luiz Fernando Carvalho too big for the Globo screen 32 The Farce of Pleasant Idleness A Farsa da Boa Preguica Edit Main article pt A Farsa da Boa Preguica TV One year after A Woman dressed in Sun Uma Mulher Vestida de Sol in 1995 Luiz Fernando Carvalho resumed his connection with the writer Ariano Suassuna this time transforming the play The Farce of Pleasant Idleness A Farsa da Boa Preguica into a telefilm The director continued his search for a hybrid language for television as a way of criticizing the naturalism of the novelas Art production and costumes by Yurika Yamasaki and the artist Dantas Suassuna participation of Antonio Nobrega Patricia Franca Ary Fontoura and Marieta Severo According to the critic Rogerio Durst the telefilm was a major feat of TV drama 33 The King of the Cattle O Rei do Gado Edit Main article O Rei do Gado The King of the Cattle O Rei do Gado 1996 the director s next collaboration with the author Benedito Ruy Barbosa 34 became the novela with the 9th largest audience in Brazilian television history 26 It was rescreened three times 35 36 outrating other productions of the time and was sold to over 30 countries It marked the debut of Marcello Antony Caco Ciocler Mariana Lima Emilio Orciollo Netto and Lavinia Vlasak 37 Other significant aspects of the novela were its social criticism and sensitive approach to the Landless Workers Movement movimento dos sem terra 38 The actors Jackson Antunes and Ana Beatriz Nogueira stand out in this context The cast included Antonio Fagundes Patricia Pillar Leticia Spiller and Raul Cortez with guest appearances in the early stages by Tarcisio Meira Eva Wilma and Vera Fischer The character Tiao Galinha interpreted by Osmar Prado is a landmark of his career The novela received the Certificate of Merit at the San Francisco International Film Festival and the APCA Award for Best Actor Raul Cortez Best Supporting Actor Leonardo Bricio Best Supporting Actress Walderez de Barros and Best Male Breakthrough Performance Caco Ciocler 39 Fernando de Barros e Silva wrote in the Folha de S Paulo The King of the Cattle O Rei do Gado swallows up Brazilian cinema 40 According to critic Rogerio Durst the novela is a dramatic epic with first class special appearances and superb photography Tiao Galinha belongs to another soap opera Renascer Giovanna and Henrico Giovanna e Henrico Edit The quality of the first seven chapters of The King of the Cattle O Rei do Gado showing the decline of the coffee cycle and Brazil s participation in World War II prompted The Globo Network s International Division to transform the first part of the novela into the mini series Giovanna and Henrico with Leticia Spiller and Leonardo Bricio playing the lead couple The production was selected as hors concours at the Banff World Media Festival in Canada 41 May your eyes be blessed Que Teus Olhos Sejam Atendidos Edit Main article pt Que Teus Olhos Sejam Atendidos Before the end of the 90s Luiz Fernando Carvalho had already started on research for the feature film To the Left of The Father Lavoura Arcaica Together with the author of the novel Raduan Nassar he traveled to Lebanon to familiarize himself with Mediterranean culture The material collected during the trip was used to produce the documentary May your eyes be blessed Que Teus Olhos Sejam Atendidos screened on GNT in 1997 42 In the opinion of critic Rodrigo Fonseca the documentary honed to the limit of tragic fatality its investigation of time 2000s EditTo the Left of The Father Lavoura Arcaica Edit Main article To the Left of the Father In 2001 the director made his first feature film To the Left of the Father Lavoura Arcaica in which he was responsible for directing screenplay and editing with cinematography by Walter Carvalho art direction by Yurika Yamazaki and costume design by Beth Filipecki 2 3 43 The cast included Selton Mello Raul Cortez Simone Spoladore Leonardo Medeiros Caio Blat and Juliana Carneiro da Cunha Aiming to maintain the connection with the poetic prose of Raduan Nassar s book the director elected to film without a defined script based entirely on the actors improvisations on the theme 10 8 11 This involved intensive coaching of the cast secluded on a farm for four months 44 The film s creation and production process was discussed in the book About To the Left of The Father Sobre Lavoura Arcaica in which the director is interviewed by Jose Carlos Avellar Geraldo Sarno Miguel Pereira Ivana Bentes Arnaldo Carrilho and Liliane Heynemann launched in Portuguese English and French by the publisher Atelie Editorial 45 It was success with the critics 46 47 48 49 and the public reaching 300 thousand viewers with just two copies one in Rio de Janeiro and the other in Sao Paulo It is considered one of the 100 best Brazilian films of all times according to the Brazilian Film Critics Association Abraccine 50 It had a successful career in a number of national and international festivals receiving over 50 awards at the Montreal World Film Festival 16 51 the Rio Film Festival the Sao Paulo International Film Festival the Grand Prix for Brazilian Film the Brasilia Film Festival 52 the Havana Film Festival 53 the Cartagena Film Festival 54 the Guadalajara International Film Festival the Buenos Aires International Festival of Independent Cinema 55 among others In the opinion of writer and psychoanalyst Renato Tardivo author of Porvir que vem antes de tudo literatura e cinema em Lavoura Arcaica the film is one of the most important works of Brazilian cinema of all times 56 The critic Carlos Alberto de Mattos described it as the first work of art of the Brazilian cinema in the 21st century 57 The film was acclaimed by the critics of various countries and according to the French magazine Cahiers du Cinema To the Left of the Father is a barbarous poem verging on hallucination of extraordinary power 58 59 60 The Maias Os Maias Edit Main article pt Os Maias minisserie A 2001 production this mini series based on the homonymous novel by Eca de Queiros and adapted by Maria Adelaide Amaral was another landmark in the director s career 61 The Maias portrays the decadent Portuguese aristocracy in the second half of the 19th century through the tragic story of a traditional Lisbon family Costumes by Beth Filipecki and direction of photography by Jose Tadeu Ribeiro In the opinion of writer Luis Fernando Verissimo the extraordinarily mobile camera of Luiz Fernando Carvalho visited more than portrayed the frivolous Lisbon of the time and all the novel s atmospheres But beneath it all there was this majestic progression from the first scene to the denouement the moving camera conducting us like a slow tragic theme tune that recalls a symphony No TV camera has ever been so complicit and seductive never has TV been so romantic 62 63 Today is Maria s Day Hoje e Dia de Maria Edit Main article Hoje E Dia de Maria Over two seasons Today is Maria s Day Hoje E Dia de Maria 2005 a mini series in which he was also responsible for creation and script consolidated the director s linguistic research 64 His co writers were Luis Alberto de Abreu and Carlos Alberto Soffredini basing themselves on a selection of stories taken from popular Brazilian oral storytelling tradition 65 collected by the writers Camara Cascudo Mario de Andrade and Silvio Romero Art direction by Lia Renha guest artist Raimundo Rodriguez direction of photography by Jose Tadeu Ribeiro and costumes by Luciana Buarque The 60 marionettes that represented the animals were produced by the Grupo Giramundo from Minas Gerais state The work marked the start of the partnership between the director and psychoanalyst Carlos Byington as advisor on the mythological dramatization of the text The mini series was conceived under a 360º dome scrap from a rock show stage The sound track by Tim Rescala was based on cirandas traditional dances by Heitor Villa Lobos Cesar Guerra Peixe and Francisco Mignone Designer Jum Nakao was responsible for some of the costumes with animation of the stop motion scenes by Cesar Coelho founder of the Anima Mundi festival It received the 2005 APCA Associacao Paulista de Criticos de Arte Critics Choice Award the ABC Best Photography Award the Contigo Award for Best Director and Best Child Actress and the Brazil Quality Award Premio Qualidade Brasil for Best Director Television Best Special