A lyric soprano is a type of operaticsoprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C (C4) to "high D" (D6).[1] This is the most common female singing voice.[2] There is a tendency to divide lyric sopranos into two groups: light and full.[3]
A light-lyric soprano has a bigger voice than a soubrette but still possesses a youthful quality.[4] There are a wide variety of roles written for this voice, and they may sing soubrette, baroque and other light roles as well.[5]
A full-lyric soprano has a more mature sound than a light-lyric soprano and can be heard over a bigger orchestra.[4] This more mature sound may make a full-lyric less suitable for some of the lighter roles. Occasionally a full lyric will have a big enough voice that she can take on much heavier roles, using volume in place of vocal weight. This is done when a more lyric timbre is desired in an otherwise heavier role. Otherwise full lyric sopranos need be judicious with spinto and other heavy roles to prevent vocal deterioration.[1]
Boldrey, Richard; Robert Caldwell; Werner Singer; Joan Wall; Roger Pines (1992). Singer's Edition (Soubrette): Operatic Arias - Soubrette. Caldwell Publishing Company. ISBN978-1-877761-03-4.
February 08, 2023
lyric, soprano, lyric, soprano, type, operatic, soprano, voice, that, warm, quality, with, bright, full, timbre, that, heard, over, orchestra, lyric, soprano, voice, generally, higher, tessitura, than, soubrette, usually, plays, ingenues, other, sympathetic, c. A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright full timbre that can be heard over an orchestra The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera Lyric sopranos have a range from approximately middle C C4 to high D D6 1 This is the most common female singing voice 2 There is a tendency to divide lyric sopranos into two groups light and full 3 Contents 1 Light lyric soprano 1 1 Light lyric soprano roles 2 Full lyric soprano 2 1 Full lyric soprano roles 3 See also 4 References 5 Further readingLight lyric soprano EditA light lyric soprano has a bigger voice than a soubrette but still possesses a youthful quality 4 There are a wide variety of roles written for this voice and they may sing soubrette baroque and other light roles as well 5 Light lyric soprano roles Edit Source 3 Alice Le comte Ory Gioachino Rossini Annchen Der Freischutz Carl Maria von Weber or soubrette Annina La traviata Giuseppe Verdi Antonia The Tales of Hoffmann Jacques Offenbach Clorinda La Cenerentola Gioachino Rossini Despina Cosi fan tutte Wolfgang Amadeus Mozart or soubrette Euridice Orfeo ed Euridice Christoph Willibald Gluck Gretel Hansel und Gretel Engelbert Humperdinck Juliette Romeo et Juliette Charles Gounod Laurie Moss The Tender Land Aaron Copland Lauretta Gianni Schicchi Giacomo Puccini Marguerite Faust Charles Gounod Marzelline Fidelio Ludwig van Beethoven Manon Manon Jules Massenet Musetta La boheme Puccini Pamina The Magic Flute Mozart Servilia La clemenza di Tito Mozart Sophie Der Rosenkavalier Richard Strauss Sophie Werther Jules Massenet Susanna The Marriage of Figaro Mozart or soubrette Zerlina Don Giovanni Mozart or soubrette Full lyric soprano EditA full lyric soprano has a more mature sound than a light lyric soprano and can be heard over a bigger orchestra 4 This more mature sound may make a full lyric less suitable for some of the lighter roles Occasionally a full lyric will have a big enough voice that she can take on much heavier roles using volume in place of vocal weight This is done when a more lyric timbre is desired in an otherwise heavier role Otherwise full lyric sopranos need be judicious with spinto and other heavy roles to prevent vocal deterioration 1 Full lyric soprano roles Edit Source 3 Emilia The Makropulos Case Leos Janacek La Contessa The Marriage of Figaro Wolfgang Amadeus Mozart Liu Turandot Giacomo Puccini Lulu Lulu Alban Berg The Marschallin Der Rosenkavalier Richard Strauss Magda La rondine Puccini Wally La Wally Alfredo Catalani Mimi La boheme Puccini Micaela Carmen Georges Bizet Rusalka Rusalka Antonin Dvorak Tatyana Eugene Onegin Pyotr Ilyich Tchaikovsky Hanna The Merry Widow Franz Lehar Bess Porgy and Bess George Gershwin See also Edit Opera portalColoratura soprano Spinto soprano Dramatic soprano SoubretteReferences EditNotes a b Coffin 1960 p page needed Aronson 2009 p 278 a b c Boldrey 1994 p page needed a b Nashville Opera Archived 2008 02 29 at the Wayback Machine Boldrey 1992 p page needed Sources Aronson Arnold Elvin Bless Diane M 2009 Clinical Voice Disorders 4th ed New York NY Thieme Medical Publishers ISBN 978 1 58890 662 5 Boldrey Richard Robert Caldwell Werner Singer Joan Wall Roger Pines 1992 Singer s Edition Light Lyric Soprano Operatic Arias Light Lyric Soprano Caldwell Publishing Company ISBN 978 1 877761 02 7 Boldrey Richard 1994 Guide to Operatic Roles and Arias Caldwell Publishing Company ISBN 978 1 877761 64 5 Coffin Berton 1960 Coloratura Lyric and Dramatic Soprano Vol 1 Rowman amp Littlefield Publishers ISBN 978 0 8108 0188 2 Further reading EditBoldrey Richard Robert Caldwell Werner Singer Joan Wall Roger Pines 1992 Singer s Edition Soubrette Operatic Arias Soubrette Caldwell Publishing Company ISBN 978 1 877761 03 4 Retrieved from https en wikipedia org w index php title Lyric soprano amp oldid 1112544570, wikipedia, wiki, book, books, library,
