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Let Me Be Your Star

"Let Me Be Your Star" is an original song introduced in the first episode of the first season of the musical TV series Smash, entitled "Pilot". It was written by Marc Shaiman and Scott Wittman,[1] but in the show's universe, it was written by songwriting duo Tom Levitt (Christian Borle) and Julia Houston (Debra Messing) for the Marilyn Monroe musical they are working on, Bombshell.

"Let Me Be Your Star"
Single by Smash cast feat. Katharine McPhee & Megan Hilty
from the album The Music of Smash,
Bombshell
ReleasedJanuary 16, 2012
Recorded2012
GenrePop
Length3:12 (Album Version)
LabelColumbia
Songwriter(s)Marc Shaiman, Scott Wittman
Producer(s)Marc Shaiman
Smash cast singles chronology
"The National Pastime"
(2012)
"Let Me Be Your Star"
(2012)
"History Is Made at Night"
(2012)

In the first episode, the song is performed by characters Karen Cartwright (Katharine McPhee) and Ivy Lynn (Megan Hilty) as they each prepare for and then audition for the role of Marilyn in front the production team.

The song has since been reprised numerous times in various episodes, both as solos and duets. For the first season, it was also sung by Karen and Ivy in the second episode "The Callback" and the seventh episode "The Workshop", by Ivy in the sixth episode "Chemistry", and by Rebecca Duvall (Uma Thurman) in the eleventh episode "The Movie Star" and the fourteenth episode "Previews". In the second season, it was reprised by Karen and several female members of the Bombshell ensemble in the first episode "On Broadway", and by Ivy in the eighth episode "The Bells and Whistles" and the eleventh episode "The Dress Rehearsal".

The song was originally released as a single to digital music retailers and is available on the cast albums The Music of Smash and Bombshell (the latter with an extended intro not heard on the show), with McPhee and Hilty's vocals from the "Pilot" episode.

The song has sold 48,000 digital downloads as of April 13, 2012.[2]

Production edit

Scott Wittman explained that they received notes on "Let Me Be Your Star" by NBC Entertainment President Bob Greenblatt. Greenblatt, who was nicknamed "Mr Freed" after the MGM producer of "Singin' in the Rain" and "Meet Me in St. Louis" said to the writing duo that "this has to be more universal in its story. It has to be about people who want something and fight for it."[3]

The song fulfilled the writers' desire "to try and make each song somehow mirror what was going on in the episode." The song makes contextual sense in regards to the lives of both auditionees, and Marilyn Monroe herself.[2]

"Let Me Be Your Star", along with other pilot songs "The National Pastime" and "Beautiful", "fit into the storyline in a realist manner and each had a purpose to them". This is one reason why the series had been described as the "anti-glee".[4]

In the pilot, the song is "belted" by Karen and Ivy "while walking through Times Square on the way to their callback auditions".[5] AfterElton comments that "[they] trade verses as they and the casting panel converge for the callback, finally forming an ersatz duet as they meet outside the building where the callback is being held."[6] Vulture describes the song as a "propulsive non-diagetic duet/duel".[7] Yvonne Villarreal of the Los Angeles Times describes the song as a "sweeping duet battle".[3]

Scott Brown describes the song's reprise in the second episode, "The Callback", as "[Karen and Ivy] standing center stage 'in a pool of light'...around her, phantom blondes spit spoken torments between the musical phrases".[8]

In the seventh episode "The Workshop", Ivy sings "Let Me Be Your Star" at the musical workshop "while the musical’s creators and other observers look on".[9]

In the eleventh episode "The Movie Star", Rebecca Duvall performs the song in a "breathy, ‘Marilyn’ voice". Roxanne Tellier of starpulse.com comments that "it’s really more talking than singing, and flat to boot". She describes the scene that the song taken place in as follows: "The production team looks at her and each other in shock. Derek cuts her off mid-note, and suggests they start working on blocking the scene. Tom and Julia tell Rebecca that she was ‘great’".[10] This sing-speak version of the song causes Julia to tongue-in-cheekly suggest "group suicide" as the next step in workshopping.[11]

In the fifteenth episode "Bombshell", the final chorus of the musical's new finale, "Don't Forget Me", segues into the concluding lyrics "And please let me be, let me be that star".