Project Best Author and Best Breakthrough Actress and reached the finals of the 2005 International Emmy Award in the categories Best Mini Series and Best Actress 66 It was nominated Hors Concours by the Banff World Media Festival in Canada 2006 and the Input International Board Taipei 2005 Compared with To the Left of the Father on account of its innovative television language it caught the attention of critics and public by its novel theatrical and playful language in transporting the universe of popular culture to a sophisticated television production without losing its authenticity 67 The critic Nilson Xavier considers it one of the most poetic original and beautiful productions of recent years 68 According to Jean Philippe Tesse in the French magazine Cahiers du Cinema the mini series was very ambitious and formally very well produced following other noteworthy projects such as The Maias Os Maias Stone of the Kingdom A Pedra do Reino Edit Main article pt A Pedra do Reino In 2007 the director s third production based on the works of Ariano Suassuna brought to the TV the Romance d A Pedra do Reino e o Principe do Sangue do Vai e Volta The mini series is regarded as yet another aesthetic innovation by the director as in To the Left of the Father Lavoura Arcaica and Today is Maria s Day Hoje e Dia de Maria The script was the work of Luiz Fernando Carvalho in collaboration with Luis Alberto de Abreu and Braulio Tavares direction of photography by Adrian Teijido scenography by Joao Irenio Maia editing by Marcio Hashimoto and costumes by Luciana Buarque Colorist Sergio Pasqualino Regional artists coordinated by the artist Raimundo Rodriguez assisted with the art production Music by Antonio Madureira Quinteto Armorial and Marco Antonio Guimaraes Uakti The cast was the fruit of the director s extensive search for talent throughout the backcountry sertao of the Northeast The television debut of the actors Irandhir Santos and Mayana Neiva and the singer Renata Rosa among many others It was filmed in the town of Taperoa where Ariano Suassuna spent his childhood During the coaching process the team and cast attended lectures out in the sertao by the actress Fernanda Montenegro the psychoanalyst Carlos Byington and the writer himself Ariano Suassuna affirmed that Luiz Fernando Carvalho s recreation of his Romance d A Pedra do Reino resulted in an extraordinarily beautiful work that moved him as author and individual as a spectator 69 70 71 72 73 Quadrante Project Projeto Quadrante Edit Based on Stone of the Kingdom A Pedra do Reino 2007 the director set up the Quadrante Project with the intention of making a series of regional drama programs to rediscover the Brazilian imaginary through adaptations of literary texts of authors from each Brazilian state 74 Similarly local actors act out the texts The richness of the project lay in the discovery of regional talent authors actors composers artists in general The project recognized the human potential of each regional culture looking beyond the simplistic image of a postcard In addition to Stone of the Kingdom the Quadrante is made up of the mini series Capitu 2008 based on the book Dom Casmurro by Machado de Assis and Dois Irmaos 2017 by Milton Hatoum 75 Capitu Edit Main article Capitu In 2008 Luiz Fernando Carvalho directed and finalized the script for this adaptation of the book Dom Casmurro by Machado de Assis 76 The mini series was written by Euclydes Marinho in collaboration with Daniel Piza Luis Alberto de Abreu and Edna Palatnik Art direction by Raimundo Rodriguez photography by Adrian Teijido and costumes by Beth Filipecki Colorist Sergio Pasqualino It marked the TV debut of actors Leticia Persiles and Michel Melamed among others The mini series was filmed in the abandoned Automovel Clube building in downtown Rio de Janeiro and the whole scenographic universe was created from newspaper and recycled material The opening credits scene was conceived by the director and created by the designer Carlos Bela 77 The production is part of the Quadrante Project and was the director s tribute to Machado de Assis on the centenary of his death It received the APCA Associacao Paulista de Criticos de Arte Critic s Choice Award 2009 ABC Best Photography Award from the Associacao Brasileira de Cinematografia and the Creative Review award in the Best in Book and Design and Art Director categories In the opinion of critic Gustavo Bernardo the mini series deserves to be viewed and reviewed countless times at least because each fragment of a scene is precious for its beauty 78 According to theatre director Gabriel Villela Luiz Fernando Carvalho produces works of art on the screen calls on the viewer s vivacity so that he accepts nothing masticated but masticates along with Casmurro 79 For Randall Johnson director of the UCLA Latin American Institute Luiz Fernando Carvalho is today without doubt the director whose work is the most authorial of all TV and cinema production in Brazil 80 81 2010s EditAfter all what does a woman want Afinal O Que Querem as Mulheres Edit Main article pt Afinal o Que Querem as Mulheres In 2010 Luiz Fernando Carvalho created directed and wrote the mini series inspired by Sigmund Freud s famous question What does a woman want Joao Paulo Cuenca Cecilia Giannetti and Michel Melamed collaborated on the script As well as acting in the production Melamed created the opening sound track The direction of Photography Adrian Teijido costumes by Beth Filipecki and art direction by Raimundo Rodriguez The director launched actress Bruna Linzmeyer s career in this production Osmar Prado shared the part of Freud with a model animated by Cesar Coelho founder of the Anima Mundi festival using the stop motion technique The opening vignette features the work of German artist Olaf Hajek who also produced special illustrations for the mini series by invitation of the director 82 It received the ABC award Associacao Brasileira de Cinematografia for Best Photography According to columnist Patricia Kogut it is an oneiric journey a visual poem that blends realities full of references to times past to what has been experienced to what lingers in memory 83 84 Suburbia Edit Main article pt Suburbia In 2012 Luiz Fernando Carvalho inaugurated in TV drama a production in which all the protagonists are of African descent 85 86 The mini series created and written by the director in partnership with Paulo Lins counted on the collaboration of Adrian Teijido Photography Luciana Buarque Costumes Marcio Hashimoto Editing and Sergio Pasqualino Colorist It also marked the start of another research cycle in which the director focused on realist aesthetics which influenced the language as a whole but mainly in the choice of non actors for the main parts The nearly 40 actors launched in the mini series include artists of the groups Nos do Morro and Afroreggae 87 Erika Januza until then secretary of a school in the interior of Minas Gerais state was chosen to play the main character of the story Guest appearance by Fabricio Boliveira Rosa Marya Colin Haroldo Costa Maria Salvadora Paulo Tiefenthaler and Dani Ornellas among others In 2012 the Globo network took the series up again for a second season in 2013 due to its satisfactory audience ratings Later however the director Luiz Fernando Carvalho chose to cancel the new season In the opinion of anthropologist Luiz Eduardo Soares the work was a reconstructive reading of the carioca society producing a superb result 88 Ladies Mail Correio Feminino Edit Main article pt Correio Feminino A mini series in eight episodes created and directed by Luiz Fernando Carvalho based on women s journals written by Clarice Lispector in the 1950s and 1960s under the pseudonym Helen Palmer The visual language and narrative were based on 60s pop art and design 89 from the costumes to the lighting and set all filmed in a single lightbox which changed color according to the subjects addressed Adapted by Maria Camargo the series was shown in 2013 as part of the program Fantastico 90 with costumes by Thanara Schonardie and Luciana Buarque photography by Mikeas and edited by Marcio Hashimoto The actress Maria Fernanda Candido played Helen Palmer narrating all the episodes In the cast Luiza Brunet interpreted the mature woman and Alessandra Maestrini the young woman The adolescent is