New Orleans blues is a subgenre of blues that developed in and around the city of New Orleans, influenced by jazz and Caribbean music. It is dominated by piano and saxophone, but also produced guitar bluesmen.
As a style, New Orleans blues is primarily driven by piano and French horn, enlivened by Caribbean rhythms and Dixieland music. It is generally cheerful in delivery regardless of the subject, with a laidback tempo and complex rhythms falling just behind the beat. Vocals range from laidback crooning to full-throated gospel shouting.[1]
Historyedit
A French horn, one of the important instruments in blues music
New Orleans is generally credited as the birthplace of jazz music, but has attracted less attention as a center of the blues. The 12-bar blues were well known in the city before most of the rest of the country. Buddy Bolden's band was remembered at excelling on playing blues before 1906. Anthony Maggio's "I Got the Blues" was an early example of published blues sheet music from 1908. The Original Dixieland Jass Band's "Livery Stable Blues", generally considered the first jazz record, is in a fast blues form.[citation needed][opinion]
Although New Orleans has drawn to it and produced fewer blues musicians than other major US urban centers with large African-American populations, it has been the center of a distinctive form of blues music, which has been pursued by some notable musicians and produced important recordings,[2] such as Professor Longhair and Guitar Slim, who both had regional, R&B and even mainstream chart hits.[citation needed]
In the period after World War II, a very large number of recordings were produced in the city that were informed by the blues, but had strong R&B and pop influences that anticipated rock and roll and are difficult to classify.[2] Among these artists, the most highly regarded and most influenced by the blues was piano-player Professor Longhair, whose signature song "Mardi Gras in New Orleans" (1949) and other recordings such as "Tipitina" (1959) were major R&B hits, and who remained a central figure in New Orleans music through to his death in 1980.[3]
Other significant figures playing keyboard-based blues include James Booker, whose organ instrumental "Gonzo" reached the top 50 in the Billboard chart in 1960 and was followed by a series of minor single hits.[4]
Other important blues guitarists from the city include Snooks Eaglin, who recorded both acoustic folk and electric-based R&B,[2] and Earl King, who composed blues standards including "Come On" (covered by Jimi Hendrix and Stevie Ray Vaughan) and Professor Longhair's "Big Chief".[7] Also among the major figures of the genre was Dr. John, who began as a guitarist and enjoyed regional success with the Bo Diddley–influenced "Storm Warning" in 1959, and had a highly successful career from the 1960s after moving to Los Angeles, mixing R&B with psychedelic rock and using New Orleans-themed aesthetics.[8]
The careers of many New Orleans bluesmen declined in the 1960s, as rock and roll and soul began to dominate popular music, but revived in the 1970s, when there was renewed interest in their recordings.[2]
^Koda, Cub. "New Orleans blues". AllMusic. from the original on June 23, 2011. Retrieved June 4, 2011.
^ abcdeUnterberger, R., "Louisiana blues", in V. Bogdanov, C. Woodstra, S. T. Erlewine, eds, All Music Guide to the Blues: The Definitive Guide to the Blues (Milwaukee, WI: Backbeat Books, 3rd edn, 2003), ISBN0-87930-736-6, pp. 687–8.
^Tolf, J. (ed.), The Definitive Illustrated Encyclopedia Jazz and Blues (London: Flame Tree, 2007), ISBN1-84451-998-8, p. 417.
^Raeburn, B. B., "James Booker", in V. Bogdanov, C. Woodstra, S. T. Erlewine, eds, All Music Guide to the Blues: The Definitive Guide to the Blues (Milwaukee, WI: Backbeat Books, 3rd edn, 2003), ISBN0-87930-736-6, p. 62.
^"500 Songs That Shaped Rock". Infoplease.com. February 11, 2017. Retrieved November 5, 2006.
^Downs, T., and J. T. Edge, New Orleans (London: Lonely Planet, 3rd edn, 2003), ISBN1-74059-193-3, p. 28.
^Unterberger, R., "Dr. John", in V. Bogdanov, C. Woodstra, S. T. Erlewine, eds, All Music Guide to the Blues: The Definitive Guide to the Blues (Milwaukee, WI: Backbeat Books, 3rd edn, 2003), ISBN0-87930-736-6, p. 157.
