Frontispiece from a piano reduction of pieces taken from the Mazilier/Adam Le Diable à quatre, 1845. The frontispiece depicts, from left to right, Lucien Petipa, Jean Coralli, Carlotta Grisi, Maria Mazilier, and Joseph Mazilier.Aleksander Tarnowski as the Count and Konstancja Turczynowicz as the Peasant, 1847
Restaging by the Polish ballet master Roman Turczynowicz entitled Hrabina i wieśniaczka (The Countess and the Peasant) with Józef Stefani revising Adam's score for the Ballet of the Grand Theatre in Warsaw. First presented 28 October 1847. Principal dancers: Konstancja Turczynowicz (as Ninetta, the Peasant), Felix Kschessinsky (as Maturyn, the Basket Maker), Teodora Gwozdecka (as Amelia, the Countess) and Aleksander Tarnowski (as Count de St. Leon).[2]
Revival by Marius Petipa for the Imperial Ballet under the title La femme capricieuse, with Ludwig Minkus revising Adam's score in Pugni's 1850 revision. First presented on 23 January/4 February 1885 at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. For this revival Petipa changed the name of the principal ballerina's role from Mazourka to Countess Berta. Principal dancers: Eugeniya Sokolova (as Mazourka), Mariia Gorshenkova (as the Basket Maker wife), and Pavel Gerdt (as Count Polinski).
Variations from Adam's score for Le Diable à quatre were used for the male variation from the famous Paquita pas de trois (Minkus pas de trois) and the male variation from Flower Festival in Genzanopas de deux.
3-act revival with choreography by Ronald Hynd designed by Peter Docherty musical arrangement of Adam's score by John Lanchbery. Premiere for PACT Ballet South Africa June 26, 1984. Revival for Santiago Ballet Chile October 8, 1989. Both won Best Ballet Award 1984–89.
Galleryedit
Marie Surovshchikova-Petipa as Mazourka, St. Petersburg, 1861
Act II-Scene 3, with Carlotta Grisi and Lucien Petipa, Paris, 1845
Recordingedit
Richard Bonynge conducted the London Symphony Orchestra in a recording of an 1850 edition of Adolphe Adam's score for Le Diable à quatre as staged in Berlin. The recording was released on the label Decca on both CD and LP.
^Janina Pudełek, Warszawski balet romantyczny, 1802-1866, Polskie Wydawnictwo Muzyczne, Kraków 1968.
April 09, 2024
diable, quatre, ballet, diable, quatre, ballet, acts, three, scenes, three, acts, with, choreography, joseph, mazilier, music, adolphe, adam, libretto, adolphe, leuven, first, presented, ballet, académie, royale, musique, august, 1845, with, carlotta, grisi, m. Le Diable a quatre is a ballet in two acts and three scenes or in three acts 1 with choreography by Joseph Mazilier music by Adolphe Adam and libretto by Adolphe de Leuven first presented by the Ballet of the Academie Royale de Musique on 11 August 1845 with Carlotta Grisi as Mazourka and Lucien Petipa as Count Polinski Frontispiece from a piano reduction of pieces taken from the Mazilier Adam Le Diable a quatre 1845 The frontispiece depicts from left to right Lucien Petipa Jean Coralli Carlotta Grisi Maria Mazilier and Joseph Mazilier Aleksander Tarnowski as the Count and Konstancja Turczynowicz as the Peasant 1847 Contents 1 Revivals 2 Gallery 3 Recording 4 NotesRevivals editRestaging by the ballerina Ekaterina Sankovskaya for the Ballet of the Moscow Imperial Bolshoi Theatre first presented 15 27 December 1846 Julian Gregorian calendar dates in Moscow Russia Restaging by the Polish ballet master Roman Turczynowicz entitled Hrabina i wiesniaczka The Countess and the Peasant with Jozef Stefani revising Adam s score for the Ballet of the Grand Theatre in Warsaw First presented 28 October 1847 Principal dancers Konstancja Turczynowicz as Ninetta the Peasant Felix Kschessinsky as Maturyn the Basket Maker Teodora Gwozdecka as Amelia the Countess and Aleksander Tarnowski as Count de St Leon 2 Restaging by Jules Perrot for the Imperial Ballet in 4 Acts 5 Scenes with Cesare Pugni extensively revising and adapting Adam s score First presented on 14 26 November 1850 at the Imperial Bolshoi Kamenny Theatre in St Petersburg Russia Revival by Marius Petipa for the Imperial Ballet under the title La femme capricieuse with Ludwig Minkus revising Adam s score in Pugni s 1850 revision First presented on 23 January 4 February 1885 at the Imperial Bolshoi Kamenny Theatre in St Petersburg Russia For this revival Petipa changed the name of the principal ballerina s role from Mazourka to Countess Berta Principal dancers Eugeniya Sokolova as Mazourka Mariia Gorshenkova as the Basket Maker wife and Pavel Gerdt as Count Polinski Variations from Adam s score for Le Diable a quatre were used for the male variation from the famous Paquita pas de trois Minkus pas de trois and the male variation from Flower Festival in Genzano pas de deux 3 act revival with choreography by Ronald Hynd designed by Peter Docherty musical arrangement of Adam s score by John Lanchbery Premiere for PACT Ballet South Africa June 26 1984 Revival for Santiago Ballet Chile October 8 1989 Both won Best Ballet Award 1984 89 Gallery edit nbsp Marie Surovshchikova Petipa as Mazourka St Petersburg 1861 nbsp Act II Scene 3 with Carlotta Grisi and Lucien Petipa Paris 1845Recording editRichard Bonynge conducted the London Symphony Orchestra in a recording of an 1850 edition of Adolphe Adam s score for Le Diable a quatre as staged in Berlin The recording was released on the label Decca on both CD and LP Notes edit Oxford Dictionary of Dance Le Diable a quatre Janina Pudelek Warszawski balet romantyczny 1802 1866 Polskie Wydawnictwo Muzyczne Krakow 1968 Retrieved from https en wikipedia org w index php title Le Diable a quatre ballet amp oldid 1179333852, wikipedia, wiki, book, books, library,