Cintia Dicker an international model whose acting career was launched in the mini series In the opinion of critic Patricia Kogut the series is inspired pleasant in good taste and unpretentious like Clarice s texts as Helen Palmer 91 Alexandre and Other Heroes Alexandre e Outros Herois Edit Main article pt Alexandre e Outros Herois programa de TV A 2013 telefilm with script by Luis Alberto de Abreu and Luiz Fernando Carvalho 92 based on two stories by the Alagoan writer Graciliano Ramos Luiz Fernando Carvalho s coaching and directing of the actors revealed a new code of interpretation to Marcelo Serrado and Ney Latorraca 93 94 as well as a harmony in the quality of the interpretations Direction of photography by Mickeas art direction by Raimundo Rodriguez and costumes by Luciana Buarque Incidental sound track by Tim Rescala Opening theme by the Pernambucan Siba The cast of the TV special a finalist in the 2014 International Emmy Awards 95 also included Flavio Bauraqui Flavio Rocha Marcelia Cartaxo and Luci Pereira 96 Critic Patricia Kogut considered the telefilm a miniature work of art on television 97 98 My Little Plot of Land Meu Pedacinho de Chao Edit Main article Meu Pedacinho de Chao This 2014 production marked the director s return to the telenovela format after 12 years of dedicating himself to mini series and more authorial projects 99 100 My Little Plot of Land Meu Pedacinho de Chao was written by Benedito Ruy Barbosa and directed by Luiz Fernando Carvalho with art production by Marco Cortez art work by Raimundo Rodriguez and costumes by Thanara Schonardie The critics praised various aspects from the harmony of the quality of acting to the editing direction costumes scenography and aesthetics inspired by Westerns and Japanese manga comics 101 102 103 104 105 Luiz Fernando Carvalho s direction of the actors revealed a new code of interpretation noted by the critics to actors such as Juliana Paes and Rodrigo Lombardi 106 The team s creative process and cast coaching to shape the aesthetics of My Little Plot of Land took place at TVLie known as Galpao which operated from 2013 to 2017 The space brought together all the creative teams and was conceived by Luiz Fernando Carvalho at Projac for collaborative project creation and talent training In addition to My Little Plot of Land Meu Pedacinho de Chao the works Female Messages Correio Feminino Alexander and Other Heroes Alexandre e Outros Herois Old River Velho Chico and The Brothers Dois Irmaos were created in the Galpao The whole process of creation and production of the novela in the Galpao is described by the journalist Melina Dalboni in the book Meu Pedacinho de Chao which has drawings sketches and photos by the director and the team published by Casa da Palavra 107 Sets and costumes were envisaged through the playful eye of childhood 108 and according to the columnist Patricia Kogut contributed to a beautiful invented universe far different from what we are used to seeing on TV 109 The houses were faced with recycled cans based on the work of artist Raimundo Rodriguez The costumes the subject of an exhibition mixed technological fabrics and plastic material 110 Cesar Coelho of the Anima Mundi Festival used stop motion and time lapse techniques for all the animation The novela received the APCA Associacao Paulista de Criticos de Arte Award for Best Actor Irandhir Santos Contigo Magazine Award for Best Child Actor Tomas Sampaio and Best Director the Extra television award for Best Costumes and Best Makeup Rubens Liborio and the Quem Magazine award for Best Actor Irandhir Santos Best Supporting Actor Johnny Massaro and Best Author Benedito Ruy Barbosa The critic Cristina Padiglione regards the novela as worthy of a standing ovation and in the opinion of Alexandra Moraes the images at first sight childish gain relevance with colors and effects of dramatic intent Good performances and the firm hand of the director give the plot meaning 111 112 Old River Velho Chico Edit Main article Velho Chico telenovela In 2016 Old River Velho Chico marked Luiz Fernando Carvalho s return to prime time 113 directing the novela written by Benedito Ruy Barbosa and Bruno Luperi which again carried the imprint of the new esthetic in TV drama 114 115 The novela was divided into two phases 116 with direction of photography by Alexandre Fructuoso and costumes by Thanara Schonardie Highlights were the photography 117 and acclaimed performances by the actors Antonio Fagundes Lucy Alves Domingos Montagner Lee Taylor Marcos Palmeira Chico Diaz Renato Goes Rodrigo Lombardi Dira Paes Irandhir Santos Fabiula Nascimento Julia Dalavia Cyria Coentro Barbara Reis Julio Machado Umberto Magnani Camila Pitanga Christiane Torloni Marcelo Serrado Gabriel Leone Giulia Buscaccio Mariene de Castro Gesio Amadeu Jose Dumont Marcelia Cartaxo and others 118 The cast was of a uniformity rarely seen in novelas resulting in countless awards for its actors including the APCA Associacao Paulista de Criticos de Arte Award for Best Actress for Selma Egrei and the Critics Choice Award for Domingos Montagner posthumous and the production also won Best Supporting Actress Selma Egrei Best Supporting Actor Irandhir Santos Best Breakthrough Actress Lucy Alves and Best Breakthrough Actor Lee Taylor 119 120 with Veja Rio s Carioca of the Year Award going to Luiz Fernando Carvalho for the renovated aesthetic of prime time television 121 The team s creative process and cast coaching lasted only three months and took place at TVlie Luiz Fernando Carvalho s collaborative creative space which operated at Projac between 2013 and 2017 and was known as Galpao 122 123 124 125 The first phase applauded by the critics marked the return of actor Rodrigo Santoro to the Globo fold 126 and revealed the hitherto undiscovered talent of Carol Castro 127 Tarcisio Meira in just two episodes put in an impressive performance as did actress Selma Egrei who took part in both phases of the novela 128 The cast was selected after an extensive search for actors from the Northeast and marked the debut in novelas of Lucy Alves Renato Goes Marina Nery Barbara Reis Diyo Coelho Xangai Veronica Cavalcanti Lee Taylor Zezita de Matos Mariene de Castro Yara Charry Raiza Alcantara Lucas Veloso Sueli Bispo and the comedian Batore 129 130 The last chapters of the novela pay tribute to the actor Domingos Montagner Santo who drowned in the Sao Francisco river two weeks before the end of the serial The character was maintained in the plot even after the actor s death through the language created by Luiz Fernando Carvalho in which a single subjective camera interpreted Santo s viewpoint so his presence was felt engaging with all the other characters to the end 131 132 133 The novela came under strong pressure from the Globo network s drama department calling for modifications to the text storyline and esthetics The director and the author Benedito Ruy Barbosa stood firm and refused to make the changes to Old River Velho Chico The in house crisis made the TV columns and was described as a form of public pressure on Luiz Fernando Carvalho According to the critic Mauricio Stycer Old River Velho Chico is a landmark in the recent history of Brazilian TV on account of its esthetic ambition and cultural relevance 134 According to Nilson Xavier the novela had incontestable technical and artistic quality from the direction to the photography sound track and the actors performances 135 136 137 138 It competed for the International Emmy Award for Best Telenovela of 2017 139 140 141 142 143 144 145 Lavoura Arcaica 15 years on Edit Tribute was paid to the film To the Left of the Father in 2017 15 years after it was made and on account of it being hailed as one of the most important Brazilian films of all time at the Rio International Film Festival 146 147 148 and the Sao Paulo International Film Festival 149 where a 35 mm copy was shown 150 151 152 153 As part of the tribute at the Rio International Film Festival artist Raimundo Rodriguez created an installation that went on show for a month at the Estacao Net Botafogo with memorabilia from the film reviews and the director s notebooks 154 For Ismail Xavier and Ilana Feldman Lavoura was born in 2001 emerging as a foreign body in the scenario of early 21st century Brazilian film marked by its realism and its direct confrontation