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Lindsay Howard

Lindsay Howard is an American curator, writer, and new media scholar based in New York City whose work explores how the internet is shaping art and culture.[1]

Lindsay Howard
NationalityAmerican
Alma materBennington College
OccupationCurator
MovementNet Art, Digital Art, Post-Internet
Websitelindsayhoward.net

Her exhibitions focus on social dynamics and aesthetics within online communities, as well as transparency, hacktivism, and collaborations between artists and technologists.[2][3][4][5]

Education Edit

Howard completed her bachelor's degree in Literature at Bennington College in Bennington, Vermont.[6][7]

Career Edit

Howard started her career by founding the exhibition program at 319 Scholes, an organization and collective of artists, curators, writers, hackers, coders, and activists based in Brooklyn, New York.[8][9][10][11][12][13][14] 319 Scholes focused on digital arts and interdisciplinary explorations of networked culture, especially the role of technology in everyday life, and promoted a “new era of openness and transparency in curatorial practice.”[15][16] The exhibitions, workshops, and screenings at 319 Scholes contributed to the Net Art and Post-Internet Art movements.[17]

Howard's first exhibition was DUMP.FM IRL which showcased work created by users of DUMP.FM, an image-based chat room for real-time communication co-founded by artist Ryder Ripps.[18][19] Of the exhibition, critic Paddy Johnson wrote: “The collective picture formed was that of a unique community of makers, each using a lexicon of stock images, internet slang and animated gifs. This is the new art we've been waiting to see for the last 30 years.”[20] Johnson named the exhibition one of the “10 Best Exhibitions of 2010.”[21]

Howard curated Paddles ON![22] at Phillips,[23] the inaugural digital art sales at a major international auction house.[24] The auctions focused on artists who have pioneered innovative monetization models that reflect the democratic values of the internet generation.[23][25] Paddles ON! featured the first art website to ever be auctioned:[26] digital artist Rafaël Rozendaal's ifnoyes.com, which sold for $3,500 using the Art Website Sales Contract.[27][28] Artist Petra Cortright used a view-based algorithm to price her video work, which resulted in her 24-second YouTube film selling for $3,200.[29][30] Artist Molly Soda sold a YouTube webcam performance for $1,500.[27][31][32] The New York Times wrote: “Digital art has become an accepted part of every biennial and international art fair, but the form is still the punk rock of the art world."[33]

Howard is a founding member of Deep Lab, "cyberfeminist research" project,[34] along with Addie Wagenknecht, Kate Crawford, Claire L. Evans, Simone Browne, and Jillian York.[35][36][37][38] She curated an exhibition of Deep Lab's work and a series of public programming at the New Museum in 2015.[39][40][41]

Howard established an online commissioning program[42][43] where she worked with artists Shia Labeouf,[44] Sougwen Chung,[45] Eilis McDonald,[46] Alexandra Gorczynski,[47] Morehshin Allahyari,[48] and Jacob Ciocci.[49]

In 2016, Howard released a body of research called Temporary Highs,[42][50] which looks at how the structure of the internet enables reward-seeking behavior in a compulsive cycle of oversharing and consumption.[51] Howard's writings examine the pleasure and anxiety of immediate gratification, as well as the constant search for validation, understanding, and connection.[52] She presented Temporary Highs at SAIC,[53] Oberlin College & Conservatory,[51] and PNCA.[54]

In 2017, the New Museum invited Howard to produce the 50th anniversary of Experiments in Art and Technology program with Nokia Bell Labs.[5] Howard worked with artists Sougwen Chung[55] and Lisa Park[56] as they collaborated with engineers to create large-scale art installations using Bell Labs' Motion Engine, which offers a way to visually analyze complex natural and manmade systems, as well as Bell Labs' advanced research into sensor technology.[57][58]