Critical reception edit

"Let Me Be Your Star" has received critical acclaim. AfterElton describes the pilot version of the song as "genius, blending an amazing cocktail of determination and confidence with need and desire". It made comparisons with "The Music and the Mirror" from A Chorus Line, "Tonight" from West Side Story, and "Walk Through the Fire" from the musical Buffy the Vampire Slayer episode "Once More, with Feeling".[6] Scott Brown of Vulture describes the song as the "best number" of the pilot, and compares the "driving, pop-injected act-ender" to "Defying Gravity" from Wicked. He comments that of all the original songs featured in the pilot, this one sounded the least "Shaimanesque", although he was confident that it would end up in the musical regardless. He says that while the song has "energy and lift", it has a repetitive "downward-gliding melody line". He adds that "the scene itself is cut for maximum 'things are happening! Happening right now!' urgency", and draws a comparison with his "favourite lyric" from the musical episode of Community "Everything's cooler when cameras are spinning / Singing and dancing in unison-in-in-ing".[7] It has been described as a "show-stopp[er]",[12] "an instant musical theatre classic",[13] and the reason for an "explosive finale" to the pilot.[14] Jarett Wieselman of TheInsider.com comments that the pilot had "as energizing a denouement as [he's] ever seen" thanks to "Let Me Be Your Star", and adds that the song could be "Smash's very own Don't Stop Believin'", i.e., Smash's unofficial theme song in the same way that Don't Stop Believin' is Glee's.[15] MIX fm described the song as "attention-getting" and "stunning".[16]

Scott Brown comments that in the reprise in "The Callback", the song is more suited to the slower tempo, and adds that it "gives those long phrases a chance to breathe and doesn't force them to carry a whole lot of driving rhythmic energy".[8] JJ of TV Is My Pacifier said "“Let Me Be Your Star” got a reprise with a more sober orchestration making it a lot more sensitive. I liked the change from the version we heard at the end of the pilot."[17]

TV Fanatic notes that in episode 11, "The Movie Star", Rebecca Duvall's version of "Let Me Be Your Star" was "[appropriately] horrendous", and adds "all Tom and Julia could say was 'great' — ha! And, even that single word pained them to say".[18] JJ comments that she "fails to deliver".[19] Marianne Schaberg of Character Grades said that Duvall's version at the workshop "felt like we were watching a repeat of Lana Del Rey on SNL. Yikes."[20]

Entertainment Weekly names the song the best song of the series, noting, "The gold standard of Smash originals, this dueling diva-off capped off the spectacular pilot and set the stakes for what seemed like a phenomenal season to come. Ivy and Karen's powerhouse vocals belied their intense vulnerability as they vied to play Marilyn, and the stunning climax landed them in the heart of Times Square — just two girls with huge dreams"[21]

Accolades edit

On July 19, 2012, the song was nominated for a Primetime Emmy Award for Outstanding Original Music and Lyrics. In December 2012, it was also nominated for a Grammy Award for Best Song Written for Visual Media. The song lost in both categories.