with Brazilian social and urban issues 4 Two Brothers Dois Irmaos Edit Main article Dois Irmaos miniseries Screened in 2017 the mini series written by Maria Camargo based on the homonymous novel by Milton Hatoum was regarded by critics as another quality contribution to Brazilian television on account of the poetic style applied by the director to the adaptation of the novel 155 156 157 158 159 Direction of photography by Alexandre Fructuoso costumes by Thanara Schonardie scenography by Danielly Ramos Juliana Carneiro and Mariana Villas Boas art production by Marco Cortez and Myriam Mendes The production is part of the Quandrante Project and gained kudos with writer Milton Hatoum s television debut 160 According to the publishing house Companhia das Letras the book sales increased by some 500 after the start of the mini series 161 Careers launched in Two Brothers include actors Matheus Abreu Omar and Yaqub as an adolescent the indigenous Zahy Guajajara the india Domingas and the singer Bruna Caram Rania in the adult phase The Lebanese actor Mounir Maasri made a guest appearance in the mini series and was also responsible for the prosody stress patterns of the cast The quality of the acting of the whole cast was stressed by the critics and also on social media and reached the worldwide and Brazilian Trending Topics throughout the series Eliane Giardini and Juliana Paes as Zana Antonio Fagundes and Antonio Calloni as Halim and Caua Reymond and Matheus Abreu as the twins Omar and Yaqub It was filmed in 2015 but at the request of the Globo network the director agreed to make the novela Old River Velho Chico before he finished editing Dois Irmaos which was shown in January 2017 A number of innovative relevant points in the director s language were highlighted the relation between literature and the transposition into images 162 photography framing poetic language and sound track which included hits from various decades to contextualize the period in which the mini series was set In addition Luiz Fernando Carvalho inaugurated on TV the dialogue between the fictional scenes and images from the archives of Brazilian History with the research of historical material done by Raquel Couto According to the critic Mauricio Stycer in an article published in the Folha de S Paulo newspaper about Netflix s investment in Brazil the miniseries was a startling revelation to those who normally only have access to terrestrial channels in Brazil 163 For Luiz Zanin the miniseries was about Brazil and the thwarted ideal of a multi ethnic sensual and carefree nation An elegant delicacy served up to the public and which will leave it wanting more 164 Critic Carlos Alberto de Mattos wrote that what was seen in The Brothers Dois Irmaos was not a realistic reflection but an exuberant image a mythical saga a work of art 165 166 167 168 169 170 171 In February 2017 Luiz Fernando Carvalho left the Globo Network Rede Globo after 30 years of working for the TV station 172 173 In 2017 the director received the APCA Award for Two Brothers Dois Irmaos 174 175 the International Emmy Award for Best Telenovela Nomination for Old River Velho Chico and the Bravo Award Premio Bravo for Artist of the Year for his trajectory and esthetic renovation on television with Old River Velho Chico and Two Brothers Dois Irmaos and the 15th anniversary of the film To the Left of The Father Lavoura Arcaica 2020s EditThe Passion According to G H A Paixao Segundo G H Edit Main article The Passion According to G H film For the centennial of the birth of Clarice Lispector in 2020 Carvalho is releasing a film adaptation based on the homonymous novel by the Brazilian author 176 177 178 Is the second feature film by the filmmaker after the award winning To the Left of the Father Portuguese Lavoura Arcaica 2001 also a cinematographic version of a classic of Brazilian literature It was during the editing of Lavoura Arcaica that Luiz Fernando Carvalho had contact with G H central novel of Clarice Lispector s work The movie was entirely filmed in a penthouse of the neighbourhood of Copacabana Rio de Janeiro and presents Maria Fernanda Candido as the main character G H 179 Personal life EditHe was married to the artist Sandra Burgos with whom he has one son Theo Burgos Carvalho He was married to the actress Tereza Seiblitz with whom he has one son Vittorio born June 8 2001 He was married to the actress Leticia Persiles with whom he has one son Ariel Bibliography EditThe following books written by Luiz Fernando Carvalho are references for this article For the complete list of books about the director see Luiz Fernando Carvalho Bibliography Carvalho Luiz Fernando 2002 Sobre Lavour Arcaica O filme Atelie Editorial ISBN 9780815411833 Carvalho Luiz Fernando Abreu Luis Alberto 2006 Hoje e dia de Maria Roteiros da 1a e 2a jornadas Globo ISBN 9788525040985 Carvalho Luiz Fernando 2007 Pedra do Reino Estojo Ilustrado com 5 Cadernos de Filmagens Diario de Elenco e Equipe Globo ISBN 978 8525043375 Carvalho Luiz Fernando 2008 O processo de Capitu LeYa Casa da Palavra ISBN 978 8577341023 Carvalho Luiz Fernando 2008 Capitu c est moi Livro Quem e Capitu Nova Fronteira pp 17 20 ISBN 9788520920831 Carvalho Luiz Fernando Diniz Julio 2008 Capitu c est moi Machado de Assis 1908 2008 Contraponto pp 80 83 ISBN 978 85 7866 011 6 Carvalho Luiz Fernando Cuenca Joao Paulo Gianetti Cecilia Melamed Michel 2010 Afinal o que querem as mulheres LeYa ISBN 9788580440300 Carvalho Luiz Fernando Lins Paulo Franz Pedro 2012 Suburbia Aeroplano ISBN 9788578200916 Archived from the original on 2017 11 12 Retrieved 2017 05 16 Carvalho Luiz Fernando 2013 Meu Pedacinho de Chao LeYa Casa da Palavra ISBN 978 85 7734 525 0 Filmography EditCinema Year Title Credit Notes1986 The Waiting A Espera Director and Screenwriter Short film based on Roland Barthes s Fragments d un discours amoureux1998 May your eyes be blessed Que Teus Ohos Sejam Atendidos Director Documentary film2001 To the Left of the Father Lavoura Arcaica Director and Screenwriter Film based on the novel of Raduan Nassar2020 The Passion According to G H Director and Screenwriter Film based on the novel of Clarice LispectorTV Series Year Title Credit Notes1985 Grande Sertao Veredas Assistant director Based on Joao Guimaraes Rosa s Grande Sertao Veredas1990 Sweet River Riacho Doce Director Based on Jose Lins do Rego s novel2001 The Maias Os Maias Director Based on Eca de Queiroz s Os Maias2005 Today is Maria s Day Hoje E Dia de Maria Novelist Director and Screenwriter Based on Mario de Andrade Camara Cascudo and Silvio Romero s essay Co written with Luis Alberto de Abreu2005 Today is Maria s Day Second Journey Hoje e Dia de Maria Segunda Jornada Novelist Director and Screenwriter Based on Mario de Andrade Camara Cascudo and Silvio Romero s essay Co written with Luis Alberto de Abreu2007 Stone of the Kingdom A Pedra do Reino Director and Screenwriter Based on Ariano Suassuna s novel Co written with Braulio Tavares and Luis Alberto de Abreu2008 Capitu Director and Screenwriter Based on Machado de Assis s Dom Casmurro2010 After all what does a woman want Afinal O Que Querem as Mulheres Novelist Director and Screenwriter Influenced by Sigmund Freud s theory Co written with J P Cuenca and Michel Melamed2012 Suburbia Novelist Director and Screenwriter Co written with Paulo Lins2013 Ladies Mail Correio Feminino Novelist e Diretor From Clarice Lispector s chronicles2017 Two Brothers Dois Irmaos Director Based on Milton Hatoum s novelSoap Opera Year Title Credit Notes1987 Helena Director Based on the novel of Machado de Assis1987 Carmen Director Written by Gloria Perez1988 Vida Nova Director Written by Benedito Ruy Barbosa1989 Tieta Director Based on the novel of Jorge Amado1992 Stone on Stone Pedra sobre Pedra Director Written by Aguinaldo Silva1993 Rebirth Renascer Director Written by Benedito Ruy Barbosa1995 Irmaos Coragem Director Remake of Janete Clair s soap opera1998 The King of Catlle O Rei do Gado Director Written by Benedito Ruy Barbosa2002 Esperanca Director Written by Benedito Ruy Barbosa2014 My Little Plot of Land Meu Pedacinho de Chao Director Written by Benedito Ruy Barbosa2016 Old River Velho Chico Director Written by Benedito Ruy Barbosa e Bruno LuperiEspeciais para TV Year Title Credit Notes1990 Chitaozinho e Xororo Especial Director Musical Show1991 The