F.A.T. Edit

From 2012-2013, Howard was the Curatorial Fellow at Eyebeam Art & Technology Center. While at Eyebeam, Howard curated F.A.T. Gold: Five Years of Free Art & Technology,[59] a retrospective of F.A.T. Lab, an organization that's “part artist collective, part hacktivist cell, and part Silicon Valley think tank."[60] The exhibition presented works from the collective's history as well as new commissions, such as Ideas Worth Spreading by Evan Roth and 3D printed artworks.[61] F.A.T. Lab members, including Addie Wagenknecht, Chris Poole (or 'moot'), Geraldine Juárez, Jamie Wilkinson, Jonah Peretti, Becky Stern, and Golan Levin, convened during the exhibition for talks, workshops, and to produce new works.[62] As part of the opening, graffiti artist KATSU tagged Eyebeam's façade with a fire extinguisher, accidentally splashing some of the pigment on Paula Cooper Gallery[63] which was “a perfect example of F.A.T.’s IRL trolling practices.”[64] During F.A.T. Gold: Five Years of Free Art & Technology, Howard and the artists took journalist Adrian Chen for a ride in a fake Google driverless car.[60] The exhibition led cyberpunk author Bruce Sterling to ask, "Why aren’t these violently compassionate art-hackers all in jail?"[65] F.A.T. Gold: Five Years of Free Art & Technology subsequently toured to MU Eindhoven in the Netherlands and Gray Area Foundation for the Arts, where Howard curated a portrait of former Google Chairman Eric Schmidt made out of poop.[66][67][68] F.A.T. Lab went to San Francisco to "celebrate the victory of government and commercial hegemony over the internet and the total loss of personal freedom and privacy"; the group disbanded in 2015.[69][70][67]

Additional curation Edit

  • New Theories in VR, New Lab[71]
  • The Barn Show: Unquestionable Optimism, Johannes Vogt Gallery, 2016[72]
  • Pattern Recognition, Dazed & Confused Magazine[73]
  • Eyebeam Resurfaces: The Future of the Digital Archive, Eyebeam[74]
  • C.R.E.A.M., Art Micro Patronage[75]
  • WALLPAPERS: Sara Ludy and Nicolas Sassoon, 319 Scholes[76]
  • Awareness of Everything, Internet Garage[77]
  • Art Hack Day: God Mode, 319 Scholes[78]
  • Blip Festival Gallery, Eyebeam[79]
  • Getting Closer, Fe Arts Gallery[80]
  • Alexandra Gorczynski and Duncan Malashock, 319 Scholes

Bibliography Edit

  • Room for Space: an interview with Nicholas O'Brien, Keen On Magazine (July 2018)[81]
  • Petra Cortright on having the confidence to create anything you want, The Creative Independent (May 2018)[82]
  • Inventing the Future: Art and Technology, Art21 (October 2017)[5]
  • The Presentation of Self: Interview with LaTurbo Avedon, Keen On Magazine (October 2017)[83]
  • A Prankster-Turned-Painter Leaves Self-Sabotage Behind, Hyperallergic (November 2016)[84]
  • Alternative Paradise: Marc Horowitz, Keen On Magazine (November 2016)[85]
  • Leaders of the New Media Pack, CULTURED Magazine (February 2016)[86]
  • Artist Profile: Heather Phillipson, Rhizome (July 2014)[87]
  • Artist Profile: Michael Manning, Rhizome (April 2014)[88]
  • The Way We Share: Transparency in Curatorial Practice, Hyperallergic (March 2013)[16]
  • Awareness of Everything, Aram Bartholl: Speed Book published by Gestalten (January 2012)

See also Edit

References Edit

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  44. ^ Smith, Nigel M. (2015-11-10). "Shia LaBeouf to watch all his films back to back for #allmymovies project". The Guardian. ISSN 0261-3077. Retrieved 2019-08-05.
  45. ^ "Sougwen Chung Wins Excellence Award for her Drawing Robot, D.O.U.G._1". NEW INC. Retrieved 2019-08-06.
  46. ^ Steenson, Chris (2016-04-28). "Looking a Pigeon in the Eye on a Window Ledge". The Visual Artists' News Sheet Online. Retrieved 2019-08-05.
  47. ^ Gayomali, Chris (2014-12-05). "At Art Basel, A Collector Just Bought This URL For $5,000". Fast Company. Retrieved 2019-08-05.
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  75. ^ Wise, Oliver. "C.R.E.A.M. curated by Lindsay Howard". Art Micro Patronage. Retrieved 2019-08-05.
  76. ^ "Review: WALLPAPERS by Sara Ludy and Nicolas Sassoon". Rhizome. Retrieved 2019-08-05.
  77. ^ "AWARENESS OF EVERYTHING » SPEED SHOW". Retrieved 2019-08-05.
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  88. ^ "Artist Profile: Michael Manning". Rhizome. Retrieved 2019-08-05.

