Adult/Child
Adult/Child (sometimes typeset as Adult Child) is an unreleased studio album by the American rock band the Beach Boys that was produced in early 1977. Similar to the release it was meant to follow, The Beach Boys Love You, the album is essentially a semi-autobiographical solo effort by the band's chief songwriter and producer, Brian Wilson. The title refers to a theory that one's personality can be split into "adult" and "child" modes of thinking.
| Adult/Child | ||||
|---|---|---|---|---|
Cover of a 1985 bootleg | ||||
| Studio album (unreleased) by | ||||
| Recorded | August 1969 – October 1976 (older recordings) February 9, 1977 – June 3, 1977 (album sessions) | |||
| Studio |
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| Genre | ||||
| Length | 30:25 | |||
| Producer | Brian Wilson | |||
| The Beach Boys recording chronology | ||||
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| Alternative cover | ||||
Bootleg from an unknown year | ||||
Characterized as outsider music, Adult/Child consists of seven new songs, four of which feature orchestral arrangements by Dick Reynolds, along with five older tracks that had been outtakes from earlier albums. Its subject matter ranges from healthy diets and exercise to shaving a tomboy's legs and waiting at a movie theater queue. Some of the tracks, including "It's Over Now" and "Still I Dream of It", were originally written to be recorded by a singer such as Frank Sinatra.
Initially planned for issue in September 1977, the release was vetoed by Wilson's bandmates Mike Love and Al Jardine, who had felt that the record was too strange to sell.[3] Instead, the group delivered M.I.U. Album, which included one song in common with Adult/Child, "Hey Little Tomboy", albeit in a rerecorded form. A few more Adult/Child tracks saw release on the 1993 box set Good Vibrations.
Commentators have described Adult/Child as a poignant reflection of Wilson's troubled personal life, although it has also elicited praise for its humorous and idiosyncratic quality. The full album remains unreleased, but circulates widely on bootlegs and unauthorized YouTube uploads.
Background edit
At the end of 1976, Brian Wilson produced The Beach Boys Love You (released in April 1977), after which he immediately moved onto the production of what became Adult/Child.[4] Music historian Keith Badman writes that Wilson "reportedly [started the new album] on the insistence of his former doctor", Eugene Landy, who had been relieved of his services in December 1976.[5] Wilson's 2016 memoir, I Am Brian Wilson, attributes the album's title to Landy. "He meant that there were always two parts of a personality, always an adult who wants to be in charge and a child who wants to be cared for, always an adult who thinks he knows the rules and a child who is learning and testing the rules."[6]
Adult/Child would have been their final record on Reprise, a subsidiary of Warner Bros. Records[4] Early in the year, band manager Stephen Love had arranged negotiations for the band to move to CBS Records once obligations to Warner had been fulfilled.[7] Issues related to the band's recording contracts and other areas of their management plagued the group for the remainder of the year.[8]
Style and production edit
Adult/Child was largely recorded from February 9 to June 3, 1977 at the band's Brother Studios in Santa Monica.[9] The songs mostly feature Brian with his brothers Dennis and Carl; contributions from Al Jardine and Mike Love were limited to recordings from earlier sessions.[10] Dennis recorded his solo album Pacific Ocean Blue in between Adult/Child sessions at the same studio.[9] Love and Jardine were sequestered in Switzerland and Big Sur, respectively, and so they were rarely present for the recording.[11] Earle Mankey, who had engineered 15 Big Ones and Love You, returned for Adult/Child.[12]
Five of the 12 tracks that were to be included on Adult/Child had dated from earlier recording sessions or had been rejected from prior Beach Boys albums.[10] "Games Two Can Play" and "H.E.L.P. Is On the Way" were outtakes from Sunflower (1970) and Surf's Up (1971), respectively.[13] "Shortenin' Bread" is a traditional folk song that Brian recorded throughout the early to mid-1970s and features vocals from American Spring.[14] "Hey Little Tomboy" and "On Broadway" were outtakes from 15 Big Ones (1976).[15] The former had also been passed over for Love You.[16]