Cangaceiro s Revenge Os Homens Querem Paz Director Television film1994 A Woman Clothed in Sun Uma Mulher Vestida de Sol Director Based on Ariano Suassuna s novel1995 The Farce of Pleasant Idleness A Farsa da Boa Preguica Director Based on Ariano Suassuna s novel2013 Alexandre and Others Heroes Alexandre e Outros Herois Diretor Based on Graciliano Ramos s short storiesReferences Edit Carter Eli Lee Luiz Fernando Carvalho An Auteur of Brazilian Television UCLA Electronic Theses and Dissertations 2013 Retrieved on 05 April 2017 a b Hugo Sukman 28 October 2001 Um cineasta que esta entrando para o clube dos poetas O Globo Retrieved 17 April 2017 Com Lavoura Arcaica Luiz Fernando Carvalho respeita uma tradicao que vai de Mario Peixoto a Ruy Guerra a b Daniel Piza 22 August 2001 Lavoura Arcaica estreia sabado no Canada Estado de S Paulo Retrieved 12 April 2017 Um parentesco com o estilo e a espiritualidade do cinema dos russos Tarkovski e Sokurov a b Ilana Feldman e Ismail Xavier 16 October 2016 Quinze anos depois filme Lavoura Arcaica ainda e corpo estranho Ilustrissima Folha de S Paulo Retrieved 12 April 2017 Luiz Fernando Carvalho talento made in Brasil La Nacion 11 May 2002 Retrieved on 05 April 2017 Maria Rita Kehl 1 October 2016 Velho Chico reinaugura um desejo de utopia O Globo Retrieved 12 April 2017 O Brasil de Benedito Ruy Barbosa e Luiz Fernando Carvalho e agreste E pobre remediado devastado e esperancoso Helcio Kovaleski 15 March 2016 Uma Novela Shakespearana neorrealista e barroca Le Monde Diplomatique Brasil Retrieved 13 April 2017 a b Marcelo Coelho 14 November 2001 Lavoura e os indicios de uma obra prima Folha de S Paulo Retrieved 12 April 2017 Lavoura Arcaica tem todas as razoes para ser excessivo barroco quase ostentatorio em sua riqueza estilistica O filme consegue traduzir visualmente toda a beleza literaria do livro de Raduan Nassar Ilana Feldman 21 January 2017 Dois Irmaos arqueologia da memoria alegoria da destruicao Revista Bravo Retrieved 12 April 2017 Na obra de Luiz Fernando Carvalho o barroco e um conceito norteador de uma pesquisa de linguagem busca conceitual pela brasilidade presente nos opostos nas contradicoes e nos contrastes deste pais a b Tiago Mata Machado 23 October 2001 Em Lavoura Arcaica Carvalho faz retrato do tempo FolhaOnline Retrieved 12 April 2017 a b Inacio Araujo 15 November 2001 Longa e excecao exemplar no cinema do pais Folha de S Paulo Retrieved 12 April 2017 Sylvie Debs 1 June 2008 Du gout du public selon Luiz Fernando Carvalho Cinemas d Amerique latine 16 74 86 doi 10 4000 cinelatino 2104 Retrieved 10 April 2020 Florence Colombani 9 July 2003 A la gauche du pere de Luiz Fernando Carvalho Le Monde Retrieved 10 April 2020 a b Tesse Jean Philippe Les pieds dans la terre Cahiers du Cinema July August 2003 Retrieved on 19 April 2017 Tesse Jean Philippe On peut aisement voir dans cette grande fresque charnelle la plus belle decouverte du cinema bresilien depuis Glauber Rocha au moins parce que Luiz Fernando Carvalho partage avec le realisateur de Antonio das mortes un gout pour la puissance du lyrisme Chronicart 6 July 2003 Retrieved on 19 April 2017 a b Montreal premia a pousada de Lavoura Arcaica Estadao 5 September 2001 Retrieved 17 April 2017 Hopewell John Luiz Fernando Carvalho The King of the Cattle returns with a rural romantic saga packing political overtones Variety 8 March 2016 Retrieved on 05 April 2017 Marilia Martins 6 November 1993 Renascer deu aula de direcao Jornal do Brasil Retrieved 14 April 2017 Carter Eli Lee Rereading Dom Casmurro aesthetic hybridity in Capitu University of Virginia 2014 Retrieved on 18 April 2017 Carter Eli Lee 2014 Afinal o Que Querem as Mulheres Luiz Fernando Carvalho s Metafictional Critique of Brazilian Television Fiction Journal of Latin American Cultural Studies 23 4 363 379 doi 10 1080 13569325 2014 958660 S2CID 191484906 Patricia Vilalba 11 November 2010 Freu Explica O Estado de S Paulo Retrieved 17 April 2017 Freud explica O processo de ensaios para filmar com Luiz Fernando e um dos diferenciais do diretor que o pos em posicao de sonho de consumo de qualquer ator comprometido com seu oficio Roger Lerina 12 January 2017 Dois Irmaos livro registra cenas da preparacao do elenco da minisserie Folha de S Paulo Retrieved 12 April 2017 Ubiratan Brasil 9 January 2017 Fotografo registra o intenso processo de ensaio da serie Dois Irmaos O Estado de S Paulo Retrieved 12 April 2017 Lista de vencedores do Festival de Gramado de 1986 FestivaldeGramado net Archived from the original on 15 April 2017 Retrieved 14 April 2017 Leticia Sabatella por Rodrigo Fonseca Mulheres do Cinema Brasileiro Retrieved 14 April 2017 Foi quando eu tomei contato com a existencia desse genio da direcao que e o Luiz Fernando a b c Aguinaldo Silva divulga lista das novelas com maior audiencia da historia Revista Quem 10 March 2009 Archived from the original on 2016 03 04 Retrieved 14 April 2017 Curiosidades do Auto de Nossa Senhora da Luz Memoria Globo Archived from the original on 15 April 2017 Retrieved 14 April 2017 Jacob de Souza Maria Carmen 2004 Telenovela e representacao social Benedito Ruy Barbosa e a representacao do popular na novela Renascer E papers p 219 ISBN 978 85 87922 90 8 Luiz Fernando Carvalho um dos mais expressivos representantes contemporaneos dessa tendencia autoral da direcao de telenovela fez de Renascer seu sucesso mais exemplar Ana Beatriz Brisola 2 June 1994 Renascer domina premiacao de criticos Folha de S Paulo Retrieved 17 April 2017 Oliveira Jose Bonifacio 2011 O Livro do Boni in Portuguese Sao Paulo Casa da Palavra ISBN 978 85 7734 226 6 Marcelo Migliaccio 9 March 1994 Ariano Suassuna prepare estreia na TV Folha de S Paulo Retrieved 10 April 2017 Helio Guimaraes 14 July 1994 Mulher Vestida de Sol desafia o padrao de realismo da Globo Folha de S Paulo Retrieved 14 April 2017 Rogerio Durst 7 December 1995 Uma sofisticada opcao popular O Globo Retrieved 17 April 2017 Natalia Borde 12 January 2015 Novela de forte cunho social O rei do gado de Benedito Ruy Barbosa volta ao ar nesta segunda Revista da TV OGlobo Retrieved 17 April 2017 Mauricio Stycer 19 February 2015 Diretor explica por que terceira reprise de Rei do Gado faz tanto sucesso UOL Retrieved 14 April 2017 Fernanda Reis 1 February 2015 Reprise de O Rei do Gado chega a bater novelas ineditas em audiencia Folha de S Paulo Retrieved 14 April 2017 Vidas com rumo Revista da Folha 20 October 1996 Retrieved 17 April 2017 Thais Arbex 16 December 2013 A televisao brasileira tem dado claros sinais de esgotamento de seu modelo Estado de S Paulo Retrieved 12 April 2017 Rei do Gado foi a primeira novela a abordar o conflito dos sem terra e a reforma agraria Premios de O Rei do Gado Memoria Globo Archived from the original on 28 March 2017 Retrieved 14 April 2017 Fernando de Barros e Silva 7 July 1996 O Rei do Gado engole o cinema nacional Folha de S Paulo Retrieved 12 April 2017 Cristina Padiglione 15 May 1997 O Rei do Gado ganha premios em festivais Folha de S Paulo Retrieved 14 April 2017 Mariana Scalzo 14 December 1997 Que Teus Olhos Sejam Atendidos estreia no GNT Retrieved 29 March 2017 Almir de Freitas Com Lavoura Arcaica Luiz Fernando Carvalho vence o desafio de levar a literatura de Raduan Nassar para o cinema Revista Bravo Archived from the original on 18 April 2017 Retrieved 17 April 2017 Jose Geraldo Couto 14 August 2005 Mergulho em Raduan Nassar conduz a pequena obra prima Folha de S Paulo Retrieved 14 April 2017 Luiz Fernando Carvalho 2002 Sobre Lavour Arcaica O filme Atelier Cultural ISBN 978 85 7480 140 7 Retrieved 17 April 2017 Luciano Trigo 28 October 2001 Uma colheita esplendida RioShow Retrieved 17 April 2017 Jose Geraldo Couto 24 September 2001 Filme radicaliza linguagem Ilustrada Folha de S Paulo Retrieved 17 April 2017 Daniel Piza 25 November 2001 Convulsoes O Estado de S Paulo Retrieved 17 April 2017 Diego Batle 11 May 2002 Luiz Fernando Carvalho talento made in Brasil La Nacion in Spanish Retrieved 12 April 2017 Andre Dib 27 November 2015 Abraccine organiza ranking dos 100 melhores filmes brasileiros abraccine org Retrieved 26 October 2016 16 Awards of the Montreal World Film Festival 2001 FFMMontreal org n d Retrieved 14 April 2017 Brasilia celebra Lavoura e Samba Folha de S Paulo 29 November 2001 Retrieved 14 April 2017 Lavoura ganha premios em Havana Folha de S Paulo 15 