External links Edit

  • Official website

lindsay, howard, american, sportsman, lindsay, howard, american, curator, writer, media, scholar, based, york, city, whose, work, explores, internet, shaping, culture, nationalityamericanalma, materbennington, collegeoccupationcuratormovementnet, digital, post. For the American sportsman see Lindsay C Howard Lindsay Howard is an American curator writer and new media scholar based in New York City whose work explores how the internet is shaping art and culture 1 Lindsay HowardNationalityAmericanAlma materBennington CollegeOccupationCuratorMovementNet Art Digital Art Post InternetWebsitelindsayhoward wbr netHer exhibitions focus on social dynamics and aesthetics within online communities as well as transparency hacktivism and collaborations between artists and technologists 2 3 4 5 Contents 1 Education 2 Career 2 1 F A T 2 2 Additional curation 3 Bibliography 4 See also 5 References 6 External linksEducation EditHoward completed her bachelor s degree in Literature at Bennington College in Bennington Vermont 6 7 Career EditHoward started her career by founding the exhibition program at 319 Scholes an organization and collective of artists curators writers hackers coders and activists based in Brooklyn New York 8 9 10 11 12 13 14 319 Scholes focused on digital arts and interdisciplinary explorations of networked culture especially the role of technology in everyday life and promoted a new era of openness and transparency in curatorial practice 15 16 The exhibitions workshops and screenings at 319 Scholes contributed to the Net Art and Post Internet Art movements 17 Howard s first exhibition was DUMP FM IRL which showcased work created by users of DUMP FM an image based chat room for real time communication co founded by artist Ryder Ripps 18 19 Of the exhibition critic Paddy Johnson wrote The collective picture formed was that of a unique community of makers each using a lexicon of stock images internet slang and animated gifs This is the new art we ve been waiting to see for the last 30 years 20 Johnson named the exhibition one of the 10 Best Exhibitions of 2010 21 Howard curated Paddles ON 22 at Phillips 23 the inaugural digital art sales at a major international auction house 24 The auctions focused on artists who have pioneered innovative monetization models that reflect the democratic values of the internet generation 23 25 Paddles ON featured the first art website to ever be auctioned 26 digital artist Rafael Rozendaal s ifnoyes com which sold for 3 500 using the Art Website Sales Contract 27 28 Artist Petra Cortright used a view based algorithm to price her video work which resulted in her 24 second YouTube film selling for 3 200 29 30 Artist Molly Soda sold a YouTube webcam performance for 1 500 27 31 32 The New York Times wrote Digital art has become an accepted part of every biennial and international art fair but the form is still the punk rock of the art world 33 Howard is a founding member of Deep Lab cyberfeminist research project 34 along with Addie Wagenknecht Kate Crawford Claire L Evans Simone Browne and Jillian York 35 36 37 38 She curated an exhibition of Deep Lab s work and a series of public programming at the New Museum in 2015 39 40 41 Howard established an online commissioning program 42 43 where she worked with artists Shia Labeouf 44 Sougwen Chung 45 Eilis McDonald 46 Alexandra Gorczynski 47 Morehshin Allahyari 48 and Jacob Ciocci 49 In 2016 Howard released a body of research called Temporary Highs 42 50 which looks at how the structure of the internet enables reward seeking behavior in a compulsive cycle of oversharing and consumption 51 Howard s writings examine the pleasure and anxiety of immediate gratification as well as the constant search for validation understanding and connection 52 She presented Temporary Highs at SAIC 53 Oberlin College amp Conservatory 51 and PNCA 54 In 2017 the New Museum invited Howard to produce the 50th anniversary of Experiments in Art and Technology program with Nokia