Other performances edit

Megan Hilty performed the song on NBC's New Year's Eve with Carson Daly on December 31, 2011.[22]

Broadway star Andrew Rannells (The Book of Mormon, Falsettos, Hairspray, Hamilton, Hedwig and the Angry Inch, and Jersey Boys) performed a portion of the song in the persona of his Girls character, Elijah Krantz, during a Girls episode in which Elijah auditions for a fictional Broadway show.[23][24]

Release history edit

Region Date Format Label
United States January 16, 2012[25] Digital download - Digital Single Columbia Records
February 6, 2012[26] Digital download - Digital Single
May 1, 2012[27] Digital download - Digital Album

References edit

  1. ^ . Archived from the original on 6 March 2013. Retrieved 17 May 2022.
  2. ^ a b Burlingame, Jon (April 13, 2012). "Building into a 'Smash?': Music for Screens: Spring 2012". Chicago Tribune. Retrieved April 28, 2012.
  3. ^ a b Villarreal, Yvonne (March 4, 2012). "'Smash': Scott Wittman and Marc Shaiman want to make viewers hum". Los Angeles Times. Retrieved April 28, 2012.
  4. ^ Dodge, Jeff (February 13, 2012). "Is 'Smash' the Anti-'Glee'?". Buddytv.com. Retrieved April 28, 2012.
  5. ^ Epstein, Samantha (February 13, 2012). "RAVE of the week: NBC's 'Smash' hit". The Quinnipiac Chronicle. Retrieved April 28, 2012.
  6. ^ a b ""Smash" Series Premiere: "Let Me Be Your Star!"". thebacklot.com. February 7, 2012. Retrieved April 28, 2012.
  7. ^ a b Brown, Scott (February 7, 2012). "New York Magazine Stage Critic Scott Brown Reviews Smash's Show-Within-the-Show". Vulture.com. Retrieved April 28, 2012.
  8. ^ a b Brown, Scott (February 14, 2012). "Theater Critic Scott Brown Reviews Smash's Show-Within-the-Show for Week Two [UPDATED]". Vulture.com. Retrieved April 28, 2012.
  9. ^ Shetler, Scott (March 16, 2012). "'Smash' Teaser Features Broadway Legend Bernadette Peters". PopCrush.com. Retrieved April 28, 2012.
  10. ^ Tellier, Roxanne (April 17, 2012). "'Smash' Recap: How Do You Solve A Problem Like Rebecca?". Starpulse.com. Retrieved April 28, 2012.
  11. ^ Slezak, Michael (April 17, 2012). "Smash Recap: Hey Now, You're a Stage Star". TVLine. Retrieved April 28, 2012.
  12. ^ Swift, Andy (7 February 2012). "'Smash' Series Premiere Recap: Who Should Play Marilyn Monroe?". HollywoodLife.com. Retrieved April 28, 2012.
  13. ^ "Accordion Sheet Music". Sheetmusicplus.com. Retrieved 17 May 2022.
  14. ^ "'Smash' blends drama with original songs". CP24. January 30, 2012. Retrieved April 28, 2012.
  15. ^ Wieselman, Jarett (February 6, 2012). . Archived from the original on April 18, 2012. Retrieved April 28, 2012.
  16. ^ . MIX fm. Archived from the original on May 2, 2012. Retrieved April 28, 2012.
  17. ^ "Recap/Review – Smash – "The Callback" – 2/13/12". TV Is My Pacifier. February 15, 2012. Retrieved February 9, 2013.
  18. ^ . April 17, 2012. Archived from the original on January 15, 2014. Retrieved April 28, 2012.
  19. ^ "Recap/Review – Smash – "The Movie Star" – 4/16/12". Tvismypacifier.com. April 18, 2012. Retrieved April 28, 2012.
  20. ^ Schaberg, Marianne (April 17, 2012). "Smash. The Movie Star". Character Grades. Archived from the original on July 8, 2012. Retrieved April 28, 2012.
  21. ^ "'Smash' Songs: 10 Bombshells (and 5 Bombs)". Entertainment Weekly. May 26, 2013.
  22. ^ . January 1, 2012. Archived from the original on February 5, 2012. Retrieved April 28, 2012.
  23. ^ ""Girls Panders Directly to Smash Fans With Elijah's Rendition of 'Let Me Be Your Star'" by Jackson McHenry". Vulture.com. March 26, 2017. Retrieved October 5, 2017.
  24. ^ ""Watch Andrew Rannells Sing This Signature Smash Song on HBO's Girls" by Ruthie Fierberg". Playbill.com. March 30, 2017. Retrieved October 5, 2017.
  25. ^ . itunes.apple.com. Archived from the original on 12 February 2012. Retrieved 6 June 2022.
  26. ^ https://www.amazon.com/Smash-Version-Featuring-Katharine-McPhee/dp/B0074F4C3A/ref=pd_sim_dmusic_a_2[dead link]
  27. ^ "The Music of SMASH". Amazon.com. 2012.