December 2001 Retrieved 14 April 2017 Lavoura Arcaica ganha Festival de Cartagena Folha de S Paulo 11 March 2002 Retrieved 14 April 2017 Ana Bianco 1 May 2002 Una metafora sobre los que no tienen lugar en la mesa social in Spanish Pagina 12 Retrieved 24 April 2017 Tardivo Renato Cury 2009 Porvir que vem antes de tudo uma leitura de lavoura arcaica literatura cinema e a unidade dos sentidos Universidade de Sao Paulo USP Carlos Alberto de Mattos 25 November 2001 Festival do Rio Lavoura Arcaica Estado de S Paulo Retrieved 17 April 2017 Jean Philippe Tesse 6 July 2003 Critique A La Gauche du Pere Chronicart in French Retrieved 19 April 2017 Critiques A La Gauche du Pere AlloCine in French Retrieved 19 April 2017 Didier Peron 9 July 2003 Pere de touts les vices Relecture saisissante d un monstre de la litterature bresilienne Liberacion in French Retrieved 22 May 2017 Elena Correa Linguagem poetica que remete a outra epoca Roteiro fiel e direcao inconfundivel em O Globo 11 de janeiro de 2001 Wajnman Solange 2011 Minisseries historicas e a comunicacao por objetos Notas sobre os figurinos e cenarios de Primo Basilio e Os Maias Universidade de Santa Maria UFSM Luis Fernando Verissimo 26 January 2001 Os Maias ObservatoriodaImprensa com br Retrieved 12 April 2017 Para Os Maias Carvalho escolheu um andamento que na musica seria chamado de andante majestoso que pode impacientar a geracao videoclipe mas esta perfeito e era o ritmo preferido de Lean e Visconti Hoje e Dia de Maria segunda jornada e uma joia lapidada com meticulosidade por um artista barroco que nao tem medo de abracar o excesso de referencias universais e regionais para recriar a realidade brasileira com rigor e paixao in Correio Braziliense 15 October 2005 Valmir Santos 9 January 2005 Carvalho invoca a cultura popular em microsserie Folha de S Paulo Retrieved 17 April 2017 Diretor associa Hoje E Dia de Maria a uma busca pela identidade brasileira Atriz mirim de Hoje e Dia de Maria e indicada ao Emmy Folha Online 21 October 2005 Retrieved 12 April 2017 Marilia Martins 9 October 2005 Em Busca da nossa infancia brasileira Revista OGlobo Retrieved 17 April 2017 As imagens de Hoje e Dia de Maria sao raras Tudo escapa ao padrao global e ficcao que tem coragem de se revelar como ficcao e uma TV que tem a ousadia de buscar nas origens do cinema a reinvencao da linguagem Nilson Xavier Hoje e Dia de Maria Site Teledramaturgia Retrieved 12 April 2017 Ilana Felman A Pedra do Reino A opera mundi de Luiz Fernando Carvalho Revista Cinetica Retrieved 12 April 2017 Ricardo Calil 6 June 2007 Triunfo da Imaginacao iG Retrieved 12 April 2017 A Pedra do Reino segue mesmo a logica dos sonhos com delirios visuais de intenso brilho e elipses de tempo com desorientacoes espaciais e suspensoes de sentido Rodrigo Fonseca 16 June 2007 critica da microsserie A Pedra do Reino O Globo Retrieved 12 April 2017 A Pedra do Reino eleva a enesima potencia um questionamento autoral onipresente nas historias de Carvalho desde que rodou Os homens querem paz um especial exibido em 1991 Andreia Rocha 24 July 2014 Diretor de A Pedra do Reino adaptara Fernando e Isaura para a TV UOL Retrieved 17 April 2017 Claudio Leal 11 November 2017 Nova Fronteira lanca dois volumes de obra postuma de Ariano Suassuna Folha de S Paulo Retrieved 20 November 2017 Portando nomes reais ou acrescidos de sobrenomes ficcionais amigos surgem em epigrafes e sao incorporados pelo escritor como personagens dos dialogos sobre a cultura brasileira e seu projeto literario As atrizes Inez Viana e Marieta Severo os diretores Aderbal Freire Filho e Luiz Fernando Carvalho os poetas Jose Laurenio de Melo e Adelia Prado se situam entre esses interlocutores de Dom Pantero na Autobiografia Musical Dancarina Poetica Teatral e Video CinematoGrafica Esther Hamburguer 17 December 2006 Sertao e semente de A Pedra do Reino Revista Cult Retrieved 14 April 2017 Andre Santana 9 January 2017 Dois Irmaos retoma antigo projeto artistico de Luiz Fernando Carvalho e tem primeiro capitulo deslumbrante Observatorio da Televisao Retrieved 12 April 2017 Carter Eli Lee 2014 Rereading Dom Casmurro aesthetic hybridity in Capitu University of Virginia Carlos Bela Abertura de Capitu Retrieved 17 April 2017 via Vimeo Gustavo Bernardo 9 December 2009 A Capitu de Luiz Fernando Carvalho O Globo Retrieved 12 April 2017 Gabriel Villela 8 August 2009 Capitu traduz para TV modo de narrar de Machado de Assis Folha de S Paulo Retrieved 12 April 2017 Marilia Martins 24 May 2009 Curso na Universidade da California debate obra de Luiz Fernando Carvalho Revista da TV OGlobo Retrieved 17 April 2017 Renato Felix 27 August 2009 Entrevistas Luiz Fernando Carvalho Blog do Renato Felix Retrieved 17 April 2017 Trata se um ensaio sobre a duvida Nao absolvo Capitu e nao a condeno Alexandre Romano Abertura da minisserie Afinal o que querem as mulheres Retrieved 17 April 2017 via Vimeo Patricia Kogut 13 November 2010 Critica Afinal o que querem as Mulheres O Globo Retrieved 14 April 2017 Carter Eli Lee 2014 Afinal o Que Querem as Mulheres Luiz Fernando Carvalho s Metafictional Critique of Brazilian Television Fiction Journal of Latin American Cultural Studies 23 4 363 379 doi 10 1080 13569325 2014 958660 S2CID 191484906 Mauricio Stycer 1 November 2011 Seriado olha com realismo mas carinho para a dura vida no suburbio UOL Retrieved 14 April 2017 Luiz Zanin 3 November 2012 Suburbia uma entrevista com Luiz Fernando Carvalho Estadao Retrieved 14 April 2017 Patricia Kogut 3 December 2012 Naturalidade e ausencia de pose o mundo de Suburbia O Globo Retrieved 24 April 2017 Luiz Eduardo Soares 15 November 2011 Luiz Eduardo Soares escreve sobre a intensidade da forma em Suburbia O Globo Retrieved 14 April 2017 Rodrigo Fonseca 16 October 2013 Quero um novo ciclo na TV diz Luiz Fernando Carvalho O Globo Retrieved 14 April 2017 Zean Bravo 27 October 2013 Luiz Fernando Carvalho dirige serie Correio Feminino estreia deste domingo do Fantastico O Globo Retrieved 14 April 2017 Patricia Kogut 5 November 2013 Correio feminino faz leitura inspirada de Clarice Lispector O Globo Retrieved 14 April 2017 Luiz Fernando Carvalho 14 December 2013 A consciencia dos sonhos Diretor de Alexandre e outros herois especial de TV baseado nas historias infantojuvenis de Graciliano Ramos examina dimensoes mitica utopica e humana na obra do alagoano O Globo Retrieved 17 April 2017 Roberta Pennafort 16 December 2013 Ney Latorraca e destaque em Alexandre e Outros Herois A Tarde Retrieved 10 April 2017 Gislaine Gutierre 10 December 2013 Ney Latorraca renasce em especial na TV Alexandre e Outros Herois Folha Online Retrieved 17 April 2017 Ele Luiz Fernando Carvalho me tirou totalmente da zona de conforto Nilton Carauta 14 October 2014 Alexandre e Outros Herois e finalista do Emmy Internacional Revista da TV Retrieved 10 April 2017 Raphael Scire 19 December 2013 Direcao seca faz a qualidade tecnica de Alexandre e Outros Herois Noticias da TV Retrieved 10 April 2017 Patricia Kogut 20 December 2013 Alexandre e outros herois uma pequena obra prima na Globo O Globo Retrieved 10 April 2017 Trata se de uma viagem horizontal pela cultura popular sem o olhar estrangeiro ou a entronizacao daquilo que e simples Essa e uma das maiores virtudes do programa adaptado por Luis Alberto de Abreu e com a clarissima assinatura de Luiz Fernando Carvalho Nao vimos a alta cultura caindo na tentacao popularizante e sim uma producao abertamente popular e ao mesmo tempo elegante e requintada com ambicao artistica e dona de um universo estetico proprio original Mauricio Stycer 25 December 2013 Luiz Fernando Carvalho lembra que ha lugar para Graciliano Ramos na TV UOL Retrieved 17 April 2017 Sylvia Colombo 27 April 2014 Luiz Fernando Carvalho critica novelas tradicionais e cruza conto de fadas e HQ Serafina Retrieved 17 April 2017 Mauricio Stycer 31 July 2014 E preciso renovar mais e copiar menos diz diretor de Meu Pedacinho UOL Retrieved 17 April 2017 Vanessa Scalei 31 July 2014 Meu Pedacinho de Chao A Estetica que deu certo Zero Hora Retrieved 17 April 2017 Mauricio Stycer 1 August 2014 Meu Pedacinho do Chao fugiu do obvio e surpreendeu UOL Retrieved 17 April 2017 Raphael Scire 30 July 2014 Cinco motivos para tornar Meu Pedacinho de Chao inesquecivel UOL Retrieved 17 April 2017 Patricia Kogut 27 May 2014 Meu Pedacinho de Chao dissolve duvidas na estreia O