Bell Labs 5 Howard worked with artists Sougwen Chung 55 and Lisa Park 56 as they collaborated with engineers to create large scale art installations using Bell Labs Motion Engine which offers a way to visually analyze complex natural and manmade systems as well as Bell Labs advanced research into sensor technology 57 58 F A T Edit From 2012 2013 Howard was the Curatorial Fellow at Eyebeam Art amp Technology Center While at Eyebeam Howard curated F A T Gold Five Years of Free Art amp Technology 59 a retrospective of F A T Lab an organization that s part artist collective part hacktivist cell and part Silicon Valley think tank 60 The exhibition presented works from the collective s history as well as new commissions such as Ideas Worth Spreading by Evan Roth and 3D printed artworks 61 F A T Lab members including Addie Wagenknecht Chris Poole or moot Geraldine Juarez Jamie Wilkinson Jonah Peretti Becky Stern and Golan Levin convened during the exhibition for talks workshops and to produce new works 62 As part of the opening graffiti artist KATSU tagged Eyebeam s facade with a fire extinguisher accidentally splashing some of the pigment on Paula Cooper Gallery 63 which was a perfect example of F A T s IRL trolling practices 64 During F A T Gold Five Years of Free Art amp Technology Howard and the artists took journalist Adrian Chen for a ride in a fake Google driverless car 60 The exhibition led cyberpunk author Bruce Sterling to ask Why aren t these violently compassionate art hackers all in jail 65 F A T Gold Five Years of Free Art amp Technology subsequently toured to MU Eindhoven in the Netherlands and Gray Area Foundation for the Arts where Howard curated a portrait of former Google Chairman Eric Schmidt made out of poop 66 67 68 F A T Lab went to San Francisco to celebrate the victory of government and commercial hegemony over the internet and the total loss of personal freedom and privacy the group disbanded in 2015 69 70 67 Additional curation Edit New Theories in VR New Lab 71 The Barn Show Unquestionable Optimism Johannes Vogt Gallery 2016 72 Pattern Recognition Dazed amp Confused Magazine 73 Eyebeam Resurfaces The Future of the Digital Archive Eyebeam 74 C R E A M Art Micro Patronage 75 WALLPAPERS Sara Ludy and Nicolas Sassoon 319 Scholes 76 Awareness of Everything Internet Garage 77 Art Hack Day God Mode 319 Scholes 78 Blip Festival Gallery Eyebeam 79 Getting Closer Fe Arts Gallery 80 Alexandra Gorczynski and Duncan Malashock 319 ScholesBibliography EditRoom for Space an interview with Nicholas O Brien Keen On Magazine July 2018 81 Petra Cortright on having the confidence to create anything you want The Creative Independent May 2018 82 Inventing the Future Art and Technology Art21 October 2017 5 The Presentation of Self Interview with LaTurbo Avedon Keen On Magazine October 2017 83 A Prankster Turned Painter Leaves Self Sabotage Behind Hyperallergic November 2016 84 Alternative Paradise Marc Horowitz Keen On Magazine November 2016 85 Leaders of the New Media Pack CULTURED Magazine February 2016 86 Artist Profile Heather Phillipson Rhizome July 2014 87 Artist Profile Michael Manning Rhizome April 2014 88 The Way We Share Transparency in Curatorial Practice Hyperallergic March 2013 16 Awareness of Everything Aram Bartholl Speed Book published by Gestalten January 2012 See also EditInternet art Post Internet Free Art and Technology LabReferences Edit Binlot Ann 2014 12 04 What Not to Miss at Miami s Satellite Art Fairs T Magazine Retrieved 2019 08 05 Surf clubs Monoskop monoskop org Retrieved 2019 08 05 The Way We Share Transparency in Curatorial Practice Hyperallergic 2013 03 08 Retrieved 2019 08 05 Digicult Redazione The F A T Manual release and book launch at MU Eindhoven Digicult Digital Art Design and Culture Digicult Digital Art Design and Culture Retrieved 2019 08 05 a b c says Michelle 26 October 2017 Inventing the Future Art and Technology Art21 Magazine Retrieved 2019 08 05 On the Rise Bennington College www bennington edu Retrieved 2019 08 05 