your, star, original, song, introduced, first, episode, first, season, musical, series, smash, entitled, pilot, written, marc, shaiman, scott, wittman, show, universe, written, songwriting, levitt, christian, borle, julia, houston, debra, messing, marilyn, mon. Let Me Be Your Star is an original song introduced in the first episode of the first season of the musical TV series Smash entitled Pilot It was written by Marc Shaiman and Scott Wittman 1 but in the show s universe it was written by songwriting duo Tom Levitt Christian Borle and Julia Houston Debra Messing for the Marilyn Monroe musical they are working on Bombshell Let Me Be Your Star Single by Smash cast feat Katharine McPhee amp Megan Hiltyfrom the album The Music of Smash BombshellReleasedJanuary 16 2012Recorded2012GenrePopLength3 12 Album Version LabelColumbiaSongwriter s Marc Shaiman Scott WittmanProducer s Marc ShaimanSmash cast singles chronology The National Pastime 2012 Let Me Be Your Star 2012 History Is Made at Night 2012 In the first episode the song is performed by characters Karen Cartwright Katharine McPhee and Ivy Lynn Megan Hilty as they each prepare for and then audition for the role of Marilyn in front the production team The song has since been reprised numerous times in various episodes both as solos and duets For the first season it was also sung by Karen and Ivy in the second episode The Callback and the seventh episode The Workshop by Ivy in the sixth episode Chemistry and by Rebecca Duvall Uma Thurman in the eleventh episode The Movie Star and the fourteenth episode Previews In the second season it was reprised by Karen and several female members of the Bombshell ensemble in the first episode On Broadway and by Ivy in the eighth episode The Bells and Whistles and the eleventh episode The Dress Rehearsal The song was originally released as a single to digital music retailers and is available on the cast albums The Music of Smash and Bombshell the latter with an extended intro not heard on the show with McPhee and Hilty s vocals from the Pilot episode The song has sold 48 000 digital downloads as of April 13 2012 2 Contents 1 Production 2 Critical reception 3 Accolades 4 Other performances 5 Release history 6 ReferencesProduction editScott Wittman explained that they received notes on Let Me Be Your Star by NBC Entertainment President Bob Greenblatt Greenblatt who was nicknamed Mr Freed after the MGM producer of Singin in the Rain and Meet Me in St Louis said to the writing duo that this has to be more universal in its story It has to be about people who want something and fight for it 3 The song fulfilled the writers desire to try and make each song somehow mirror what was going on in the episode The song makes contextual sense in regards to the lives of both auditionees and Marilyn Monroe herself 2 Let Me Be Your Star along with other pilot songs The National Pastime and Beautiful fit into the storyline in a realist manner and each had a purpose to them This is one reason why the series had been described as the anti glee 4 In the pilot the song is belted by Karen and Ivy while walking through Times Square on the way to their callback auditions 5 AfterElton comments that they trade verses as they and the casting panel converge for the callback finally forming an ersatz duet as they meet outside the building where the callback is being held 6 Vulture describes the song as a propulsive non diagetic duet duel 7 Yvonne Villarreal of the Los Angeles Times describes the song as a sweeping duet battle 3 Scott Brown describes the song s reprise in the second episode The Callback as Karen and Ivy standing center stage in a pool of light around her phantom blondes spit spoken torments between the musical phrases 8 In the seventh episode The Workshop Ivy sings Let Me Be Your Star at the musical workshop while the musical s creators and other observers look on 9 In the eleventh