Globo Retrieved 17 April 2017 Meu Pedacinho de Chao e uma das grandes producoes da nossa TV Segue linda artesanal dentro do possivel e e carregada principalmente por sua historia Dentro daquele ambiente onirico e lirico ha dramas e conflitos serios Eles capturam a atencao do publico com forca E a beleza dos cenarios e figurinos nao dissimula nem diminui esses recados Cristina Padiglione 21 July 2014 Meu Pedacinho de Chao nao se acomoda e faz nevar no Rio Estadao Retrieved 17 April 2017 Patricia Kogut 9 April 2014 Meu Pedacinho de Chao estreia com marca do diretor O Globo Retrieved 17 April 2017 Meu Pedacinho de Chao estreia com marca do diretor Juliana Paes madura exuberante respondeu bem a mao forte da direcao Mostrou que avancou um passo na sua trajetoria de atriz Mauricio Stycer 13 February 2015 Livro prolonga experiencia dos fas do Meu Pedacinho de Chao UOL Retrieved 17 April 2017 Natalia Castro 26 June 2014 Conheca detalhes da criacao de Meu pedacinho de chao trama com universo onirico e ar de fabula Revista da TV Retrieved 17 April 2017 Patricia Kogut 31 July 2014 Critica Meu Pedacinho de Chao deixara sua marca na historia da TV O Globo Retrieved 17 April 2017 Exposicao exibe figurinos de Meu Pedacinho do Chao G1 27 December 2014 Retrieved 17 April 2017 Cristina Padiglione 9 April 2014 Isso nao e um pedacinho de chao e um latifundio Estadao Retrieved 17 April 2017 Alexandra Moraes 9 April 2014 Critica Cores e filtros reforcam trama em Meu Pedacinho de Chao Ilustrada Folha de S Paulo Retrieved 17 April 2017 Patricia Kogut 30 September 2016 Velho Chico folhetim classico mas com muita renovacao O Globo Retrieved 17 April 2017 Velho Chico como outras obras de Carvalho provou que a industria cultural da televisao tambem pode ter ares de artesanato Nao e pouco Rodrigo Fonseca 14 March 2016 Stanley Kubrick da TV brasileira diretor Luiz Fernando Carvalho fala sobre a novela Omelete com br Retrieved 12 April 2017 Ligia Mesquita 31 January 2016 A maior funcao da televisao e criar cidadaos diz Luiz Fernando Carvalho Folha de S Paulo Ilustrada Retrieved 24 February 2016 Patricia Kogut 15 June 2016 Velho Chico tem cenas para amarrar o presente e o passado O Globo Retrieved 12 April 2017 Luis Carlos Merten 25 July 2016 Diretor Luiz Fernando Carvalho fala sobre a fotografia peculiar da novela Velho Chico Estado de S Paulo Retrieved 12 April 2017 Luiz Fernando Carvalho e a fotografia viscontiana da novela Velho Chico Patricia Kogut 29 December 2016 Quem fez a festa dos telespectadores em 2016 O Globo Retrieved 17 April 2017 Velho Chico trouxe um vento novo para a faixa das 21h Entre os destaques desse elenco estiveram novatos e veteranos numa mistura de atores que encantou o publico Domingos Montagner tragicamente morto perto da locacao impressionou mais uma vez como o Santo Marcos Palmeira esteve no melhor papel da sua carreira Antonio Fagundes depois de ajustes no personagem fez um coronel grandioso Chico Diaz Lucy Alves Fabiula Nascimento Zezita Matos Christiane Torloni Julia Dalavia Renato Goes e tantos outros brilharam Cristina Padiglione 30 November 2016 Velho Chico Justica Selma Egrei e Marco Ricca sao premiados na APCA Telepadi Retrieved 17 April 2017 Aquarius Velho Chico Rita Lee e Montagner levam premios da APCA Folha Online 30 November 2016 Retrieved 17 April 2017 Sofia Cerqueira 10 December 2016 Luiz Fernando Carvalho cria uma nova estetica para o horario nobre Veja Rio Retrieved 17 April 2017 Tomas Biagi Carvalho Amarello Visita Luiz Fernando Carvalho Amarello Retrieved 14 April 2017 Para preparar os atores de seus projetos construiu um galpao uma mistura de circo com escola de samba mambembe feito de material reciclado e resto de cenario uma celula criativa dentro dos Estudios Globo Ligia Mesquita 28 February 2016 Atores de Velho Chico fazem experiencias em galpao Serafina Retrieved 17 April 2017 Os personagens de todo o elenco da saga familiar escrita por Benedito Ruy Barbosa eram gestados em um espaco coletivo de experimentacao idealizado pelo diretor Luiz Fernando Carvalho Patricia Kogut 16 March 2016 Lindo capitulo marca a volta do Brasil rural a TV O Globo Retrieved 20 November 2017 A estreia de Velho Chico teve mesmo o selo autoral do seu diretor Luiz Fernando Carvalho Patricia Kogut 18 March 2016 Velho Chico e o Brasil real e o da fantasia O Globo Retrieved 20 November 2017 Velho Chico de alguma forma trouxe a fabula de volta ao horario nobre Mas a realizacao de Luiz Fernando Carvalho faz sonhar E a historia de Benedito Ruy Barbosa tem muitas chances de agradar com essa mistura de realidade arida com estetizacao Patricia Kogut 28 October 2015 Rodrigo Santoro volta as novelas O Globo Retrieved 17 April 2017 Marcia Pereira 16 March 2016 Sensacao de Velho Chico Carol Castro teve de fazer teste chorando Noticias da TV Retrieved 12 April 2017 Roberto Midlej 7 August 2016 Selma Egrei se destaca em Velho Chico com a sofrida e poderosa Encarnacao Correio Popular Retrieved 17 April 2017 Zean Bravo 28 February 2016 Velho Chico tera 60 do elenco composto por atores nordestinos Revista da TV Retrieved 17 April 2017 Cristina Padiglione 2015 Diretor procura atores por todo o pais para a novela das 9 Estadao Retrieved 17 April 2017 Marcia Carolina Maia 27 September 2016 Camera subjetiva solucao de Velho Chico para Santo e linda Veja Retrieved 12 April 2017 Mauricio Stycer 30 September 2016 Critica Obrigado Velho Chico UOL Retrieved 12 April 2017 Patricia Kogut 28 September 2016 A Presenca incorporea de Domingos Montagner em Velho Chico O Globo Retrieved 20 November 2017 Nem duble nem truques rasteiros Vitima de uma tragedia que entristeceu o Brasil e mais ainda a equipe de Velho Chico Domingos Montagner estava na novela anteontem Luiz Fernando Carvalho recorreu a uma camera subjetiva para trazer a presenca incorporea do ator a quase todas as sequencias Era claro um recurso tecnico Porem qualquer carater racional foi plenamente absorvido pela dramaturgia e dissolvido pela emocao visivel que dominou o elenco e alcancou o publico Carvalho chegou perto de fronteiras perigosas e acertou muito mesmo Mauricio Stycer 1 October 2016 Velho Chico marcou pela ambicao estetica e a relevancia cultural Folha de S Paulo Retrieved 12 April 2017 Nilson Xavier 30 September 2016 O maior merito de Velho Chico foi provocar e estimular o publico UOL Retrieved 17 April 2017 E de Boni Jose Bonifacio de Oliveira Sobrinho a frase A televisao deve andar sempre um passo a frente do publico Velho Chico foi um bom exemplo Carla Bittencourt 30 September 2016 Critica de Velho Chico tintas fortes do inicio ao fim Extra Retrieved 17 April 2017 Velho Chico sempre foi uma novela de atuacoes e cenas memoraveis Tudo muito denso pintado com tintas mais fortes do que o telespectador esta acostumado a ver nesse horario Essas caracteristicas garantiram a trama seu lugar na historia da teledramaturgia Andre Santana 30 September 2016 Final de Velho Chico emociona com brilhante atuacao de Antonio Fagundes Observatorio de Televisao Retrieved 17 April 2017 Luis Fernando Verissimo 1 May 2016 Noveleiro O Globo Archived from the original on 1 December 2017 Retrieved 20 November 2017 Eu ja tentava ver tudo o que Luiz Fernando Carvalho fazia e nao apenas por solidariedade de xara O que ele esta fazendo no Velho Chico ultrapassa tudo o que ja fez na TV com a possivel excecao de Os Maias Ele e incapaz de um enquadramento que nao seja perfeito e teve tambem o talento de escolher um elenco perfeito Nominees Categories Iemmys tv Retrieved 20 November 2017 Stewart Clarke 27 September 2017 Kenneth Branagh Anna Friel Receive International Emmy Nominations Variety Retrieved 20 November 2017 Kate Samuelson 13 July 2017 Here Are the 2017 Emmy Nominations Time Retrieved 20 November 2017 Velho Chico e Justica concorrem ao Emmy Internacional Revista da TV O Globo 27 September 2017 Retrieved 20 November 2017 Justica Ta no ar Velho Chico Totalmente Demais e Alemao concorrem ao Emmy Internacional GShow 27 September 2017 Retrieved 20 November 2017 A contradicao de Velho Chico novela e finalista ao Emmy mas nao cabe no catalogo de vendas internacionais Telepadi 27 September 2017 Retrieved 20 November 2017 E quase uma contradicao que o enredo nao tenha apelo internacional e que inscrito no Emmy Internacional na categoria de novelas esteja entre os cinco finalistas Patricia Kogut 14 November 