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Louis Gaulard Dumesny

Dumesnil (also known as Louis Gaulard Dumesny) (fl. 1677-1700 – 1702) was a French operatic tenor.[1] His surname is sometimes found spelt Duménil, Dumény, du Mény, or Du Mesny.

Little is known about Dumesnil's early life; legend has it that he was working as a cook when Jean-Baptiste Lully heard him singing and was impressed by his natural and well focused voice, his vocal range was then known as haute-contre.

He made his stage debut in 1677,[2] singing a small part in Isis, and then went on creating all roles within his range in a series of operas by Lully. After Lully's death he created several other roles in operas by different composers, notably Pascal Collasse, Marc-Antoine Charpentier, André Campra, and André Cardinal Destouches.

An excellent actor with a powerful voice, he seemed to have learned all his roles by memory as he did not know how to read music. Reputed as a libertine, and for his dispute with La Maupin.

Roles created edit

References edit

  1. ^ Weller, Philip (1992), 'Dumesnil' in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) ISBN 0-333-73432-7
  2. ^ In fact, Dumesny (spelt Du Mesnil) is already cited as a member of the chorus performing the Hours of the Day, in the 1676 libretto of Lully's Atys (accessible for free online at Gallica - B.N.F.).

louis, gaulard, dumesny, dumesnil, also, known, 1677, 1700, 1702, french, operatic, tenor, surname, sometimes, found, spelt, duménil, dumény, mény, mesny, little, known, about, dumesnil, early, life, legend, that, working, cook, when, jean, baptiste, lully, he. Dumesnil also known as Louis Gaulard Dumesny fl 1677 1700 1702 was a French operatic tenor 1 His surname is sometimes found spelt Dumenil Dumeny du Meny or Du Mesny Little is known about Dumesnil s early life legend has it that he was working as a cook when Jean Baptiste Lully heard him singing and was impressed by his natural and well focused voice his vocal range was then known as haute contre He made his stage debut in 1677 2 singing a small part in Isis and then went on creating all roles within his range in a series of operas by Lully After Lully s death he created several other roles in operas by different composers notably Pascal Collasse Marc Antoine Charpentier Andre Campra and Andre Cardinal Destouches An excellent actor with a powerful voice he seemed to have learned all his roles by memory as he did not know how to read music Reputed as a libertine and for his dispute with La Maupin Roles created edit1682 The title role in Persee by Lully 1684 The title role in Amadis by Lully 1686 Renaud in Armide by Lully 1686 Acis in Acis et Galatee by Lully 1687 Achille in Achille et Polyxene by Lully and Collasse 1689 Pelee in Thetis et Pelee by Collasse 1690 Enee in Enee et Lavinie by Collasse 1693 Enee in Didon by Henri Desmarets 1693 Jason in Medee by Marc Antoine Charpentier 1697 Octavio in L Europe galante by Andre Campra 1697 Philemon in Isse by Destouches 1697 Adonis in Venus et Adonis by Henri Desmarets 1699 in Amadis de Grece by DestouchesReferences edit Weller Philip 1992 Dumesnil in The New Grove Dictionary of Opera ed Stanley Sadie London ISBN 0 333 73432 7 In fact Dumesny spelt Du Mesnil is already cited as a member of the chorus performing the Hours of the Day in the 1676 libretto of Lully s Atys accessible for free online at Gallica B N F Weller Philip 1992 Dumesnil in The New Grove Dictionary of Opera ed Stanley Sadie London ISBN 0 333 73432 7 Le guide de l opera les indispensables de la musique R Mancini amp J J Rouvereux Fayard 1986 ISBN 2 213 01563 5 Retrieved from https en wikipedia org w index php title Louis Gaulard Dumesny amp oldid 1211913587, wikipedia, wiki, book, books, library,

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