episode The Movie Star Rebecca Duvall performs the song in a breathy Marilyn voice Roxanne Tellier of starpulse com comments that it s really more talking than singing and flat to boot She describes the scene that the song taken place in as follows The production team looks at her and each other in shock Derek cuts her off mid note and suggests they start working on blocking the scene Tom and Julia tell Rebecca that she was great 10 This sing speak version of the song causes Julia to tongue in cheekly suggest group suicide as the next step in workshopping 11 In the fifteenth episode Bombshell the final chorus of the musical s new finale Don t Forget Me segues into the concluding lyrics And please let me be let me be that star Critical reception edit Let Me Be Your Star has received critical acclaim AfterElton describes the pilot version of the song as genius blending an amazing cocktail of determination and confidence with need and desire It made comparisons with The Music and the Mirror from A Chorus Line Tonight from West Side Story and Walk Through the Fire from the musical Buffy the Vampire Slayer episode Once More with Feeling 6 Scott Brown of Vulture describes the song as the best number of the pilot and compares the driving pop injected act ender to Defying Gravity from Wicked He comments that of all the original songs featured in the pilot this one sounded the least Shaimanesque although he was confident that it would end up in the musical regardless He says that while the song has energy and lift it has a repetitive downward gliding melody line He adds that the scene itself is cut for maximum things are happening Happening right now urgency and draws a comparison with his favourite lyric from the musical episode of Community Everything s cooler when cameras are spinning Singing and dancing in unison in in ing 7 It has been described as a show stopp er 12 an instant musical theatre classic 13 and the reason for an explosive finale to the pilot 14 Jarett Wieselman of TheInsider com comments that the pilot had as energizing a denouement as he s ever seen thanks to Let Me Be Your Star and adds that the song could be Smash s very own Don t Stop Believin i e Smash s unofficial theme song in the same way that Don t Stop Believin is Glee s 15 MIX fm described the song as attention getting and stunning 16 Scott Brown comments that in the reprise in The Callback the song is more suited to the slower tempo and adds that it gives those long phrases a chance to breathe and doesn t force them to carry a whole lot of driving rhythmic energy 8 JJ of TV Is My Pacifier said Let Me Be Your Star got a reprise with a more sober orchestration making it a lot more sensitive I liked the change from the version we heard at the end of the pilot 17 TV Fanatic notes that in episode 11 The Movie Star Rebecca Duvall s version of Let Me Be Your Star was appropriately horrendous and adds all Tom and Julia could say was great ha And even that single word pained them to say 18 JJ comments that she fails to deliver 19 Marianne Schaberg of Character Grades said that Duvall s version at the workshop felt like we were watching a repeat of Lana Del Rey on SNL Yikes 20 Entertainment Weekly names the song the best song of the series noting The gold standard of Smash originals this dueling diva off capped off the spectacular pilot and set the stakes for what seemed like a phenomenal season to come Ivy and Karen s powerhouse vocals belied their intense vulnerability as they vied to play Marilyn and the stunning climax landed them in the heart of Times Square just two girls with huge dreams 21 Accolades editOn July 19 2012 the song was nominated for a Primetime Emmy Award for Outstanding Original Music and Lyrics In December 2012 it was also nominated for a Grammy Award for Best Song Written for Visual Media The song lost in both categories Other performances editMegan Hilty performed the song