Bennington College artist in residence Jacqueline Mabey presents feminist pedagogy exhibit The Bennington Banner Retrieved 2019 08 05 20 Art World Power Players You Need to Know Complex Retrieved 2019 08 05 10 Pivotal Moments for Digital Art in 2012 Hyperallergic 2012 12 28 Retrieved 2019 08 05 An Interview with READ WRITE Curators Caitlin Denny and Parker Ito Rhizome Retrieved 2019 08 05 Big Reality at 319 Scholes www artforum com Retrieved 2019 08 05 10 pivotal moments for digital art in 2012 Salon 2012 12 31 Retrieved 2019 08 05 Recap and Highlights from Art Hack Day at 319 Scholes Core77 Retrieved 2019 08 05 Art Hack Day TechCrunch February 2012 Retrieved 2019 08 05 Plugging Art into the Environment Hyperallergic 2011 10 25 Retrieved 2019 08 05 a b The Way We Share Transparency in Curatorial Practice Hyperallergic 2013 03 08 Retrieved 2019 08 05 Chan Jennifer January 2014 Notes on Post Internet You Are Here Art After the Internet Affiliated Researchers INTERVIEW Lindsay Howard Temporary Highs networkcultures org Retrieved 2019 08 05 jonCates 2017 02 19 DigitalAnalog Aram Bartholl and New Media Art IRL jonCates 2011 Medium Retrieved 2019 08 05 The 10 Best Exhibitions of 2010 and the 3 Worst The L Magazine 2010 12 22 Retrieved 2019 08 05 The 10 Best Exhibitions of 2010 and the 3 Worst The L Magazine 2010 12 22 Retrieved 2019 08 05 PHILLIPS Press www phillips com Retrieved 2019 08 05 a b Will an Auction Help Convince People There s a Market for New Media Art Hyperallergic 2013 10 09 Retrieved 2019 08 06 PADDLES ON PHILLIPS S FIRST DIGITAL ART AUCTION Dirty Magazine Retrieved 2019 08 05 This Digital Art Is Up for Auction at Phillips ANIMAL 2013 09 24 Retrieved 2019 08 05 Siner Emily 3 November 2013 If The Internet Is Your Canvas You Paint In Zeros And Ones NPR org Retrieved 2019 08 05 a b Thayer Katheryn Going Once Going Twice Phillips And Tumblr Put GIFs On Auction Forbes Retrieved 2019 08 06 art website sales contract com by rafael rozendaal 2011 www artwebsitesalescontract com Retrieved 2019 08 06 Dazed 2013 10 02 How to sell a GIF Dazed Retrieved 2019 08 06 Osberg Molly 2013 10 17 Would you pay 2 000 for a GIF The Verge Retrieved 2019 08 06 An interview with Molly Soda Detroit Metro Times Retrieved 2019 08 06 Osberg Molly 2013 10 17 Would you pay 2 000 for a GIF The Verge Retrieved 2019 08 05 Williams Maxwell 2013 11 08 For Petra Cortright the Web Is the Ultimate Canvas T Magazine Retrieved 2019 08 05 Tanriverdi Hakan 2015 03 11 Your Private Data Isn t Yours Maybe It Never Was Medium Retrieved 2019 08 06 Syfret Wendy 2015 07 20 exploring feminist hacktivism with deep lab I D Retrieved 2019 08 06 Pearson Jordan 2015 01 12 The All Women Hacker Collective Making Art About the Post Snowden Age Vice Retrieved 2019 08 06 Lena Henke www artforum com Retrieved 2019 08 06 Deep Lab Topical Cream Retrieved 2019 08 06 Cyberfeminists Go Deep on Big Data Privacy and Surveillance Hyperallergic 2015 02 03 Retrieved 2019 08 06 Drone Painting Performance www newmuseum org Retrieved 2019 08 06 DeepLab experiencias ciberfeministas artisticas antivigilancia Oficina Antivigilancia Coding Rights in European Spanish Retrieved 2019 08 06 a b Curating Internet Art Online and IRL Observer 2016 02 25 Retrieved 2019 08 06 Harrad Tom 2015 04 29 newhive is the new platform for post internet art I D Retrieved 2019 08 05 Smith Nigel M 2015 11 10 Shia LaBeouf to watch all his films back to back for allmymovies project The Guardian ISSN 0261 3077 Retrieved 2019 08 05 Sougwen Chung Wins Excellence Award for her Drawing Robot D O U G 1 NEW INC Retrieved 2019 08 06 Steenson Chris 2016 04 28 Looking a Pigeon in the Eye on a Window Ledge The Visual Artists News Sheet Online Retrieved 2019 08 05 Gayomali Chris 2014 12 05 At Art Basel A Collector Just Bought This URL For 5 000 Fast Company Retrieved 2019 08 05 Morehshin Allahyari Morehshin Allahyari Retrieved 2019 08 05 Some Notes on New Expressions by Jacob Ciocci Hyperallergic 2014 12 24 Retrieved 2019 08 05 bitforms gallery Temporary HighsJune 2 July 31 