December 08, 2023
orleans, blues, this, article, possibly, contains, original, research, please, improve, verifying, claims, made, adding, inline, citations, statements, consisting, only, original, research, should, removed, november, 2022, learn, when, remove, this, template, . This article possibly contains original research Please improve it by verifying the claims made and adding inline citations Statements consisting only of original research should be removed November 2022 Learn how and when to remove this template message New Orleans blues is a subgenre of blues that developed in and around the city of New Orleans influenced by jazz and Caribbean music It is dominated by piano and saxophone but also produced guitar bluesmen New Orleans bluesLive blues music club in New OrleansStylistic originsBluescalypsoDixielandrhythm and bluesCultural origins1940s 1950s New Orleans U S Typical instrumentsKeyboardsguitarbassdrumshornsGuitar Slim The Things That I Used to Do 1953 source source Guitar Slim s The Things That I Used to Do influenced rock and soul music Problems playing this file See media help Contents 1 Characteristics 2 History 3 See also 4 NotesCharacteristics editAs a style New Orleans blues is primarily driven by piano and French horn enlivened by Caribbean rhythms and Dixieland music It is generally cheerful in delivery regardless of the subject with a laidback tempo and complex rhythms falling just behind the beat Vocals range from laidback crooning to full throated gospel shouting 1 History edit nbsp A French horn one of the important instruments in blues musicNew Orleans is generally credited as the birthplace of jazz music but has attracted less attention as a center of the blues The 12 bar blues were well known in the city before most of the rest of the country Buddy Bolden s band was remembered at excelling on playing blues before 1906 Anthony Maggio s I Got the Blues was an early example of published blues sheet music from 1908 The Original Dixieland Jass Band s Livery Stable Blues generally considered the first jazz record is in a fast blues form citation needed opinion Although New Orleans has drawn to it and produced fewer blues musicians than other major US urban centers with large African American populations it has been the center of a distinctive form of blues music which has been pursued by some notable musicians and produced important recordings 2 such as Professor Longhair and Guitar Slim who both had regional R amp B and even mainstream chart hits citation needed In the period after World War II a very large number of recordings were produced in the city that were informed by the blues but had strong R amp B and pop influences that anticipated rock and roll and are difficult to classify 2 Among these artists the most highly regarded and most influenced by the blues was piano player Professor Longhair whose signature song Mardi Gras in New Orleans 1949 and other recordings such as Tipitina 1959 were major R amp B hits and who remained a central figure in New Orleans music through to his death in 1980 3 nbsp Mural of Buddy Bolden s bandOther significant figures playing keyboard based blues include James Booker whose organ instrumental Gonzo reached the top 50 in the Billboard chart in 1960 and was followed by a series of minor single hits 4 The most significant blues guitarist to emerge from the city in the post World War II period was Guitar Slim originally from the Delta His The Things That I Used to Do which combined gospel blues and R amp B was a major R amp B hit in 1954 and may have influenced the development of later soul music 2 It also influenced the development of rock music having been included inThe Rock and Roll Hall of Fame s 500 Songs that Shaped Rock and Roll 5 featuring an electric guitar solo with distorted overtones 6 Other important blues guitarists from the city include Snooks Eaglin who recorded both acoustic folk and electric based R amp B 2 and Earl King who composed blues standards including Come On covered by Jimi Hendrix and Stevie Ray Vaughan and Professor Longhair s Big Chief 7 Also among the major figures of the genre was Dr John who began as a guitarist and enjoyed regional success with the Bo Diddley influenced Storm Warning in 1959 and had a highly successful career from the 1960s after moving to Los Angeles mixing R amp B with psychedelic rock and using New Orleans themed aesthetics 8 nbsp Snooks Eaglin performing in 2006The careers of many New Orleans bluesmen declined in the 1960s as rock and roll and soul began to dominate popular music but revived in the 1970s when there was renewed interest in their recordings 2 See also editSteamboat WillieNotes edit Koda Cub New Orleans blues AllMusic Archived from the original on June 23 2011 Retrieved June 4 2011 a b c d e Unterberger R Louisiana blues in V Bogdanov C Woodstra S T Erlewine eds All Music Guide to the Blues The Definitive Guide to the Blues Milwaukee WI Backbeat Books 3rd edn 2003 ISBN 0 87930 736 6 pp 687 8 Tolf J ed The Definitive Illustrated Encyclopedia Jazz and Blues London Flame Tree 2007 ISBN 1 84451 998 8 p 417 Raeburn B B James Booker in V Bogdanov C Woodstra S T Erlewine eds All Music Guide to the Blues The Definitive Guide to the Blues Milwaukee WI Backbeat Books 3rd edn 2003 ISBN 0 87930 736 6 p 62 500 Songs That Shaped Rock Infoplease com February 11 2017 Retrieved November 5 2006 Aswell Tom 2010 Louisiana Rocks The True Genesis of Rock amp Roll Gretna Louisiana Pelican Publishing Company pp 61 5 ISBN 978 1589806771 Downs T and J T Edge New Orleans London Lonely Planet 3rd edn 2003 ISBN 1 74059 193 3 p 28 Unterberger R Dr John in V Bogdanov C Woodstra S T Erlewine eds All Music Guide to the Blues The Definitive Guide to the Blues Milwaukee WI Backbeat Books 3rd edn 2003 ISBN 0 87930 736 6 p 157 Retrieved from https en wikipedia org w index php title New Orleans blues amp oldid 1177856201, wikipedia, wiki, book, books, library,