Wilson commissioned Four Freshmen arranger Dick Reynolds, whom he had previously worked with on the Beach Boys' 1964 Christmas album, to compose orchestrations for four tracks: "Life is for the Living", "It's Over Now", "Still I Dream of It", and "Deep Purple".[17] According to Stan Love, when his brother Mike heard them, Mike turned to Brian and asked: "What the fuck are you doing?"[18] Brian remembered, "He told me I was fucking around, that I wasn't serious. [...] I cut a track with swing music [...] and he got mad. He said 'What are you doing messing around for?' I said I'm just trying to do what I like, what I think is for now's times.""[19][nb 1]
Musically, Adult/Child is keyboard-heavy, with Brian's cigarette-damaged voice providing most of the lead vocals. Lyrically, the subject matter ranges from healthy diets and exercise to ecology.[2] Mankey said, "[Brian]'s looking for a goal. Some of the new songs reflect his everyday situation, like 'Help Is On The Way' [sic]."[12] Music critic Matthew Weiner referred to it as "Brian's Sinatra album", or "Brian's 'Food Album'", wherein "one song finds the recluse staring into the mirror at his blubbery naked body – in another, he yearns to drown his sorrows in a good meal, with the whole aesthetic basically encapsulated in a fantastically Moog-y rendition of the children's song, 'Shortenin' Bread'".[21]
The opening track, "Life Is for the Living", begins with the lines "Life is for the living / Don't sit around on your ass smoking grass / That stuff went out a long time ago".[2] Frank Sinatra is directly referenced in the lyrics of "It's Over Now",[22] a song that, alongside "Still I Dream of It", was reportedly intended to be recorded by a singer such as Sinatra.[23][nb 2]
Adult/Child was mixed and assembled on June 27, 1977,[9] just days after the cancellation of a planned European summer tour by the group,[10] which would have seen them performing songs from Adult/Child.[25] Other tracks that the band recorded during these sessions was "New England Waltz" and a cover of the Spencer Davis Group's 1966 hit "Gimme Some Lovin'".[26][nb 3]
Cancellation edit
Adult/Child was widely publicized as the Beach Boys' next release[24] and planned for issue in September 1977.[12] Dennis told a reporter, "[It is the] strangest album I've ever heard. [Brian]'s vocals are the best I've ever heard him. I'm elated with the new album, it's really gonna be a surprise. I don't know where it's coming from, but it's positive, again."[28] Asked if the album was a "contract pay-off", Carl responded, "Naah, Brian's writing great songs, more grandiose than Love You with more players."[29]
Badman speculated that the album may have been shelved because the group wanted to save the material for a later album, or because the release was vetoed by Warner–Reprise or Wilson's bandmates.[10] Brian's 2016 memoir supports that his bandmates and Warner Bros. did not feel confident about the album.[20] However, according to Dave Berson, an executive at Warner Bros., the band's record contract did not include a proviso stating that Warner could reject albums.[30]
Biographer Peter Ames Carlin, who is more certain in his explanation for the album's non-release, says that, following the commercial failure of Love You, Wilson's bandmates—particularly Mike Love and Al Jardine—"told Brian that his new songs were too weird, too out there, to appeal to the mass market [...] From now on they would record and release music that fans wanted to hear—and because they were the ones up in the front lines onstage every night, they would be the ones to judge what would appeal."[3]
Availability edit
Some of the unreleased songs on Adult/Child later saw individual release on subsequent Beach Boys albums and compilations.[31]
- A rerecorded version of "Hey Little Tomboy" appeared on M.I.U. Album (1978).[32]
- A rerecorded version of "Shortenin' Bread" appeared on L.A. (Light Album) (1979).
- The original Adult/Child mixes of "H.E.L.P. Is On the Way", "Games Two Can Play", "It's Over Now", and "Still I Dream of It" were included on the 1993 box set Good Vibrations: Thirty Years of the Beach Boys.[31][33][34]
- A piano demo of "Still I Dream of It" was included on Wilson's 1995 album I Just Wasn't Made for These Times.[22]
The album itself circulates widely on bootlegs and unauthorized YouTube uploads.[1] "Life Is for the Living", "Deep Purple", "On Broadway", "It's Trying to Say", "Everybody Wants to Live", "Lines", and the original versions of "Hey Little Tomboy" and "Shortenin' Bread" remain officially unreleased.[26]
Critical reception edit
| Review scores | |
|---|---|
| Source | Rating |
| Stylus Magazine | B[21] |
In his 1978 biography, The Beach Boys and the California Myth, David Leaf was generally unfavorable toward Love You and Adult/Child, although he enjoyed "It's Over Now" and "Still I Dream of It", naming them "the most personal tunes Brian has recorded since ''Til I Die.'"[35] Musicologist Philip Lambert wrote, "All of the songs from this collection are solid efforts, but 'Still I Dream of It' and 'It's Over Now' are particularly inspired and rank right up there with Brian's best work."[22] Carlin referred to "Hey Little Tomboy" as "the worst" of the Adult/Child songs, and "the most unsettling" of the Beach Boys' recording history.[32]