2017 Rodrigo Santoro participara do Emmy com equipe do Velho Chico O Globo Retrieved 20 November 2017 Luiz Fernando Carvalho convidado pela Globo nao podera ir esta filmando em Sao Paulo Rodrigo Fonseca 23 September 2016 Lavoura Arcaica renasce 15 anos apos sua estreia no Festival do Rio Estado de S Paulo Retrieved 12 April 2017 Um monumento cinematografico de nossa Retomada Cleo Guimaraes 15 October 2016 Exibicao de Lavoura Arcaica em pelicula faz a felicidade dos nostalgicos no Festival do Rio Gente Boa OGlobo Retrieved 20 April 2017 Para Selton Mello que interpreta o protagonista Andre Foi uma aventura emocional radical que me tirou o chao e me fez renascer Esse filme me deu coragem e a verdadeira dimensao da minha profissao Luis Carlos Merten 12 October 2016 Lavoura Arcaica e homenageado no Festival do Rio Estadao Retrieved 20 April 2017 Luiz Zanin 10 November 2016 Lavoura Arcaica com presenca de Raduan Nassar poe fim a Mostra Estado de S Paulo Retrieved 23 February 2017 Eric Campi e Paulo Henrique Pompermaier Lavoura Arcaica e a utopia por um mundo melhor Revista Cult Retrieved 14 April 2017 Almir de Freitas 13 October 2016 Lavoura Arcaica 15 anos depois Revista Bravo Retrieved 23 February 2017 Rodrigo Fonseca 26 June 2016 Lavoura Arcaica completa 15 anos e segue arrebatador O Estado de S Paulo Retrieved 23 February 2017 Suzana Velasco 15 October 2016 Quinze anos apos a estreia Lavoura Arcaica dialoga com discussoes atuais O Globo Retrieved 20 April 2017 Lavoura Arcaica ganha exibicao e instalacao de Raimundo Rodriguez PoltronaPop 23 September 2016 Retrieved 20 April 2017 Monalisa Marques 13 March 2017 Duas adaptacoes para Dois Irmaos Entrevista com Milton Hatoum Literasutra Archived from the original on 21 April 2017 Retrieved 20 April 2017 Patricia Kogut 8 January 2017 Dois Irmaos e um trabalho para ser louvado uma grande contribuicao de Carvalho para a televisao brasileira O Globo Retrieved 23 February 2017 Vera Ceccarello 12 January 2017 Luiz Fernando Carvalho conseguiu transformar a prosa de Hatoum em poesia OperaMundi Retrieved 20 April 2017 Edianez Parente 13 January 2017 A teatralidade que faz de Dois Irmaos uma obra prima da televisao The Huffington Post Retrieved 20 April 2017 Rodrigo Fonseca 13 January 2017 Dois Irmaos e a versao amazonica de Caim e Abel Estadao Retrieved 20 April 2017 Pontuada por frases quase filosoficas sobre a fala por vezes gaga do Tempo outro muso de Carvalho a versao de Maria Camargo para o romance de Hatoum deixa transbordante para o olhar quase teologico do aclamado diretor uma dimensao biblica de fraternidade em furia cindida na ponta da faca do ressentimento Rita Cipriano 4 November 2017 Milton Hatoum O Brasil e o romance da desilusao Observador Retrieved 20 November 2017 Milton Hatoum O Luiz Fernando Carvalho e um dos grandes diretores brasileiros Dirigiu a adaptacao de Lavoura Arcaica do Raduan Nassar e novelas importantes A linguagem dele e muito inovadora Nao e aquele pastelao aquele soap opera previsivel Ele trabalha com uma linguagem muito criativa e pensa em tudo nos figurinos na luz em cada detalhe E impressionante Dois Irmaos minisserie aumenta vendas do livro em mais de 500 iG 18 January 2017 Retrieved 23 February 2017 Almir de Freitas 18 January 2017 A Linguagem como Sonho Revista Bravo Retrieved 23 February 2017 Mauricio Stycer 21 January 2017 Dois Irmaos e de uma qualidade espantosa para quem tem acesso apenas a TV aberta no Brasil Folha de S Paulo Retrieved 23 February 2017 Luiz Zanin 21 January 2017 O Som e a Furia de Dois Irmaos Estadao Retrieved 20 April 2017 Uma historia bem contada fala de si mesma e tambem de outras coisas Esta nos falou do Brasil de sua utopia frustrada de nacao multietnica sensual e feliz Um fino biscoito oferecido ao publico e que vai deixar saudades Carlos Alberto Mattos 9 January 2017 Arquetipos e epifanias em Dois Irmaos Rastros de Carmattos Retrieved 20 April 2017 Nilson Xavier 9 January 2017 Dois Irmaos transmite em belas imagens um crescente clima de tragedia UOL Retrieved 20 April 2017 A minisserie tem a assinatura de Luiz Fernando Carvalho o que ja sabemos significa esmero na estetica fotografia tomadas trilha sonora e direcao de atores Quem conhece a obra de Luiz Fernando Carvalho sabe que cada producao sua e unica mesmo dentro de seu estilo caracteristico de direcao Christiane Passafaro Guzzi 13 January 2017 A lavoura amazonense de Luiz Fernando Carvalho Revista Caju Retrieved 20 April 2017 O que parece diferenciar Carvalho e o estabelecimento de um estudo aprofundado da obra da critica da tradicao e principalmente das reverberacoes que a producao dos escritores selecionados produzem no cenario ficcional permanent dead link Cristina Padiglione 6 January 2017 Dois Irmaos em duas palavras nao perca Retrieved 23 February 2017 Meire Kusumoto 9 January 2017 Carvalho volta a exibir seu estilo teatral sensivel e poetico na adaptacao Veja Retrieved 23 February 2017 Andre Santana 21 January 2017 Intensa e inquietante Dois Irmaos fisga o publico a critica e prova que nao e preciso ritmo frenetico para fazer sucesso Observatorio de Televisao Retrieved 20 April 2017 Juliana Domingos de Lima 12 January 2017 Dois irmaos e sobre o colapso de uma familia Mas tambem de um projeto de pais Nexo Jornal Retrieved 20 April 2017 A adaptacao de Dois irmaos na verdade uma transposicao ou transcricao para o audiovisual oferece ao espectador brasileiro a possibilidade de alguns encontros fundamentais encontro com cinquenta anos de historia do pais com uma enorme diversidade humana e cultural com uma forma expressiva que investe na sensibilidade e inteligencia do espectador por fim o encontro com um projeto de pais que se insinuava durante a Belle Epoque amazonica mas cuja promessa de futuro e posta abaixo pela ditadura civil militar e sua ideia destrutiva de progresso E importante perceber que enquanto a literatura brasileira ganha relevancia e contundencia ao migrar para a TV a propria TV ganha tambem enorme prestigio artistico ao valorizar um produto literario nacional ainda mais sob a marca e o estilo barroco marcado pelo acumulo de elementos e alta intensidade do Luiz Fernando Carvalho Ilana Feldman Um diretor fora da curva Telepadi 24 February 2017 Retrieved 28 February 2017 Maria da Paz Trefaut 24 March 2017 Um diretor fora da curva Valor Economico Retrieved 20 November 2017 Luiz Fernando Carvalho construiu uma aura intelectual ao seu redor uma imagem de profissional autoral que nao se apega a convencoes APCA escolhe os melhores de 2017 Folha de S Paulo 11 December 2017 Retrieved 3 January 2018 Juliana Paes e a Forca do Querer ganham premio da Associacao Paulista de Criticos de Artes APCA veja a lista G1 12 December 2017 Retrieved 3 January 2018 Guilherme Genestreti 28 November 2018 Apos Lavoura Arcaica Luiz Fernando Carvalho adapta obra de Clarice Folha de S Paulo Retrieved 30 January 2020 Alessandro Giannini 6 December 2017 Luiz Fernando Carvalho retoma carreira como diretor de cinema em SP O Globo Retrieved 29 January 2020 Celia Musilli 11 January 2020 Iluminacoes e Assombros Literarios Folha de Londrina Retrieved 30 January 2020 Alessandro Giannini 6 December 2017 Maria Fernanda Candido estara em versao para cinema de A Paixao Segundo G H O Globo Retrieved 29 January 2020 Tenho uma afinidade grande com o Luiz Esse aprofundamento que ele propoe e fundamental para realizarmos e desenvolvermos um trabalho Gosto de como ele leva tudo isso e como propoe o laboratorio External links EditLuiz Fernando Carvalho Official website in Portuguese Luiz Fernando Carvalho at IMDb To The Left of The Father Mostra de Cinema de SP A La Gauche du Pere Comme au Cinema in French A La Gauche du Pere AlloCine in French Luiz Fernando Carvalho Enciclopedia Itau Cultural in Portuguese Luiz Fernando Carvalho Estadao in Portuguese Luiz Fernando Carvalho Atelie Editorial in Portuguese Luiz Fernando Carvalho Mostra de Cinema de SP in Portuguese Luiz Fernando Carvalho Filme B in Portuguese Luiz Fernando Carvalho Adoro Cinema in Portuguese Lavoura Arcaica Festival do Rio in Portuguese Luiz Fernando Carvalho no Twitter in Portuguese Luiz Fernando Carvalho no Facebook in Portuguese Retrieved from https en wikipedia org w index php title Luiz Fernando Carvalho amp oldid 1116167536, wikipedia, wiki, book, books, library,

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