2016 Retrieved 2019 08 05 a b Lindsay Howard Lecture on Temporary Highs Oberlin College and Conservatory 2017 02 26 Retrieved 2019 08 05 Affiliated Researchers INTERVIEW Lindsay Howard Temporary Highs networkcultures org Retrieved 2019 08 05 Conversations at the Edge CATE Retrieved 2019 08 05 PNCA Events Temporary Highs Screening cal pnca edu Retrieved 2019 08 05 Nokia Bell Labs A discussion with Sougwen Chung about human robotic collaborations www bell labs com 4 May 2018 Retrieved 2019 08 06 Nokia Bell Labs A discussion with Lisa Park on inner states and the heart of human communication www bell labs com 10 May 2018 Retrieved 2019 08 06 What Artists Can Teach Us About Making Technology More Human Wired ISSN 1059 1028 Retrieved 2019 08 06 Only Human Mana Contemporary Retrieved 2019 08 06 F A T GOLD Eyebeam Retrieved 2019 08 05 a b Chen Adrian Crashing Through Manhattan In The Fake Google Driverless Car Gawker Retrieved 2019 08 05 3 Excellent Uses of 3D Printing from Eyebeam s F A T Gold Exhibition Rhizome Retrieved 2019 08 05 Holmes Kevin 2012 10 16 F A T Lab Retrospective Five Years Of Thug Life Pop Culture And R amp D Creators Retrieved 2019 08 05 FAT Lab s KATSU Graffities Paula Cooper Gallery Inadvertently Hyperallergic 2013 04 01 Retrieved 2019 08 05 The Almost Anonymous of the Digital Art World Hyperallergic 2013 04 19 Retrieved 2019 08 05 Sterling Bruce 2015 05 20 F A T Gold Wired ISSN 1059 1028 Retrieved 2019 08 05 MU F A T GOLD Europe www mu nl Retrieved 2019 08 05 a b An Interview With A Drone Painter Who Made A Poop Portrait of Eric Schmidt TechCrunch 21 May 2015 Retrieved 2019 08 05 We talked to the guy who made a painting of Google s Eric Schmidt out of poop to find out why finance yahoo com Retrieved 2019 08 05 says Me August 2015 We Lost F A T fffff at Retrieved 2019 08 06 fffffarewell at F A T fffff at August 2015 Retrieved 2019 08 06 contributor April Joyner 2017 10 11 Brooklyn s tech scene showed out for New Lab s one year anniversary Technical ly Brooklyn Retrieved 2019 08 05 a href Template Cite web html title Template Cite web cite web a last has generic name help Celebrate Optimism At Johannes Vogt Gallery s Third Annual Hamptons The Barn Show Community Community News 24720 Out And About For The Cause 24594 The Arts In the Galleries 23639 The Arts In the Galleries www hamptons com Retrieved 2019 08 05 Menkman Ro s a 2013 03 02 Dazed and Confused retrieved 2019 08 05 Eyebeam Resurfaces The Future of the Digital Archive Eyebeam Retrieved 2019 08 05 Wise Oliver C R E A M curated by Lindsay Howard Art Micro Patronage Retrieved 2019 08 05 Review WALLPAPERS by Sara Ludy and Nicolas Sassoon Rhizome Retrieved 2019 08 05 AWARENESS OF EVERYTHING SPEED SHOW Retrieved 2019 08 05 Art Hack Day God Mode ART HACK DAY Retrieved 2019 08 05 Blipfest 2011 Rhizome Retrieved 2019 08 05 Hopper Justin Zero One Togetherness Fe Gallery explores intimacy in the digital age Pittsburgh City Paper Retrieved 2019 08 05 issue n 7 keen on Game Studies Interview with Nicholas O Brien issue n 7 keen on Game Studies Retrieved 2019 08 05 Petra Cortright on having the confidence to create anything you want thecreativeindependent com Retrieved 2019 08 05 issue n 5 keen on posthuman bodies LaTurbo Avedon issue n 5 keen on posthuman bodies Retrieved 2019 08 05 A Prankster Turned Painter Leaves Self Sabotage Behind Hyperallergic 2016 11 15 Retrieved 2019 08 05 issue n 4 keen on tropical punch keen on magazine is the award winning avantgarde art magazine based in Vienna Marc Horowitz issue n 4 keen on tropical punch keen on magazine is the award winning avantgarde art magazine based in Vienna Retrieved 2019 08 05 New Media Pack CULTURED Magazine Artist Profile Heather Phillipson Rhizome Retrieved 2019 08 05 Artist Profile Michael Manning Rhizome Retrieved 2019 08 05 External links EditOfficial website Retrieved from https en wikipedia org w index php title Lindsay Howard amp oldid 1152802880, wikipedia, wiki, book, books, library,

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