Billboard contributor Morgan Enos felt, "A couple of the tunes stand up to any ballad on Pet Sounds, and others, like 'Hey! Little Tomboy''s [sic] creepy leering at a girl who throws out her skateboard and 'shaves her legs,' mostly reflect Wilson's declining mental state."[1] Music critic Robert Dayton decreed Adult/Child to be one of the best of the Beach Boys' 1970s albums. Dayton wrote,
There are so-called Beach Boys fans who say anybody who applaud Love You and this album is being ironic. I say fuck those tight-arsed naysayers! Both of those albums showcase a truly original mix of humor and sadness. The original numbers always dance just a step away from the cliche, dealing with simple lyrical themes that make you wonder why they had never been explored before. [...] All of the songs are infectiously catchy, including the ballads, which are possibly the saddest ballads known to humankind. And there are a few classic covers, including an unhinged "Shortenin' Bread."[2]
In his 2008 book The Rough Guide to the Best Music You've Never Heard, Nigel Williamson praised Adult/Child for its "quirky charm and goofy unpredictability".[24] Stylus Magazine included the album in a list entitled "'Long Time Gone' – The Classic Rock Lost Album Archetypes" among other unreleased Beach Boys work such as Smile, Landlocked, and Bambu as "A Lost Album Category Unto Themselves". Contributor Matthew Weiner wrote:
If "legend" means "an unreleased masterwork from the genius who brought us Pet Sounds" then no. But for Brian fanatics, Adult Child is a must-hear, even if it does chronicle the decline of what was arguably pop's greatest talent [...] nearly every song reflects the sorry state in which the elder-Wilson found himself by the late-Seventies: a drug-addled, paranoid shut-in, weighing in at a none-too-svelte 300 lbs. As morbidly awful as that proposition sounds, however, Wilson's melodic sense, arranging skills and humor had not yet totally abandoned him by 1977 — even if his choirboy voice, ravaged by a four-pack-a-day cigarette habit, had.[21]
Track listing edit
All tracks are written by Brian Wilson, except where noted
| No. | Title | Lead vocal(s) | Length |
|---|---|---|---|
| 1. | "Life Is for the Living" | Carl Wilson and Brian Wilson | 1:52 |
| 2. | "Hey Little Tomboy" | Mike Love, B. Wilson, and C. Wilson | 2:20 |
| 3. | "Deep Purple" (Peter Derose, Mitchell Parish) | B. Wilson | 2:24 |
| 4. | "H.E.L.P. Is On the Way" (B. Wilson, Love) | Love | 2:30 |
| 5. | "It's Over Now" | C. Wilson, B. Wilson, and Marilyn Wilson | 2:50 |
| 6. | "Everybody Wants to Live" | C. Wilson and B. Wilson | 3:10 |
| No. | Title | Lead vocal(s) | Length |
|---|---|---|---|
| 1. | "Shortenin' Bread" (traditional, arranged by B. Wilson) | B. Wilson and C. Wilson | 2:48 |
| 2. | "Lines" | B. Wilson and C. Wilson | 1:44 |
| 3. | "On Broadway" (Barry Mann, Cynthia Weil, Jerry Leiber, Mike Stoller) | Al Jardine | 3:11 |
| 4. | "Games Two Can Play" | B. Wilson | 2:01 |
| 5. | "It's Trying to Say" (also known as "Baseball's On") | Dennis Wilson | 2:10 |
| 6. | "Still I Dream of It" | B. Wilson | 3:26 |
| Total length: | 30:25 | ||
Notes
- Lead vocals sourced from Badman.[10]
- Some bootlegs include bonus tracks that were recorded by the group between the 1960s and 1980s.[21]
Personnel edit
Partial credits from Badman, sessionographer Craig Slowinski, Phillip Lambert, and Stylus magazine.[10][36][37][38]
- The Beach Boys
- Brian Wilson - vocals, Hammond organ, bass, bass drum, tambourine, handclaps, Moog synthesizer
- Mike Love - vocals
- Al Jardine - vocals, banjo
- Carl Wilson - vocals, electric guitar
- Dennis Wilson - vocals
- Additional musicians and production staff
- Bruce Johnston - vocals
- Marilyn Wilson - vocals
- Diane Rovell - vocals
- Daryl Dragon - tack piano
See also edit
Notes edit
- ^ Wilson's 2016 memoir states, "When [Mike] heard the demos he just shook his head and stared at me."[20]
- ^ Wilson claimed on different occasions that he wrote "Still I Dream of It" for either Elvis Presley or Stevie Wonder.[24]
- ^ During the sessions for the 1972 album Spring, Wilson had recorded another version of "Gimme Some Lovin'" in medley with the Four Tops' "Baby I Need Your Loving". The track was never released.[27]
References edit
- ^ a b c Enos, Morgan (May 10, 2018). "The Beach Boys Ready Philharmonic Orchestra Album: 5 of Their Genre-Crossing Moments". Billboard. Retrieved March 25, 2022.