on NBC s New Year s Eve with Carson Daly on December 31 2011 22 Broadway star Andrew Rannells The Book of Mormon Falsettos Hairspray Hamilton Hedwig and the Angry Inch and Jersey Boys performed a portion of the song in the persona of his Girls character Elijah Krantz during a Girls episode in which Elijah auditions for a fictional Broadway show 23 24 Release history editRegion Date Format LabelUnited States January 16 2012 25 Digital download Digital Single Columbia RecordsFebruary 6 2012 26 Digital download Digital SingleMay 1 2012 27 Digital download Digital AlbumReferences edit ASCAP Database Music Search Marc Shaiman and Scott Wittman songs Archived from the original on 6 March 2013 Retrieved 17 May 2022 a b Burlingame Jon April 13 2012 Building into a Smash Music for Screens Spring 2012 Chicago Tribune Retrieved April 28 2012 a b Villarreal Yvonne March 4 2012 Smash Scott Wittman and Marc Shaiman want to make viewers hum Los Angeles Times Retrieved April 28 2012 Dodge Jeff February 13 2012 Is Smash the Anti Glee Buddytv com Retrieved April 28 2012 Epstein Samantha February 13 2012 RAVE of the week NBC s Smash hit The Quinnipiac Chronicle Retrieved April 28 2012 a b Smash Series Premiere Let Me Be Your Star thebacklot com February 7 2012 Retrieved April 28 2012 a b Brown Scott February 7 2012 New York Magazine Stage Critic Scott Brown Reviews Smash s Show Within the Show Vulture com Retrieved April 28 2012 a b Brown Scott February 14 2012 Theater Critic Scott Brown Reviews Smash s Show Within the Show for Week Two UPDATED Vulture com Retrieved April 28 2012 Shetler Scott March 16 2012 Smash Teaser Features Broadway Legend Bernadette Peters PopCrush com Retrieved April 28 2012 Tellier Roxanne April 17 2012 Smash Recap How Do You Solve A Problem Like Rebecca Starpulse com Retrieved April 28 2012 Slezak Michael April 17 2012 Smash Recap Hey Now You re a Stage Star TVLine Retrieved April 28 2012 Swift Andy 7 February 2012 Smash Series Premiere Recap Who Should Play Marilyn Monroe HollywoodLife com Retrieved April 28 2012 Accordion Sheet Music Sheetmusicplus com Retrieved 17 May 2022 Smash blends drama with original songs CP24 January 30 2012 Retrieved April 28 2012 Wieselman Jarett February 6 2012 Is Smash Anything To Sing About Archived from the original on April 18 2012 Retrieved April 28 2012 Chris Brown to Release Fortune in July MIX fm Archived from the original on May 2 2012 Retrieved April 28 2012 Recap Review Smash The Callback 2 13 12 TV Is My Pacifier February 15 2012 Retrieved February 9 2013 Smash Review The Movie Star April 17 2012 Archived from the original on January 15 2014 Retrieved April 28 2012 Recap Review Smash The Movie Star 4 16 12 Tvismypacifier com April 18 2012 Retrieved April 28 2012 Schaberg Marianne April 17 2012 Smash The Movie Star Character Grades Archived from the original on July 8 2012 Retrieved April 28 2012 Smash Songs 10 Bombshells and 5 Bombs Entertainment Weekly May 26 2013 New Year s Eve Tinker Bell and Smash Screenings January 1 2012 Archived from the original on February 5 2012 Retrieved April 28 2012 Girls Panders Directly to Smash Fans With Elijah s Rendition of Let Me Be Your Star by Jackson McHenry Vulture com March 26 2017 Retrieved October 5 2017 Watch Andrew Rannells Sing This Signature Smash Song on HBO s Girls by Ruthie Fierberg Playbill com March 30 2017 Retrieved October 5 2017 ITunes Music Let Me be Your Star SMASH Cast Version feat Katharine McPhee amp Megan Hilty Single by SMASH Cast itunes apple com Archived from the original on 12 February 2012 Retrieved 6 June 2022 https www amazon com Smash Version Featuring Katharine McPhee dp B0074F4C3A ref pd sim dmusic a 2 dead link The Music of SMASH Amazon com 2012 Retrieved from https en wikipedia org w index php title Let Me Be Your Star amp oldid 1206158511, wikipedia, wiki, book, books, library,

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