- ^ a b c d e Dayton 2004.
- ^ a b Carlin 2006, pp. 222–223.
- ^ a b Badman 2004, pp. 368–371.
- ^ Badman 2004, pp. 370–371.
- ^ a b Wilson & Greenman 2016, p. 59.
- ^ Gaines 1986, p. 294.
- ^ Gaines 1986, pp. 294–301.
- ^ a b c Doe., Andrew G. "GIGS77". Bellagio 10452. Retrieved March 24, 2022.
- ^ a b c d e f Badman 2004, p. 371.
- ^ Leaf 1978, p. 181.
- ^ a b c Kubernik, Harvey (August 1977). "Brian Is Back… Again!". Phonograph Record – via Rock's Backpages.
- ^ Badman 2004, pp. 256, 273, 277, 371.
- ^ Badman 2004, pp. 338, 371.
- ^ Badman 2004, pp. 358, 368, 371.
- ^ Badman 2004, pp. 368, 371.
- ^ Badman 2004, pp. 57, 371.
- ^ Carlin 2006, p. 223.
- ^ McCulley 1997, p. 192.
- ^ a b Wilson & Greenman 2016, p. 58.
- ^ a b c d Stylus Staff, ed. (September 2, 2003). . Stylus Magazine. Archived from the original on September 5, 2003. Retrieved July 13, 2014.
- ^ a b c Lambert 2007, p. 314.
- ^ Leaf, David (1993). Good Vibrations: Thirty Years of the Beach Boys: Disc Four (CD liner). The Beach Boys. California: Capitol Records.
- ^ a b c Williamson 2008, p. 74.
- ^ Leaf 1978, p. 183.
- ^ a b Doe, Andrew G. "From The Vaults..." Endless Summer Quarterly. Bellagio 10452. Retrieved March 24, 2022.
- ^ Carlin 2006, p. 178.
- ^ Priore, Domenic (May 2015). "Brother, Where Art Thou?". Mojo. No. 258. pp. 62–73.
- ^ Bell, Max (August 1977). "The Beach Boys: The Brothers". NME – via Rock's Backpages.
- ^ Gaines 1986, p. 232.
- ^ a b Badman 2004, pp. 256–371.
- ^ a b Carlin 2006, p. 225.
- ^ White 1996, p. 358.
- ^ Lambert 2007, pp. 314, 360.
- ^ Leaf 1978, pp. 181–182, 185.
- ^ . Stylus Magazine. September 2, 2003. Archived from the original on February 9, 2014. Retrieved July 13, 2014.
- ^ Lambert 2007, p. 316.
- ^ Slowinski, Craig (Summer 2021). Beard, David (ed.). "Surf's Up: 50th Anniversary Edition". Endless Summer Quarterly Magazine. Vol. 34, no. 134. Charlotte, North Carolina.
Bibliography edit
- Badman, Keith (2004). The Beach Boys: The Definitive Diary of America's Greatest Band, on Stage and in the Studio. Backbeat Books. ISBN 978-0-87930-818-6.
- Carlin, Peter Ames (2006). Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson. Rodale. ISBN 978-1-59486-320-2.
- Dayton, Robert (2004). "Adult Child". In Cooper, Kim; Smay, David (eds.). Lost in the Grooves: Scram's Capricious Guide to the Music You Missed. Routledge. ISBN 9781135879211.
- Gaines, Steven (1986). Heroes and Villains: The True Story of The Beach Boys. New York: Da Capo Press. ISBN 0306806479.
- Lambert, Philip (2007). Inside the Music of Brian Wilson: the Songs, Sounds, and Influences of the Beach Boys' Founding Genius. Continuum. ISBN 978-0-8264-1876-0.
- Leaf, David (1978). The Beach Boys and the California Myth. New York: Grosset & Dunlap. ISBN 978-0-448-14626-3.
- McCulley, Jerry (1997) [1988]. "Trouble in Mind – A Revealing Interview with Brian Wilson". In Abbott, Kingsley (ed.). Back to the Beach: A Brian Wilson and the Beach Boys Reader (1st ed.). London: Helter Skelter. pp. 187–204. ISBN 978-1900924023.
- White, Timothy (1996). The Nearest Faraway Place: Brian Wilson, the Beach Boys, and the Southern Californian Experience. Macmillan. ISBN 0333649370.
- Williamson, Nigel (2008). The Rough Guide to the Best Music You've Never Heard. London: Rough Guides. ISBN 9781848360037.
- Wilson, Brian; Greenman, Ben (2016). I Am Brian Wilson: A Memoir. Da Capo Press. ISBN 978-0-306-82307-7.